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1

GOLDMAN, B. "Foreigners at Dura-Europos." Le Muséon 103, no. 1 (January 1, 1990): 5–25. http://dx.doi.org/10.2143/mus.103.1.2006101.

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2

Skupińska-Løvset, Ilona. "Wątek składania ofiar w dekoracji budowli sakralnych Dura Europos." Vox Patrum 64 (December 15, 2015): 393–402. http://dx.doi.org/10.31743/vp.3722.

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Dura Europos, or as proposed today Europos Dura, was a fortified settlement on the border between the Roman Empire and the East. The archeological dis­coveries reflected the character of the settlement – the fortified agglomeration grouped at the military camp. After its fall Europos Dura was covered by desert sand only to be discovered in the XXth century. Archaeological research has dis­closed documentation of its multicultural character. This paper points to the fact of coexistence of various religions in late antiquity Europos Dura. Paintings and sculptures discovered in situ indicate that scene of offering was a favorite subject in the sacral art of Europos Dura, independent of religion. The ceremony of in­cense burning constitutes the dominant form of offering regarding visualizations of this important ceremony.
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3

Harrower, Scott. "Visual Exegesis at ‘The World’s Oldest Church’: a Case Study for Historiography." Zeitschrift für Antikes Christentum / Journal of Ancient Christianity 22, no. 3 (November 27, 2018): 456–79. http://dx.doi.org/10.1515/zac-2018-0035.

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Abstract This article highlights the importance of acknowledging the underlying methodology in the interpretation of early Christian art. I raise these issues via an engagement with the frescoes at Dura Europos, as interpreted by Michael Peppard in his recent work, The World’s Oldest Church. I demonstrate that Peppard’s ideology and archaeological methodology entail a creative, hermeneutical nexus for interpreting the initiation rituals at the Dura Europos house church. For Peppard, this nexus entails an innovative interplay between non-canonical sources, art and liturgical identity. This yields a surprising interpretation of initiation rituals at Dura Europos and, by extension, of early Christianity in Syria. After describing some problematic aspects of Peppard’s ideological and archaeological choices, I offer suggestions for a related proposal on Christology and visual exegesis at the Dura Europos house church baptistery. This proposal begins with clarification of ideological issues that foreground visual exegesis at Dura Europos, and argues for the adoption of six essential criteria when reconstructing the operative Christology in the baptistery of Dura Europos.
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4

Spigel, Chad. "The Jewish Minority of Dura-Europos." Journal of Ancient Judaism 10, no. 2 (May 19, 2019): 211–55. http://dx.doi.org/10.30965/21967954-01002006.

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This article accomplishes two goals. The first is to update Carl Kraeling’s seating capacities for the Dura Europos synagogue by applying the methodology from Ancient Synagogue Seating Capacities: Methodology, Analysis and Limits. Using the detailed methodology, this article shows that the synagogue in Dura Europos could have accommodated more worshippers than previously thought. The second goal is to analyze the resulting data in an effort to better locate the Jewish community within the city of Dura. The first part of the analysis focuses internally on the Jewish community, looking at the size of the worship community and the Jewish population of Dura. The second part considers the Jewish community within the wider local context in an effort to test Kraeling’s assertion that it was a “relatively small and unimportant” minority community. Although the updated seating capacities suggest that the Jewish community was only a small percentage of the total population of Dura, by comparing the seating capacity of the synagogue building with the seating capacities of the Christian building and Mithraeum, this article suggests that the Jewish community was more significant in terms of population than other minority religious groups in the city and that it experienced the most growth in the final decades of the city’s existence.
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5

Downey, Susan B. "The citadel palace at Dura-Europos." Syria 63, no. 1 (1986): 27–37. http://dx.doi.org/10.3406/syria.1986.6936.

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6

Spigel, Chad. "The Jewish Minority of Dura-Europos." Journal of Ancient Judaism 10, no. 2 (December 4, 2019): 211–55. http://dx.doi.org/10.13109/jaju.2019.10.2.211.

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7

Hazan, Olga. "Book Review / Compte rendu: Dura-Europos." Studies in Religion/Sciences Religieuses 49, no. 3 (February 18, 2020): 472–74. http://dx.doi.org/10.1177/0008429820903970.

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8

Fine, Steven. "Dura Europos: Crossroads of Antiquity and Edge of Empires: Pagans, Jews and Christians at Roman Dura-Europos." Near Eastern Archaeology 74, no. 4 (December 2011): 246–49. http://dx.doi.org/10.5615/neareastarch.74.4.0246.

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9

Baird, J. A. "Re-excavating the houses of Dura-Europos." Journal of Roman Archaeology 25 (2012): 146–69. http://dx.doi.org/10.1017/s1047759400001173.

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10

Steinberg, Faith. "Women and the Dura-Europos Synagogue Paintings." Religion and the Arts 10, no. 4 (2006): 461–96. http://dx.doi.org/10.1163/156852906779852848.

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AbstractBetween 1928 and 1937, during excavations at a site in Mesopotamia, archaeologists uncovered an ancient city, Dura-Europos, on the Euphrates River. Among their many findings, which included numerous pagan temples, were a Christian house and a synagogue. A room in the house had been converted into a baptistery with frescoes. In a large assembly room of the synagogue, murals depicting biblical narratives were painted in three registers on all four walls. The Second Commandment forbids the use of imagery, and the finding, the earliest and only one of such magnitude to date, caused a stir and has generated an extensive literature. Many scholars attribute this phenomenon to the rise of Christianity. But there is an aspect of the paintings that has not been investigated. In the most visually accessible and most holy area of the room, the Torah shrine, heroic Jewish women of the Bible were depicted. In light of the patriarchal nature of historical Judaism, this paper examines the murals and the architectural and archeological findings in an effort to understand this anomaly.
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11

Post, Paul. "Terug naar Dura: Een herinterpretatie van het christelijk huis in Dura Europos." NTT Journal for Theology and the Study of Religion 66, no. 1 (February 18, 2012): 33–46. http://dx.doi.org/10.5117/ntt2012.66.033.post.

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In het artikel wordt verslag gedaan van een ‘herlezen’ van de oudst dateerbare christelijke cultusruimte, de zogenoemde huiskerk van Dura Europos in Syrië (midden derde eeuw). De herlezing in directe verbinding met twee andere cultusplaatsen, de synagoge en het mithraeum, leidt tot een herinterpretatie. Er blijkt een sterke relatie tussen de huiskerk en het mithraeum. De doopruimte in het kerkhuis wordt als een kosmisch-sacrale ruimte gepresenteerd met als centrale argumenten: het blauwe plafond met sterren (en een maan), de overhuiving van de vont, de magische abecedaria-inscripties en de iconografie. Aldus komt de auteur tot een nieuwe visie op de huiskerk. Het woord ‘huis’ past daar niet bij. Het is eerder een cultusruimte in de traditie van een tempel met het karakter van een uiterst kosmisch sacrale plaats.
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12

Matheson, Susan B. "The Tenth season at Dura-Europos 1936-1937." Syria 69, no. 1 (1992): 121–40. http://dx.doi.org/10.3406/syria.1992.7267.

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13

Stern, Karen B. "Tagging sacred space in the Dura-Europos synagogue." Journal of Roman Archaeology 25 (2012): 171–94. http://dx.doi.org/10.1017/s1047759400001185.

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14

Baird, J. A. "SHOPPING, EATING, AND DRINKING AT DURA-EUROPOS: RECONSTRUCTING CONTEXTS." Late Antique Archaeology 5, no. 1 (2009): 411–37. http://dx.doi.org/10.1163/22134522-90000116.

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The site of Dura-Europos, excavated in the 1920s and 30s but never completely published, has long been of archaeological interest for its exceptional preservation. This article questions the original identifications of the excavators of houses and shops, explores what can be learned about commercial buildings at the site from the re-contextualisation of artefacts, and examines how this information can add to our understanding of life at Dura.
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15

Downey, S. B. "Further observations on the Citadel Palace of Dura-Europos." Syria 65, no. 3 (1988): 343–47. http://dx.doi.org/10.3406/syria.1988.7080.

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16

Bellucci, Nikola D. "Sugestões sobre P. Dura 33." CODEX – Revista de Estudos Clássicos 5, no. 1 (July 2, 2017): 127. http://dx.doi.org/10.25187/codex.v5i1.11117.

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<p><span>O artigo examina o fragmento P. Dura 33, texto em pergaminho encontrado durante as escavações de 1921-1922, na cidade síria de Dura Europos, investigando a sua forma, conteúdo e natureza e inserindo-o no contexto das certidões de casamento e divórcio duranos. As análises realizadas sobre o documento, que poderia, assim, ser entendido como uma espécie de inventário “reservado” dos objetos, levariam a evidenciar suas particularidades e diferenças no contexto investigado.</span></p><div><span><br /></span></div>
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17

Stern, Karen B. "Opening Doors to Jewish Life in Syro-Mesopotamian Dura-Europos." Journal of Ancient Judaism 9, no. 2 (May 19, 2018): 178–200. http://dx.doi.org/10.30965/21967954-00902004.

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Analyses of the synagogue discovered in the ancient town of Dura Europos commonly emphasize connections between the construction and decoration of the building and aspects of Jewish life along the Roman eastern frontier. By focusing on lesser-known data from the synagogue, including burial deposits found inside its doorways, as well as examples of non-monumental writings and art (graffiti) from its interior, this article offers distinct insights into the cultural horizons of those who used and visited the structure. Closer consideration of the locations and contents of associated finds and their comparisons with analogues discovered in Dura and throughout the Syro-Mesopotamian world collectively advance new hypotheses about how visitors to the synagogue behaved inside its varied spaces and used acts of object-burial and writing to manipulate and reshape its walls, doorways, thresholds, and floors. The impetus to reconsider deposits of writing and objects from the Dura synagogue from this vantage, in its Syro-Mesopotamian context, owes to the recent publication of additional finds from other parts of the town. These augmented local comparisons for the synagogue evidence particularly reveal dynamic and otherwise unidentified continuities between devotional behaviors and spatial practices conducted by local and regional Jews and Christians, neighboring Durenes, and other inhabitants of Syrian, Mesopotamian, and Persian cities. These similarities, at times, can overshadow connections traditionally emphasized between daily life in Dura and the provincial world of Rome. Working outwards from the synagogue evidence, this approach ultimately demonstrates that many Durenes, whether Jews or their neighbors, engaged in daily devotional acts, in distinctive locations, which reflected, transformed, and responded to their local Syrian, Mesopotamian, and Arsacid cultural orbits.
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18

J.A. Baird. "Photographing Dura-Europos, 1928–1937: An Archaeology of the Archive." American Journal of Archaeology 115, no. 3 (2011): 427. http://dx.doi.org/10.3764/aja.115.3.0427.

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19

DIRVEN, Lucida. "The Nature of the Trade between Palmyra and Dura-Europos." ARAM Periodical 8, no. 1 (January 1, 1996): 39–54. http://dx.doi.org/10.2143/aram.8.1.2002184.

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20

Schenk, Kära L. "Temple, Community, and Sacred Narrative in the Dura-Europos Synagogue." AJS Review 34, no. 2 (November 2010): 195–229. http://dx.doi.org/10.1017/s0364009410000322.

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The painted decoration in the Dura-Europos synagogue (Syria, 244–245 CE) is the most extensive surviving example of Jewish pictorial narrative in the ancient world. In its final stage, the decoration consisted of three bands of narrative panels that surrounded all four walls of the synagogue's assembly hall and led up to the Torah shrine at the center of the west wall (Figure 1). Imagery related to the Jerusalem Temple, including a symbolic image of the Temple on the Torah shrine, made up a significant part of the decoration of the Dura synagogue. There is, however, considerable scholarly disagreement as to how this imagery should be interpreted, particularly as part of a “programmatic” structure. Because the Temple image on the Torah shrine was positioned at the liturgical focal point of the synagogue and was created before the other surrounding narrative panels, the function of this image is a key component of the synagogue's decoration as a whole. Two contextualizing factors would have informed the function and meaning of the image: the reception of the image as part of the liturgical activity carried out by the congregation, and the place of the image as the conclusion to the middle level of surrounding narrative panels that depicted the journey of the Ark of the Covenant from Sinai to Zion. This narrative helped to situate the members of the congregation in relation to the Temple image, defining the community's active role as a part of the narrative itself.
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21

Stern, Karen B. "Opening Doors to Jewish Life in Syro-Mesopotamian Dura-Europos." Journal of Ancient Judaism 9, no. 2 (March 28, 2018): 178–200. http://dx.doi.org/10.13109/jaju.2018.9.2.178.

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22

Peppard, Michael. "Illuminating the Dura-Europos Baptistery: Comparanda for the Female Figures." Journal of Early Christian Studies 20, no. 4 (2012): 543–74. http://dx.doi.org/10.1353/earl.2012.0035.

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23

KAIZER, TED. "EMPIRE, COMMUNITY, AND CULTURE ON THE MIDDLE EUPHRATES. DURENES, PALMYRENES, VILLAGERS, AND SOLDIERS." Bulletin of the Institute of Classical Studies 60, no. 1 (June 1, 2017): 63–95. http://dx.doi.org/10.1111/2041-5370.12048.

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Abstract The focus of this paper is on the Middle Euphrates: Dura-Europos as its best-known urban settlement; a series of villages known mostly from two papyrological dossiers situated along the river; and the military stations on the Euphrates. The paper asks questions about the impact (or lack of it) of the culture of Palmyra on the region's communities. It is argued that Dura-Europos remains our best case study for social and religious life in a Near Eastern small town under the Roman empire, and that the only evidence that actually makes the town look potentially ‘untypical’ is the idiosyncratic source material related to its Palmyrene inhabitants. The paper also questions the traditional periodization of Dura's history and puts forward the hypothesis that at two points during the so-called ‘Parthian phase’ Palmyrenes took advantage of a power vacuum along the Middle Euphrates and became the dominant military factor in the region.
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24

Pollard, Nigel. "Colony and community on the edge of empires: new books on Dura-Europos." Antiquity 94, no. 373 (January 22, 2020): 252–56. http://dx.doi.org/10.15184/aqy.2019.209.

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It is grimly appropriate that two such important studies of the ancient town of Dura-Europos have been published so recently. While the deliberate destruction of heritage undertaken at Palmyra by Daesh received widespread press coverage in 2015, the destruction at Dura, caused by systematic looting of the town and its necropolis, is less well known. The site lies in the Deir es-Zor province, near the Iraqi border, and one of the areas of Syria under firm Daesh control for the longest time. Satellite images of the densely cratered site are dramatic and distressing.
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25

Bellucci, Nikola D. "Suggestioni circa P.Dura 33." CODEX – Revista de Estudos Clássicos 5, no. 1 (July 2, 2017): 114. http://dx.doi.org/10.25187/codex.v5i1.10250.

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<p align="JUSTIFY"><span style="font-size: medium;">The article examines the fragmentary P.Dura 33, parchment text found during the excavations of 1921-1922 in the Syrian city of Dura Europos, investigating its form, content and nature and inserting it into the context of the acts of marriage and divorce of Dura. The analyzes carried out on the document, which could therefore be considered as a sort of “reserved” inventory of objects, would highlight its peculiarities and differences within the context investigated.</span></p>
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26

James, Simon. "Evidence from Dura Europos for the origins of late roman Helmets." Syria 63, no. 1 (1986): 107–34. http://dx.doi.org/10.3406/syria.1986.6923.

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27

Havers, Grant. "Edge of Empires: Pagans, Jews, and Christians at Roman Dura-Europos." European Legacy 19, no. 7 (October 2, 2014): 930–31. http://dx.doi.org/10.1080/10848770.2014.965548.

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28

Elsner, Jaś. "Cultural Resistance and the Visual Image: The Case of Dura Europos." Classical Philology 96, no. 3 (July 2001): 269–304. http://dx.doi.org/10.1086/449548.

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29

Stern, Karen B. "Mapping Devotion in Roman Dura Europos: A Reconsideration of the Synagogue Ceiling." American Journal of Archaeology 114, no. 3 (July 2010): 473–504. http://dx.doi.org/10.3764/aja.114.3.473.

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30

Simon James. "Stratagems, Combat, and “Chemical Warfare” in the Siege Mines of Dura-Europos." American Journal of Archaeology 115, no. 1 (2011): 69. http://dx.doi.org/10.3764/aja.115.1.0069.

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31

James, Simon. "Stratagems, Combat, and "Chemical Warfare" in the Siege Mines of Dura-Europos." American Journal of Archaeology 115, no. 1 (January 2011): 69–101. http://dx.doi.org/10.3764/aja.115.1.69.

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32

Downey, S. "Archival archaeology. Frank Brown's notes on the citadel palace at Dura-Europos." Syria 69, no. 1 (1992): 141–51. http://dx.doi.org/10.3406/syria.1992.7268.

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33

Maciudzińska-Kamczycka, Magdalena. "Cud purimowy z Dura Europos. Reprezentacja Księgi Estery w antycznej sztuce żydowskiej." Sztuka i Kultura 4 (December 1, 2016): 9. http://dx.doi.org/10.12775/szik.2016.001.

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34

Mathews, Thomas F. "Refiguring the Post Classical City: Dura Europos, Jerash, Jerusalem and Ravenna.Annabel Jane Wharton." Speculum 73, no. 1 (January 1998): 279–82. http://dx.doi.org/10.2307/2886959.

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35

Wharton, Annabel Jane. "Good and bad images from the synagogue of Dura Europos: Contexts, subtexts, intertexts." Art History 17, no. 1 (March 1994): 1–25. http://dx.doi.org/10.1111/j.1467-8365.1994.tb00559.x.

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36

DeMaris, Richard E. "Book Review: The World's Oldest Church: Bible, Art, and Ritual at Dura-Europos, Syria." Biblical Theology Bulletin: Journal of Bible and Culture 49, no. 2 (April 12, 2019): 114–15. http://dx.doi.org/10.1177/0146107919831882e.

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37

Gutmann, Joseph. "The Dura Europos Synagogue Paintings and Their Influence on Later Christian and Jewish Art." Artibus et Historiae 9, no. 17 (1988): 25. http://dx.doi.org/10.2307/1483314.

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38

Olin, Margaret. ""Early Christian Synagogues" and "Jewish Art Historians". The Discovery of the Synagogue of Dura-Europos." Marburger Jahrbuch für Kunstwissenschaft 27 (2000): 7. http://dx.doi.org/10.2307/1348714.

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39

Kaizer, Ted. "The World's Oldest Church: Bible, Art, and Ritual at Dura-Europos, Syria by Michael Peppard." Catholic Historical Review 103, no. 2 (2017): 329–30. http://dx.doi.org/10.1353/cat.2017.0097.

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40

Branham, Joan. "The World's Oldest Church: Bible, Art, and Ritual at Dura-Europos, Syria by Michael Peppard." Journal of Early Christian Studies 26, no. 2 (2018): 340–42. http://dx.doi.org/10.1353/earl.2018.0031.

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41

Strutt, Kristian. "DURA-EUROPOS - J.A. Baird The Inner Lives of Ancient Houses. An Archaeology of Dura-Europos. Pp. xx + 395, ills, maps. Oxford: Oxford University Press, 2014. Cased, £85, US$150. ISBN: 978-0-19-968765-7." Classical Review 66, no. 1 (January 28, 2016): 274–76. http://dx.doi.org/10.1017/s0009840x15002760.

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42

Rykwert, Joseph. "Review: Refiguring the Post-Classical City: Dura Europos, Jerash, Jerusalem and Ravenna by Annabel Jane Wharton." Journal of the Society of Architectural Historians 57, no. 1 (March 1, 1998): 90–91. http://dx.doi.org/10.2307/991415.

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43

Lambrecht, Ulrich. "Michael Sommer: Roms orientalische Steppengrenze. Palmyra – Edessa – Dura – Europos – Hatra. Eine Kulturgeschichte von Pompeius bis Diocletian." Das Historisch-Politische Buch 67, no. 2 (June 1, 2019): 194–95. http://dx.doi.org/10.3790/hpb.67.2.194.

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44

Crawford, Matthew R. "Book Review: The World’s Oldest Church: Bible, Art, and Ritual at Dura-Europos, Syria. By Michael Peppard." Theological Studies 78, no. 1 (March 2017): 231–32. http://dx.doi.org/10.1177/0040563916682640c.

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45

Rosenfeld, Ben Zion, and Rivka Potchebutzky. "The Civilian-Military Community in the Two Phases of the Synagogue at Dura Europos: A New Approach." Levant 41, no. 2 (November 2009): 195–222. http://dx.doi.org/10.1179/007589109x12484491671176.

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46

Crawford, Matthew R. "The Diatessaron, Canonical or Non-canonical? Rereading the Dura Fragment." New Testament Studies 62, no. 2 (February 29, 2016): 253–77. http://dx.doi.org/10.1017/s0028688515000478.

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Among those texts that vied for a position as authoritative Scripture, but were eventually rejected by ecclesiastical authorities, was the so-called Diatessaron of Tatian. Having been compiled from the four canonical gospels, Tatian's work occupies a liminal position between the categories of ‘canonical’ and ‘apocryphal’, since the majority of its content was common to users of the fourfold gospel, though this content existed in a radically altered form and was tainted by association with an author widely accused of heresy. In order to demonstrate the originality of Tatian's gospel composition, this article gives a close reading of the only surviving Greek witness to it, a fragment of parchment found in excavations at Dura-Europos. Dura's very location as a borderland between Rome and Persia corresponds with the fact that in this outpost garrison city Christians were using a gospel text that would have appeared markedly strange to those in the mainstream of the Christian tradition. The wording that can be recovered from the Dura fragment shows how Tatian creatively and intelligently combined the text of the four gospels to produce a new narrative of the life of Jesus, choosing to leave out certain elements and to make deliberate emendations along the way. However, it was precisely such originality that made his gospel appear problematic, so in order to rescue his text from censure, later scribes had to domesticate it by making it conform throughout to the canonical versions. Comparison of the Dura fragment with the medieval Arabic gospel harmony and with the Latin version in Codex Fuldensis illustrates well this process whereby Tatian's gospel went from being a rival to the fourfold gospel to a designedly secondary, and therefore acceptable, work.
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47

Arnould-Béhar, Caroline. "THE SITE OF DURA-EUROPOS - (J.A.) Baird Dura-Europos. Pp. xviii + 221, ills, maps. London and New York: Bloomsbury Academic, 2018. Paper, £19.99, US$26.95 (Cased, £65, US$88). ISBN: 978-1-4725-3087-5 (978-1-4725-2211-5 hbk)." Classical Review 69, no. 2 (March 29, 2019): 580–81. http://dx.doi.org/10.1017/s0009840x19000386.

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48

Greenland, Fiona, James V. Marrone, Oya Topçuoğlu, and Tasha Vorderstrasse. "A Site-Level Market Model of the Antiquities Trade." International Journal of Cultural Property 26, no. 1 (February 2019): 21–47. http://dx.doi.org/10.1017/s0940739119000018.

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Abstract:Archaeological looting correlates with a number of problems, including the destruction of stratigraphic data and the damage and loss of artifacts. Looting is also understood to generate revenue, but systematic analysis of this issue is challenged by its opacity: how can we study the economic effects of archaeological looting when the practice is rarely directly observable? To address this problem, we estimate the market value of archaeological sites where artifacts have been previously excavated and documented, using a machine-learning approach. The first step uses 41,587 sales of objects from 33 firms to train an algorithm to predict the distribution channel, lot packaging, and estimated sale price of objects based on their observable characteristics. The second step uses the trained algorithm to estimate the value of sites in which a large number of artifacts have been legally excavated and documented. We make an out-of-sample prediction on two Syrian sites, Tell Bi’a and Dura Europos.
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49

STERN, KAREN B. "MEMORY, POSTMEMORY, AND PLACE IN THE SYNAGOGUES OF ROMAN SYRIA." Bulletin of the Institute of Classical Studies 62, no. 1 (June 1, 2019): 53–85. http://dx.doi.org/10.1111/2041-5370.12097.

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AbstractConsiderations of Jews in antiquity commonly emphasize the role of common institutions (such as the Jerusalem Temple) and shared traumatic experiences (such as exile) in generating distinctive modes of memory formation and memorialization. This paper takes a different approach. By drawing from recent discussions of memory and postmemory developed in the fields of sociology, anthropology, and visual studies, and by considering diverse data from wall paintings, ceiling decorations, inscriptions, graffiti, and mosaics, the ensuing analysis demonstrates how variegated were the practices and dynamics of memory among Jews living in Roman Syria and elsewhere. Asking different types of questions about memorial practices documented in synagogues and surrounding buildings in Dura-Europos and Apamea challenges regnant assumptions about commonalities in Jewish memory and argues for a more localized and spatial approach to Jewish memory practices, the dynamics of which were as personal as they were collective, and as particular as they were locally contingent.
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Weisman, Stefanie. "Militarism in the Wall Paintings of the Dura-Europos Synagogue: A New Perspective on Jewish Life on the Roman Frontier." Shofar: An Interdisciplinary Journal of Jewish Studies 30, no. 3 (2012): 1–34. http://dx.doi.org/10.1353/sho.2012.0054.

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