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Journal articles on the topic 'Silk garments'

Author: Grafiati

Published: 29 July 2024

Last updated: 31 July 2025

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1

Shan, Yu Fu, Gu Huang, Xiao Ming Qian, and Li Min Tong. "Research on Stitch Slipping and Influencing Factors of Silk Garments." Advanced Materials Research 175-176 (January 2011): 879–83. http://dx.doi.org/10.4028/www.scientific.net/amr.175-176.879.

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Due to the delicacy of the material, stitch slipping occurs easier in silk garments than in the garments of other materials. Stitch slipping often occurs in the positions which are often subjected to stress, such as shoulder seam, side seam, and sleeve seam of the silk garment. The reasons of the stitch slipping in silk garments both from silk material itself and the manufacturing process of silk garments were analyzed. Sewing needle, stitch density and seam allowance were main manufacturing factors that affecting the stitch slipping in silk garments. By making experiments with silk garments o

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2

Wu, Jing, Jing Wei Liu, and Qing Jin Wang. "Research on Implications of Silk Garments." Advanced Materials Research 175-176 (January 2011): 873–78. http://dx.doi.org/10.4028/www.scientific.net/amr.175-176.873.

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Silk is Chinese cultural legacy, and whether in ancient times or now, a very important role was played on the clothing stage. Through the history, silk reeling technology, fabric texture, printing and dyeing patterns and clothing styles of silk clothing may have been improved, but many implications have not been changed. Implication is a person's heart for an object out of the product taste. Times changes, implication remains. In the modern era consumer psychology were focused on, consumers’ implications for silk clothing were dived, so resonance is greatly caused by consumers. First the tradi

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Davidson, Hilary. "Reconstructing Jane Austen’s Silk Pelisse, 1812–1814." Costume 49, no. 2 (2015): 198–223. http://dx.doi.org/10.1179/0590887615z.00000000076.

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This article explores the physical qualities and historical contexts of the silk pelisse coat dated c. 1812–1814 associated with Jane Austen (1775–1817) through family provenance and now held by Hampshire County Museum Services and Archives. The author took an exact pattern of the pelisse (included), then made replica garments. The association with Jane Austen is considered using evidence from Austen’s letters about her tastes in colours, length of fabrics needed for clothing, and ownership of a silk pelisse. The silk’s oak-leaf pattern is interpreted as a British patriotic motif, especially d

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Huang, Zhen Zhen, and Xiao Yun Wang. "Research on Silk Apparel Retail Marketing Development Strategy." Advanced Materials Research 175-176 (January 2011): 900–905. http://dx.doi.org/10.4028/www.scientific.net/amr.175-176.900.

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As large marketing research data shown, silk clothing marketing share of china has been small. So far, there is still lack of a high-profile silk clothing brand in our country, which has great potential for developing. In this paper, silk apparel retail marketing development strategy were profoundly analyzed and studied. Firstly, silk garments’ marketing research data was analyzed. In order to expand silk clothing marketing comprehensively in the perspective of marketing channels and brand-building, the retail marketing strategy and mathematical statistics methods were used. At last it simulat

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Saraswathi, E., and J. Jeyakodi Moses. "Polyacrylic Acid and Chitosan Treatments on Silk Fabric for Protection Enhancements." International Research Journal of Pure and Applied Chemistry 24, no. 2 (2023): 19–34. http://dx.doi.org/10.9734/irjpac/2023/v24i2805.

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Silk is utilized as most valuable fibers based on the unique properties like shiny sheen, remarkable comfort performance and bio considerations. Silk materials possess high applications as a natural substrate in the textile/garment industry and as a bio component in the medical applications. As silk is fine, delicate and sensitive it needs more care to protect from the ill effects of insects, light and chemicals. Hence, in this work an attempt is carried out on silk fabric by treatment with polyacrylic acid and chitosan followed by dyeing using few natural dyes and one synthetic reactive dye a

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Thomas, Kim S., Lucy E. Bradshaw, Tracey H. Sach, et al. "Randomised controlled trial of silk therapeutic garments for the management of atopic eczema in children: the CLOTHES trial." Health Technology Assessment 21, no. 16 (2017): 1–260. http://dx.doi.org/10.3310/hta21160.

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BackgroundAtopic eczema (AE) is a chronic, itchy, inflammatory skin condition that affects the quality of life of children and their families. The role of specialist clothing in the management of AE is poorly understood.ObjectivesTo assess the effectiveness and cost-effectiveness of silk garments for the management of AE in children with moderate to severe disease.DesignParallel-group, observer-blind, randomised controlled trial of 6 months’ duration, followed by a 2-month observational period. A nested qualitative study evaluated the beliefs of trial participants, health-care professionals an

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Panagiotakopulu, E., P. C. Buckland, P. M. Day, C. Doumas, A. Sarpaki, and P. Skidmore. "A lepidopterous cocoon from Thera and evidence for silk in the Aegean Bronze Age." Antiquity 71, no. 272 (1997): 420–29. http://dx.doi.org/10.1017/s0003598x00085021.

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What were the fine garments vividly painted in the Minoan frescoes made of? Fine cotton (cotton from Egypt is still prized today)? Or the yet finer fabric of silk? And if silk, where did the stuff, or knowledge of cultivating the silk-worms, come from? A cocoon from Santorini offers new evidence.

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Wang, Bing Zi, and Ying Chen. "The Application of Digital Printing Technology in Modern Silk Garments." Advanced Materials Research 796 (September 2013): 577–83. http://dx.doi.org/10.4028/www.scientific.net/amr.796.577.

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Mainly from the perspectives of technology, design and application, this paper studied how to take use of digital printing technology to make silk garments feature more modern aesthetic value, and expand the application space of silk fabrics in modern clothing. Through the investigation of the whole production process currently, this paper gave a summary of the status quo and existing problems of digital positioning printing on cutting pieces, and put forward an optimization of the overall design and production process. A simulating practical production process in CAD software is applied to ve

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Yan, Yu Xiu, Li Xin Li, and Zi Min Jin. "Analysis on Quality Management of Silk Clothing Production." Advanced Materials Research 175-176 (January 2011): 943–46. http://dx.doi.org/10.4028/www.scientific.net/amr.175-176.943.

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In order to improve the quality of silk garments, on the basis of the result of previous studies, and through the practice in the silk companies, the root of the problems was analyzed by SPSS. In view of the unique nature of silk fabrics, the improvement measures of quality management were raised, which is of significant practical value and social value.

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Muhammad Yusram, Abdul Munawir та Muhammad Naufal Abdilah Latif. "Keabsahan Ibadah Menggunakan Pakaian Berbahan Sutra bagi Laki-Laki dalam Tinjauan Kaidah al-Nahyu Yaqtaḍī al-Fasād". AL-QIBLAH: Jurnal Studi Islam dan Bahasa Arab 4, № 1 (2025): 45–70. https://doi.org/10.36701/qiblah.v4i1.1989.

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This study aims to explore the opinions of scholars and the review of the principle al-nahyu yaqtaḍī al-fasād regarding the validity of worship performed by men wearing silk garments. The research employs a qualitative descriptive method (non-statistical) using normative juridical and philosophical approaches. The findings are as follows. First, early scholars unanimously agreed that the use of silk by men is prohibited except in certain circumstances. There are two differing opinions regarding its impact on worship. The first opinion, held by the Hanafi and Shafi'i schools, asserts that worsh

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Rebasiddanavar, Revappa M., Swati Prakash Relekar, Nour Allahham, and Sushma Purada. "Karnataka and India’s Silk Industry: A Comprehensive Analysis of Sericulture Dynamics." Journal of Experimental Agriculture International 46, no. 9 (2024): 274–93. http://dx.doi.org/10.9734/jeai/2024/v46i92825.

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India is the second largest producer of silk with 36,453 MT (2022-23) after China and also the largest consumer of silk in the world. Asia is the main producer of silk in the world and produces over 95 per cent of the total global output. In India, mulberry silk is produced mainly in the states of Karnataka, Andhra Pradesh, Tamil Nadu, Jammu & Kashmir and West Bengal, while the non-mulberry silks are produced in Jharkhand, Chattisgarh, Orissa and North-Eastern states. Much of silk exports earnings is from silk garments, silk carpets and silk wastes, which is about 1,773.38 crore Rs. in tot

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Zhang, Guang Xian, Fu Tang Chen, Jun Zhou, Feng Xiu Zhang, Hui Zheng, and Da Yang Wu. "Preparation and Property of Bamboo Silk Fabric." Advanced Materials Research 627 (December 2012): 53–56. http://dx.doi.org/10.4028/www.scientific.net/amr.627.53.

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In this paper, natural bamboo yarn and silkworm silk, bamboo pulp yarn and silkworm silk were twisted together to make bamboo silk yarn. And then they were weaved to bamboo silk fabric. The properties of bamboo silk fabrics were studied too. The results showed that bamboo pulp silk fabric was very soft, suitable to make underwear and shirt etc. Natural bamboo silk fabric was relative stiff, suitable to make outwear. All the bamboo silk fabric had wonderful anti statistic property; their cockle elasticity property was equal to silk; the whiteness, moisture regain and moisture permeability were

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Huang, Boling. "Silk in the Muslim Sartorial Code: The Making, Collaboration, and Separation of the Ulama and the Political Elites ca. 7th-10th Century." Communications in Humanities Research 2, no. 1 (2023): 200–206. http://dx.doi.org/10.54254/2753-7064/2/2022581.

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Lavish silk textiles have drawn considerable attention of historians that have been dedicated to studying the Islamic sartorial code. How changes in the style of silk garments were able to illustrate political development in the Islamic empire, however, was a topic that academic scholars have rarely touched upon. This essay is dedicated to examining how the establishment and development of the Sunni Muslim silk sartorial code is as much the making of the Ulama as the making of the political elites.

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Huang, Boling. "Silk in the Muslim Sartorial Code: The Making, Collaboration, and Separation of the Ulama and the Political Elites ca. 7th-10th Century." Communications in Humanities Research 2, no. 1 (2023): 200–206. http://dx.doi.org/10.54254/2753-7064/2/20220581.

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Lavish silk textiles have drawn considerable attention of historians that have been dedicated to studying the Islamic sartorial code. How changes in the style of silk garments were able to illustrate political development in the Islamic empire, however, was a topic that academic scholars have rarely touched upon. This essay is dedicated to examining how the establishment and development of the Sunni Muslim silk sartorial code is as much the making of the Ulama as the making of the political elites.

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Douny, Laurence. "Silk-embroidered garments as transformative processes: layering, inscribing and displaying Hausa material identities." Journal of Material Culture 16, no. 4 (2011): 401–15. http://dx.doi.org/10.1177/1359183511424197.

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This article explores some aspects of Hausa wild silk embroidered gowns known as riga, interpreting these famous and prestigious attires in the light of techniques and transformative processes. The author thus highlights implicit forms of knowledge underlying material practices about, first, the wearing and layering of highly decorated gowns and, second, the process of creating silk-embroidered motifs (on the outside gown) and inked patterns (on the inside gown) that stand as the objectification and expression of charismatic power through self-display. The author proposes that Hausa wild silk-

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Srijan, Ragib Noor, Jakaria Jaman, Juairia Mahmuda, and Md Samiul Islam Sany. "Determination of Physicochemical Water Quality Parameter of Wastewater from Silk Production Industry in Rajshahi City." International Journal of Hydraulics and Wastewater Treatment Technologies 1, no. 1 (2025): 63–72. https://doi.org/10.46610/ijhwtt.2025.v01i01.005.

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Attire is a fundamental necessity for humans, second only to food, and Bangladesh is celebrated for its manufacturing of high-quality garments. Meeting the domestic demand for garments, Bangladesh supplies its textiles globally. In 2022, Bangladesh exported a staggering $57.7 billion in textiles, solidifying its position as the world's second-largest exporter in this sector. A wide variety of fabrics exist, including cotton, silk, and wool. Silk, in particular, has been a symbol of elegance for centuries. Raw silk fibers, produced by silkworms, are composed primarily of two proteins: sericin (

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Sathish Kumar, T., M. Ramesh Kumar, and Balakrshnan Senthil Kumar. "Evaluation of Moisture Management Properties of Plated Interlock, Mini Flat Back Rib and Flat Back Rib Structures." Fibres and Textiles in Eastern Europe 29, no. 2(146) (2021): 66–74. http://dx.doi.org/10.5604/01.3001.0014.6084.

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Moisture management is a very fundamental criterion for any type of fabric. Hence, in this study three different knits viz plated interlock, mini flat back rib and flat back rib fabric structures with 100% eri silk (top), 100% bamboo (bottom) and 100% tencel (bottom) with the combination of two different yarn counts were used. The yield was tested for moisture management properties. It was identified that the bi-layer eri silk (14.3 tex) combined with bamboo (14.8 tex) and tencel (14.8 tex) plated interlock, mini flat back rib and flat back rib knit structure fabrics were excellent. Due to the

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M, Mithilasri, Kalpana R, Karthick Mani Bharathi B, Susikaran S, Sabarish M, and Parthiban KT. "Nanosensors for monitoring in sericulture: Enhancing silk production through precision technology." International Journal of Zoology and Applied Biosciences 9, no. 4 (2024): 73–77. http://dx.doi.org/10.55126/ijzab.2024.v09.i04.012.

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Over millennia, sericulture the traditional practice of raising silkworms (Bombyx mori L.) for the purpose of producing silk, has undergone substantial change. From its beginnings in China to its eventual global expansion along the Silk Road, sericulture has continued to be an important industry, producing fine silk strands that are woven into highly priced garments all over the world. But just like any agricultural venture, sericulture has to deal with issues including pest control, environmental factors, and maintaining the quality of the silk. In sericulture, traditional monitoring techniqu

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Renne, Elisha P., and Abdulkarim Umar DanAsabe. "Royal Garments of the Emir of Kano Muhammadu Sanusi II, 2014–2020." Textile Museum Journal 48, no. 1 (2021): 72–91. http://dx.doi.org/10.1353/tmj.2021.a932827.

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Abstract: Successive Kano emirs have worn resplendent garments to convey their regal political authority among their subjects. The former Emir of Kano, Sarkin Muhammadu Sanusi II, of Kano State, Nigeria, was renowned for his striking royal dress, which often included a long jacket-like robe covered by a large hooded burnous, trousers, ostrich feather shoes, and a turban with a veil-like cloth, which could cover his face. These expensive garments and accessories were made with a range of materials, which included handwoven cotton and raw silk material made in Nigeria, as well as imported textil

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Pashootanizadeh, Azadeh. "Rag Dolls and the Cultural Identity of Zoroastrian Female Society." Athens Journal of Demography & Anthropology 1, no. 2 (2025): 127–40. https://doi.org/10.30958/ajda.1-2-3.

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After the collapse of the Sasanian Empire, the Zoroastrians of Iran formed a community united by a shared religious identity, later evolving into an ethnic group. The strategic importance of the Silk Road, combined with the familiarity of Zoroastrian textile merchants with this route, facilitated several waves of Zoroastrian migration. However, those who remained in Iran settled in various Silk Road stations and faced social pressures and discriminatory laws imposed by Islamic rulers. These circumstances led Zoroastrian women to promote textile and silk production as a means of preserving thei

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Jui, Kaniz Fatima, Saifur Rahman, Md Akter Faruk Fuad, et al. "A Systematic Review on Prospects and Barriers of Silk in Bangladesh." Asian Journal of Education and Social Studies 48, no. 2 (2023): 1–16. http://dx.doi.org/10.9734/ajess/2023/v48i21048.

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Sericulture is an ancient agricultural practice and silk production has economic as well as historical importance in Bangladesh. The study has reviewed the prospects and barriers of silk compiling the production to industry level. In the last five years, silk production has decreased from 46 to 41 metric tons. As the total demand for silk in Bangladesh is 300 metric tons, it created import pressure, accounting for an average of 393.73 metric tons. Bangladesh produced 1099 kg silk yarn which contributed to the 4.43million USD export return and made the emergence of light more than in previous y

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Anghelone, Marta, Caroline Dalhed, and Tanja Kimmel. "Non-Destructive Condition and Damage Assessment of Historic Weighted Silk." Fibers 13, no. 6 (2025): 78. https://doi.org/10.3390/fib13060078.

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Silk weighting is a process used to compensate for the weight loss caused by degumming, achieved by adding agents such as metallic salts to enhance the hand feel and appearance of the fibers. With the development of tin weighting procedures (ca. 1870s), the production of weighted silk tremendously increased, as the fast decay of such fabrics was attributed to the process itself. The weighted silk was largely used for evening wear and high-fashion garments, many of which nowadays are stored in textile collections, and often characterized by poor conservation conditions. Within the present work,

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Munroe, Nazanin Hedayat. "Yusuf and Zulaikha in Sufi Poetry and Safavid Silks." Textile Museum Journal 50, no. 1 (2023): 104–17. http://dx.doi.org/10.1353/tmj.2023.a932853.

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Abstract: The romance of Yusuf and Zulaikha was codified as a Sufi allegory in Persian poetry by Abd al-Rahmān Jāmī in 1483. Included in both the Old Testament and the Qur’an, the legend of beautiful Yusuf (Joseph) and his temptress Zulaikha are illustrated in manuscripts of Jāmī’s Haft Awrang , a septet of epic poetry. Zulaikha, a would-be adulteress who is smitten with the young enslaved Yusuf, is mocked by the noblewomen of society until they too meet him in person and lose their senses. This recognizable event in the narrative is illustrated on both embroidered and woven textiles in the si

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Malcolm-Davies, Jane, Beatrice Behlen, Natércia Teixeira, and Paula Nabais. "A Royal Mystery: A Multianalytical Approach for Dyestuff Identification in Seventeenth Century Waistcoats." Heritage 7, no. 8 (2024): 4017–26. http://dx.doi.org/10.3390/heritage7080189.

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Early modern materials are not well represented in dye and mordant analyses despite extensive documentary evidence suggesting the enormous demand for coloured fabrics, even among those below the elite. Non-wovens likewise receive less attention than woven textiles despite their ubiquity in the early modern historical record. Knitted garments, in particular, have rarely been subjected to dye analysis. One garment is noteworthy for its colourfulness, despite not being visible in formal wear. Men throughout society wore knitted undergarments known as waistcoats from the late sixteenth century. Th

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Höfer, Dirk. "A Real-Life Based Evaluation of the Effectiveness of Antibacterial Fabrics in Treating Atopic Dermatitis." Dermatology Research and Practice 2018 (November 19, 2018): 1–8. http://dx.doi.org/10.1155/2018/7043438.

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Background. Antibacterial clothes are classified as a complementary treatment in line with antisepsis, although meta-studies are unable to find significant improvements of eczemas. Methods. The antibacterial effectiveness of conventional AD clothes was compared across each other by (i) standard suspension tests for the appraisal of antibacterial products and (ii) a real-life setup of affected AD skin using S. aureus colonised artificial skin, to assess if functional clothes are effective under practical wear conditions. Additionally, the interaction of the fibre types with a moisturising cream

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М., В. Пархоменко. "ОДЯГ ГОРОДЯН РАННЬОСЕРЕДНЬОВІЧНОГО ХЕРСОНЕСА – ХЕРСОНА В КОНТЕКСТІ ВІЗАНТІЙСЬКОЇ ТРАДИЦІЇ". Історія та географія, № 54 (1 листопада 2018): 174–87. https://doi.org/10.5281/zenodo.1476689.

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<em>Clothing in Byzantium Chersonesos in the Early Middle Ages was quite conservative. It had not dramatically changed since the Late Antique period, inherited the main features of the antique garments and remained almost unchanged until the Late Middle Ages. </em> <em>The archeological analysis helped to determine the circle of sources to discover the clothing and its elements. Archeological findings are divided to groups: fabrics, fasteners (buckles and buttons), head adornments, rings, neck adornments and amulets, shoes. The clothing images on the early Christian crypts indicate the changes

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Mikhaila, Ninya. "Borne Out with Whalebone: A Late Sixteenth-Century Farthingale Sleeve." Costume 58, no. 1 (2024): 2–20. http://dx.doi.org/10.3366/cost.2024.0284.

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An extant farthingale sleeve support and a silk satin sleeve to wear over it form part of a collection of garments still owned by the Willoughby family to which it originally belonged in the 1590s or early 1600s. This paper provides an insight into its history as part of the Willoughby women’s wardrobe and a technical description of its materials, manufacture and current form. Its construction matches contemporary documentary evidence for farthingale sleeves which were assumed to form part of elite dress. Evidence presented here suggests that the fashion moved rapidly through society and becam

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Biedrońska-Słota, Beata. "Silk fabrics from Turkey in the Commonwealth of Poland and Lithuania and their contribution to the formation of a distinct artistic taste in the seventeenth century." Studia Wilanowskie XXX (July 31, 2024): 23–54. http://dx.doi.org/10.5604/01.3001.0054.6990.

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Silk fabrics from Turkey were imported to the Commonwealth as early as in the Middle Ages. They were very popular in the sixteenth century, but did not receive real attention until the Baroque era. In that time, when their popularity in the Commonwealth was steadily growing, they came there first mainly by way of trade, and later as booty. Particularly exquisite, specially prepared fabrics were usually received as diplomatic gifts. An exceptional ideological significance was attributed to textiles acquired by way of booty after victorious battles with the Turks. They became a symbol of victory

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Petroviciu, Irina, Emanuela Cernea, Iolanda Turcu, Silvana Vasilca, and Ina Vanden Berghe. "Natural Dyes in Embroideries of Byzantine Tradition, the Collection of Embroidered Aëres and Epitaphioi in the National Museum of Art of Romania." Heritage 7, no. 6 (2024): 3248–75. http://dx.doi.org/10.3390/heritage7060153.

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The medieval textiles collection of the National Museum of Art of Romania (MNAR) has been in place since 1865 and nowadays preserves about 1000 medieval and pre-modern weavings and embroideries. These extremely valuable objects, dated between the 14th and the 19th centuries, are mainly religious embroidered garments and veils with special significance in the Byzantine li-turgy. Ecclesiastical embroideries of Byzantine tradition are characterized by a complex technique: metallic threads with a silk core, metallic wires and coloured silk threads are couched over padding on layers of silk and cel

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Gafurova, N. T., N. I. Hikmatov, and D. F. Barakaeva. "Influence of raw properties on product quality." Современные инновации, системы и технологии - Modern Innovations, Systems and Technologies 2, no. 2 (2022): 0169–77. http://dx.doi.org/10.47813/2782-2818-2022-2-2-0169-0177.

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The purpose of this article is to study methods for determining and predicting the drapability of a fabric. Drapability is one of the main aesthetic properties of fabric that must be taken into account when designing fabrics with desired properties, obtaining garments of the desired shape and ensuring their efficient production. An analysis of the literature revealed a number of results of experimental methods for the formation of drapery and the need to take into account new information about the characteristic methods for the formation of folds and gathers. The indicators of production of cu

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Maier, Angelica J. "“Is Cleopatra Black?”: Examining Whiteness and the American New Woman." Humanities 10, no. 2 (2021): 68. http://dx.doi.org/10.3390/h10020068.

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In the 1920s and 1930s, conceptions of the “New Woman” and Egyptomania shaped American culture. Employing methods of critical race art history and material culture studies, I focus on a 1925 Callot Soeurs dress and silk pajamas (c. 1920–1929), taking into consideration both the semiotic qualities of Egyptian motifs as they circulated in early twentieth century American visual culture as well as the sensuous material aspects of the garments. Through primary sources like cosmetic advertisements, fashion magazines, and costume manuals, I contextualize the figure of Cleopatra as a symbol of white

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David, Alison Matthews. "ELEGANT AMAZONS: VICTORIAN RIDING HABITS AND THE FASHIONABLE HORSEWOMAN." Victorian Literature and Culture 30, no. 1 (2002): 179–210. http://dx.doi.org/10.1017/s1060150302301098.

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There is a delightful feeling when you are well mounted, that those who are casting admiring glances at your horse, will find your dress and “get-up” just as perfect in their way.— Mrs. Alice Hayes, The Horsewoman, 1893At no time are the beauties of the female form divine displayed with such witching grace, the faultless flowing lines so attractively posed, the tout ensemble so thoroughly patrician. But if there be one blot in the fair picture, the charm at once vanishes.— E. Kerr, Riding for Ladies, 1895THE VICTORIAN SIDESADDLE RIDING HABIT was a paradoxical garment. It was a fashionable anti

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Schmitz, Norma. "Muschelseide – Goldene Gewänder aus dem Meer." Archiv Natur- und Landeskunde Mecklenburg-Vorpommern 58 (November 19, 2021): 71–76. http://dx.doi.org/10.30819/anlk.58.07.

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Zu den tierischen Rohstoffen, die der Mensch vor Erfindung der synthetischen Fasern nutzte, gehört eine besonders feine und seltene Faser zur Herstellung von Kleidungsstücken, die Byssus- oder Muschelseide. Hierbei handelt es sich um die Haftfäden der Edlen Steckmuschel Pinna nobilis Linnaeus, 1758 aus dem Mittelmeer, die bei erwachsenen Exemplaren bis 20 cm lang werden können. Schon in der Antike wurden aus diesen Fasern kostbare goldglänzende Gewänder in feinster mühevoller Handarbeit gefertigt. Nach einer Blütezeit während des Römischen Reichs wurde sie in den folgenden Jahrhunderten bis in

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Wang, Yunli, and Chunlei Wang. "Conservation of a Fur Court Robe of the Qing Dynasty." Studies in Engineering and Technology 2, no. 1 (2015): 86. http://dx.doi.org/10.11114/set.v2i1.957.

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Although fur artifacts are not numerous, they are relatively common in northern China’s museums. This article focuses on the conservation of a man’s court robe from the Palace Museum, lined with golden yellow silk kesi and decorated with golden dragons in colorful clouds and fur trim. It illustrates the treatment process for fur garments, including fur type identification, original sewing methodology documentation, replacement fur piece preparation and degraded fur repair. The fur class cultural relics appraisal method makes we completed a research project1. It based on fur fiber micro detecti

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Thangjam, Roshini and Sharan Madhu. "Incorporating Pineapple Leaf Fiber into Meitei Traditional Textiles: A Cultural and Sustainable Perspective." Journal Of The Textile Association (JTA) 85, no. 3 (2024): 1–6. https://doi.org/10.5281/zenodo.14273495.

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This study explores the application of pineapple leaf fiber (PALF) yarns for traditional Meitei textiles, focusing on Rani Phi and Muga Phanek garments. PALF was used to replace conventional materials, aiming to enhance sustainability and preserve cultural heritage. Fabric samples were produced in manageable sizes—for Rani Phi and Muga Phanek. Rani Phi featured a union plain weave with extra weft rayon yarns (242D), traditional motifs, and a color scheme of undyed white warp (silk-50's with Z twist) and creamy weft (PALF yarn-30's with Z twist) with red ornamentation. The fabric demonstr

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Born, Robert. "The Ottoman Tributaries Transylvania, Wallachia and Moldavia: Reflections on the Mobility of Objects and Networks of Actors." DIYÂR 2, no. 1 (2021): 27–58. http://dx.doi.org/10.5771/2625-9842-2021-1-27.

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This paper explores the different channels of transfer of luxury commodities (rugs, silk fabrics) from Persia and the Ottoman Empire to the three principalities of Moldavia, Wallachia and Transylvania, located at the north-western fringes of the Transottomanica. In the introductory section, it examines the function of the luxury products and their integration into the representational culture of the fifteenth century at the Hungarian royal court, in the Transylvanian cities, as well as in the two Danubian Principalities. The successive integration of Transylvania, Moldavia and Wallachia into t

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Rudranarayan, Mohapatra, and Dutta Sadananda. "Transformation in Weaving Technology of Paata-Clothes: an unique Fabric Tie-Dye product of Odisha." International Journal of Engineering and Advanced Technology (IJEAT) 9, no. 5 (2020): 249–54. https://doi.org/10.35940/ijeat.E9480.069520.

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Both in global market and in perspectives of modernization, preserving and popularizing the traditional weaving technique and designing, is a challenge of 21st century. As it seems, the handloom weaving is unsustainable, and unable to compete in contemporary markets, but it realized, many weavers struggle for livelihoods irrespective of old fashion outcome and to preserve their ethnic and traditional proficiency identity. Odisha, the east-coast state of India is one of them, where thousands of ethnic weavers’ are adopting their parental knowledge of weaving and preparation of micro Ikat

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Ekeyeva, Emma V., та Nikolay V. Ekeyev. "Особенности национальной одежды алтайцев". Oriental Studies 14, № 1 (2021): 103–14. http://dx.doi.org/10.22162/2619-0990-2021-53-1-103-114.

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Introduction. With reference to works by Russian ethnographers and collected field materials, the paper presents the first insight into specific features of Altaian traditional clothes and changes the latter undergo in the modern period. Goals. The work primarily seeks to reveal transformations of Altaian national garments in the late 20th – early 21st centuries. Materials. The study examines data from field expeditions to Ust-Kansky, Shebalinsky and other districts of the Altai Republic in 2017-2019. The research data collection methods included those of questionnaires and interviews among lo

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Strohmaier, Patricia. "Mobil, taktil und nah am Körper – Über den Gebrauch von Beuteln." Das Mittelalter 25, no. 2 (2020): 271–93. http://dx.doi.org/10.1515/mial-2020-0038.

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AbstractMedieval bags or pouches have survived mainly in church treasuries, preserved in reliquaries and altars. Usually made of silk, they vary considerably in form, colour, motif and size. Although most surviving pouches have been interpreted as containers for relics that were safely stored away in church treasuries, the form of a sewn bag was not mandatory for wrapping a relic to be placed inside a reliquary or an altar. Nor were all bags intended for ecclesiastical use, as is evident from the number of alms bags preserved in church treasuries. Through an analysis of textual sources and sur

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JOMAR, PAGGAO CRISTOBAL. "Development And Acceptability of Banana (Esp. Damilig-Musa Acuminata) Fiber as Alternative Source of Natural Fabric." International Journal of Innovative Research in Multidisciplinary Education 03, no. 05 (2024): 849–57. https://doi.org/10.5281/zenodo.11382955.

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Banana fiber yarn is a natural best fiber derived from the inner bark (or phloem) of banana plants. It is a very eco-friendly material, which also has the advantage of being completely biodegradable. This yarn is also known as banana silk, due to the shiny and silky aspect of the most precious fibers, or Musa yarn, from the Musa genre to which the banana plant belongs. The study will focus on the Development and Acceptability of Banana (Esp. Damilig-Musa Acuminata) Fiber as Alternative Source of Natural Fabric. The panel of experts will evaluate the following namely: DOST personnel, Garments i

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Maskiell, Michelle. "Embroidering the Past: Phulkari Textiles and Gendered Work as “Tradition” and “Heritage” in Colonial and Contemporary Punjab." Journal of Asian Studies 58, no. 2 (1999): 361–88. http://dx.doi.org/10.2307/2659401.

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While the men worked in the fields in the wine-like [winter] air, the women sat in the afternoon sun spinning and embroidering while they sang together, before starting to cook for their men. They embroidered phulkaris….” (Tandon 1968, 65). These stereotypes of feminine and masculine work in Prakash Tandon's memory book Punjabi Century illustrate dominant literary representations of economic production in Punjab, a province of the British Raj from the mid-nineteenth century until it was partitioned between independent India and Pakistan in 1947 (see fig. 1). Many Punjabi women used phulkari (l

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Mushtaq, Hina, Shabir Ahmad Ganai, Arshid Jehangir, Bashir Ahmad Ganai, and Rubiya Dar. "Molecular and functional characterization of protease from psychrotrophic Bacillus sp. HM49 in North-western Himalaya." PLOS ONE 18, no. 3 (2023): e0283677. http://dx.doi.org/10.1371/journal.pone.0283677.

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In this work, a psychrotrophic bacteria producing cold-active protease, was obtained from Dachigam National Park, an ecologically significant habitat in Western Himalayas owing to its varied endemic and endangered flora and fauna. This isolate was identified as Bacillus sp. HM49 via phenotypic, Gram staining, bio-chemical and 16S rRNA gene identification. Isolate HM49 when tested for proteolytic activity revealed prominent hydrolytic zone with the most production at 20 °C and pH, 8.0 post 72 h incubation. This enzyme was purified, enhancing its specific activity to 61.15 U/mg and its character

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Palomino, Elisa. "Dye Plants Used by the Indigenous Peoples of the Amur River Basin on Fish Skin Artefacts." Heritage 8, no. 6 (2025): 195. https://doi.org/10.3390/heritage8060195.

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Research on fish skin artefacts’ dyeing practices among the Nivkh, Nanai, Ulchi, Udegei, Oroch, and Negidal Indigenous Peoples of the Amur River basin remains scarce. These fishing communities traditionally crafted fish skin garments, essential to their subsistence and spiritual life, adorning them with protective motifs. While artistic and cultural aspects of these belongings have been explored, their dyeing techniques remain understudied. This multidisciplinary research examines natural colourants in fish skin artefacts from international museum collections, using historical textual research

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Thomas, Kim S., Lucy E. Bradshaw, Tracey H. Sach, et al. "Silk garments plus standard care compared with standard care for treating eczema in children: A randomised, controlled, observer-blind, pragmatic trial (CLOTHES Trial)." PLOS Medicine 14, no. 4 (2017): e1002280. http://dx.doi.org/10.1371/journal.pmed.1002280.

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Polosmak, N. V. "CLOTHES FROM THE XIONGNU WARDROBE (Based on Finds from the Noin-Ula Burial Mounds)." Archaeology and Early History of Ukraine 36, no. 3 (2020): 431–44. http://dx.doi.org/10.37445/adiu.2020.03.31.

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Clothing has always served as a major ethnic marker by uniting people of the same community. Written and archaeological sources tell us a lot about the Xiongnu culture, but the appearance of these formidable rulers of the steppe remains a mystery, and we are still on our way to deciphering it. Archaeological finds for reconstructing the Xiongnu costume come from the Noin-Ula burial mounds (Mongolia), the only site attributed to this people where objects from organic materials have survived. Many items of clothing were discovered as early as in the 1920s by Pyotr Kozlov’s expedition. New

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Lech, Tomasz. "The impact of high-density polyethylene materials on microbiological purity in the process of storing and preserving textiles." Textile Research Journal 87, no. 17 (2016): 2076–88. http://dx.doi.org/10.1177/0040517516663159.

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Textiles made of natural fibers, both contemporary and historical, are at constant risk of degradation caused by, among others, microbial enzymatic activity. Fungi, bacteria, or actinomycetes are capable of producing proteolytic and cellulolytic enzymes, enabling microbial growth on textiles and leading to their decay. Ensuring proper storage conditions, including the usage of protective materials, allows long-term preservation of historical textiles in a good condition. These studies involved a broad microbiological analysis in order to verify whether high-density polyethylene (HDPE) material

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Cui, Wei. "The Inspiration of Manchu Robe Art on Modern Fashion Design." Journal of Education and Educational Research 12, no. 1 (2025): 169–72. https://doi.org/10.54097/7mkjf136.

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Manchu women's robes, as an essential part of traditional Chinese attire, embody profound cultural and artistic value, blending historical craftsmanship with unique aesthetics to provide valuable inspiration for modern fashion design. Through exquisite embroidery, symbolic patterns, and distinctive silhouettes, Manchu robes not only reflect the cultural identity and social structure of the Manchu people but also demonstrate their rich cultural and artistic heritage, evolving from functional attire for a nomadic lifestyle to elaborate court garments. With globalization and increasing attention

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Niftiyev, İbrahim. "De-industrialization in Azerbaijan's Textile Subsectors: Canonical Correlation Analysis and the Dutch Disease Hypothesis." Journal of Applied And Theoretical Social Sciences 5, no. 3 (2023): 270–84. http://dx.doi.org/10.37241/jatss.2023.93.

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Since 2014, academic studies have increasingly underscored the potential adverse consequences associated with Azerbaijan's imbalanced and dependent economic structure. It is widely recognized that countries relying heavily on the export of primary commodities are ill-prepared for situations characterized by sharp declines in international commodity prices. Hence, the objective of this paper is to examine the Azerbaijani economy amidst two parallel developments: the growth of oil-related macroeconomic indicators and the contraction of non-oil subsectoral industrial production. To achieve this,

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Yang, Su Rui. "Application of Traditional Chinese Auspicious Patterns in the Design of Modern Silk Garment." Advanced Materials Research 796 (September 2013): 532–37. http://dx.doi.org/10.4028/www.scientific.net/amr.796.532.

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The traditional Chinese auspicious patterns and silk garment both have characteristics of the traditional Chinese cultures, and always have intimate relationship with each other. In the design of silk garment in many dynasties in China, auspicious patterns were very extensively applied. In the design of modern silk garment, the agile application of auspicious patterns not only can transmit characteristic Chinese ethos, but also can enhance international competence due to its unique Chinese element. Through in-depth study of cultural connotation of the traditional auspicious patterns, this arti

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Zhao, Mei Hua, and Xiao Ping Zhang. "Study on how to Control the Affect by Ironing Shrinking to the Size of Silk Garment in International Silk Garment Business." Key Engineering Materials 480-481 (June 2011): 1255–59. http://dx.doi.org/10.4028/www.scientific.net/kem.480-481.1255.

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As regarding silk garment, size is a very important factor in quality control in international trade. Garment size is affected by many factors of which ironing shrinkage is one of the most important. This assay discusses how to control the affect by ironing shrinking to the size of silk garment in international silk garment business.

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