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Books on the topic 'SIGNATURE FILES'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 January 2023

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1

Faloutsos, Christos. Signature files: an access method for textual messages. Toronto: University of Toronto, Dept. of Computer Science, 1986.

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2

Films of Nabyendu: Signature of humanism. Kolkata: Pradip Biswas, 2006.

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3

Rivera, Christine. Signature. New York: Wiley, 1992.

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4

Rivera, Christine. Signature: Command reference. New York: Wiley, 1992.

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5

Campbell, Arthur R. G. XyWrite 4 macros. New York: Windcrest/McGraw-Hill, 1993.

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6

Kim, Ann G. Laboratory determination of signature criteria for locating and monitoring abandoned mine fires. Washington, D.C: U.S. Dept. of the Interior, Bureau of Mines, 1991.

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7

Faloutsos, Christos. Signature files: an access method for textual messages. 1987.

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8

Signature Series: Microsoft Word 2013 - Text with Data Files CD. Kendall Hunt Publishing Company, 2020.

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9

Design and performance evaluation of signature files for text retrieval systems. Ann Arbor, Mich: University Microfilms International, 1991.

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10

Files From The Colby Agency: The Bodyguard's Baby\Protective Custody (Select Signature Miniseries). Harlequin, 2005.

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11

Franchi, Rudy, Ben Samuels, and Barbara Franchi. Lost Hollywood Collection Featuring Photos from the Culver Picture Service Files Heritage Signature Auction #636. Heritage Auctions, Inc., 2006.

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12

Corel Wordperfect 9: Spiral (Signature Series (Saint Paul, Minn.).). EMC/Paradigm Publishing, 1999.

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13

Alcott, Louisa May. Signature Classics - Little Women (Signature Classic Series). Trident Reference Publishing, 2000.

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14

Allan, Poe Edgar. The Goldbug (Signature Collection). Snowbooks, 2005.

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15

Signature Classics - Little Women. Trident Reference Publishing, 2000.

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16

Rutkosky, Nita Hewitt, and Nancy Graviett. Corel Wordperfect 10 (Signature Series (Saint Paul, Minn.).). EMC/Paradigm Publishing, 2002.

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17

Yoshida, Junji. Laughing in the Shadows of Empire. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190254971.003.0010.

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Ozu Yasujiro’s apprenticeship coincided with the steady rise of comedy in Japanese film. Before he developed his signature “urban petit bourgeois genre” films (shōshimin geki), he was influenced by the work of Charlie Chaplin, Harold Lloyd, and Ernst Lubitsch. It is widely believed, however, that Ozu’s interest in comedy had dissipated during World War II. The idea of a polarization between early and late Ozu is bolstered by his wartime production of two so-called national policy films. The chapter aims to critique this by recalling the way in which the rising tide of nativist xenophobia impinged on Ozu’s caricature of anti-mobo/moga jingoists. He began to employ a range of humorous strategies to recalibrate shōshimin geki for the requirements of patriotic war efforts. His film projected and made visible not only the society at war but the very structure and process of embodied fascist vision.

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18

Vogan, Travis. Creating and Sustaining America’s Game. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038389.003.0002.

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This chapter charts the National Football League's (NFL) meteoric rise, thanks to NFL Films' unwavering designation of pro football as a unique and unifying reflection of America. Fueled by a combination of sport and media's increasingly profitable symbiosis and Commissioner Pete Rozelle's image-consciousness, the NFL enhanced its marketing efforts during the 1960s and began to diversify aggressively, creating branded products that reached out to audiences beyond the white, middle-class men who composed its typical fan base. The Rozelle-era NFL solidified its prominence in American culture through its merger with the American Football League and subsequent development of the Super Bowl. This chapter examines how the NFL made connections to as many potential fans as possible by establishing national television exposure, branding various items, organizing athletic events for kids, donating to charitable causes, and creating a tourist attraction. It looks at one production that codified NFL Films' signature aesthetic practices, They Call It Pro Football, and how it situates professional football as “the sport of our time.”

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19

Rowling, J. K. Harry Potter and the Goblet of Fire Signature. Bloomsbury Publishing Inc, 2010.

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20

Expert Oracle, Signature Edition Programming Techniques and Solutions for Oracle 7.3 through 8.1.7 (Expert One-On-One). Apress, 2005.

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21

Edition, CedSoof. Livre d'autographes de Football: Carnet d'autographes Football Pour Garçons Ou Filles, Ce Livre de Signature Est Idéal Pour Récolter les Signatures des Stars du Ballon Rond. Ce Cahier d'autographes Est le Cadeau Idéal Pour Enfants et Ados Fan de Foot. Independently Published, 2020.

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22

Raykoff, Ivan. Liberace’s Musical/Material Appeal. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199935321.013.175.

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Inspired by the celebrated pianist-bandleaders Eddy Duchin and Carmen Cavallaro and the cinematic technique of José Iturbi in Hollywood films, pianist-entertainer Liberace (1919–1987) developed a distinctive and highly successful aesthetic and performance style that prioritized visual spectacle and emphasized the tactile elements of his playing. As evident in his first Soundies from 1943, then his nationally syndicated television show in the 1950s, Liberace highlighted the physicality and materiality of his music-making, an approach that later evolved into the signature props and flashy costumes of his live stage shows. The new medium of television enabled Liberace to integrate the traditions of Romantic pianism with new genres of popular music in a highly embodied manner that appealed to his fans as much as it bothered his critics invested in music’s physical and material transcendence.

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23

Rowling, J. K. Harry Potter and the Goblet of Fire: Signature Edition. Bloomsbury, 2010.

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24

Rowling, J. K. Harry Potter and the Prisoner of Azkaban: Signature Edition. Bloomsbury Publishing Plc, 2010.

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25

Fay, Jennifer. Nuclear Conditioning. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190696771.003.0003.

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Nevada’s Atomic Testing Site hosted nuclear atmospheric tests from the late 1940s to the early 1960s and doubled as both an outdoor laboratory and a film studio. Here, worlds meant to resemble small American towns in every detail were built and obliterated by nuclear explosions, giving rise to thousands of nuclear test films. Cinema transforms explosions into aesthetic experiences, turns the chaos of fallout into comprehensible narratives, and trains viewers to survive or endure the culture of nuclearism. Cinema naturalizes this regime that leaves a stratigraphic signature in the planet’s geological record, a signal so pronounced that geologists propose that the Anthropocene began in 1945 with the first atomic test. The chapter concludes with consideration of “Project Plowshare,” a proposed program to use atomic bombs for “geological engineering.” Operation Plowshare targets the earth’s “unfriendly terrain” to make it useful and welcoming to human development and global commerce.

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26

Tulloch, John, and Belinda Middleweek. Conclusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190244606.003.0014.

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This book has provided a new reading of the transformation of intimacy that can be found in real sex films using an interdisciplinary perspective drawing on new risk sociology; feminist critical geography; and literary and film studies concepts such as structure of feeling, narrative, genre, stardom, social audience, spectatorship, and mise en scène. In this pursuit the book has incorporated a bricoleur methodology of social audience and textual analysis and devised a “soft ethnography” to explore the different authorial signatures on a filmic text. By viewing real sex cinema through a variety of theoretical, empirical, sociohistorical, and reflexive lenses, it has suggested ways that readers can bring to the cinematic experience their own search for a mutual understanding of ideas and perspectives and yet also, like our social audience groups in their discussions with one another, a sense of critical extension as well.

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27

Tulloch, John, and Belinda Middleweek. Beyond High Theories of Intimacy. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190244606.003.0012.

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Chapter 10 explores the ways in which intertexuality within and between the stages of writing, directing, and performing the film The Piano Teacher create a multi-authored text. In the absence of an ethnography of production impossible for films made in the past, the authors devised a “soft ethnography” approach focused on some key players in this “multiply authored” semiotic model (namely, the prize-winning author, director, and lead actor) to suggest the flow and feedback between these different “signatures” in the text. This soft ethnography is grounded in knowledge of the writer’s discursive history and politics, the director’s television/film sense of liberation via “obscene” cinema, and the actor’s “directing” (via her construction of character) through her performance as a developing part of her star persona. These personal/public negotiations are symptomatic of the reflexive “synthesize and extend” interdisciplinary approach of Real Sex Cinema.

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28

Zoil, Livres. Livre d'or 30 Ans Anniversaire : Livre de Signature et de Messagerie d'anniversaire : Idée de Cadeau Pour Marquer une Année Spéciale: Décoration Pour la Célébration du 30e Anniversaire Pour les Garçons et les Filles. Independently Published, 2021.

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29

Zoil, Livres. Livre d'or 15 Ans Anniversaire : Livre de Signature et de Messagerie d'anniversaire : Idée de Cadeau Pour Marquer une Année Spéciale: Décoration Pour la Célébration du 15e Anniversaire Pour les Garçons et les Filles. Independently Published, 2021.

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30

Zoil, Livres. Livre d'or 60 Ans Anniversaire : Livre de Signature et de Messagerie d'anniversaire : Idée de Cadeau Pour Marquer une Année Spéciale: Décoration Pour la Célébration du 60e Anniversaire Pour les Garçons et les Filles. Independently Published, 2021.

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31

Zoil, Livres. Livre d'or 80 Ans Anniversaire : Livre de Signature et de Messagerie d'anniversaire : Idée de Cadeau Pour Marquer une Année Spéciale: Décoration Pour la Célébration du 80e Anniversaire Pour les Garçons et les Filles. Independently Published, 2021.

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32

Erk, Corina, and Brad Prager, eds. Ulrich Seidl. edition text + kritik im Richard Boorberg Verlag, 2020. http://dx.doi.org/10.5771/9783967074260.

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Ulrich Seidl (*1952) hat einen nahezu unvergleichlichen Stil, der bis zu seinem ersten Film "Einsvierzig" (1980) zurückreicht. In der Folgezeit drehte Seidl über zwei Dutzend Filme und wurde zu einem der provokantesten Filmemacher Österreichs. Ulrich Seidl ist nicht nur ein scharfer Kritiker seiner Heimat. Das Werk des Regisseurs zeichnet sich vor allem durch eine einzigartige filmische Stilistik aus: Die meisten seiner Filme vermischen fiktionale Anteile und dokumentarische Techniken; unabhängig von ihrer vermeintlichen Künstlichkeit wirken die Filme realistisch und authentisch. Das bisweilen verstörende Verhalten der Protagonisten, das in Filmen wie "Hundstage", der 2001 den Großen Preis der Jury bei den Filmfestspielen von Venedig gewann, "Im Keller" (2014) oder "Safari" (2016) zum Ausdruck kommt, ermöglicht einen Blick in die dunkelsten Abgründe Österreichs und in die privaten Höllen der Menschen, die porträtiert werden. Der Band gibt nicht nur eine Einführung in zentrale Aspekte des Seidl'schen Schaffens sowie der Rezeption seiner Filme, sondern befasst sich auch mit den Schlüsselelementen von Seidls Signatur als 'auteur': seiner Kritik an bürgerlichen Verhaltensnormen, seinem Interesse an fotoästhetischen Darstellungsweisen sowie seiner Bereitschaft, die Figuren in kuriosen bis hin zu peinlichen Situationen zu zeigen – alles um seiner Filme willen. Corina Erk ist Akademische Rätin am Lehrstuhl für Literatur und Medien an der OttoFriedrichUniversität Bamberg. Forschungsschwerpunkte: RAFTerrorismus in Film, Literatur und Musik, Mythos RAF, Kino und Erinnerungskulturen, Gedächtnisforschung, Lyrikgeschichte, theorie und analyse, deutscher Gegenwartsfilm, Christian Petzolds Kino. Brad Prager ist Professor für German Studies sowie Film Studies an der University of Missouri. Forschungsschwerpunkte: Ästhetik und Theorie des Films, Geschichte des deutschen Kinos, Gegenwartsfilm, Holocaustgeschichte und Erinnerungskultur, Werner Herzog.

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