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Dissertations / Theses on the topic 'Silent spaces'

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1

Alais, Georgina. "Silent wounds of the family." Pretoria : [s.n.], 2008. http://upetd.up.ac.za/thesis/available/etd-07092008-124300.

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Hamilton, Sylvia N. "Constructing Mr. Darcy : tradition, gender, and silent spaces in Jane Austen's Pride and prejudice /." Read online, 2008. http://library.uco.edu/UCOthesis/HamiltonSN2008.pdf.

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Dahlback, Filippa. "Tackling the Silent Epidemic : Examining Safe Spaces as part of SGBV work in the Humanitarian response to Venezuela." Thesis, Uppsala universitet, Teologiska institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-454236.

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Humanitarian interventions increasingly use safe spaces as part of their work on SGBV prevention, mitigation and response. Therefore, this thesis examines how safe spaces have affected refugee women in the regional response to the humanitarian crisis in Venezuela. The method is a literature review analysing reports, news articles and guidelines. The analysis uses the concepts of empowerment and gendered conflict theory for a deeper understanding of what consequences safe spaces have on refugee women in terms of empowerment and strengthened role in society. The analysis shows that safe spaces a
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4

Sanders, Ralph Jarrett. "Space, time, and silence." Thesis, Virginia Polytechnic Institute and State University, 1990. http://hdl.handle.net/10919/56200.

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This thesis is a meditation upon silence, upon its ontological relationship to architecture. As such, it relies more upon insight and contemplation than analysis. It seeks to explore this realm through the making of a trappist monastery, to ask fundamental questions about the nature of human dwelling in the most complete sense, to stir the memory and perhaps to move the heart toward that silence which is beyond thought, which precedes and bounds and yet pervades all human experience.<br>Master of Architecture
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Spocter, Manfred Aldrin. "The "silent" privatisation of urban public space in Cape Town, 1975-2004." Thesis, University of the Western Cape, 2005. http://etd.uwc.ac.za/index.php?module=etd&amp.

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South African cities were subjected to artificial, unnatural growth patterns brought about by apartheid planning that legitimated exclusionary practices in the city and which created and maintained racial, social and class differences between people. Post-apartheid South Africa has witnessed processes of urban fortification, barricading and the gating of urban space that are manifested in contemporary urban South Africa. This research showed that the privatisation of urban public space is not solely a post-apartheid phenomenon. Closure legislation has been, and still is, used by citizens to re
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Jansson, Robin. "Silence in Adventure Games and Space." Thesis, Blekinge Tekniska Högskola, Sektionen för planering och mediedesign, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-5033.

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As video games have evolved, the focus on impressive graphics and surround-sound has become increasingly prominent. Stepping away from their roots, video games have toned down the interaction and put the cinematic parts of the experience on the forefront. However, some games stand outside the norm, taking down the sound-level to a minimum, even going as far as removing text entirely. In my essay, I explore the functions of silence, specifically in two works: the computer game Machinarium, and 2001: A Space Odyssey, the film, along with the novel. By analyzing these works, I highlight how silen
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Whissel, Kristen Mary. "Space, nation, race : the visual and narrative politics of the silent American cinema's transitional phase /." View online version; access limited to Brown University users, 1999. http://wwwlib.umi.com/dissertations/fullcit/9932501.

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8

Turner, N. C. "Un-silencing the space of Eisenstein : a contemporary visual analysis of the use of space in Sergei Eisenstein's early silent films." Thesis, University of Liverpool, 2018. http://livrepository.liverpool.ac.uk/3027057/.

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9

Jing, Qiwen. "Silence, Light, and Memory in Architecture." Thesis, Virginia Tech, 2019. http://hdl.handle.net/10919/87414.

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This work seeks to explore the unmeasurable qualities of architecture that enrich the architectural experience, with a focus on the roles of light, sound, and memory as they interact with architecture in the making of that experience.<br>Master of Architecture
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Iggulden, Annette, and mikewood@deakin edu au. "Women's silence: In the space of words and images." Deakin University. School of Contemporary Arts, 2002. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050915.120456.

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My thesis is made up of words and images. This study investigates the way in which silence operates productively within and between the two modes of communication. I suggest that in the process of changing words into images or scripto-visual art-practice, the silence in women's lives can be articulated. I argue that women draw on the generative qualities of silence to create forms of speech that override the cultural constructions of gender which have placed them within the space of ‘mute’ silence. To gain an historical perspective of this practice by women, I consider the lives of medieval nu
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Chandola, Tripta. "Listening in to others : in between noise and silence." Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/40760/1/Tripta_Chandola_Thesis.pdf.

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Since the launch of the ‘Clean Delhi, Green Delhi’ campaign in 2003, slums have become a significant social and political issue in India’s capital city. Through this campaign, the state, in collaboration with Delhi’s middle class through the ‘Bhagidari system’ (literally translated as ‘participatory system’), aims to transform Delhi into a ‘world-class city’ that offers a sanitised, aesthetically appealing urban experience to its citizens and Western visitors. In 2007, Delhi won the bid to host the 2010 Commonwealth Games; since then, this agenda has acquired an urgent, almost violent, impetus
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12

Bennett, Donna L. "Echolalic shadows, uncovering self in the silence that is the space between the words." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ36609.pdf.

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13

Roosa, Jacob Bradley. "Sound and Silence in the Forge: Work, Space, and Communication in Early Cistercian Monasticism." Oberlin College Honors Theses / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1495920988480644.

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Tanguay, Johanne. "Là-bas, suivi de, Espaces et temps du silence durassien." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79979.

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Part one of the thesis. She's leaving. She's running away. Everything goes too fast. If she doesn't, the emptiness in her life will destroy her. There, in Africa, nothing happens. Nothing but sight, silence, space and time. There, she finds another way of living. There, everything happens. Everything that has anything to do with essence. Only then can Gisella, 30, come back.<br>Part two. How can one tell of silence with words? How can silence be what makes not only the style and themes of a fiction, but the whole fiction, resonate, vibrate? In the fiction of Marguerite Duras, more speci
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Popp, Magnus. "Disentangling the Reticulate History of Polyploids in Silene (Caryophyllaceae)." Doctoral thesis, Uppsala : Acta Universitatis Upsaliensis : Univ.-bibl. [distributör], 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-3918.

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Berger, Aimee E. "Dark Houses: Navigating Space and Negotiating Silence in the Novels of Faulkner, Warren and Morrison." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2732/.

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Poe's "The Fall of the House of Usher," as early as 1839, reveals an uneasiness about the space of the house. Most literary scholars accept that this anxiety exists and causes some tension, since it seems antithetical to another dominant motif, that of the power of place and the home as sanctuary. My critical persona, like Poe's narrator in "The House of Usher," looks into a dark, silent tarn and shudders to see in it not only the reflection of the House of Usher, but perhaps the whole of what is "Southern" in Southern Literature. Many characters who inhabit the worlds of Southern stories also
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Larsson, Oscar. "Analysis of the Radiation Environment on Board the International Space Station Using Data from the SilEye-3/Alteino Experiment." Doctoral thesis, KTH, Partikel- och astropartikelfysik, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-145339.

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This thesis presents an analysis of the radiation environment on board the Russian section of the International Space Station (ISS) using data from the SilEye-3/Alteino experiment. As part of the analysis the efficiency and response of the SilEye-3/Alteino detector was studied. The relative nuclear abundance is generally in agreement with expected results. The presence of odd Z nuclei is significantly increased when compared with measurements outside the ISS. However, in ISS-y (Starboard-Ports) and z (Nadir-Zenith) directions an underabundance of carbon and oxygen nuclei is seen, whereasin x (
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Stirling, Ian Robert. "Deep silences : a spiritual autoethnography : reclaiming inner space and silence as a locus of the sacred." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/39013/.

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Spiritual matters lie at the heart of a good dying. However, the shape and focus of spiritual care in palliative care has, I believe, shifted away from the original vision of hospice pioneers, such as Cicely Saunders. Assessing the value of spiritual care has become a priority to those who value a 'scientific' evidence-based practice. The issue this thesis addresses is whether there is a better 'artistic' way to evaluate the care given to dying people. This thesis describes the current landscape of care and then argues for spiritual artistry, as a way to reclaim 'inner space' and 'deep silence
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Sebih, Nawel. "Figures et dispositifs du vide au cinéma." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCA100.

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À la lumière des apports théoriques des sciences et de la philosophie mais également des arts en général et du cinéma en particulier, cette recherche recense et analyse les figures et les dispositifs du vide dans le cadre occidental du septième art à l’aide d’une filmographie variée, allant du cinéma primitif à celui contemporain et incluant des oeuvres narratives comme expérimentales. Le vide représenté est ainsi abordé sous sa forme spatiale, temporelle, plastique mais également sonore. La seconde partie dédiée au vide-dispositif ausculte, quant à elle, la dimension disséminée, intervallaire
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Blind, Sisi. "Ecos de uma história silenciosa : grupos de OASE da IECLB." Faculdades EST, 2009. http://tede.est.edu.br/tede/tde_busca/arquivo.php?codArquivo=139.

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O silêncio e o espaço cotidiano das ações das mulheres são referenciais de análise na construção do entendimento da transmissão da memória e da identidade religiosa dos grupos de mulheres da Ordem Auxiliadora de Senhoras Evangélicas na Igreja Evangélica de Confissão Luterana no Brasil. O silêncio não fala, não é possível traduzi-lo em palavras, mas nas ações ele se torna palavra. As ações cotidianas e o testemunho de fé das mulheres da OASE, em silêncio, são indicações do formato social de nossa realidade sócio-religiosa. A tese do silêncio que sustentamos advém das palavras das próprias prota
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Volny, Sandra. "Survivance des espaces sonores : conscience auditive et pratiques de l'espace du corps-sonar." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H312.

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Dans le chaos de la vie contemporaine, il faut de plus en plus apprendre à écouter ; écouter les gens, la nature, mais aussi les lieux, les espaces, leurs parois. Les murs n’ont pas que des oreilles : ils parlent. Ils parlent d’un récit in-ouïe de l’humanité, d’espaces vibrants et chuchotant. Dans le fracas de nos souvenances, il faut tendre l’oreille pour prendre conscience de notre univers, de nos espaces sonores. Ma pratique artistique a pour centre d’intérêt le son et la perception de l’espace sonore. Je crée des parcours, des méditations, des situations, des enregistrements de terrain, de
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Garratt, Lindsay B. "Power relationships and authentic organisational learning : daring to break the silence on meaningful dialogue in policing organisations." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/704.

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The 21st century presents great opportunities and threats for business: national and global markets are demanding high performance, innovation, creativity, and flexibility. Public sector organisations are continually asked to do more with less, with equal if not greater efficiency and creativity demands as the private sector. Organisational learning is a concept touted as an important and necessary strategy for organisations to keep pace with the rapid changing global environment that now plays host to opportunities as well as great economic and social volatility. However the reality for many
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Daubresse, Louis. "Esthétique(s) du silence dans le cinéma contemporain : histoire, héritage et discontinuités." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA132.

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Pris dans son acception la plus large, le silence est un concept polysémique et mobile, tendant à la fois vers l'idée de néant, ou, a contrario, de plénitude. Souvent évoqué et débattu, le silence au cinéma semble toucher un point fondamental du langage audiovisuel. S'il peut être incarné de différentes manières à l'écran, il passe avant tout par une diminution (à défaut d'une disparition complète) de la présence de paroles, de musiques et, plus rarement, de bruits. Présent, plus que jamais auparavant, dans un certain cinéma contemporain, le silence y apparaît en des figures variées, selon dif
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Henricksen, Richard A. "Thawing the Frozen Heart: Turning to Antonio Machado to Overcome the Silence in El corazón helado by Almudena Grandes." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2849.

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In an attempt to demonstrate Spain's obligation to recover its ignored historic memory, Almudena Grandes evokes the poetry of a man whose past itself has been manipulated, misused and partially forgotten: the great poet Antonio Machado. In this study I examine the use of the famous "two Spain" imagery from Machado's "Españolito" as a tool for subverting many erroneous concepts about the war that, according to Grandes, are still prevalent in Spanish society. I also examine how this "two Spain" conflict demonstrates the crossroads that faces the third generation of Spaniards after the Civil War:
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Engelhardt, Tanya. "The Sacrament of Violence: Myth and War in C.S. Lewis's Ransom Trilogy." Master's thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5202.

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My primary aim for this study is to illuminate the Ransom trilogy's inherent psychological and spiritual themes, as well as demonstrate how these themes clarify Lewis's philosophical and political goals for the text. Specifically, by investigating Lewis's mythic imagery and suffering motifs in light of psychoanalytic and theological literary criticisms, I elucidate the reasoning behind Lewis's unique - and at times, horrific - portrayal of fear, violence, and death. I also investigate how Lewis integrates his theology with the horrors of personal and intrapersonal suffering, as well as how he
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Yue, Flavia Henlor. "pausa." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-18052012-150011/.

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O trabalho toma como ponto de partida a realização de um conjunto de ações com o nome pausa,. A idéia é pensar a ocupação temporária de espaços, feita pela interação imagem x som. Tem interesse no tipo de ocupação destes espaços, desenvolvendo a noção de vazamento entre um e outro. A eleição destes espaços parte de elementos que oscilam entre dados reconhecíveis e comuns e por isso coletivos , e identificações particulares, num movimento pendular entre ambos.<br>This work takes as its starting point a set of actions named pausa, [pause,]. The idea is to reflect upon the temporary occupation o
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Conway, Elisha. "Rejecting the Page, Inciting Visuality: Staging 'Woyzeck' in a Mediatized Culture." Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/23645.

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The influence of new media on theatrical practice over the past fifty years has spurred a movement towards theatrical forms which are increasingly organized around the sensory elements of performance. This change is most noticeable in the visual approaches to theatre, and it has produced what I have labeled a theatre of visuality. This thesis argues that the tendencies for visualization found in visual media have extensively marked the performance strategies of contemporary theatre practice, resulting in a shift away from the logocentric dramatic text and towards theatre performance organized
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Putan, Ioana-Maria. "La problématique de l'"entre(-)deux" dans la littérature des "intrangères." Electronic Thesis or Diss., Paris 8, 2014. http://www.theses.fr/2014PA080066.

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Dans notre thèse, nous proposons une analyse de la problématique de l’ « entre(-)deux » dans la littérature des « intrangères ». Envisagé tantôt comme dialogue tantôt comme rupture, la question de l’« entre(-)deux » se dessine tout premièrement au niveau extra-textuel. Nous nous intéressons alors au statut de la littérature issue de l’immigration maghrébine au sein du paysage littéraire français. Elle s’avère finalement « déterminable » (on peut circonscrire son corpus), « situable » (on peut la situer dans un champ littéraire précis) et « nommable » (on peut lui coller une étiquette). La prob
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Gous, Joané Facqueline. "Paul Auster's representation of invisible characters in selected novels." Thesis, North-West University, 2012. http://hdl.handle.net/10394/9028.

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In this dissertation I argue that invisible characters, as they appear in Paul Auster’s novels, serve a very specific function within the interpretative framework of a text and that they should be considered to play a functional role, in order to arrive at a more holistic interpretation of the text and a more accurate analysis of said texts. I argue that Auster knowingly includes these characters in his novels as part of his narrative technique, in order for them to serve specific functions and to contribute to the structure of postmodern fiction. I make use of a contextualized close reading o
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Blazanovic, Marta. "Echtzeitmusik." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2014. http://dx.doi.org/10.18452/16981.

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Die Echtzeitmusikszene ist eine zeitgenössische Musikszene, die Mitte der 1990er in Berlin entstanden ist. Seitdem entwickelte sie sich in eine umfangreiche, musikalisch vielfältige, lokale, aber auch extrem internationale Musiker-Community, mit dem Schwerpunkt auf improvisierter und experimenteller Musik. Der Begriff ‚Echtzeitmusik‘ markierte zunächst die Abgrenzung der jungen von der älteren Generation der Berliner Improvisatoren. Die jüngeren Musiker entwickelten bald eine besondere Klangästhetik sowie die Praxis des Improvisierens, was oft als ‚Berlin Reductionism‘ bezeichnet wird. Sich se
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Mai, Nadin. "The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz." Thesis, University of Stirling, 2015. http://hdl.handle.net/1893/22990.

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Aiming to make an intervention in both emerging Slow Cinema and classical Trauma Cinema scholarship, this thesis demonstrates the ways in which the post-trauma cinema of Filipino filmmaker Lav Diaz merges aesthetics of cinematic slowness with narratives of post-trauma in his films Melancholia (2008), Death in the Land of Encantos (2007) and Florentina Hubaldo, CTE (2012). Diaz has been repeatedly considered as representative of what Jonathan Romney termed in 2004 “Slow Cinema”. The director uses cinematic slowness for an alternative approach to an on-screen representation of post-trauma. Contr
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Atterving, Emmy. "“She said she was called Theodore” : - A modality analysis of five transcendental saints in the 1260’s Legenda Aurea and 1430’s Gilte Legende." Thesis, Stockholms universitet, Historiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-144052.

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This thesis explores modalities in two hagiographical collections from the late Middle Ages; the Legenda Aurea and the Gilte Legende by drawing inspiration from post-colonial hybridity theories.. It conducts a close textual analysis by studying the use of pronouns in five saints’ legends where female saints transcend traditional gender identities and become men, and focuses on how they transcend, live as men, and die. The study concludes that the use of pronouns is fluid in the Latin Legenda Aurea, while the Middle English Gilte Legende has more female pronouns and additions to the texts where
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JINGBANG, LUO, and 羅敬邦. "Silent Space - The Creation of Image." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/yd795h.

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碩士<br>嶺東科技大學<br>視覺傳達設計系碩士班<br>106<br>Photography has become a way that modern people record their lives. With the development of digital technology in the past decade, photographic tools are getting cheaper, more convenient and faster in popularization. The learning threshold of photography is reduced. The public can easily create their own works by photography, expressing their experience and feelings of life. In this work, photographic tools were used to link the interaction between the author and the environment. The process of creation allowed the author to further understand the relation
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Lu, Tsung-yeh, and 呂宗曄. "The Silent Weaving - Fabrication of Flexible Space." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/90028764878231947200.

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碩士<br>東海大學<br>建築學系<br>100<br>Preface Flexible space I observed some interesting flexible spaces of the city, the strategy is to re-connect the divided residential areas with the market activities and respond to the continuity that is cut by the roads and river. As the market activities require various type of day light, the vernacular cases were put together as a set of Archi- tectonics that generate the changing basis of the shadow pattern. The various shadow pattern will fabricate the market activities and flexible activity changes, paralyze and resume the open space as time goes by. Based o
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Watson, SF. "Silent witnesses : re-interpreting the still life tradition." Thesis, 2010. https://eprints.utas.edu.au/22268/1/whole_WatsonSheilaFrances2010_thesis.pdf.

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This research investigates how simple domestic objects can be employed as visual metaphors for vulnerability, entrapment and unfulfilled expectations experienced by many women who take on primary domestic roles. In its use of domestic objects as visual metaphors, the project locates itself within the context of the still life genre but at the same time seeks to re-interpret this tradition in a way which makes it relevant to contemporary concerns. The exegesis contextualises the project through discussion of what the domestic object traditionally symbolised in the history of Western art,
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Hsieh, Chia-Sen, and 謝佳森. "The Zero Space-A Silent Field with Occult Substance and Psychic Space:Art Works of Hsieh,Chia-Sen." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/32414046822948349122.

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碩士<br>大葉大學<br>造形藝術學系碩士班<br>96<br>This paper focuses on elaborating the creative viewpoint of my drawing creation "The Zero Space ." By using "zero" picturized mark and its extending meaning, it inspires my creation. The paper is divided into eight chapters. Chapter one is the introduction. Chapter two is the illustration of self-creation and analysis, which describes the creative motive, spirit, goal and scope of "The Zero Space." Chapter three is "the theoretical foundation," which reviews the influence of the Abstractionism, the Minimalism, the Eastern literates landscape painting, the fine
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Ward, Edmund Herbert. "Sounding silent space: a narrative exploration of scuba diving as a therapeutic wilderness adventure bridging deaf and hearing experience." Thesis, 2008. http://hdl.handle.net/10210/1681.

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M.A.<br>The study presents a narrative exploration of the potential offered by SCUBA (Self Contained Underwater Breathing Apparatus) diving as a therapeutic wilderness adventure context bridging Deaf and hearing experiences. It is structured as an emerging narrative in three parts. Part I explores the philosophical and theoretical literature with a view to providing an overview of the epistemological frameworks against which the study is presented and which could result in a sense of tension between modern/post modern discourses within the reader/author. Part II reviews the current literature
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Lewandowska, Barbara. "Projekcje uogólnione w przestrzeniach Banacha." Praca doktorska, 2015. https://ruj.uj.edu.pl/xmlui/handle/item/45398.

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Dweba, Viwe Precious. ""Invading a sacred space": an exploration of the meaning making of male participants of their participation in the 2015 silent protest against sexual violence at the University of the Witwatersrand." Thesis, 2017. https://hdl.handle.net/10539/24472.

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A research report submitted in fulfilment of the requirements for the degree Master of Arts in Clinical Psychology in the Faculty of Humanities at the University of the Witwatersrand, Johannesburg, August 2017<br>This study forms part of the broader project by Dr Yael Kadish, aimed at exploring participants’ experiences of the annual Wits Silent Protest against sexual violence march. This particular study aimed to explore how male supporter participants in the Silent Protest made meaning of their participation in the protest, how they experienced participation in the protest as men, and
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Verner, Jonathan. "Ultrfiltry a nezávislé sytémy." Doctoral thesis, 2011. http://www.nusl.cz/ntk/nusl-311369.

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This work presents an overview of several different methods for construct- ing ultrafilters. The first part contains constructions not needing additional assumptions beyond the usual axioms of Set Theory. K. Kunen's method using independent systems for constructing weak P-points is presented. This is followed by a presentation of its application in topology (the proof of the existence of sixteen topological types due to J. van Mill). Finally a new con- struction due to the author is presented together with a proof of his result, the existence of a seventeenth topological type: ω∗ contains a po
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Grenzebach, Helene. "Produktion öffentlicher Räume in indischen Megastädten." Doctoral thesis, 2018. http://hdl.handle.net/21.11130/00-1735-0000-0005-12C4-9.

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Henzelyová, Rita. "Pohybové divadlo a pantomima na Slovensku." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-267927.

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The subject of this thesis is Slovak mime theatre. It begins with the connections to the period of its foundation and introduces topic about founder of Slovak mime theatre - Milan Sládek. The next part of the thesis focuses on Slovak amateur theatre artists and their work at the time when professional mime theatre didn't exist in Slovakia. These artists used to experiment with different kinds of theatre technics, including mime theatre. Last part is based on analysis work and performances of the modern authors - Miroslav Kasprzyk, Štefan Capko, Juraj Benčík, Tomáš Kasprzyk, Valéria Daňhová, Ba
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43

Mendes, António Pedro Ramos. "Pós-memória e pós-colonialismo na arte contemporânea. Uma análise dos processos de memória e esquecimento no trabalho de Márcio Carvalho no contexto do espaço SAVVY Contemporary." Master's thesis, 2019. http://hdl.handle.net/10362/75919.

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Este documento propõe reflectir sobre a forma como a performance pode ser um meio para procurar, interagir e desfazer os silêncios que encontramos subjacentes ao espaço público e que representam locais de memória colectiva e identidades diversas. Através da análise das actividades desenvolvidas no decorrer do estágio para completude do mestrado na área de Ciências da Comunicação na vertente de Comunicação e Artes, realizado no espaço SAVVY Contemporary em Berlim, pretende-se com este artigo explorar a concepção de memória colectiva nos foros público e privado, relacionando este conceito com as
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44

Černohorská, Eva. "Homotopické struktury v algebře, geometrii a matematické fyzice." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-313715.

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Title: Homotopic structures in algebra, geometry and mathematical physics Author: Eva Černohorská Department: Mathematical Institute of Charles University Supervisor: RNDr. Martin Markl, DrSc., Institute of Mathematics of the Academy of Sciences of the Czech Republic, Mathematical Institute of Charles University Abstract: The aim of this thesis was to generalize the result that associative algebras on finite dimensional vector spaces can be described using differentials on free algebras. This result is limited by the duality of vector spaces. If we assume that the underlying space has a linear
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