Academic literature on the topic 'Simpson, Tim (Fictitious character) – Fiction'

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Journal articles on the topic "Simpson, Tim (Fictitious character) – Fiction"

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Franks, Rachel. "Building a Professional Profile: Charles Dickens and the Rise of the “Detective Force”." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1214.

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IntroductionAccounts of criminals, their victims, and their pursuers have become entrenched within the sphere of popular culture; most obviously in the genres of true crime and crime fiction. The centrality of the pursuer in the form of the detective, within these stories, dates back to the nineteenth century. This, often highly-stylised and regularly humanised protagonist, is now a firm feature of both factual and fictional accounts of crime narratives that, today, regularly focus on the energies of the detective in solving a variety of cases. So familiar is the figure of the detective, it se
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Michael, Rose. "Out of Time: Time-Travel Tropes Write (through) Climate Change." M/C Journal 22, no. 6 (2019). http://dx.doi.org/10.5204/mcj.1603.

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“What is the point of stories in such a moment”, asks author and critic James Bradley, writing about climate extinction: Bradley emphasises that “climatologist James Hansen once said being a climate scientist was like screaming at people from behind a soundproof glass wall; being a writer concerned with these questions often feels frighteningly similar” (“Writing”). If the impact of climate change asks humans to think differently, to imagine differently, then surely writing—and reading—must change too? According to writer and geographer Samuel Miller-McDonald, “if you’re a writer, then you hav
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Lowes, Elanna Herbert. "Transgressive Women, Transworld Women." M/C Journal 8, no. 1 (2005). http://dx.doi.org/10.5204/mcj.2319.

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 This paper will discuss the way in which the creative component of my thesis Hannah’s Place uses a style of neo-historical fiction to find ‘good’ narratives in (once) ‘bad’ women, keeping with the theme, here paraphrased as:
 
 The work of any researcher in the humanities is to…challenge what is simply thought of as bad or good, to complicate essentialist categories and question passively accepted thinking. 
 
 
 As a way of expanding this statement, I would like to begin by considering the following quote from Barthes on the nature of research. I
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Rocavert, Carla. "Aspiring to the Creative Class: Reality Television and the Role of the Mentor." M/C Journal 19, no. 2 (2016). http://dx.doi.org/10.5204/mcj.1086.

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Introduction Mentors play a role in real life, just as they do in fiction. They also feature in reality television, which sits somewhere between the two. In fiction, mentors contribute to the narrative arc by providing guidance and assistance (Vogler 12) to a mentee in his or her life or professional pursuits. These exchanges are usually characterized by reciprocity, the need for mutual recognition (Gadamer 353) and involve some kind of moral question. They dramatise the possibilities of mentoring in reality, to provide us with a greater understanding of the world, and our human interaction wi
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Books on the topic "Simpson, Tim (Fictitious character) – Fiction"

1

Into the vortex: A Tim Simpson novel. St. Martin's Press, 1997.

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Hung over: A Tim Simpson mystery. St. Martin's, 1995.

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Hung over: A Tim Simpson mystery. Collins Crime, 1994.

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Gothic pursuit: The fifth Tim Simpson adventure. Collins, 1987.

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John, Malcolm. A deceptive appearance: The ninth Tim Simpson adventure. Crime Club, 1992.

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The burning ground: A Tim Simpson mystery. Crime Club, 1993.

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The wrong impression: The seventh Tim Simpson adventure. Collins, 1990.

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The Gwen John sculpture: The third Tim Simpson adventure. Collins, 1985.

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Whistler in the dark: A Tim Simpson mystery. Scribner, 1986.

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Malcolm, John. Whistler in the dark: The fourth Tim Simpson adventure. Guild Publishing, 1986.

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