Relevant bibliographies by topics / Simulakrum

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Simulakrum'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 June 2025

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Journal articles on the topic "Simulakrum"

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Fawaid, Imam, Muhammad Hayat, and Mochamad Aan Sugiharto. "Hiperrealitas Cantik bagi Mahasiswa Pemakai Skincare." Jurnal Pemikiran Sosiologi 9, no. 2 (2022): 145. http://dx.doi.org/10.22146/jps.v9i2.77475.

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Hiperrealitas merupakan konsep yang digunakan oleh Jean Baudrillard untuk menjelaskan fenomena lahirnya realitas-realitas buatan yang melampaui realitas nyata, yang ditandai dengan berkembangnya media sosial yang memfasilitasi individu dalam mengekspresikan diri melalui kode-kode visual sebagai tanda untuk merepresentasikan diri mereka. Implikasinya, individu-individu dalam masyarakat modern menjadi terobsesi untuk selalu tampil cantik sempurna. Oleh karena cantik dipahami sebagai the body as physical, maka untuk menjadi cantik seseorang harus melakukan perawatan dengan memakai skincare. Penelitian ini bertujuan untuk mengetahui lebih jauh mengenai fenomena tersebut. Penelitian ini menggunakan pendekatan kualitatif fenomenologis dengan teknik penentuan subjek penelitian menggunakan metode snowball. Adapun pengumpulan data menggunakan metode observasi, wawancara, dan dokumentasi. Hasil penelitian ini menjelaskan bahwa hiperrealitas cantik yang terjadi pada mahasiswa pemakai skincare dikelompokkan menjadi tiga fase, yaitu fase simulasi sebagai fase awal, fase simulakra sebagai fase tengah, dan fase simulakrum sebagai fase akhir. Fase simulasi terjadi didukung oleh beberapa faktor, antara lain lingkungan keluarga, lingkungan pertemanan, dan idola yang mengenalkan konstruksi cantik pada subjek penelitian yang kemudian menjadi rujukan untuk ditiru sebagai identitas diri. Fase simulakra terjadi ketika subjek penelitian mulai mempelajari lebih banyak tentang skincare, bereksperimen mencoba berbagai merek skincare, mengikuti akun-akun media sosial skincare, hingga berkonsultasi ke klinik perawatan kulit. Adapun fase simulakrum terjadi ketika subjek penelitian merebut otoritas untuk mereproduksi cantik versinya tetapi terus berproses dalam bayang-bayang negativitas sampai pada titik di mana skincare menjadi kebutuhan baru.
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Ostojić, Aleksandar. "SIMULAKRUM I KRITIKA: DELEZOVO TUMAČENJE PLATON(IZM)A." Kritika: časopis za filozofiju i teoriju društva 2, no. 2 (2021): 259–72. https://doi.org/10.5281/zenodo.5732508.

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Delezovo razumevanje kritike, koje je izneo u delu Niče i filozofija predstavlja sistemski metod koji će Delez koristiti u svojim kasnijim delima. Zastupajući ovu tezu, rad analizira problem simulakruma, koji Delez uočava kod Platona, pokazujući na koji način je Delezovo razumevanje kritike prisutno u njegovom sagledavanju platon(izm)a. Premda se Delezov kritički metod unutar ovog rada u najvećoj meri posmatra i ispituje kroz njegovo razumevanje Platona i simulakruma, rad takođe nagove&scaron;tava mogućnost &scaron;ireg razumevanje uloge kritike kod Deleza: može li se kritika razumeti kao konstantan metodski pristup kojem Delez pribegava? Takva pozicija otvara prostor unutar kog se čitava<em> Razlika i ponavljanje</em> može razumeti kao veliki kritički projekat, na &scaron;ta Delez delimično i sam upućuje.
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Mrduljaš, Maroje, and Idis Turato. "Turistički kompleksi Haludovo i Uvala Scott." Prostor 28, no. 1 (59) (2020): 88–99. http://dx.doi.org/10.31522/p.28.1(59).5.

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Tijekom 1960-ih i početkom 1970-ih u Hrvatskoj se artikulira kritika modernizacije obale i masovnog turizma. Među kritikama prevladava mišljenje da je nuždan kontekstualno osjetljiv i regionalistički pristup, kako čitavoj urbanizaciji tako i turističkoj gradnji. Projekti Uvale Scott i Haludova ponudile su dvije različita interpretacije urbaniteta turističkih kompleksa; prvi kroz koncept simulacije tradicijskih ambijenata, a drugi kroz simulakrum elemenata povijesnog grada.
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Azwar, Muhammad. "Teori Simulakrum Jean Baudrillard dan Upaya Pustakawan Mengidentifikasi Informasi Realitas." Khizanah al-Hikmah : Jurnal Ilmu Perpustakaan, Informasi, dan Kearsipan 2, no. 1 (2014): 38. http://dx.doi.org/10.24252/v2i1a4.

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Jin, Huimin. "Simulakrum: estetizacija ili an-estetizacija / Simulacrum: An Aesthetization or An-aesthetization." AM Journal of Art and Media Studies, no. 2 (December 15, 2012): 47–53. http://dx.doi.org/10.25038/am.v0i2.21.

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Aesthetization, or aestheticization, has recently become a new key word in scholarly debates about culture and society, roughly concerned with the kind of phenomenon that pictorial turn describes. It is not that aesthetization, in its literal sense, is making the unaesthetic aesthetic, nor does it point to the sort of topics typical of an aestheticized human life as favored by some traditional Chinese intellectuals; rather it is about a transaesthetization. This process differs not just in the range and extent of aesthetization, but in its essence and nature: reality will no longer exist when it is transaesthetized and what is left is an aesthetic realm only; in other words, there will be no reality, but purely the hyperreal. Accordingly, transaesthetization can then often be associated with the concept of simulacrum, or the proliferation of images; it would thus result from the expansion of simulacra. However, there arises the problem that simulacrum is not identical with image. Assuming that the beauty of image consists in its rich connotations and its presentation at the level of form, it is doubtful that transaesthetization is configured merely by the simulacra. Why, and how could it be so?
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Maulina, Putri, Ainal Fitri, and Dony Arung Triantoro. "Narasi Jilbab dan Realitas Simulakra di Akun Instagram @buttonscarves." Jurnal Komunikasi Global 12, no. 1 (2023): 1–29. http://dx.doi.org/10.24815/jkg.v12i1.31232.

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Buttonscarves menjadi brand fashion jilbab yang menargetkan perempuan muslim dengan kelas sosial menengah ke atas sebagai konsumennya. Melalui akun Instagram @buttonscarves, produsen fashion jilbab ini berupaya menarik perhatian konsumen dengan menciptakan beragam narasi sehingga terciptanya realitas-realitas tertentu. Penelitian ini bertujuan untuk menelaah bagaimana realitas perempuan muslim dan jilbab diciptakan dalam narasi Buttonscarves di akun Instagram @buttonscarves. Peneliti juga menggunakan sudut pandang Baudrillard tentang Simulakra dan Hiperrealitas. Peneliti menggunakan pendekatan kualitatif dan metode analisis semiotika Jean Barudrillard terhadap sembilan teks berupa video dan foto yang ada di akun tersebut di sepanjang tahun 2022. Temuan dalam penelitian ini menunjukkan bahwa Instagram @buttonscarves menciptakan simulasi realitas terhadap perempuan Muslim berjilbab. Narasi simulakra dalam Instagram @buttonscarves menunjukkan hiperrealitas nilai- nilai perempuan Muslim dan jilbab yang dapat membius khalayak perempuan Muslim. Sehingga jilbab tidak lagi dipandang dari nilai-nilai aslinya, namun menjadi realitas simulakrum murni dari citra yang diciptakan oleh Buttonscarves. Buttonscarves is a hijab fashion brand that targets Muslim women belonging to the middle and upper social classes. Through the Instagram account @buttonscarves, this hijab fashion producer attracted consumers’ attention by constructing narratives that shape distinct realities. This study delves into how the Buttonscarves’ narratives on the @buttonscarves create the reality of Muslim women and the headscarf. In analyzing this phenomenon, Baudrillard's concepts of Simulacra and Hyperreality serve as theoretical underpinnings. Employing a qualitative approach, this research adopts the Jean Baudrillard Semiotics Analysis method to analyze nine texts, encompassing videos and photos posted throughout 2022. The study's findings shed light on the Instagram account’s ability to engender a simulated reality of Muslim women wearing headscarves. Simulakra's narrative on Instagram @buttonscarves shows the hyperreality of Muslim women's values and the headscarf that can anesthetize Muslim women audiences. Consequently, the headscarf is no longer seen from its original values but becomes a pure simulacrum reality of the image created by Buttonscarves.
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Kirshenblatt-Gimblett, Barbara. "Wystawa główna Muzeum Polin. Odpowiedź." Zagłada Żydów. Studia i Materiały, no. 12 (November 30, 2016): 679–85. http://dx.doi.org/10.32927/zzsim.453.

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Ocenianie wystawy głównej Muzeum Polin w odniesieniu do jej założeń jako multimedialnej wystawy narracyjnej jest czymś całkiem innym niż zarzucanie jej, że nie jest wystawą innego typu, opartą na obiektach oryginalnych. Rzekoma analiza krytyczna naszej wystawy głównej tak naprawdę oznacza odrzucenie jej założeń; brakuje jednak krytycznej oceny założeń owej analizy, a mianowicie że na skutek braku obiektów oryginalnych multimedialna wystawa narracyjna to de facto „simulakrum”. Punkt wyjścia wystawy głównej Muzeum Polin stanowi opowieść, a wybrane przez nas podejście to „teatr historii” – opowieść snuta w trójwymiarowej przestrzeni, której wątki rozwijają się wraz z kolejnymi krokami zwiedzających. Dążymy do stworzenia Gesamtkunstwerk – totalnego dzieła sztuki, całości większej niż suma jej elementów.
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Scholz, Danilo. "Bananen. Eine kleingedruckte Assoziation Europas." Zeitschrift für Ideengeschichte 17, no. 1 (2023): 71–86. http://dx.doi.org/10.17104/1863-8937-2023-1-71.

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Der Anlass war feierlich, das Thema prosaisch, der Ton süffisant: Als Hans Magnus Enzensberger 2010 in Kopenhagen seine Dankesrede anlässlich der Verleihung des Sonning-Preises für besondere kulturelle Leistungen hielt, knöpfte er sich ein kontinentales Institutionengefüge vor. Der freie Geist schien es sichtlich zu genießen, seinen inneren Wutbürger vor dem dänischen Publikum einmal Gassi zu führen: «Was aber die Bewohner unseres Erdteils am meisten nervt, ist der Regelungswahn der Brüsseler Behörden.» Ob die Überschrift der in der Frankfurter Allgemeinen Zeitung abgedruckten Rede – «Wehrt Euch gegen die Bananendemokratie!» – auf Enzensberger zurückgeht, ist unsicher. Fraglos war sie als Aufruf zur Revolte angelegt – oder liebäugelte sie doch eher augenzwinkernd mit dem Simulakrum eines Schlachtrufes? «Wo kämen wir denn hin», polterte Enzensberger ergriffen von spielerisch ummantelter Erregung, «wenn unsere Bananen weniger als vierzehn Zentimeter lang wären!»
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Afdholy, Nadya. "Perilaku Konsumsi Masyarakat Urban Pada Produk Kopi Ala Starbucks." Satwika : Kajian Ilmu Budaya dan Perubahan Sosial 3, no. 1 (2019): 43–53. http://dx.doi.org/10.22219/satwika.v3i1.8681.

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Kopi Starbucks merupakan produk kopi yang menandakan nilai prestise yang tinggi bagi para penikmatnya karena harganya yang tergolong mahal. Bagi konsumen yang berpendapatan tinggi, tentu bukan hal yang sulit untuk mengonsumsi kopi Starbucks, namun bagi yang berpendapatan rendah mungkin akan berpikir ulang untuk mengonsumsi produk tersebut. Munculnya brand kopi ala Starbucks menunjukkan bahwa saat ini banyak animo masyarakat yang menginginkan kopi tetapi mereka juga melihat keadaan ekonomi mereka yang seutuhnya. Penelitian ini bertujuan untuk mengetahui pola pembentukan identitas yang dimunculkan oleh para konsumen pada produk imitasi ala Starbucks dengan memanfaatkan teori simulakrum dari Jean Baudrillard. Penelitian ini merupakan penelitian deskriptif kualitatif. Penelitian dilakukan di Kafe Starmug’s, Kelurahan Keputih, Kecamatan Sukolilo, Kota Surabaya. Sumber data penelitian yaitu hasil wawancara dengan berbagai informan yang merupakan beberapa orang pekerja dan juga mahasiswa di Surabaya yang disebut masyarakat urban. Penelitian ini menggunakan teknik pengumpulan data dengan observasi, wawancara, dan interpretasi. Analisis data dilakukan dengan mendeskripsikan dan memaknai data yang telah diperoleh. Hasil dari penelitian ini menunjukkan bahwa praktik konsumsi kopi ala Starbucks merupakan bentukan konsumerisme postmodern, yakni pola konsumsi yang tidak sesuai dengan arti harfiah dari konsumsi, namun lebih mengarah pada konsumsi simbol-simbol. Kata kunci: imitasi, konsumsi, kopi, posmodernisme, Starbucks.
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Afdholy, Nadya. "Perilaku Konsumsi Masyarakat Urban Pada Produk Kopi Ala Starbucks." JURNAL SATWIKA 3, no. 1 (2019): 43. http://dx.doi.org/10.22219/js.v3i1.8681.

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Kopi Starbucks merupakan produk kopi yang menandakan nilai prestise yang tinggi bagi para penikmatnya karena harganya yang tergolong mahal. Bagi konsumen yang berpendapatan tinggi, tentu bukan hal yang sulit untuk mengonsumsi kopi Starbucks, namun bagi yang berpendapatan rendah mungkin akan berpikir ulang untuk mengonsumsi produk tersebut. Munculnya brand kopi ala Starbucks menunjukkan bahwa saat ini banyak animo masyarakat yang menginginkan kopi tetapi mereka juga melihat keadaan ekonomi mereka yang seutuhnya. Penelitian ini bertujuan untuk mengetahui pola pembentukan identitas yang dimunculkan oleh para konsumen pada produk imitasi ala Starbucks dengan memanfaatkan teori simulakrum dari Jean Baudrillard. Penelitian ini merupakan penelitian deskriptif kualitatif. Penelitian dilakukan di Kafe Starmug’s, Kelurahan Keputih, Kecamatan Sukolilo, Kota Surabaya. Sumber data penelitian yaitu hasil wawancara dengan berbagai informan yang merupakan beberapa orang pekerja dan juga mahasiswa di Surabaya yang disebut masyarakat urban. Penelitian ini menggunakan teknik pengumpulan data dengan observasi, wawancara, dan interpretasi. Analisis data dilakukan dengan mendeskripsikan dan memaknai data yang telah diperoleh. Hasil dari penelitian ini menunjukkan bahwa praktik konsumsi kopi ala Starbucks merupakan bentukan konsumerisme postmodern, yakni pola konsumsi yang tidak sesuai dengan arti harfiah dari konsumsi, namun lebih mengarah pada konsumsi simbol-simbol. Kata kunci: imitasi, konsumsi, kopi, posmodernisme, Starbucks.
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Dissertations / Theses on the topic "Simulakrum"

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Klettke, Cornelia. "Simulakrum Schrift : Untersuchungen zu einer Ästhetik der Simulation bei Valéry, Pessoa, Borges, Klossowski, Tabucchi, Del Giudice, De Carlo /." München : W. Fink, 2001. http://catalogue.bnf.fr/ark:/12148/cb41070781t.

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Esbjörnsson, Borgström Ola. "Mot simulakrats värld : Representationskritik i Deleuzes tidsliga och ideala synteser." Thesis, Södertörns högskola, Filosofi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-40762.

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This paper examines how Gilles Deleuze critically transforms the theory of thought from representation to production, by way of finding thought’s genetic conditions, in his synthesis of time and ideal synthesis in Différence et répétition. I focus on Deleuze’s critique of subject, time, and identity, and on how he tries to establish a purely positive synthesis capable of producing the absolutely new. Lastly, I discuss Deleuze’s own image of thought that rises from his critique, as simulacrum.
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Linhart, Marek. "Mýtus v americké reklamě po roce 1945." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-329186.

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This thesis is designed as a comprehensive analysis of the advertising discourse within some pre-set constrains. Specifically, the main area of interest is the realm of American print advertising after 1945. Within these limits, advertising is understood as a mode of language, the chief semantic unit of which is a form of Barthesian myth, a superstructure divorced from reality that supersedes de Saussure's semiotics of the sign. The bulk of this thesis is then a diachronic analysis of the development of these myths and their role as both mirrors and catalysts of a whole range of stereotypes, value hierarchies or fixed ideas firmly embedded within American collective consciousness. The primary materials for this analysis are then various specimen of the advertisements themselves, carefully selected because of their representativeness, influence or significance within the advertising realm. The main theoretical framework rests on Marx's understanding of the commodity as a certain type of fetish, Barthes's description of the structure and social function of the myth, Baudrillard's and Debord's theories on such notions as the society of spectacle, the reign of simulacra and hyperreality, Benjamin's understanding of the uniqueness of representation and its aura and finally McLuhan's detailed accounts of...
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Fulín, Jakub. "Filosofická zkoumání Ludwiga Wittgensteina a ontologické a gnoseologické základy pro pragmatický obrat v teoretickém nazírání na mediální komunikaci." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-333052.

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In this thesis I aim to apply some late Wittgenstein's thoughts and ideas (mainly those of language-game) to media studies. For argumentation sake, both mediated communication as whole and various parts of mediated communication are perceived as self-aligning language- games. These are forms of communication wielded only by implicit rules which are determinated by usage of relevant signs. The key ideology here is that of pragmatism. Meaning of words and other signs is also determined by their usage in relevant language- game (e. g. article in paper, certain kind of TV show, etc.). This notion of various forms of mediated communication leads to a belief that they posses only a very limited ability to outreach their context (of a genre and to more extent mediated communication as a whole). This theory is compatible with Jean Beaudrillard's concept of simulacra. These are symbols without meaning based in reality. Instead they form a (hyper)reality of their own. What both scholars tech us is that symbols can be properly understood only within their context. Mediated communication according to my application of Wittgenstein has always a single meaning that is determined by "the way the communication go". I also consider few objections to this "totalitarian" conception, most importantly Umberto Eco's...
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Karásková, Kristýna. "Problematika reality a simulace v díle Jeana Baudrillarda a její odraz v současné filmové tvorbě." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-357305.

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The thesis deals with the theory of simulation and simulacra by French representative of postmodernism Jean Baudrillard. It focuses on way how Baudrillard thematises gradual extinction of signs connected with their representational function and the emergence of hyperreality which contains simulation. The attention is also focused on concept of reality, virtuality, simulation and illusion. The thesis includes Paul Virilio's thoughts and also Manuel Castells'. The basic framework of research is completed by a theory of fictional worlds. The second part of thesis includes an analysis of how this issue is reflected in present film production via analysis of content of the films The Matrix (Wachowski, 1999) and Mulholland Drive (Lynch, 2001). The analysis reflects different interpretation of illusive/virtual space and its relation to reality. The aim of thesis is to analyse the selected concepts which describe an emergence and interaction of simulation focusing on contemporary society which is connected with modern technology and also to point at reflection of conceptions mentioned in the films. The goal of thesis is also to explore the films, compare them and show the way how they contain the theme of reality, simulation and illusion and how much is the content of these films connected with the action...
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Hrnčířová, Markéta. "Návraty forem a stylů ve výtvarném umění: Současný hyperrealismus jako produkt postprodukce či komentář k nástupu nových médií." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-330454.

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The book Postproduction: Culture as Screenplay, written by French aesthetician Nicolas Bourriaud is going to be initial text for my diploma thesis. Bourriaud claims, that contemporary art is mostly made by the principle of assemblage; art works are made by reinterpretation, reproducing or by new exhibiting of artefacts or forms of past. The assumption of the original concept in artworks of contemporary artists - semionauts (travelers in the worlds of signs) has been allready completely ineffective. Through the example of hyperrealistic paintings, which has lately reappeared in portfolios of international and czech artists, I will try to show whether its revilal is based on the emergence of new medias, that even more than in the seventies simulate reality or whether they deal with the concept of postpostprodution - the artists lend only formal, in this case, hyperrealistic, signs. This diploma thesis will be completed by the case study of paintings of czech hyperrealist painter Jan Mikulka.
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Rahyadi, Irmawan. "Realita a simulakra v e-learningu." Master's thesis, 2010. http://www.nusl.cz/ntk/nusl-295847.

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Digital technology will be the most influential technologies of the future for learning purpose. The internet always offers another new possibility to the learning method that we have been exposed as a traditional method. These kinds of technology make a closer gap between reality and simulacra and will change our perspective of learning-life and the way we live it. The empirical study on the reality in the world of online learning has pointed the existences of the reality of its own. Current rationalization in the literatures insufficiently identifies the development of the gap between reality and simulacra as well as the impact to the audiences. The identification of the reality and simulacra in this particular media will bring the understanding of the usage and its implication. Keywords: Internet; e-learning; education; reality; simulacra.
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Hunčovská, Hana. "Virtualita a konstrukce nové vizuality." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-332585.

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This dissertation focuses on the problematic of the use of specific virtual representational methods and their influence on the construction of the new visuality. The aim of this dissertation is to show how computer simulations and visualizations used in medical imaging change the way of our apprehension of the world. Nowadays, within academic circles we witness both optimistic and sceptic theories concerning the effects of integration of computer technology and human apprehension. In this work we would like to answer the question about the type of knowledge we gain through virtual visualizations and we would like to prove that virtual simulations don't necessarily have to be a threat but, on the contrary, by developing visual imagination they can support new, creative apprehension of reality. Key words Linear perspective, logic of database, narrative, rhizome, scopic regime, simulation, simulacrum, virtuality, vision, visuality, visualization
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Kudrna, David. "Mentální a ontologická simulakra: ne-racionalita a ne-reálno v dílech Philipa K. Dicka." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-415293.

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This thesis offers a model for the underlying architecture of the narrative reality in science-fiction works by Philip K. Dick, arguing that Dick's fictional worlds are grounded in the pervasive metamorphosis - the overarching perception of the shifting - of the narrative fabric operating under the conditions of non-rationality and non-reality. The hyphenated coinages conveniently stand for the paradigms of the reality and mental configurations in PKD subverting the seemingly natural dichotomizing oppositions and hierarchies of the real/unreal and the rational/irrational. Bringing in Gilles Deleuze's ontology of difference, this thesis explains the non-rationality and non-reality of Dick's worlds in Deleuzian terms as, firstly, inducing the perception of fictional reality as realizing the innate potential of being by the perpetual becoming of being in multiplicity and, secondly, engendering - in the vein of Deleuzian simulacra - the impossibility of apprehending and categorizing fictional reality unequivocally. The thesis considers and evaluates the underlying assumptions and claims common to various approaches to the subject of reality in PKD's fictions in order to provide the essential context for the following development of the theoretical basis for non-rationality and non-reality shifting....
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Olbertová, Martina. "Gender a média v éře postmodernity: Odkrývání genderových stereotypů v současném českém reklamním diskurzu." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-298501.

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ENGLISH SUMMARY The main objective of this thesis was to provide a complex perspective on the mutual relationship of gender and media in the age of post-modernity with a special attention to the stereotypical gender portrayal presented to us by the contemporary Czech advertising discourse. We chose to demonstrate this problematics through the methods of semiotic analysis on the analytical sample of 5 advertisements (consisting of selected TV commercials) representing various aspects of stereotypical gender images appearing in the today's Czech advertising contents. We then subjected these selected advertisements to the analytical methods in pursuit of finding the answers to the questions related to the media image of men, women and our society that the stereotypical gender depictions contained in these advertisements help to construct. Although many of these advertisements appear to be openly sexist or even misogynic on the first sight, using the mechanisms of semiotic analysis we came to a rather opposite conclusion proposing the analyzed contents are rather pro-feminine tending toward an extensive masculine critique. This result, however, is based mainly on the mechanisms of oppositional reading of the subjected texts. On the other hand, it is presumable that the "average media consumer" not having access...
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Books on the topic "Simulakrum"

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Klettke, Cornelia. Simulakrum Schrift: Untersuchungen zu einer Ästhetik der Simulation bei Valéry, Pessoa, Borges, Klossowski, Tabucchi, Del Giudice, De Carlo. W. Fink, 2001.

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2

Baudrillard, Jean. Simulakrumi i simulacija. Svetovi, 1991.

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3

Dotzler, Bernhard J. Der Hochstapler: Thomas Mann und die Simulakren der Literatur. Fink, 1991.

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4

Österreichische Gesellschaft für Semiotik. Symposium. Mythen, Riten, Simulakra: Semiotische Perspektiven ; Akten des 10. Internationalen Symposiums der Österreichischen Gesellschaft für Semiotik, Universität für angewandte Kunst Wien, Dezember 2000. ÖGS, 2001.

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5

Jeff, Hrsg :. Bernard, ed. Angewandte Semiotik, Band 18/19: Mythen, Riten, Simulakra. Semiotische Perspektiven (2 vols.): Akten des 10. Internationalen Symposiums der Osterreichischen Gesellschaft f ur Semiotik. Osterreichische Gesellschaft f ur Semiotik/ OGS/ISSS, 2001.

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6

K, Dick Philip. Simulakra. Altikirkbes Yayinlari, 2015.

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Book chapters on the topic "Simulakrum"

1

Bammé, Arno. "Vom Fetisch zum Simulakrum." In Die Geldgesellschaft und ihr Glaube. VS Verlag für Sozialwissenschaften, 2007. http://dx.doi.org/10.1007/978-3-531-90573-0_14.

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Stiglegger, Marcus. "Der Holocaust im amerikanischen Fernsehen. Vom Hyperrealismus zum historischen Simulakrum." In Auschwitz-TV. Springer Fachmedien Wiesbaden, 2014. http://dx.doi.org/10.1007/978-3-658-05877-7_6.

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Wöbbeking, Cordula. "Schluss: Die Fiktion in ihrer Doppelgestalt als Körper und Karte und ihre Rolle als Simulakrum." In Sanssouci – Forschungen zur Romanistik. Frank & Timme GmbH, 2024. http://dx.doi.org/10.57088/978-3-7329-8919-5_4.

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Rok, Cora. "Reale Arbeitswelten, hyperreale Inszenierungen und inszenierter Realitätsverlust. Das Simulakrum ‚Callcenterˋ bei Michela Murgia und Paolo Virzì." In Re-Konstruktion des Realen. V&R unipress, 2021. http://dx.doi.org/10.14220/9783737013529.79.

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Stiglegger, Marcus. "Mediale Bilder als historische Simulakren." In Auschwitz-TV. Springer Fachmedien Wiesbaden, 2014. http://dx.doi.org/10.1007/978-3-658-05877-7_3.

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6

"Simulakrum und Technobild." In Simultaneität. transcript-Verlag, 2013. http://dx.doi.org/10.14361/transcript.9783839422618.335.

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Guldin, Rainer. "Simulakrum und Technobild." In Simultaneität. transcript Verlag, 2013. http://dx.doi.org/10.1515/transcript.9783839422618.335.

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"Das Museum als Simulakrum." In Evidenzen des Expositorischen. transcript-Verlag, 2019. http://dx.doi.org/10.14361/9783839442104-012.

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Berg, Karen van den. "Das Museum als Simulakrum." In Evidenzen des Expositorischen. transcript Verlag, 2019. http://dx.doi.org/10.1515/9783839442104-012.

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10

Brandstetter, Nicole, Ralph-Miklas Dobler, and Daniel Jan Ittstein. "3 „Künstliche Intelligenz“ als Simulation und als Simulakrum (Ralph-Miklas Dobler)." In Mensch und Künstliche Intelligenz. UVK Verlagsgesellschaft mbH, 2021. http://dx.doi.org/10.24053/9783739881157-35.

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You might also be interested in the extended bibliographies on the topic 'Simulakrum' for particular source types:
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