Relevant bibliographies by topics / Silverpoint drawing

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Silverpoint drawing'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Silverpoint drawing"

1

Clayton, Martin, and Alan Donnithorne. "Recent investigations into the Windsor Leonardos." Léonard de Vinci, l’expérience de l’art Hors-série (2024): 44–55. http://dx.doi.org/10.4000/11v42.

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The 555 drawings by Leonardo at Windsor Castle, almost all from his studio at his death, permit a comprehensive survey of his drawing materials. In recent years, a wide range of techniques have been employed to study these materials, and the results of these investigations are presented here. These include transmitted light, to study paper structure and watermarks; stereo microscopy; raking light with digital subtraction of images, to reveal his use of blind stylus; infrared reflectance imaging, to study carbon-based underdrawing and to distinguish silverpoint from leadpoint; ultraviolet imagi
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2

Milota, Petra, Ina Reiche, Alain Duval, et al. "PIXE measurements of Renaissance silverpoint drawings at VERA." Nuclear Instruments and Methods in Physics Research Section B: Beam Interactions with Materials and Atoms 266, no. 10 (2008): 2279–85. http://dx.doi.org/10.1016/j.nimb.2008.03.005.

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Tanimoto, Satoko, and Giovanni Verri. "A Note on the Examination of Silverpoint Drawings by Near-Infrared Reflectography." Studies in Conservation 54, no. 2 (2009): 106–16. http://dx.doi.org/10.1179/sic.2009.54.2.106.

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4

Reiche, I., M. Radtke, A. Berger, et al. "Spatially resolved synchrotron radiation induced X-ray fluorescence analyses of rare Rembrandt silverpoint drawings." Applied Physics A 83, no. 2 (2006): 169–73. http://dx.doi.org/10.1007/s00339-006-3505-4.

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5

Broos, Ben. "Rembrandts eerste reis naar Friesland." Oud Holland - Quarterly for Dutch Art History 118, no. 1-2 (2005): 79–91. http://dx.doi.org/10.1163/187501705x00259.

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AbstractOn at least three occasions (in 1633, 1634 and in 1635) Rembrandt visited the village of Sint Annaparochie in Het Bildt, where Saskia Uylenburgh lived from her fourteenth to her twentieth year. Biographies of the artist discuss only the days surrounding his marriage to Saskia in the Frisian village on 22 June 1634. The present report concerns Rembrandt's very first visit to Friesland, in 1633. His last visit to Het Bildt can be dated to 12 July 1635, when Saskia served as witness at the baptism of her young niece Antje van Loo, the fourth child of her sister Hiskia Uylenburgh, who was
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Reiche, I., A. Berger, A. Duval, et al. "SY-XRF study of Hans Baldung Grien silverpoint drawings and the silver stylus from the ‘Karlsruhe sketchbook’." X-Ray Spectrometry 36, no. 3 (2007): 173–77. http://dx.doi.org/10.1002/xrs.963.

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Reiche, I., A. Berger, W. Görner, et al. "Following the traces of Albrecht Dürer: analysis of silverpoint drawings by spatially resolved synchrotron-induced X-ray fluorescence analysis." Nuclear Instruments and Methods in Physics Research Section B: Beam Interactions with Materials and Atoms 226, no. 1-2 (2004): 83–91. http://dx.doi.org/10.1016/j.nimb.2004.03.081.

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Broos, Ben. "Gerrit van Loo, voogd van Saskia, zwager van Rembrandt." Oud Holland - Quarterly for Dutch Art History 122, no. 1 (2009): 43–63. http://dx.doi.org/10.1163/187501709788745175.

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AbstractDuring the six years before her marriage in 1634, Rembrandt's wife, Saskia Uylenburgh, lived in Sint Annaparochie (Het Bildt) with her sister Hiskia and her guardian, the town clerk Gerrit van Loo (ca 1580-1641). The Memorijen by Dirck Jansz. (ca 1579-1636) provide insight into the particulars of daily life in this Frisian county. Gerrit lived in comfort in the Regthuys, where Rembrandt's wedding celebration would later take place (fig. 1). In 1627 Gerrit, a widower, married Hiskia Uylenburgh, daughter of Rombertus Uylenburgh, a former mayor of Leeuwarden (fig. 2). Gerrit's first son w
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9

"‘THE INVIABLE AND VIABLE UNIQUE CHARACTER OF SILVERPOINT DRAWING FROM THE PAST TO CURRENT PRACTICE’." International Journal of Heritage, Art and Multimedia 4, no. 15 (2021): 100–118. http://dx.doi.org/10.35631/ijham.415009.

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The use of Metalpoints such as silver, bronze (Brass), copper, gold or lead are of the most gentle and delicate techniques applied by the Renaissance masters in Europe predating the introduction of graphite. There is a wealth of detailed information available online. Metalpoint was a popular drawing and writing technique from the 14th to the early 16th century. This technique involves dragging a metal-stylus across a substrate coated with a somewhat abrasive emulsion leaving small particles of metal dust over the surface to create a mark. These metal-rods oxidate over a different period of tim
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Dissertations / Theses on the topic "Silverpoint drawing"

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Mayers, Jonathan. "Transmutational Harmony." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1328.

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The work that I have produced during my graduate studies at the University of New Orleans addresses the impact that humans have on the environment in our contemporary world. A primary focus, but not exclusive, includes industrial materials or objects, their overwhelming presence that informs the juxtaposition of economic progress, and the reality of environmental disruption. Humor and metaphor are central themes of my work and reference my personal observations and experiences of living in the midst of these environments. Sources from Contemporary underground art have been filtered through my
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Books on the topic "Silverpoint drawing"

1

Norton Gallery and School of Art., ed. The fine line: Drawing with silver in America. Norton Gallery & School of Art, 1985.

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2

1939-, Schmidt Charles, and Arkansas Art Center, eds. Silverpoint etcetera: Contemporary American metalpoint drawings : Arkansas Art Center, Little Rock, Arkansas, August 27-October 11, 1992 : Huntsville Museum of Art, Huntsville Alabama, January 24-April 4, 1993 : Farnsworth Art Museum, Rockland, Maine, August 29, 1993-October 24, 1993. Entourage:Exhibitions, 1992.

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3

Schwalb, Susan, and Tom Mazzullo. Silverpoint and Metalpoint Drawing. Routledge, 2018. http://dx.doi.org/10.4324/9781351260367.

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Schwalb, Susan, and Tom Mazzullo. Silverpoint and Metalpoint Drawing. Taylor & Francis Group, 2018.

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5

Silverpoint and Metalpoint Drawing. Taylor & Francis Group, 2018.

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6

Schwalb, Susan, and Tom Mazzullo. Silverpoint and Metalpoint Drawing: A Complete Guide to the Medium. Taylor & Francis Group, 2018.

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7

Schwalb, Susan, and Tom Mazzullo. Silverpoint and Metalpoint Drawing: A Complete Guide to the Medium. Taylor & Francis Group, 2018.

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8

Schwalb, Susan, and Tom Mazzullo. Silverpoint and Metalpoint Drawing: A Complete Guide to the Medium. Taylor & Francis Group, 2018.

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9

Schwalb, Susan, and Tom Mazzullo. Silverpoint and Metalpoint Drawing: A Complete Guide to the Medium. Taylor & Francis Group, 2018.

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10

The Luminous Trace Drawing And Writing In Metalpoint. Archetype Books, 2012.

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Book chapters on the topic "Silverpoint drawing"

1

Schwalb, Susan, and Tom Mazzullo. "Drawing with Metalpoint." In Silverpoint and Metalpoint Drawing. Routledge, 2018. http://dx.doi.org/10.4324/9781351260367-5.

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Schwalb, Susan, and Tom Mazzullo. "Contemporary Metalpoint Drawing." In Silverpoint and Metalpoint Drawing. Routledge, 2018. http://dx.doi.org/10.4324/9781351260367-8.

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Schwalb, Susan, and Tom Mazzullo. "Introduction." In Silverpoint and Metalpoint Drawing. Routledge, 2018. http://dx.doi.org/10.4324/9781351260367-1.

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Burns, Thea. "The History of Metalpoint as a Drawing Technique." In Silverpoint and Metalpoint Drawing. Routledge, 2018. http://dx.doi.org/10.4324/9781351260367-2.

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Schwalb, Susan, and Tom Mazzullo. "Tools, Metals, and Tarnishing." In Silverpoint and Metalpoint Drawing. Routledge, 2018. http://dx.doi.org/10.4324/9781351260367-3.

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Schwalb, Susan, and Tom Mazzullo. "Grounds, Preparation, and Supports." In Silverpoint and Metalpoint Drawing. Routledge, 2018. http://dx.doi.org/10.4324/9781351260367-4.

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Prusa, Carol. "Mixed Media." In Silverpoint and Metalpoint Drawing. Routledge, 2018. http://dx.doi.org/10.4324/9781351260367-6.

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Schwalb, Susan, and Tom Mazzullo. "Storing, Framing, Photographing, and Shipping Metalpoint Work." In Silverpoint and Metalpoint Drawing. Routledge, 2018. http://dx.doi.org/10.4324/9781351260367-7.

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