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Dissertations / Theses on the topic 'Silent motion pictures'

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1

Steele, Geoge. "Scoring silent film : music/nation/affect /." View online ; access limited to URI, 2009. http://0-digitalcommons.uri.edu.helin.uri.edu/dissertations/AAI3380539.

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2

Nissi, Maria C. "Silent cowboys and verbose detectives masculinity as rhetoric in Wister, Hammett, and Chandler /." CONNECT TO THIS TITLE ONLINE, 2007. http://etd.lib.umt.edu/theses/available/etd-05082007-102002/.

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3

Bickerstaff, Jeffrey Christopher. "Tales from the Silent Majority: Conservative Populism and the Invention of Middle America." Miami University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=miami1303310834.

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4

Carvalho, Danielle Crepaldi 1982. "Luz e sombra no écran : realidade, cinema e rua nas crônicas cariocas de 1894 a 1922." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269890.

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Orientador: Miriam Viviana Gárate<br>Vol. 2 possui o subtítulo: Antologia<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-25T20:11:21Z (GMT). No. of bitstreams: 2 Carvalho_DanielleCrepaldi_D.pdf: 3217312 bytes, checksum: cf4e438c01673565f6e2b8524181c9e9 (MD5) Carvalho_DanielleCrepaldi_D_Anexo.zip: 32363002 bytes, checksum: 46f32947f82c7a68cb70805dca0e7271 (MD5) Previous issue date: 2014<br>Resumo: Esta tese compila e analisa a prosa cronística a respeito do kinetoscópio/ cinematógrafo, publicada em periódicos c
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5

Reid, Tom. "Formal experiments in silent film music : reading early abstract film texts as musical scores." Thesis, University of Sussex, 2017. http://sro.sussex.ac.uk/id/eprint/69319/.

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6

O'Rourke, Christopher Paul. "Models, artistes and photoplayers : the film actor in Britain, 1895-1929." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610163.

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7

Meinoryte, Viktorija. "Den levande soptunnan : designfiktion, rörlig bild och återvinning." Thesis, Blekinge Tekniska Högskola, Institutionen för teknik och estetik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-14606.

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Det här kandidatarbetet handlar om rörlig bild med miljöförstöring som tema och hur designfiktion tillsammans med berättande kan användas för att skapa rörlig bild. För att undersöka hur berättande och val av gestaltningsmetod påverkar budskap har olika produktioner inom rörlig bild diskuterats. Utifrån undersökningen har designfiktion och stopmotion gjorts som metodval i skapandet av gestaltningen. Som resultat diskuteras designfiktion som designmetod för skapande av framtida världar med miljöförstöring som tema samt berättandets påverkan av budskap.<br>This bachelor’s thesis is about motion
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8

Balan, Canan. "Changing pleasures of spectatorship : early and silent cinema in Istanbul." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1985.

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This project explores a curious facet of early cinema that has not been studied as yet: the relationship between Turkish modernity and the culture of spectatorship within the context of the late nineteenth century’s viewing habits along with the era of early and silent cinema in Istanbul. The aim of this project is to examine the evolution of viewing habits in Istanbul at a particular period in which a radical cultural transformation was experienced, namely from the 1890s to the 1930s, when the late Ottoman era with its pre-cinematic shows, the cinematograph, and silent films led to the early
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9

Lafferty, Sarah. "Holding Out For A Female Hero: The Visual And Narrative Representation Of The Female FBI Agent In Hollywood Psychological Thrillers From 1991-2008." Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1237405595.

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10

Hart, Hilary. "Sentimental spectacles : the sentimental novel, natural language, and early film performance /." view abstract or download file of text, 2004. http://wwwlib.umi.com/cr/uoregon/fullcit?p3120625.

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Thesis (Ph. D.)--University of Oregon, 2004.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 176-181). Also available for download via the World Wide Web; free to University of Oregon users.
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11

Ramos-Taira, Amanda-Libertad. "Cuando el silencio habla. Laconismo, contención y amnesia en El caballo de Turín (2011) de Béla Tarr, In the mood for love (2000) de Wong Kar-Wai y la mujer sin cabeza (2008), de Lucrecia Martel." Bachelor's thesis, Universidad de Lima, 2017. http://repositorio.ulima.edu.pe/handle/ulima/4697.

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Este artículo busca analizar el poder expresivo del silencio, específicamente el verbal, y cómo éste es representado en el cine sonoro contemporáneo. Es importante investigar el silencio como herramienta expresiva en la cinematografía, ya que muestra el impacto de la comunicación no verbal, abre las puertas al entendimiento de las dimensiones más internas del ser humano y a los aspectos latentes de la existencia. Asimismo, otorga sentido a la historia e incrementa el poder de los elementos visuales. El silencio significativo merece ser estudiado por su riqueza en contenido comunicacional y se
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12

Hart, Hilary 1969. "Sentimental spectacles : the sentimental novel, natural language, and early film performance." Thesis, University of Oregon, 2004. http://hdl.handle.net/1794/297.

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Advisor: Mary E. Wood. xii, 181 leaves : ill. ; 29 cm. Print copy also available for check out and consultation in the University of Oregon's library under the call number: PS374.S714 H37 2004.<br>The nineteenth-century American sentimental novel has only in the last twenty years received consideration from the academy as a legitimate literary tradition. During that time feminist scholars have argued that sentimental novels performed important cultural work and represent an important literary tradition. This dissertation contributes to the scholarship by placing the sentimental novel within a
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13

Mai, Nadin. "The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz." Thesis, University of Stirling, 2015. http://hdl.handle.net/1893/22990.

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Aiming to make an intervention in both emerging Slow Cinema and classical Trauma Cinema scholarship, this thesis demonstrates the ways in which the post-trauma cinema of Filipino filmmaker Lav Diaz merges aesthetics of cinematic slowness with narratives of post-trauma in his films Melancholia (2008), Death in the Land of Encantos (2007) and Florentina Hubaldo, CTE (2012). Diaz has been repeatedly considered as representative of what Jonathan Romney termed in 2004 “Slow Cinema”. The director uses cinematic slowness for an alternative approach to an on-screen representation of post-trauma. Contr
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14

Amad, Paula Tatla. "Archiving the everyday : a topos in French film history, 1895-1931 /." 2002. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3060188.

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15

Knuttila, Lee Gabriel Kubik. "Adapted for the multitude : a theory of early cinema spectatorship /." 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR51548.

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Thesis (M.A.)--York University, 2008. Graduate Programme in Higher Education.<br>Typescript. Includes bibliographical references (leaves 107-110). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR51548
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16

Fusco, Katherine A. "Time material temporality, narrative, and modernity in silent film and American naturalism /." Diss., 2008. http://etd.library.vanderbilt.edu/ETD-db/available/etd-07282008-121704/.

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17

Hughes, Stephen Putnam. "Is there anyone out there? exhibition and the formation of silent film audiences in South India /." 1996. http://catalog.hathitrust.org/api/volumes/oclc/45227443.html.

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18

Guilfoyle, Frances Jane. ""A boy's best friend is his mother" cinematic re-tellings of the Ed Gein story /." Thesis, 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3120299.

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19

Morton, David. ""City of Superb Democracy:" The Emergence of Brooklyn's Cultural Identity During Cinema's Silent Era, 1893-1928." Master's thesis, 2014. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/6143.

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This study discusses how motion picture spectatorship practices in Brooklyn developed separately from that of any other urban center in the United States between 1893 and 1928. Often overshadowed by Manhattan's glamorous cultural districts, Brooklyn's cultural arbiters adopted the motion picture as a means of asserting a sense of independence from the other New York boroughs. This argument is reinforced by focusing on the motion picture's ascendancy as one of the first forms of mass entertainment to be disseminated throughout New York City in congruence with the Borough of Brooklyn's rapid urb
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