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Journal articles on the topic 'Significations of work'

Author: Grafiati

Published: 15 June 2024

Last updated: 31 July 2025

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1

Leonard, Kendra Preston. "Significations of Religious Desire in Louise Talma’s The Alcestiad." Religion and the Arts 17, no. 3 (2013): 289–310. http://dx.doi.org/10.1163/15685292-12341274.

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Abstract American composer Louise Talma’s opera The Alcestiad can be read as a highly autobiographical work; its themes can be understood as crucial elements of Talma’s own life. These correlations include: the demands and restrictions of society upon women’s behavior and desires, particularly its emphasis upon conforming to heteronormative performance, represented by Alcestis’s hesitant acceptance of marriage and motherhood, and Talma’s reluctant career as a pedagogue and internal conflict over her relationship with Nadia Boulanger; and the yearning for a life of devotion to a religion and a

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BĂCILĂ, Florina-Maria. "LES SIGNIFICATIONS DU NOM ȘOAPTĂ DANS LA POÉSIE DE TRAIAN DORZ." Studii și cercetări de onomastică și lexicologie, no. 1-2 (February 12, 2023): 201–10. http://dx.doi.org/10.52846/scol.2022.1-2.11.

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This paper aims to discuss some meanings of the noun șoaptă/ ‘whisper’ (derived by backformation), as reflected in the confessional poetry of Traian Dorz - a contemporary Romanian author whose work is undoubtedly the fruit of the spiritual experiences that have decisively marked his existential route. In fact, the relationship of the human being with God (in the earthly sphere, but also from the perspective of eternity) remains a constant theme of this work dedicated to the astonishing feeling of His unmistakable love, in connection with which everything is situated, more than once, within the

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Dulguerova, Elitza. "Ouverture pour cause d’inventaire. Figures et significations de l’exhaustivité en exposition." RACAR : Revue d'art canadienne 43, no. 2 (2018): 11–24. http://dx.doi.org/10.7202/1054379ar.

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This article examines how exhaustiveness serves as a guiding principal for certain exhibitions, and particularly as a means of critiquing selection as the dominant method of promoting specific artworks, artists, and movements. It begins by outlining the possible genealogies of this attitude in the history of exhibition forms, as well as artists’ experiments with these forms. It then focuses on the work of curators Michael Fehr, Véronique Souben, and Rebecca Duclos and David K. Ross, who, in different contexts, have used notions of inventory and storage to exhaustively present collections. Thes

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Mohammed, Wafaa Dahham. "A Cultural Based Pragmatic Approach for Analysing English- Arabic Dramatic Cultural References with Reference to Translation." JOURNAL OF LANGUAGE STUDIES 3, no. 1 (2023): 29–49. http://dx.doi.org/10.25130/jls.3.1.3.

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Translation of cultural references can be effective and beneficially achieve various purposes depending on how they are transferred into another language. Virtually, cultural references refer to any word with considerably conceptual effects used for influencing conventional and societal intents. However, cultural references that are relatively belonged to a certain language are not equally observed in culture of another language; they derive their significations from the cultural characteristics of a community. Wherefore, cultural significations suchlike conventions, aesthetic values, and doct

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Liu, Zhongchen, and Guyong Lee. "Signification of Contemporary Chinese Art through a Semiotic Aspect: Focusing on the Visual Symbols Shown in the Work." Korean Society of Culture and Convergence 45, no. 11 (2023): 711–26. http://dx.doi.org/10.33645/cnc.2023.11.45.11.711.

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This study employs semiotic theory to explore the visual symbols and their meanings in contemporary Chinese art. By analyzing the visual symbols of specific artworks through case studies and interpreting their meanings centered around Roland Barthes's theory of myth, the research delves into the association between art and semiotics in various artistic forms including two-dimensional, three-dimensional, and digital visual symbols. Focusing on works created after the 1979 'Star Art Exhibition', it provides a nuanced understanding of the semiotics and visual symbols in contemporary Chinese art,

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FREZ, Carolina Soraggi, and Emma Elisa Carneiro de CASTRO. "Experiências de cardiopatas submetidos à cirurgia cardíaca: um estudo exploratório." PHENOMENOLOGICAL STUDIES - Revista da Abordagem Gestáltica 26, no. 3 (2020): 279–91. http://dx.doi.org/10.18065/2020v26n3.4.

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This paper aims to investigate and describe significations of the experience of cardiopaths who were submitted to cardiac surgery, using the Gestalt-therapy as theoretical basis. The sample was composed by five post surgical pacientes, one woman and four men, ageing between 52 and 65 years old, married, self-declared white and brown, with scholarly between fundamental and medium levels. After the semiestructered intervieweds were done, the data was analysed through the tematic content analysis. The results of this study expose that the main significations related to the cardiac surgery refer t

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Ferrer, Diogo. "Notas acerca dos Pressupostos e Consequências da Críticaao Relativismo Nos Prolegómenos À Lógica Pura de Husserl." Phainomenon 16-17, no. 1 (2008): 81–92. http://dx.doi.org/10.2478/phainomenon-2008-0015.

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Abstract Notwithstanding its critical and refutative method and scope, which are so different from his subsequent phenomenological work, Husserl’s Prolegomena to Pure Logic lays the foundations for that later work. His refutation of relativism is based upon the existence of a general form for scientific “foundations”, the availability of non-linguistic evidence of pure significations and the possibility of the subject reflecting upon its own acts, which also pave the way for Phenomenology. This paper also points out that, although the later relativist philosophy often rested on exactly the opp

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Wilson, Sarah. "All the Missiles Are One Missile Revisited: Dazzle in the Work of Zofia Kulik." Arts 11, no. 6 (2022): 116. http://dx.doi.org/10.3390/arts11060116.

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This essay revisits one of Polish artist Zofia Kulik’s most important ‘photocarpets’, produced in a moment of hope, retrospection yet continuing war in 1993; seen by an international public in 1997. Visually, its composition is dominated by late Soviet sculptures symbolising Mother Russia and military aggression, yet the composition, ‘kilim-like’, with an additional reference to Polish Catholicism, involves bilateral and rotational symmetries which undermine significations of power and might with various other symbols: bodies, naked or draped, and Polish TV screenshots from both the military a

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Varvarousis, Angelos. "Crisis, liminality and the decolonization of the social imaginary." Environment and Planning E: Nature and Space 2, no. 3 (2019): 493–512. http://dx.doi.org/10.1177/2514848619841809.

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The decolonization of the social imaginary has been proposed as an important dimension of the transition towards a degrowth society. However, although omnipresent in the degrowth literature, the terms “social imaginary” and “social imaginary significations” have not been adequately explained. This creates a level of mystification that limits the analytical value of the degrowth framework. In addition, there is very little theoretical work on how actual social imaginaries can be decolonized and transformed. This paper first tries to clarify those concepts. Subsequently, it develops a theoretica

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Shehzad, Umar. "“[D]elete the face it’s preferable”: Prosopagnosia as an Artistic Practice in Samuel Beckett’s Work." Journal of Modern Literature 48, no. 3 (2025): 162–79. https://doi.org/10.2979/jml.00090.

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Abstract: Illegibility of face is the leitmotif of Samuel Beckett’s work from page to stage. Paring down the face to its barest minimum, divesting it of identity and expression, dislocating it from its usual carriage, and, in some instances, dismantling it altogether, Beckett’s work turns the face unrecognizable, evoking a condition experienced by people suffering from prosopagnosia, commonly known as face-blindness, which is a neurological disorder with varying specificities. The usual set of significations embodied by the face, i.e. identity, expression, sex, age, and direction of attention,

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Chiang, Shiao-Yun, and Ho Hon Leung. "Making a home in US rural towns: the significations of home for Chinese immigrants' work, family, and settlement in local communities." Community, Work & Family 14, no. 4 (2011): 469–86. http://dx.doi.org/10.1080/13668803.2011.574871.

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Cuc, Bogdan Sebastian. "From Body to Word…, From Word to Eros." Romanian Journal of Psychoanalysis 12, no. 2 (2019): 119–30. http://dx.doi.org/10.2478/rjp-2019-0020.

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Abstract When describing the two instincts in his work “The Ego and the Id”, Freud says that the “Eros, by bringing about a more and more far-reaching combination of the particles into which living substance is dispersed, aims at complicating life and at the same time, of course, at preserving it”. This complication, which I consider to be rather an increased complexity, can be found in the patients’ discourse through the diversification of means of expression and attributed significations, when their “stories” open up to us and to new meanings… However, when stories are meant to free the body

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Canceran, O.P., Delfo. "Theologizing on the Arts: The Photo of the Child and Vulture." Philippiniana Sacra 50, no. 151 (2015): 543–52. http://dx.doi.org/10.55997/ps3005l151a4.

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This essay provides a preliminary sketch in doing a systematic theology on the arts. The art work like the picture of the child with the vulture cannot be framed by theologian because one needs to consider the triadic relationship exhibited in the photo between the photographer, the child with the vulture and the viewers who are trying to capture the incident by their own impression. However, by putting them together in the event surrounding the photo, the art work overflows with significations that can never be closed and totalized. Theologians can only make a provisionary or tentative analys

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Lange, Armin, and Zlatko Pleše. "Transpositional Hermeneutics." Journal of Ancient Judaism 3, no. 1 (2012): 15–67. http://dx.doi.org/10.30965/21967954-00301003.

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This article argues that similar yet distinct hermeneutical approaches can be observed in the Derveni papyrus, the exegetical work of Aristobulus of Alexandria, and the Qumran Pesharim. These similarities go back to a widespread hermeneutical system that was triggered by cultural and religious estrangement from authoritative texts. Such estrangement developed when the authoritative status of scripturalized cultural memories prevented their adjustment to evolving cultures by way of reworking (textual fixity). The transposition of isolated elements from these scripturalized cultural memories int

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Ali Qurbi, Essa. "Ambiguous Word Processing among Second Language Learners." Canadian Modern Language Review 78, no. 2 (2022): 151–73. http://dx.doi.org/10.3138/cmlr-2020-0115.

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Cette étude porte sur le traitement, par des apprenants d’une langue seconde, de mots ambigus (p. ex., bank, en anglais : 1] une institution financière, 2] la rive d’une rivière/d’un lac) et sur la capacité de ces apprenants d’activer la signification secondaire aussi rapidement que la signification dominante. Des participants ayant l’anglais comme langue primaire et comme langue seconde ont utilisé un paradigme de fenêtres pour effectuer une tâche de lecture à leur rythme, où toutes les phrases s’orientaient vers la deuxième signification (c.-à-d., bank comme la rive d’une rivière/d’un lac).

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Robb Larkins, Erika. "Guarding the Body." Conflict and Society 3, no. 1 (2017): 61–72. http://dx.doi.org/10.3167/arcs.2017.030105.

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Drawing on 12 months of ethnographic fieldwork in the private security industry, this article focuses on the training of low-level guards, examining the centrality of the body and embodied experience to their work in hospitality settings. In a racially stratified society in which lower-class, dark-skinned bodies are oft en equated with poverty and criminality, security guards are required to perform an image of upstanding, respectable, law-abiding citizens in order to do their jobs protecting corporate property. Guards learn techniques of body management at security schools as part of their ba

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Marrone, Gianfranco. "Food meaning: From tasty to flavorful." Semiotica 2016, no. 211 (2016): 187–201. http://dx.doi.org/10.1515/sem-2016-0103.

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AbstractConsidering as a starting point Greimas’s last work (De l’imperfection), taken into very little consideration by later semiotic research, I would like to see whether it would be possible to make, in the field of taste, the distinction that Greimas did in the visual field: between a “figurative” taste (that I should call tasty) and a “plastic” taste (that I should call flavorful). Much has been discussed about the synesthetic nature of gustatory sensoriality. But very little has been said about links and differences between an intellectualistic taste perception (i. e., recognition of fi

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Badescu, Sanda. "Espace fermé, espace ouvert : Proust à la recherche du familier." L’espace à travers l’imaginaire littéraire, no. 122 (July 13, 2023): 21–30. http://dx.doi.org/10.7202/1101618ar.

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The limited space of the room acquires unique significations in Proust. The work In Search of Lost Time is built on numerous oppositions that are also expressed at the level of space: the novelist reveals how a room can be either threatening or welcoming, depending on the imagination that is invested in it. Thus, the child narrator's bedroom, benevolent, can become a torment when night falls and he has to be alone, and the hotel room, threatening and disturbing, can turn into a quiet and reassuring space thanks to the intervention of the female character, namely the grandmother. The duality of

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Adams, Suzi, and Johann P. Arnason. "A Conversation on Social Imaginaries: Culture, Power, Action, World." International Journal of Social Imaginaries 1, no. 1 (2022): 129–47. http://dx.doi.org/10.1163/27727866-01010006.

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Abstract The conversation begins with reflections on social imaginaries as a crossroads concept, capable of integrating insights from multiple sources; this point is developed through references to the works of Marx, Durkheim and Weber, and followed by comments on Charles Taylor’s hermeneutical realism, as well as on the task of rethinking psychoanalysis. Marcel Gauchet’s approach is noted as the most promising perspective on the latter field. Further discussion deals with the concept of imaginary significations as a key to the theory of culture, and then moves on to two foreshadowed but notab

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Roiniță, Alina. "Poetical patterns in Nichita Stănescu’s poems." Journal of Education Culture and Society 7, no. 2 (2016): 316–27. http://dx.doi.org/10.15503/jecs20162.316.327.

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Through our study we have established a potential pattern of analysis over the aspect of poetical language. The theme was determined by the purpose of implementing the particular linguistic model created by N. Stănescu, which we call the nichitastănescu pattern. We exemplified the model by identifying the compositional values and the structures that contribute to the creation of a linguistic frame built to measure the main semantics, through which the poetical language is internalized and aestheticized. We also use a specific poetical construction model based on the triadic analysis pattern pr

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Bundgård, Peer F. "Kognition og narrativitet." K&K - Kultur og Klasse 34, no. 101 (2006): 108–21. http://dx.doi.org/10.7146/kok.v34i101.22328.

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Det narrative skema som grundlæggende kognitivt skema Cognition and narrativityThis paper aims at establishing the origin of the narrative schema in the perception of intentional movements. The distinction between mechanical and intentional movements is vital for human beings, and the narrative schema, which is underpinned by this distinction, is therefore claimed to be a basic cognitive principle of intelligibility. This is the reason why the narrative schema is by no means confined to the domain of the literary work of art or telling in general. It is rather a major principle for the combina

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Al-Zarāl, Ṣalāḥ Al-Dīn. "Applied Semantics and the Qur'an: Izutsu's Methodology as a Case Study." Journal of Qur'anic Studies 14, no. 1 (2012): 200–173. http://dx.doi.org/10.3366/jqs.2012.0047.

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This article focuses on the methodology of the Japanese scholar, Toshihiko Izutsu, as put forward in his God and Man in the Koran: Semantics of the Koranic Weltanschauung. This work is a semantic reading of the Qur'an in which its author utilises two paradigms, sometimes using a descriptive approach in order to interpret Qur'anic concepts in a situated time, and sometimes using an historical approach to explain the development of conceptual frameworks in pre-Islamic Arabia on the eve of Islam and at the time of the revelation. In the Introduction, I give a general overview of modern semantic t

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Othman, Irma Wani, Wan Hurani Osman, and Anna Lynn Abu Bakar. "SIGNIFICATIONS OF FAMILY SOCIAL STRUCTURE AND FRIENDSHIP RELATIONSHIPS IN AFFECTING EXPATRIATE EXPERIENCE: FROM THE LENS OF MALAYSIA PUBLIC UNIVERSITY EXPATRIATE COMMUNITY." International Journal of Education, Psychology and Counseling 7, no. 47 (2022): 731–49. http://dx.doi.org/10.35631/ijepc.747055.

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This paper provides an understanding of the social structure, which is seen as a phenomenology that refers to one's thinking about the interpretation and meaning of life experience based on the presence of individuals in economic position, political scenario, statehood, and education system in a country that is not his country of origin. Thus, the interpretation among these independent expatriates is debated by taking into account the role of social structures such as family institutions and the environment of friendship in relation to the significance of expatriate experiences in the host cou

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Salazar S., Luz. "Los significados de apropiación pedagógica de TIC para profesores formadores de docentes." GACETA DE PEDAGOGÍA, no. 38 (December 1, 2019): 137–72. http://dx.doi.org/10.56219/rgp.vi38.772.

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El artículo resume la investigación realizada sobre los significados de la apropiación pedagógica de las tecnologías de información y comunicación (TIC), para una muestra representativa de profesores formadores de docentes de la Universidad Pedagógica Experimental Libertador, Instituto Pedagógico de Caracas (UPEL-IPC), desde el abordaje de la problemática de las demandas de incorporación de TIC en su labor educadora. Se articula la epistemología fenomenológica hermenéutica de Heidegger, con una ruta metodológica cualitativa de la investigación, fundamentada en los postulados de este filósofo,

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Lyamlahy, Khalid. "Fragments d’un discours iconographique : Poétique de l’image dans L’Empire des signes de Roland Barthes." Quêtes littéraires, no. 5 (December 30, 2015): 149–60. http://dx.doi.org/10.31743/ql.248.

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Roland Barthes was not only a literary theorist, a critic or a semiotician. Above all, he was concerned with signs, symbols and representations which shape the everyday life and nourish both identities of the individual subject and the social group. As the world celebrates in 2015 the centenary of his birth, the question of his intellectual and literary legacies has never been more relevant. In the large scope of his works, L’Empire des signes, published in 1970 following several trips to Japan, is rather a particular piece which hinges on a specific combination of text and images. By looking

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Daté Atavito BARNABÉ-AKAYI and Raphaël YEBOU. "Stylistics of Abiku, of Mwènè or the Isotopies of Fire and Air in L’Ame Blessée d’un Eléphant Noir by Mwènè Gabriel Okoundji." International Journal of Linguistics, Literature and Translation 5, no. 9 (2022): 66–77. http://dx.doi.org/10.32996/ijllt.2022.5.9.7.

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The concepts of Abiku in yoruba language and Mwènè in tegue language (Congo Brazzaville) have many significations and use, according to the authors. In Mwènè Gabriel Okoundji, their use wins values which put them in an edifying relationship with the four elements of nature. On this basis, L’âme blessée d’un éléphant noir appears as a gnomic work whose four poems seem to symbolize the four fundamental elements of nature that Abiku and Mwènè are the cruciferous and/or six figures. The poet allegorizes the four cosmic figures (Fire, Air, Water, Earth) and plays with the elliptisation of the two f

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Golańska, Dorota. "Negotiating Interior Frontiers: Lara Haddad’s A Question of History (2015–16)." Text Matters: A Journal of Literature, Theory and Culture, no. 13 (November 27, 2023): 17–35. http://dx.doi.org/10.18778/2083-2931.13.02.

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Bringing together insights originating in law studies and art analysis, this article approaches the work of the US-based Syrian artist Lara Haddad through the figuration of “interior frontiers,” exposing how both “interior bonds” and “internal borders” tended to shape legal regulations introduced in the US in the aftermath of 9/11 for the purpose of conducting “the global war on terror.” Referring to the concept of “plasticity,” the article examines the intimate (dis)identifications experienced by the artist in the context of the politically saturated cultural discourses on violence which emer

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Cherry, Alina. "Le potentiel de la marge: Fonctions du terrain vague chez Jean-Philippe Toussaint." French Review 97, no. 4 (2024): 37–52. http://dx.doi.org/10.1353/tfr.2024.a928664.

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ABSTRACT: Parmi les nombreuses formes d'espaces qu'on trouve chez Jean-Philippe Toussaint, les terrains vagues occupent une place singulière dans la mesure où l'écriture valorise ces sites à priori sans intérêt. Isolées et abandonnées, ces zones qui ne participent pas à l'économie de la ville se présentent comme des contre-espaces qui constituent une image "négative" de la cité. Fasciné par la nature transitoire de ces espaces, Toussaint en exploite les significations, en insistant sur leur fonctionnement comme miroir narratif, critique de l'expansion urbaine, palimpseste socio-historique et m

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Siddiqui, Mehak. "Your Ramadan, My Ramadan." Groundings Undergraduate 15 (May 15, 2024): 87–104. http://dx.doi.org/10.36399/groundingsug.15.119.

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The commercialisation of festivals can be clearly observed around the world and the term “festivalisation” has been coined to suggest an over-commodification of festivals exploited by tourism and place marketers. While this has attracted a substantial amount of academic work, not many works have focused on Islamic observances like the holy month of Ramadan, particularly in India. In this context, this paper seeks to explore the varying expressions and significations of Ramadan in modern-day Hyderabad, an Indian metropolis whose history is rooted in Islamic tradition. In-depth interviews were c

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Shahani, Nishant. "Views from above and below: bridging scenes of difference." Journal of Visual Culture 21, no. 1 (2022): 36–55. http://dx.doi.org/10.1177/14704129221088296.

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This article focuses on the vertical visioning of the bridge as a visual icon of the global city in urban planning, specifically the Bandra-Worli sea link in Mumbai. The author contends that the sea link, launched in 2019 as a way to connect the southern part of the city with its western suburbs, participates in aerial visual significations in which views from above partake in framing of the urban metropolis as an essential aspect of the nation-state’s global modernity aspirations. By analyzing the recurrence of the sea link through a variety of visual illustrations, he suggests that views of

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Dos Anjos, Camila Borges, and Marilane Mendes Cascaes da Rosa. "Arte e resistência na obra Trampolim." Revista Memorare 11, no. 2 (2024): e26793. https://doi.org/10.59306/memorare.v11e22024e26793.

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Racism against Black populations has been a recurring issue in our society over the centuries, dating back to the era of slavery. As a way to confront these violences, Black individuals seek to resist in various forms within the social sphere, often through art. Thus, situated within the territory of French Discourse Analysis, we aim to analyze the racial resistance movements present in the work Trampolim from the Banhistas Collection by Antonio Obá, through the lens of French Discourse Analysis. The work, produced in 2019, revisits an incident that occurred at the Monson Motor Lodge hotel in

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Monticelli, Daniele. "Critique of ideology or/and analysis of culture? Barthes and Lotman on secondary semiotic systems." Sign Systems Studies 44, no. 3 (2016): 432–51. http://dx.doi.org/10.12697/sss.2016.44.3.07.

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The article compares Roland Barthes’s and Juri Lotman’s notions of ‘second-order semiological systems’ [systemes sémiologique seconds] and ‘secondary modelling systems’ [вторичные моделирующие системы]. It investigates the shared presuppositions of the two theories and their important divergences from each other, explaining them in terms of the opposite strategic roles that the notions of ‘ideology’ and ‘culture’ play in the work of Barthes and Lotman, respectively. The immersion of secondary modelling systems in culture as a “system of systems” characterized by internal heterogeneity, allows

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Schmidt, Gabriela. "Hidden presences of Thomas More in Marian Literature." Moreana 56 (Number 212), no. 2 (2019): 213–31. http://dx.doi.org/10.3366/more.2019.0062.

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The cultural politics of Catholic restoration under Mary Tudor have been as crucial to the historical legacy of Thomas More as More's image was to the regime's own historical self-presentation. Not only did the Marian period see the first reappearance in print of many of More's writings after twenty years, the overwhelming presence of More's figure and work in official Catholic discourse, especially from 1556 onwards, also generated many instances of implicit Morean echoes pervading a great variety of Marian literary texts and genres. This essay analyses a number of such hidden presences of Mo

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Knežević, Mladen, Rok Ovsenik, and Janja Jerman. "Work values and success in studying." International Social Work 48, no. 1 (2005): 21–33. http://dx.doi.org/10.1177/0020872805048706.

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English This article deals with the work values of social work students in Croatia and Slovenia, where the correlation of these values with success in advancement in the academic environment is revealed to be significantly different. French Cette étude a exploré les différences en termes des valeurs de travail des étudiants en travail social dans deux pays: la Croatie et la Slovénie. L'étude a exploré la corrélation entre les systèmes de valeurs et le succès des étudiants dans l'environnement scolaire. Il y avait des différences significatives entre les étudiants de ces deux pays. Spanish Prim

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Ogban Uwen, God’sgift, Hilary Idiege Adie, Bassey Asukwo Ekpenyong, et al. "Beyond Spoken Linguistic Landscape: Semiotic Ideologisation of Regimented Practices in the Nigerian Army." Forum for Linguistic Studies 6, no. 5 (2024): 712–24. http://dx.doi.org/10.30564/fls.v6i5.7016.

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This article examines the dimensions of military ideologies that are tactically communicated through the semiotic mechanisms of the Nigerian Army’s regimented practices. Data were sourced through participant observation and semi-structured interview in a fourteen-month fieldwork involving 22 staff members of the Nigerian Army. Drawing on insights from the concept of semiotic ideology to account for the underlying interpretations of semiotic practices in the social context of the Nigerian Army, the findings show various military ideologies nuanced in the agency’s semiotic-mediated activities an

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Santos Junior, Jaime. "A DIMENSÃO ESQUECIDA: a questão da agência no trabalho do corte da cana de açúcar." Caderno CRH 31, no. 83 (2019): 389–406. http://dx.doi.org/10.9771/ccrh.v31i83.20104.

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Ao fixar o interesse analítico nos elos que unem a experiência do trabalho e os processos constitutivos de identidades, a pesquisa buscou flagrar as pequenas, mas subjetivamente importantes formas de mediação e cálculo envolvidos nas estratégias de ação de trabalhadores do corte da cana de açúcar. Os resultados sugerem que, conquanto o traço saliente desse contexto seja o da precariedade, os significados atribuídos ao trabalho deixam entrever as fissuras que denotam a capacidade de agência dos indivíduos na condução das suas vidas, distante de uma imagem que os toma como meros espectadores da

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Joby, John. "A Comparative Study on Signification and Suggestion." Ensygloge 1, no. 1 (2022): 4–10. https://doi.org/10.5281/zenodo.5889620.

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The academic paper entitled, “A Comparative Study on Signification and Suggestion” is an attempt to compare and study two key terms in the philosophy of language such as Signification (Sign, Signifier and Signified) and Suggestion (Vyanjana). These two terms are still a subject of research in modern semantics. This comparative study aims at comparing both Eastern and Western schools of philosophy of language to come up with the similarities and individual traits of both schools. To make the study more brief and accurate, this academic study mainly focuses on Saussurean understandin

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Tassis, Theofanis. "Human Creation, Imagination and Autonomy." Philosophica: International Journal for the History of Philosophy 19, no. 37 (2011): 197–213. http://dx.doi.org/10.5840/philosophica2011193727.

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During the last decade Castoriadis’ questioning has become a reference point in contemporary social theory. In this article I examine some of the key notions in Castoriadis’ work and explore how he strives to develop a theory on the irreducible creativity in the radical imagination of the individual and in the institution of the social-historical sphere. Firstly, I briefly discuss his conception of modem capitalism as bureaucratic capitalism, a view initiated by his criticism of the USSR regime. The following break up with Marxist theory and his psychoanalytic interests empowered him to critic

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Mubari, Petros Kasaira, Théotime Beguerie, Marc Monthioux, Elsa Weiss-Hortala, Ange Nzihou, and Pascal Puech. "The X-ray, Raman and TEM Signatures of Cellulose-Derived Carbons Explained." C 8, no. 1 (2022): 4. http://dx.doi.org/10.3390/c8010004.

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Structural properties of carbonized cellulose were explored to conjugate the outcomes from various characterization techniques, namely X-ray diffraction (XRD), Raman spectroscopy, and high-resolution transmission electron microscopy. All these techniques have evidenced the formation of graphene stacks with a size distribution. Cellulose carbonized at 1000 and 1800 °C at a heating rate of 2 °C/min showed meaningful differences in Raman spectroscopy, whereas in XRD, the differences were not well pronounced, which implies that the crystallite sizes calculated by each technique have different sign

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Mizoguchi, Tatsuya, Maitree Inprasitha, Narumon Changsri, and Yusuke Shinno. "Describing researchers’ ways of seeing a lesson: As the first work of the cross-cultural study on lesson study between Japan and ThailandDécrire la manière dont les chercheurs voient une leçon: premier travail de l’étude interculturelle sur l’étude des leçons entre le Japon et la Thaïlande." Educação Matemática Pesquisa : Revista do Programa de Estudos Pós-Graduados em Educação Matemática 22, no. 4 (2020): 836–44. http://dx.doi.org/10.23925/1983-3156.2020v22i4p836-844.

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AbstractThis research is the first work of the project of cross-cultural study on lesson study between Japan and Thailand. Lesson study is currently an international topic, and we use “lesson study” as a common word. However, are the meanings of each terminology in diverse languages as same completely? Our initial concern is in this point. For this, we observe lesson on video and make comment-reports on it in each. In analyzing these comments, it is required a meta theory for descriptions. In this research, we describe the researchers ways of seeing a lesson using the Anthropological Theory of

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Mizoguchi, Tatsuya, Maitree Inprasitha, Narumon Changsri, and Yusuke Shinno. "Describing researchers’ ways of seeing a lesson: As the first work of the cross-cultural study on lesson study between Japan and ThailandDécrire la manière dont les chercheurs voient une leçon: premier travail de l’étude interculturelle sur l’étude des leçons entre le Japon et la Thaïlande." Educação Matemática Pesquisa : Revista do Programa de Estudos Pós-Graduados em Educação Matemática 22, no. 4 (2020): 836–44. http://dx.doi.org/10.23925/1983-3156.2020v22i4p836-844.

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AbstractThis research is the first work of the project of cross-cultural study on lesson study between Japan and Thailand. Lesson study is currently an international topic, and we use “lesson study” as a common word. However, are the meanings of each terminology in diverse languages as same completely? Our initial concern is in this point. For this, we observe lesson on video and make comment-reports on it in each. In analyzing these comments, it is required a meta theory for descriptions. In this research, we describe the researchers ways of seeing a lesson using the Anthropological Theory of

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Kniephoff-Knebel, Anette, and Friedrich W. Seibel. "Establishing international cooperation in social work education." International Social Work 51, no. 6 (2008): 790–812. http://dx.doi.org/10.1177/0020872808095251.

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English This article draws on records from the period to illustrate some of the themes and concerns of social workers present at international welfare conferences from 1928. In doing so it identifies some of the significant actors engaged in the early stages of establishing an international association for schools of social work. French Cet article tire les enseignements de la période pour illustrer certains des thèmes et préoccupations des travailleurs sociaux présents aux conférences internationales de travail social et de sécurité sociale depuis 1928. Ce faisant il identifie quelques acteur

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Igwedibia, Adaoma, Austin Okeke, Christian Anieke, and Ozouri Innocent Ikechukwu. "Relevance Theoretical Interpretation of Maya Angelou’s “Still I Rise”." International Journal of Applied Linguistics and English Literature 8, no. 4 (2019): 65. http://dx.doi.org/10.7575/aiac.ijalel.v.8n.4p.65.

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For certain, one does not need to be a colossal voracious reader as to arriving at what Maya Angelou is driving at in virtually all her works. Of course, Maya is not just a fantastic poet but also a renowned storyteller, a fearless activist, a peculiar autobiographer, a gifted singer and playwright whose works generally provoke some sort of empowering flash of thoughts in that they are mostly soused in a struggle to overcome prejudice and injustice. As a matter of fact, Maya Angelou’s works are evidently frontal and a host of them have been literarily torn in and out. Hence they are glaringly

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Mahmutović, Mirza. "Medijska konstrukcija kolektivnih sjećanja: Tretman prošlosti u polju novinarstva, s osvrtom na postdejtonsku Bosnu i Hercegovinu." Obrazovanje odraslih/Adult Education 13, no. 2 2013 (2013): 39–65. http://dx.doi.org/10.53617/issn2744-2047.2013.13.2.39.

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In this work we critically consider the practice of treating history in the area of journalism respectively media as an distinctive institutional arena of contemporary communities for establishment, maintenance and transformation of common frameworks of understanding and commemorating of certain episodes from the past. We intent to offer plausible explanations regarding the relations between ''culture of remembrances'' and ''culture of reporting''. Article suggests how to approach the often misunderstood history in informative activitiy, which in its field of action and by definition does not

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Maşalı, Mehmet Emin. "Kâdî Abdülcebbâr'a Göre Dilsel Delâlet." Marife 3, no. 3 (2003): 151–62. https://doi.org/10.5281/zenodo.3343407.

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<b>Qadi Abd al-Jabbar's Theory of Linguistic Signification</b>There are two kinds of significations from the point of connection between the parts of signification (ad-daal and al-madluul). The first one is what might be called "natural signification," (al-dalalah al- tabe'yyah) which is a type of signification according to which existence (al-Mawjuud) signifies the creator; hence more logically oriented. The second one can be translated as "positive signification" (al-dalalah al-wad'yyah). Qadi Abd al-Jabbar considers linguistic signification within the framework of positive signification. Al

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Alberro, Alexander. "Content, Context and Signification in the Work of Michael Asher." Journal of Curatorial Studies 13, no. 2 (2024): 162–79. https://doi.org/10.1386/jcs_00106_1.

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Michael Asher’s sculpture installation employing the same make and model of a modest travel trailer unmoored in the same sites and serial order in four contiguous iterations of the decennial exhibition Skulptur Projekte (1977, 1987, 1997, 2007) highlights the complexity of signification. The shifting context of production and reception rendered each of the four sculpture installations considerably different. Spatial, temporal and socio-historical factors imbued the artworks with a unique visibility, irony, rhythm and sense. The distinctness of the four nearly identical-looking sculpture instal

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Kharbouch, Ahmed. "Meaning and Imaginary: An « In-Between ». About Semiotic Aspects of the Work of Gilbert Durand." L’Entre-deux et l’Imaginaire, no. 37 (June 30, 2016): 135–48. http://dx.doi.org/10.35562/iris.1462.

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Il s’agit d’essayer de penser un « entre-deux » entre les travaux novateurs de Gilbert Durand sur l’imaginaire et les conceptualisations sémiotiques de la signification. Bien que Durand semble rejeter toute forme d’« explication sémiologique » des images-symboles, sa conception de l’imaginaire est régie par une sémiosis et une rationalité spécifiques qui permettent d’entrevoir, même si l’intersection n’implique pas forcément la fusion, les contours d’un « entre-deux » entre son « archétypologie » et la sémiotique.

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Kharbouch, Ahmed. "Meaning and Imaginary: An « In-Between ». About Semiotic Aspects of the Work of Gilbert Durand." L’Entre-deux et l’Imaginaire, no. 37 (June 30, 2016): 135–48. http://dx.doi.org/10.35562/iris.1462.

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Il s’agit d’essayer de penser un « entre-deux » entre les travaux novateurs de Gilbert Durand sur l’imaginaire et les conceptualisations sémiotiques de la signification. Bien que Durand semble rejeter toute forme d’« explication sémiologique » des images-symboles, sa conception de l’imaginaire est régie par une sémiosis et une rationalité spécifiques qui permettent d’entrevoir, même si l’intersection n’implique pas forcément la fusion, les contours d’un « entre-deux » entre son « archétypologie » et la sémiotique.

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Knežević, Mladen, Rok Ovsenik, and Janja Jerman. "Social work as a profession." International Social Work 49, no. 4 (2006): 519–29. http://dx.doi.org/10.1177/0020872806061237.

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English The authors were interested in finding out whether student social workers perceive social work differently in the Republic of Slovenia and the Republic of Croatia. According to the results of this research, there are significant differences between student social workers; however, they can be found in a relatively small number of factors that describe social work as a profession. French Les auteurs cherchaient à savoir si les étudiants en travail social des républiques de Slovénie et de Croatie perçoivent le travail social différemment les uns des autres. Ces deux républiques se sont d

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Nagy, Árpád M. "Erōs en kairō — un bas-relief à Budapest." Erōs en kairō — un bas-relief à Budapest 1, no. 35 (2022): 135–62. https://doi.org/10.5281/zenodo.10061041.

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Cet article entend examiner l'iconographie d'un bas-relief qui se trouve à Budapest et provient probablement de Naples. Il a été sculpté en lychnites de Paros vers la fin de l'époque hellénistique ou aux tout débuts de l'époque impériale. Il représente une scène unique : Éros se posant sur une roue en train de tourner. Cette scène n'est pas le cliché instantané d'un quelconque jeu d'équilibre, et il n'existe pas non plus de mythe auquel l'associer. Il faut donc l'interpréter de manière métaphorique, pour lui-même. Cette image d'Éros peut évoquer différents types de champs sémantiques, dénués d

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