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Relevant bibliographies by topics / Silver and Paintings

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Academic literature on the topic 'Silver and Paintings'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Silver and Paintings"

1

Molaro, Paolo, and Pierluigi Selvelli. "On the telescopes in the paintings of Jan Brueghel the Elder." Proceedings of the International Astronomical Union 5, S260 (2009): 327–32. http://dx.doi.org/10.1017/s1743921311002481.

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AbstractSeveral astronomical instruments including early spyglasses are depicted in at least five paintings that Jan Brueghel the Elder completed between 1608 and 1625. This rather unique circumstance is due to the fact that Jan Brueghel was court painter of Archduke Albert VII of Habsburg, whose love for art and science, he celebrated in his paintings. An optical tube that appears in the Extensive Landscape with View of the Castle of Mariemont, dated 1608-1612 represents the first painting of a telescope whatsoever. Some documents are collected showing that Albert VII could have obtained very

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2

Huys Janssen, Paul. "De schiet- en loterijprijzen van de Delftse schutters uit 1621 en 1631." Oud Holland - Quarterly for Dutch Art History 115, no. 3-4 (2001): 187–99. http://dx.doi.org/10.1163/187501701x00235.

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AbstractIn the municipal archives in Delft are two unique printed lists that inform us about events organised by the Delft civic guard in 1621 and 1631. In 1621 a shooting contest was being held and the prices were several pieces of silver and a number of paintings. These were mainly by Esaias van de Velde, but there were also works by Bartholomeus van Bassen, Cornelis Jacobsz Delff, Joos de Momper together with Jan Brueghel the Elder, Pieter van Bronckhorst, the unknown Pieter Jacobsz Lupert and two works by Hendrick Gerritsz Pot. In the document he titles of the paintings are given, but it i

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3

Coleman, Donald B. "The Silver Ratio: A Vehicle for Generalization." Mathematics Teacher 82, no. 1 (1989): 54–59. http://dx.doi.org/10.5951/mt.82.1.0054.

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The golden ratio has a long and ri ch history. It is a fascinating and beautiful number. It appears in the regular pentagon and in the nautilus shell. Paintings and architecture abound in golden rectangles. The golden ratio has connections with the Fibonacci sequence. It is a source of interesting puzzles and a fascinating topic for students to explore.

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Osticioli, Iacopo, Laura Capozzoli, Barbara Salvadori, et al. "The “oro di metà” Gilding in the Fifteenth-Century: A Multi-Analytical Investigation." Heritage 2, no. 2 (2019): 1166–75. http://dx.doi.org/10.3390/heritage2020076.

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Few and fragmentary is the information regarding the “oro di metà” (halfway gold) gilding due to the low probability of finding it in paintings as well as its short durability because of tarnishing. However, the very rare, excellent state of conservation of the gilding found in the fifteenth-century wood panel painting of the Master of St. Ivo studied in this work along with a multi-analytical approach allowed shedding light on the structure, the composition and the conservation state of this type of gilding. An Ultra-High Resolution Scanning Electron Microscope (UHR-SEM) along with Energy Dis

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Zalaffi, Maria Sole, Ines Agostinelli, Najmeh Karimian, and Paolo Ugo. "Ag-Nanostars for the Sensitive SERS Detection of Dyes in Artistic Cross-Sections—Madonna della Misericordia of the National Gallery of Parma: A Case Study." Heritage 3, no. 4 (2020): 1344–59. http://dx.doi.org/10.3390/heritage3040074.

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In historical paintings, the detection of low amounts of pigments and dyes by Raman spectroscopy can sometimes be challenging, in particular for fluorescent dyes. This issue can be overcome by using SERS (surface-enhanced Raman spectroscopy) which takes advantage of the properties of nanostructured metal surfaces to quench fluorescence and enhance Raman signals. In this work, silver nanostars (AgNSs) are applied for the first time to real art samples, in particular to painting cross-sections, exploiting their effective SERS properties for pigment identification. The case study is the Madonna d

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McKay, Judith. "Ellis Rowan: Flower-hunting in the Tropics." Queensland Review 10, no. 2 (2003): 89–97. http://dx.doi.org/10.1017/s1321816600003354.

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Ellis Rowan was Australia's most celebrated flower painter of the late nineteenth and early twentieth centuries. An emancipated woman far ahead of her time, she turned what her fellow Australian artists deemed a ‘genteel’ female pastime of flower painting into an adventurous and profitable career which took her all over the world. In a career spanning fifty years and ending with her death in 1922, she produced the phenomenal number of more than 3000 paintings, and succeeded in placing many of these in public collections. Rowan exhibited her work as far afield as London and New York and achieve

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7

Salvadó, Nati, Salvador Butí, Ana Labrador, Gianfelice Cinque, Hermann Emerich, and Trinitat Pradell. "SR-XRD and SR-FTIR study of the alteration of silver foils in medieval paintings." Analytical and Bioanalytical Chemistry 399, no. 9 (2010): 3041–52. http://dx.doi.org/10.1007/s00216-010-4365-5.

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8

KOMAROFF, LINDA. "Paintings in Silver and Gold: The Decoration of Persian Metalwork and Its Relationship to Manuscript Illustration." Studies in the Decorative Arts 2, no. 1 (1994): 2–34. http://dx.doi.org/10.1086/studdecoarts.2.1.40662524.

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Kostetskaya, Anastasia. "Symbolism in Flux: The Conceptual Metaphor of "World Liquescence" Across Media, Genres and Realities." Slavic and East European Journal 59, no. 3 (2015): 413–30. http://dx.doi.org/10.30851/59.3.004.

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“Symbolism in Flux: the Metaphor of World Liquescence across Media, Genre and Realities” examines cultural implications of conceptual metaphor, in this case the metaphor of liquescence of the human emotional domain. The central question discussed in my paper is how poetics of water is metaphorically present in visual discourses of boundary transgression and blending, both static and dynamic, namely painting and film of the Russian Symbolist period. In my analysis of the painterly and cinematic texts selected, I apply concepts from cognitive linguistics, specifically Conceptual Metaphor Theory

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Van Eck, Xander. "De decoratie van de Lutherse kerk te Gouda in de zeventiende eeuw." Oud Holland - Quarterly for Dutch Art History 105, no. 3 (1991): 167–84. http://dx.doi.org/10.1163/187501791x00029.

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AbstractIn 1623 the Lutherans formed a community in Gouda. They appointed a minister, Clemens Bijleveld from Essen, and held their services in private houses at first. In 1640 'Dc Drie Tafelkaarsen', a house on the Lage Gouwe, was converted into a permanent church for them. Thanks to the Groot Protocol, in which the minutes of the church administration were recorded from this donation until the end of the eighteenth century, it is possible to reconstruct the history of the community. The manuscript also documents important gifts of works of art and church furnishings. In 1642 and 1643 seven la

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Dissertations / Theses on the topic "Silver and Paintings"

1

Tamm, John A. "Argentum potorium in Romano-Campanian wall-painting /." *McMaster only, 2001.

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2

Halkias, Maria. "Les yeux de la mémoire : the paintings of Maria Helena Vieira da Silva 1930-1946." Thesis, St Andrews, 2009. http://hdl.handle.net/10023/835.

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Kent, Hannah. "Silver Linings Sketchbook: An Analysis of the Benefits of Using Creative Processes to Turn Psychological Disorder and Trauma into Art." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1268.

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This senior thesis will primarily investigate artistic creativity, its relationship to psychological well-being and the power of the creative process to help harmonize internal tensions caused by either mental disorders or former traumas. I will accomplish this, first by offering a brief explanation of the evolution of creative thought, followed by various scientific explorations and theories of the connection between varying mental states and creation. I will support these findings with an analysis of the lives and works created by the painters Vincent Van Gogh, Pablo Picasso, and Frida Kahlo

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Monteiro, Michelli Cristine Scapol. "Fundação de São Paulo, de Oscar Pereira da Silva: trajetórias de uma imagem urbana." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-04032013-111144/.

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Esta dissertação tem por tema o estudo do circuito social de uma pintura histórica voltada à representação urbana. Trata-se da tela Fundação de São Paulo, concluída pelo pintor brasileiro Oscar Pereira da Silva em 1907, e pertencente ao acervo do Museu Paulista da Universidade de São Paulo. Produzida em um momento em que o sucesso político e econômico das elites dirigentes paulistas era associado à construção de um passado heróico para a capitania de São Vicente e de São Paulo, esta pintura integra-se ao processo de produção de representações iconográficas que tinham por intenção oferecer uma

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Beyer, Vera. "Rahmenbestimmungen : Funktionen von Rahmen bei Goya, Velázquez, van Eyck und Degas /." Paderborn : Verlag Wilhelm Fink, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3037654&prov=M&dok_var=1&dok_ext=htm.

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Monteiro, Taís Cabral. "Percursos poéticos." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-01062017-095007/.

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A tese Percursos poéticos encontra-se dividida em dois Volumes: Em 4 estudos, as obras e os discursos de quatro artistas visuais recebem um estudo histórico e iconográfico. Já no livro-ensaio, apresento o trabalho plástico pessoal, principalmente em pintura, realizado durante o período de doutorado. No primeiro Volume, foram dedicados dois ensaios aos artistas Alfredo Volpi e Maria Helena Vieira da Silva, no contexto do modernismo. Tal Volume consta também de entrevistas realizadas com Fabio Miguez e Manuel Caeiro, agora no âmbito da arte contemporânea. Analisando os textos históricos e das en

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Junior, Carlos Rogerio Lima. "Um artista às margens do Ipiranga: Oscar Pereira da Silva, o Museu Paulista e a reelaboração do passado nacional." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/31/31131/tde-12052015-103046/.

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Esta dissertação tem por tema a atuação do artista Oscar Pereira da Silva (1867 - 1939) enquanto pintor história no Museu Paulista, entre os anos de 1920 e 1922, durante a gestão de Afonso d\' Escragnolle Taunay (1876 - 1958). Quando do preparo do Museu Paulista, visando às celebrações do Centenário da Independência, em setembro de 1922, o artista foi, entre muitos outros, confiado por Taunay a realizar as pinturas cujo conteúdo remetiam a cenas do passado nacional, e do paulista, em particular. Busca-se compreender os meandros que possibilitaram o recrutamento de tal artista para a nova decor

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"Precious Materiality in Colonial Andean Art: Gold, Silver, and Jewels in Paintings of the Virgin." Tulane University, 2019.

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archives@tulane.edu<br>The embellishment of paintings of the Virgin Mary enhanced the meaning and value of the Marian devotions represented. This practice involved the direct application of ornaments made of precious metals and gems onto a painted canvas. This dissertation examines a small corpus of embellished paintings of the Virgin made in the Andes between the sixteenth and eighteenth centuries. At the center of this investigation is the heavily adorned image of the Virgin of Guadalupe, Extremadura, originally created by Spanish friar Diego de Ocaña for the Metropolitan Cathedral of La Pla

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Books on the topic "Silver and Paintings"

1

Sotheby, Parke-Bernet, London. Scottish and sporting paintings, drawings and watercolours, and Scottish silver, April 1986. Sotheby, 1986.

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2

Sotheby, Parke-Bernet, London. Wemyss-ware, Scottish silver and jewels, Scottish and sporting paintings, drawings and watercolours. Sotheby's, 1987.

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Sotheby, Parke-Bernet, London. Wemyss-ware, Scottish silver and jewels, Scottish and sporting paintings, drawings and watercolours. Sotheby's, 1988.

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4

Silver, Joey. Worlds in a bottle: Chinese inside painted snuff bottles and traditional Chinese paintings : the Joseph Baruch Silver collections. Tel Aviv Museum?], 1998.

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5

Sotheby, Parke-Bernet, London. Conduit Street sale: Including furniture, porcelain, paintings, prints, carpets, silver and otherdecorative items : day of sale Monday, 3rd February 1986 ... . Sotheby's, 1986.

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6

Sotheby, Parke-Bernet, London. Scottish and sporting paintings, drawings and watercolours and Scottish silver: Day of sale, Tuesday 29th April 1986...at Hopetoun House.... Sotheby's, 1986.

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7

Levenstein, Mary Kerney. Caring for your cherished possessions: The experts' guide to cleaning, preserving, and protecting your china, silver, furniture, clothing, paintings, and more. Crown, 1989.

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8

Sotheby, Parke-Bernet, London. Antique and decorative furniture, Oriental, British and Continental ceramics, prints, paintings, silver and plate: Sussex, Tuesday 1st October 1991 to Wednesday 9th October 1991. Sotheby's, 1991.

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9

Sotheby, Parke-Bernet, London. Wemyss-ware, Scottish silver and jewels, Scottish and sporting paintings, drawings and watercolours: Days of sale, Monday 31st August and Tuesday 1st September 1987 ... . Sotheby's, 1987.

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10

(Firm), Phillips. Electroplate, silver and miscellanea ... Wednesday 20th June 2001 ...: Reproduction prints, watercolours and oil paintings ... Thursday 21st June 2001 ... ; Works of art, furniture, carpets and rugs ... Friday 22nd June 2001 .... Phillips, 2001.

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Book chapters on the topic "Silver and Paintings"

1

"The Video Veronicas of Bill Viola." In Breaking Resemblance, edited by Alena Alexandrova. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823274475.003.0006.

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This chapter focuses on several video installations by Bill Viola. Starting in the late 1990s, Viola created a series of video installations that refer to or even closely restage well-known religious paintings. His work makes an interesting case as it seeks to define the conditions of spiritual experiences in the space of the contemporary museum or gallery. Memoria, 2000, or Unspoken: Silver and Gold,2001, are video portraits of emotional states of anguish and suffering projected on a veil or gold surface. Both installations cite the motif of Veronica’s Veil and engage with the complex history of interpretation of the acheiropoieticimage by combining it with a theatrical replay of states of extreme emotional tension. Viola borrows religious formats and iconic masterpieces of religious art in which the religious figures are substituted with anonymous contemporaries. The images function as an embedded frame, thus more as a device than as an image. Next to being a means of reflecting on the human condition, Viola’s engagement with religious art can be read as an attempt to comment on the history of the relatively young medium of video. Viola’s interest in spiritual motifs can be understood as a concern with the intrinsic capacity of the medium of video that can create overwhelming experiences and spiritual effects.

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2

Tone-Pah-Hote, Jenny. "Circulating Silver." In Crafting an Indigenous Nation. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469643663.003.0003.

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Silversmiths made objects that were beautiful and that could render important symbols of the Native American Church. They communicated ideas and images that served as public representations of this religion as Native people exchanged these objects. The emergence and spread of Peyotism from the Kiowa, Comanche, and Apache reservation began to generate new Kiowa and American Indian identities. The jewellery and emerging identities parallel one another. Kiowas and others communicated these changes through painting, photography, clothing, and through jewellery itself.

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Enfield, Jill. "Hand Painting Photographs: Silver Prints, Non-Silver and Inkjet Prints." In Jill Enfield’s Guide to Photographic Alternative Processes. Routledge, 2020. http://dx.doi.org/10.4324/9781315390369-14.

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Brunson, Molly. "6. Painting History, Realistically: Murder at the Tretiakov." In From Realism to the Silver Age. Cornell University Press, 2014. http://dx.doi.org/10.1515/9781501757044-011.

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Blakesley, Rosalind. "1. Academic Foot Soldier or Nationalist Warhorse? The Moscow School of Painting and Sculpture, 1843-1861." In From Realism to the Silver Age. Cornell University Press, 2014. http://dx.doi.org/10.1515/9781501757044-006.

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Humm, Maggie. "Virginia Woolf and the Artistic Heritage of St. Ives." In Virginia Woolf and Heritage. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781942954422.003.0007.

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Virginia Stephen enjoyed the happiest summers of her life in St. Ives until the lease of Talland House was sold in 1895. The Stephen family were actively involved in the St. Ives’ arts scene: Leslie and Julia were among the first to join the St. Ives Arts Club; while in St. Ives Vanessa (Woolf records) enjoyed “painting in water-colours, and scratching a number of black little squares, after Ruskin’s prescription”(MOB 31); leading local painters Louis Grier and Julius Olsson were known to the family and dined at Talland House; Vanessa, as other painters, shopped at Lanham’s art shop and attended the annual Studio Day; Woolf’s half-brothers played cricket when the St. Ives Artists’ Eleven played. The artist Lily Kirkpatrick, lover of Edith Ellis, lived close by in Talland Road from 1893. Many London artists, including Vanessa and Virginia’s friend Eliza (Lisa) Stillman visited Talland House. Following the scholarship of Marion Dell, Diane Gillespie, Leslie Hankins, and Marion Whybrow this paper will examine these moments of St. Ives art and their possible impact on Virginia Woolf. Woolf’s first memories of St. Ives she recorded aesthetically “if I were a painter I should paint these first impressions in pale yellow, silver and green” (MOB 66).

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Bagneris, Mia L. "Introduction." In Colouring the Caribbean. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526120458.003.0001.

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July 2007, Yale Center for British Art – reflections on Agostino Brunias’s A Planter and his Wife (fig. 1) … The painting is relatively small – about 12 x 10 inches – and a wonderfully exquisite little gem, its bright gold frame setting off the work of a talented colourist. Pristine whites and vivid pale blues are punctuated with punches of coral red; deep greens and rich ochres define the landscape. In the background are all the hallmarks of an idyllic island day; under a perfect canopy of blue sky and fluffy white clouds, a pair of palm trees rise in the right margin of the picture, nestled against the calm, crystal waters of the Caribbean Sea. However, in the midst of this quintessential tropical splendour, two figures in the foreground, a man and a woman, command the viewer’s immediate attention. Although he is dressed to beat the heat, the man manages to cut an impressive figure in long white trousers, white shirt, and white waistcoat – all immaculately spotless. He accessorises the outfit with black cravat, black shoes with silver buckles, and a long mustard-coloured dress coat with shiny gold buttons, completing the ensemble with a black ‘planter’s hat’. Surely his elegant dress demonstrates his wealth and status, but not so much as his pose, for the artist has frozen him in a perpetual state of showing off; his outstretched arm gestures towards the splendid natural beauty all around him as he turns his face to the lady at his side in a move that silently proclaims his ownership of all that surrounds them....

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Conference papers on the topic "Silver and Paintings"

1

Langley, Ray, John Hehir, and Ian Towler. "The Maintenance of Silver Jubilee Bridge, UK." In IABSE Conference, Copenhagen 2018: Engineering the Past, to Meet the Needs of the Future. International Association for Bridge and Structural Engineering (IABSE), 2018. http://dx.doi.org/10.2749/copenhagen.2018.267.

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<p>The Grade II listed Silver Jubilee Bridge is a two-pinned steel arch bridge with continuous side spans spanning the River Mersey. With a main span of 330 metres, it is the seventh largest steel arch bridge in the world. Since original construction in 1961, Mott MacDonald has been employed on numerous commissions and frameworks on the bridge providing technical and commercial advice to the maintainer, currently Halton Borough Council.<p>This paper presents a case study highlighting challenges associated with maintaining a historical bridge. Maintenance works include painting the

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2

Hayashi, Yamato, Kyosuke Fujita, Ichihito Narira, Masahiro Inoue, and Hirotsugu Takizawa. "Synthesis and optimization of silver nanowire transparent conductive film by organic needle-shaped precursor painting reduction method." In 2016 IEEE 16th International Conference on Nanotechnology (IEEE-NANO). IEEE, 2016. http://dx.doi.org/10.1109/nano.2016.7751502.

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