Relevant bibliographies by topics / Silk in art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Silk in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Silk in art"

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Choe, Kwangshik. "Silla Art and the Silk Road." International Journal of Korean History 19, no. 1 (2014): 1–22. http://dx.doi.org/10.22372/ijkh.2014.19.1.1.

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Rosa Alcalá. "Land Art in the Silk City." Callaloo 32, no. 1 (2008): 209. http://dx.doi.org/10.1353/cal.0.0360.

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Utomo, M. Indra Bayu, I. Wayan Setem, and I. Made Bendi Yudha. "Nusantara’s Ornaments as a Source of Inspiration for Creating Paintings on Silk Fabrics." CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI 2, no. 2 (2022): 39–42. http://dx.doi.org/10.59997/citakara.v2i2.1839.

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In writing this final report, the author raised the theme of ornament as a source of inspiration for creating paintings on silk. Silk painting is a type of craft product originating from China and India since the 2nd century AD. Silk painting entered Indonesia about 200 years later because of the trade relations between Indonesia and China and India. Although the art of silk painting has long been known in Indonesia, the art of silk painting is still not developed like other types of craft products that have been widely developed in Indonesia. Because when the influence of silk painting entere
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Kudaibergenova, Diana T. "“My Silk Road to You”: Re-imagining routes, roads, and geography in contemporary art of “Central Asia”." Journal of Eurasian Studies 8, no. 1 (2017): 31–43. http://dx.doi.org/10.1016/j.euras.2016.11.007.

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This paper re-focuses the Silk Road discussions from the position of contemporary art in Central Asian region. Since the late 1980s contemporary art in Central Asia boomed and it eventually became an alternative public space for the discussion of cultural transformations, social and global processes and problems that local societies faced. Initially the questions raised by many artists concerned issues of lost identity and lost heritage during the period of Soviet domination in the region. Different artists started re-imagining the concept of the Self in their works and criticising the old rig
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Murrin, Michael. "Spenser and the Search for Asian Silk." Arthuriana 21, no. 1 (2011): 7–19. http://dx.doi.org/10.1353/art.2011.0011.

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Wu, Yu, and Chengzhe Wang. "Exploring the Impact of Neo-Confucianism on Material Art Through the Artistic Characteristics of Kesi in Song Dynasty." Lecture Notes in Education Psychology and Public Media 51, no. 1 (2024): 249–55. http://dx.doi.org/10.54254/2753-7048/51/20240968.

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The Song Dynasty was a period of great development in ancient Chinese art, including material art. Kesi, a type of material art is taken as an instance to explore how Neo-Confucianism influenced the development of art during the Song dynasty, a period marked by new developments in thought and culture. Neo-Confucianism impacted not only the political realm but also the art of painting, and further had a significant influence on the composition, coloring, and techniques of silk textile. The ornamental kesi taperstry paintings of the Song dynasty as a material artistry, similar with the style of
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Shustova, Alla M. "Yury N. Roerich on the Spread of Indian Visual Images along the Great Silk Road." Oriental Courier, no. 2 (2023): 271. http://dx.doi.org/10.18254/s268684310026759-2.

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The paper discusses the studies of Yury N. Roerich (1902–1960) in the field of Central Asian art. In his opinion, the Great Silk Road should be considered not only as a caravan road providing trade routes between the countries of the ancient and medieval world, but also as an important arterial system of cultural interchange. The Kushan Empire, founded by the Tochars, who adopted Buddhism as the dominant religion, played a special role in the development of the art of the Great Silk Road region. Buddhism began to spread along the arteries of the Great Silk Road, forming a belt of Buddhist cult
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Chen, Jiankang, Jie Liu, Wen Yang, and Ying Pei. "Collagen and Silk Fibroin as Promising Candidates for Constructing Catalysts." Polymers 15, no. 2 (2023): 375. http://dx.doi.org/10.3390/polym15020375.

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A catalyst determines the mechanism of an organic chemical reaction, thus enabling the commercially viable formation of desired material products. Biopolymers offer new opportunities for the construction of catalysts by virtue of their biocompatibility, environmental benignity, and sustainability, as well as their low cost. Biopolymers are especially useful as carriers and precursors in catalysis application. The employment of biocompatible and biosustainable collagen and silk fibroin materials will revolutionize state-of-the-art electronic devices and systems that currently rely on convention
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Zhang, Kai. "The Spread and Integration of Painted pottery Art along the Silk Road." Region - Educational Research and Reviews 3, no. 1 (2021): 18. http://dx.doi.org/10.32629/rerr.v3i1.242.

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The Silk Road is a product of the mutual exchange of material culture and spiritual culture among ancient China and other countries, regions, and nations. It is the result of the contact and collision between Eastern and Western civilizations. Historically, the Silk Road served as a bridge of cultural exchanges between China and foreign countries, closely linking ancient Chinese culture with the cultures of Central Asia, West Asia, and even ancient Siberian. In various areas along the Silk Road, all kinds of painted pottery art were integrated and developed.
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Xin, Wang. "Study on the Suzhou Embroidery and Innovative Design of Modern Silk Scarf." Advanced Materials Research 796 (September 2013): 588–92. http://dx.doi.org/10.4028/www.scientific.net/amr.796.588.

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Silk scarf, which is an important accessory for a woman, is far behind in the design level compared with the garment nowadays. The indisputable fact is that the consumer group of scarf is gradually reducing, and the most style of current silk scarf can not cohere with womens modern dress anymore. This paper discusses the innovative design of silk scarf on subjects, art form etc. by using traditional element of Suzhou embroidery. By this way, modern silk scarf can cater to consumers demand and play an important role in fashion.
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Dissertations / Theses on the topic "Silk in art"

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Baluch, Matúš. "SILK." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2016. http://www.nusl.cz/ntk/nusl-240603.

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My diploma thesis is instalation, which elements are based on principales of ready-made. Documentation of living performance. Site-specific charakter, objects, and documents are common, that are one from of physical, psychical, and social injuries. Trought the installation and added text with its full range of form I am changing the discurse.
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Ghani, Sulaiman Abdul. "The forms and colors of nature on silk /." Online version of thesis, 1987. http://hdl.handle.net/1850/10427.

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Wang, Linlin. "The sounds on the Silk Road from Xi'an to Urumqi. Soundscape, recording and exposition of the sound." Doctoral thesis, Universitat de Barcelona, 2021. http://hdl.handle.net/10803/672184.

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The main objective of the doctoral thesis is to study the Soundscape in the Chinese route of the Silk Road based on the premises issued in 2003 by the Convention for the Safeguarding of the Intangible Cultural Heritage of UNESCO. In China, no application of this agreement has been used. The research proposed by the doctoral thesis is an important precedent in applying the guidelines concerning the study and preservation of intangible cultural heritage. The Silk Road represents the exchange and integration of Chinese and Western cultures, and its mysterious and remote atmosphere is fascinatin
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Tavakoli, Omid. "A Burning Silence." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1556307287955672.

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Norkutė, Asta. "Vidinė kompozicija." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2007. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2007~D_20070117_170506-74998.

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Holy circle whereat invoke waried in symbol and forms, people superimpose their understanding of life, therein lies phenomenon, secret force. Mandala – wayfaring to centre of a periphery, from emotions and minds topsyturvy to unseen poise, pivot, self. A symbol of mandala – eternal thought, fence in everlasting. Formation, transformation. Conceive symbol, to see him inly sight. They quasi to create the inne link power, the thank to event ones own interior reality. Aburden of my graphic collection ,,Internal composition” l created meditations space. Major only purposeis graphic creation whitene
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Pepper, France A. (France Allison). "The thousand buddha motif : a visual chant in buddhist cave-temples along the silk road." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23351.

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As early as the fifth century C.E., the thousand buddha motif had become a prevalent feature in the art of many cave-temples in Gansu, China. Past scholarship concentrated on tracing the textual sources of the motif and with relating it to the practices associated with the devotion to the three thousand buddhas of the three ages. Past research has not considered how the thousand buddhas may have been a reflection of a wider range of religious practices and popular beliefs nor has it explored the motif's artistic origin.<br>By demonstrating that the earliest examples of the two-dimensional pain
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Grikštaitė, Ramunė. "MIKRO, MAKRO PLANETA." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2009. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2009~D_20090211_105955-80485.

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Iš tiesų, menas žmonijos raidai padarė neginčijamai teigiamą įtaką ir mano gyvenime jis ir užima vieną iš svarbiausių vietų. Juk žmogus yra ir kūrėjas, ir menininkas, ir konstruktorius, ir meistras, ir darbininkas. Kuriant kažką svarbaus, mano nuomone, reikalinga idėja, o paskui jos įgyvendinimas. Kaip kiti pasakytų, gera pradžia - pusė darbo. Nesvarbu ar vaizduojamas mažas, ar didelis daiktas, svarbu, kad jis pasakytų tai, ką nori pasakyti. Kiekvienas eksponatas turi atskleisti žiūrovui tam tikrą informaciją. Toks kūrinys gali būti laikomas tikru meno kūriniu. Šiais laikais meno kūrinys yra i
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Brunnegård, Lisa. "I fjädrarna bor min längtan." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20934.

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Mitt examensarbete har gått ut på att skapa en textil utsmyckning i siden, uppbyggd av många små delar. Tygerna är färgade för hand i gryta med hjälp av syrafärger och delarna är sydda eller klippta i tre olika bestämda former. Jag har efterliknat en spets med hjälp av en ausbrennervara som fungerar som bakgrundstyg. Utsmyckningen, som är tänkt för offentliga miljöer, är 3x3 meter och hänger från taket. Inspirationen har jag hämtat från underkläder, gamar och ett kvartsitbrott.Textile decoration for the public space, made of silk and burnout-fabric.<br>Program: Textildesignutbildningen
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Iyer, Manisha. "Memoires de Soie en Inde: La Ville de Kanchipuram et son art de Tissage." Master's thesis, Universidade de Évora, 2009. http://hdl.handle.net/10174/19628.

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A cidade de Kanchipuram, no Estado de Tamilnadu, sul da Índia, é sinónimo de templos hindus, mas também do sari em seda. A migração de comunidades de tecelão para esta cidade começou durante o reinado da Dinastia Chola nos Séculos 8-13 d. C. Anteriormente, o pano de seda foi considerado como tecido dos Deuses e os tecelões satisfizeram as necessidades religiosas do templo da cidade. Paulatinamente, um tecido de seda torna-se, tanto um tecido dos "mortais", como dos Deuses, e houve um aumento da procura dos têxteis em seda, especialmente, do sari em seda. A particularidade dos tecelões de Kanch
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Reza, Ryan C. "Evidence that aciniform silk and minor ampullate silk are major constituents of wrapping silk from the black widow." Scholarly Commons, 2008. https://scholarlycommons.pacific.edu/uop_etds/692.

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Spider silk is one of the most remarkable materials produced in the natural world and its strength and extensibility are legendary. To date, the majority of studies have been performed on the following silks: dragline, capture spiral, and eggcase silk. The primary goal of this study was to characterize a lesser known silk type, called wrapping (swathing) silk, from Latrodectus hesperus. My research focused on elucidating the fibroins that make up the swathing silk. Perfonning MS/MS analyses on solubilized wrapping silk fibroins digested with trypsin, we demonstrate that a novel fibroin named A
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Books on the topic "Silk in art"

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E, Ashby Leslie, ed. Art of Silk Road 2002. Art of Silk Road, 2002.

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Inge, Braeckman, and Kathmandu Triennale (2017 : Kathmandu, Nepal), eds. Wood prop silk wind. S.M.A.K., the Municipal Museum of Contemporary Art, 2018.

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Henri, Algoud. La soie: Art et histoire. La Manufacture, 1986.

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Jill, Tilden, ed. Silk & stone: The art of Asia. HALI Publications, 1996.

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Robba, Emilio. The art of arranging silk flowers. William Morrow, 1998.

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Tuckman, Diane. Creative silk painting. North Light Books, 1995.

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Tuckman, Diane. Creative silk painting. North Light Books, 1995.

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Hirayama, Ikuo. Hirayama on the silk road. Japan Information and Culture Center, Embassy of Japan, 1991.

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Montano, Judith. Art & inspirations. C & T Pub., 1997.

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Koppa, Elisabeth. Mongolian art adventure along the Silk Road. Valiant Art, 2007.

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Book chapters on the topic "Silk in art"

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Hung, Wu. "What is Dunhuang Art?" In Silk Road Studies. Brepols Publishers, 2002. http://dx.doi.org/10.1484/m.srs-eb.4.00247.

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Lieu, Samuel. "Manichaean Art and Architecture Along the Silk Road." In Silk Road Studies. Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.srs-eb.4.00190.

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Hupfauf, Peter. "Scandinavia and the Silk Road." In The Art of the Eurasian Steppe. Routledge, 2024. http://dx.doi.org/10.4324/9781003466772-27.

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Chang, H. K. "Alexander's Eastern Campaigns, Hellenism, and Gandharan Art." In Civilizations of the Silk Road. Routledge, 2023. http://dx.doi.org/10.4324/9781003369899-2.

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Zhang, Hanmo. "Searching for the Origin of an Art Motif: The Tree as a Universal Separating Device in Early Indian, Iranian, Etruscan, and Chinese Art." In Silk Road Research Series. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7602-7_8.

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Edwell, Peter. "Palmyrene Art, Architecture and Religion on the Euphrates: The Early Evidence for a Palmyrene Community at Dura Europos." In Silk Road Studies. Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.srs-eb.4.00197.

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Novozhenov, Viktor A. "Central Asian Rock Art on the Silk Road." In Advances in Science, Technology & Innovation. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-31027-0_11.

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Kidd, Sophia. "Contemporary Art in China’s Southwest Frontier New Silk Road Region." In Culture Paves The New Silk Roads. Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-8574-3_6.

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Liu, Yuhao. "Silk and the Roman Empire." In Proceedings of the 2022 4th International Conference on Literature, Art and Human Development (ICLAHD 2022). Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-494069-97-8_167.

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Irwin, Rita L. "Ruminations on an A/r/tographic Field Trip of the Silk Road." In Counternarratives from Asian American Art Educators. Routledge, 2022. http://dx.doi.org/10.4324/9781003222293-28.

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Conference papers on the topic "Silk in art"

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Chen, Yugang. "Tie-dyed art in the application of the silk garments." In 2016 3rd International Conference on Management, Education Technology and Sports Science (METSS 2016). Atlantis Press, 2016. http://dx.doi.org/10.2991/metss-16.2016.9.

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Solberg, Anne. "Co-creating a cross-material silk and porcelain art exhibition." In LearnxDesign 2021: Engaging with challenges in design education. Design Research Society, 2021. http://dx.doi.org/10.21606/drs_lxd2021.08.153.

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Li, Jingke, Guoyu Sun, Congyun Tang, et al. "Silk Road Journey: A Real-time AI-based Interactive Art Installation for Silk Road Cultural Reenactment and Experience." In CHI '24: CHI Conference on Human Factors in Computing Systems. ACM, 2024. http://dx.doi.org/10.1145/3613905.3648655.

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Xie, Hongbin, and Dongjun Chen. "Quanzhou Maritime Museum: Spatial Production of Maritime Silk Road Culture." In 7th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.376.

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Tasuntia, Kritsada, Preecha Somwang, Den Kogphimai, Kasem Promarin, Ekbodee Muangklang, and Kanya Kosum. "Multi-color Pop Art Product by Silk Screen Printing for the Textile Industry." In 2021 18th International Conference on Electrical Engineering/Electronics, Computer, Telecommunications and Information Technology (ECTI-CON). IEEE, 2021. http://dx.doi.org/10.1109/ecti-con51831.2021.9454715.

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Gu, Li, and Yan Gu. "Study on the Transmission of Chinese Traditional Decorative Patterns Along the Silk Road." In 7th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.379.

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Dong, Wenying, and Yien Geng. "The Enlightenment of Chengdu Lacquerware Carved Silver Silk Halo Design to Modern Furniture Design." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.512.

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Yu, Na. "The Art Form and Development of the Quanzhou Lamp in the Background of the Sea Silk Culture." In 2017 International Conference on Sports, Arts, Education and Management Engineering (SAEME 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/saeme-17.2017.88.

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Cao, Yanqin, and Zhaohong Yao. "Research on the Cultivation Mode of Intercultural Communication Competence for Chinese College Students in Local Application-oriented Universities Against the Background of the Construction of “The Silk Road Economic Belt”." In 7th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.374.

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Munro, Troy, Changhu Xing, Heng Ban, Cameron Copeland, and Randolph Lewis. "Probing the Mysteries of Spider Silk’s Uncharacteristically High Thermal Diffusivity." In ASME 2013 Heat Transfer Summer Conference collocated with the ASME 2013 7th International Conference on Energy Sustainability and the ASME 2013 11th International Conference on Fuel Cell Science, Engineering and Technology. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/ht2013-17493.

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Spider silks exhibit excellent strength, stiffness, and toughness simultaneously, a feat unachievable in most synthetic, structural materials. It has recently been reported that the thermal conductivity of dragline silk is comparable to copper, which is uncharacteristically high for a biomaterial. In order to develop a fundamental understanding of the high thermal properties of spider silk, further research must be made to explore how the structure and organization of spider silk proteins affects heat transfer characteristics. Synthetically produced silks created from spider silk proteins obta
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Reports on the topic "Silk in art"

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Zhang, Ling, Chunhui Xiang, and Eulanda A. Sanders. Testing Chinese Ink as a Natural Dyestuff on Silk and Cotton Fabrics: The Foundation for a Collection of Wearable Art. Iowa State University, Digital Repository, 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-131.

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Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos, Silk Chiffon Afternoon Dress c. Fall 1976. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/q3g5-n257.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This afternoon dress is from Galanos' Fall 1976 collection. It is made from pale pink silk chiffon and finished with hand stitching on the hems and edges of this dress, The dress was gifted to Drexel University as part of The James G. Galanos Archive at Drexel University in 2016. After it was imaged the gown was deemed too fragile to exhibit. By imaging it using high resolution GigaPan tech
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Bell, Gary, Cody Bryant, Thomas Pokrefke, Cassandra Everett, and Cian Miller. Low Sill Control Structure : physical modeling investigation of velocities downstream of the end sill. Engineer Research and Development Center (U.S.), 2024. http://dx.doi.org/10.21079/11681/48493.

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The model investigation reported herein describes the process to measure velocities at various locations downstream of the Low Sill Control Structure using an existing 1:55 Froude-scaled physical model. To collect these measurements, an acoustic-Doppler velocimeter was deployed downstream of the structure at varying locations and depths. A total of 79 velocity measurements were taken across nine flow conditions (discharge, head and tailwater elevations, and gate openings) provided by the US Army Corps of Engineers, New Orleans District.
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Bell, Gary, Cody Bryant, Thomas Pokrefke, John Hite, and Cian Miller. Low Sill Control Structure : physical modeling investigation of riprap stability downstream of end sill. Engineer Research and Development Center (U.S.), 2024. http://dx.doi.org/10.21079/11681/48552.

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The model investigation reported herein describes the process to model and analyze the stability of scaled riprap in the existing 1:55 Froude-scaled Low Sill Control Structure physical model. The existing model is a fixed-bed model, so modifications were made to create a testing section for the scaled stone. Three separate gradations of scaled riprap were tested at varying boundary conditions (discharge, head and tailwater elevations, and gate openings). Each test was surveyed using lidar for pre to posttest comparisons. It was found that Gradation B remained stable throughout the tests in the
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Sharp, Jeremy A., Duncan B. Bryant, and Gaurav Savant. Low-Sill Control Structure Gate Load Study. U.S. Army Engineer Research and Development Center, 2022. http://dx.doi.org/10.21079/11681/44340.

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The effort performed here describes the process to determine the gate lifting loads at the Low-Sill Control Structure. To measure the gate loads, a 1:55 Froude-scaled model of the Low-Sill Control Structure was tested. Load cells were placed on 3 of the 11 gates. Tests evaluated the gate loads for various hydraulic heads across the structure. A total of 109 tests were conducted for 14 flows with each flow having two gate settings provided by the United States Army Corps of Engineers, New Orleans District. The load data illustrated the potential for higher gate lifting loads (GLL) to occur at t
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Thompson, Alison, Nathan M. Stall, Karen B. Born, et al. Benefits of Paid Sick Leave During the COVID-19 Pandemic. Ontario COVID-19 Science Advisory Table, 2021. http://dx.doi.org/10.47326/ocsat.2021.02.25.1.0.

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Multiple jurisdictions have adopted or adapted paid sick leave policies to reduce the likelihood of employees infected with SARS-CoV-2 presenting to work, which can lead to the spread of infection in workplaces. During the COVID-19 pandemic, paid sick leave has been associated with an increased likelihood of workers staying at home when symptomatic. Paid sick leave can support essential workers in following public health measures. This includes paid time off for essential workers when they are sick, have been exposed, need to self-isolate, need time off to get tested, when it is their turn to
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Rickels, Wilfried. Economic benefit of regional ocean carbon uptake. EuroSea, 2023. http://dx.doi.org/10.3289/eurosea_d7.5.

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Currently, the ocean carbon sink annually removes about a third of anthropogenic fossil fuel and industrial CO2 emissions, reducing therefore climate change damages and CO2 abatement costs. While the land sinks have entered climate policies, the ocean sink has not—for good reasons since the former stores carbon within the boundaries of a state while the ocean removes carbon from the atmosphere rather in its property as a global common. However, the question remains what is the value of the ocean carbon sink and should it be differently attributed when comparing a coastal state with a large exc
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8

Svenson, Anders, and Jonas Hentati Sundberg. Expeditionsrapport SPRAS 2022 : Ekosystemundersökning i Östersjön. Department of Aquatic Resources, Swedish University of Agricultural Sciences, 2023. http://dx.doi.org/10.54612/a.77of4l0u1v.

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Denna rapport presenterar resultat för Östersjön 2022 från den svenska delen av den internationella undersökningen Sprat Acoustic Survey (SPRAS-Swe). Den internationella undersökningen har pågått sedan 2001, men Sveriges deltagande började först 2020 i och med leveransen av Sveriges nya forskningsfartyg R/V Svea. Undersöknigens syfte är att samla in fiskerioberoende data för beräkning av mängden skarpsill och sill i Östersjön. Det sammanställda resultatet utgör grunden för arbetet med beståndskattning av sill och skarpsillinom ICES arbetsgrupp WGBFAS. I en pilotstudie har vi därtill undersökt
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9

Walshire, Lucas, Joseph Dunbar, and Benjamin Breland. Stability analysis of Old River Low Sill Structure. Engineer Research and Development Center (U.S.), 2022. http://dx.doi.org/10.21079/11681/45349.

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An updated stability analysis was performed on the Old River Low Sill Structure due to a change in the operating conditions from historic river sedimentation. Sedimentation of the Mississippi River channel since the 1973 spring flood has caused higher river stages at lower discharges. Numerical methods used included nonlinear analysis of pile group stability, seepage analyses, and limit equilibrium methods. The structure’s foundation was compromised during the 1973 flood, and emergency repairs were conducted to prevent scouring and undermining of the foundation by the flood scour. Rehabilitati
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10

Tutu, N. K., and G. A. Greene. Vaporization of mercury from molten lead droplets doped with mercury: Pb/Hg source term experiment for the APT/SILC target. Office of Scientific and Technical Information (OSTI), 1994. http://dx.doi.org/10.2172/10124305.

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