Academic literature on the topic 'Sigimsae'

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Journal articles on the topic "Sigimsae"

1

Kim, Jung hi. "An Examination of the Types of Sigimsae in Korean Folk Songs." STUDIES IN KOREAN MUSIC 46 (December 30, 2009): 49–80. http://dx.doi.org/10.35983/sikm.2009.46.49.

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2

Sheen, Dae-Cheol. "A Rumination on the Modes and the Sigimsae of Korean Traditional Music." STUDIES IN KOREAN MUSIC 62 (December 31, 2017): 7–18. http://dx.doi.org/10.35983/sikm.2017.62.7.

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Kim, Jeong-Seung. "Study on the sigimsae of pyeongjo and gyemyeonjo in Jeongak - Focused on the analysis about sigimsae of each instrument players and the review of 3 modal theories about Yeongsanhoesang -." Tongyang Ŭmak 39 (June 30, 2016): 29–67. http://dx.doi.org/10.33452/amri.2016.39.29.

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Han, Yun-Yi. "A Study on the Sigimsae Instruction Presented in Music Textbooks for Elementary Schools." National Gugak Center 40 (December 31, 2019): 265–99. http://dx.doi.org/10.29028/jngc.2019.40.265.

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Suh, Han bum. "Identifying musical characteristics of Northern area of Korea(Seo-do) : focusing on Sigimsae in Minyo and Juachang." STUDIES IN KOREAN MUSIC 46 (December 30, 2009): 135–60. http://dx.doi.org/10.35983/sikm.2009.46.135.

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Kim, Hyunhee. "A Study on the Sigimsae of JI Younghee’s Haegeum Julpungnyu - Focused on Bon-yeongsan recorded in 1969 -." National Gugak Center 40 (December 31, 2019): 99–126. http://dx.doi.org/10.29028/jngc.2019.40.099.

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장원희. "A comparative study among the Sigimsaes in Gayageum Sanjo: focusing on Ujo of Jinyang in Eight Schools." journal of Ewha Music Research Institute 22, no. 1 (2018): 145–79. http://dx.doi.org/10.17254/jemri.2018.22.1.004.

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Dissertations / Theses on the topic "Sigimsae"

1

Oh, Eun Suk. "An Analytical Study of Isang Yun's "Oboe and Oboe D'amore Concerto": The Intercultural Adaptation of Sigimsae for the Korean Piri with Modern Western Compositional Techniques for the Oboe." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707332/.

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Isang Yun (1917-1995), one of the most important avant-garde German-Korean composers, is perhaps best known for his success at integrating Korean musical elements into traditional Western styles. His Concerto for Oboe, Oboe d'amore, and Orchestra incorporates many traditional Korean elements, and uses techniques such as Hauptton, Hauptklang, and Umspielung to blend these elements into a Western musical style. This study explores the elements of traditional Korean music and instruments present in Yun's score, examines his compositional techniques, and makes practical performance suggestions that allow performers to properly convey his intentions. This dissertation includes six chapters. The first chapter discusses the purpose and importance of the study. The second chapter reviews Isang Yun's biography and works, based on a published interview with Yun and a biography written by his wife of many years. The third chapter introduces the characteristics of traditional Korean woodwind instruments relevant to the work. The fourth chapter examines Yun's compositional techniques of Hauptton, Hauptklang, and Umspielung in the work and their relationship with the main-tone and Sigimsae techniques. The fifth chapter introduces and explores different types of Sigimsae in the work, with suggestions for quarter-tone performance techniques. The sixth and last chapter is a conclusion.
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Yun, Yeomin. "The Sound of Saxophone from South Korea:A Performer’s Guide to Young Jo Lee’s Sori No.10 for alto saxophone." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1415631920.

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