Relevant bibliographies by topics / Sing to the Lord

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Sing to the Lord'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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Journal articles on the topic "Sing to the Lord"

1

Huck, Gabe. "Sing thanks to the Lord." Liturgy 13, no. 1 (January 1996): 27. http://dx.doi.org/10.1080/0458063x.1996.10392327.

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L, Charles. "The Theological Principles of Mahakavi Bharati." International Research Journal of Tamil 3, S-2 (April 30, 2021): 18–23. http://dx.doi.org/10.34256/irjt21s24.

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There is a great deal of writing in Tamil that clarifies religious standards and conventions. Mystics, such as, Jains, Nayans, Alvars, Buddhists, Muslims, and Christians looked to create religions by controlling their strict standards in writing. Each has taken care of a considerable lot of the standards to arrive at the Lord in his time. The first four of the Nayans followed the religious standards of sonship, subjugation, friendship, and wisdom. The Alvars utilize the Lord as a child and sing that they need to be an article where the Lord is. Andal utilized the Lord as a sweetheart and sang psalms with the religious philosophy of accomplishing the Lord. Vallalar had the maxim "Samarasa Sutta Sanmarkkam, Jeeva Karunyam". Consequently the strict observers understood that the motivation behind life was to arrive at the Lord. In such manner, The existence circumstance and family foundation of Mahakavibharati vouch for his translation as a dedicated devotee to God. The three components of life - the three lovers - show the profound quality of Lakshmi, Saraswati and Parasakti, the profound quality of being a companion, a ruler, a lover, Kali and Ganesha. Bharti, who has a wide scope of speculations, composes expositions analyzing his religious philosophy through his melodious lines, which sing, "The lone thing that can be seen and risen above by representation is extraordinary and supernatural."
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Bellanti, Brandon. "Sing to the Lord a New Song: John Calvin and the Spiritual Discipline of Metrical Psalmody." Musical Offerings 5, no. 2 (November 4, 2014): 65–85. http://dx.doi.org/10.15385/jmo.2014.5.2.1.

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White, Susan J. "“Sing to the Lord A new song”: Christian Hymnody and the Scientific Worldview." Liturgy 21, no. 3 (September 2006): 41–50. http://dx.doi.org/10.1080/04580630600642759.

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Robra, Martin. "Sing to the Lord a New Song: A Meditation on Bonhoeffer's Relevance Today." Ecumenical Review 67, no. 2 (July 2015): 319–21. http://dx.doi.org/10.1111/erev.12165.

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S, Sakunthalai. "Teninum iniya tiruneriya tamil." International Research Journal of Tamil 3, S-1 (June 24, 2021): 264–72. http://dx.doi.org/10.34256/irjt21s143.

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The ‘Lord of Wisdom’ Thirugnanasampantha Peruman, who chose Tamil for Thavamalku, sang by the Lord and received salvation. He has sung satisfactorily about the ways to get rid of all the miseries that occur in daily life, to get education, material, heroism and to get rid of infectious diseases. These great Tamil rituals, realized through Lord Thirugnanasambandar, are a rare boon to human life. Thirugnanasambandare was the first to add his name to Tamil and sing proudly. Nattramizh Thiruneri Tamil The main purpose of the study is to make the community benefit by reading and realizing that Thirugnanasambandar praised the excellence of Tamil. "Anainamathey"; It is as if Lord Thirugnanasambandar is standing up and looking at them as he sings "Enadhurai Tanadhuraiga". All of them, sung by Thirugnanasambandar, are proved to be Shiva's vote. Thus the emphasis on the usefulness of songs is to benefit the society with higher thoughts. Therefore, Thonipurath Origin is a social architect. It is the experience of many that these songs will soon be useful. Thirugnanasambandar restored our mother tongue Tamil language, realized its specialties, and established it as "Theivamozhi Tamil" is a wonderful help made by the time. In the first stanza, he sang the praises of Tamil as "Tiruneriya Tamil Vallavar Tholvinai Tirthal Elathal" (1-1-1). In this day and age, infectious germs have the miraculous ability to prevent us from accessing the "disorder". Therefore, by appreciating this special "Theninum Iniya Thiruneriya Tamil", we will benefit from his songs all over the world.
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Witvliet, John D. "“Sing to the Lord No Threadbare Song”: Theological Angularity in the Face of Advent Sentimentality." Interpretation: A Journal of Bible and Theology 62, no. 4 (October 2008): 402–17. http://dx.doi.org/10.1177/002096430806200405.

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To ward off Advent sentimentality, preachers and church musicians need to find theologically robust approaches to proclaiming the simultaneously sobering and glorious eschatological themes of Advent. Classical Christian doctrines, brought to life by theologically astute contemporary hymnwriters, offer many promising angles of vision for worshipers, preachers, teachers, and theologians.
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Shirt, David. "‘Sing Psalms to the Lord with the Harp’: Attitudes to Musical Instruments in Early Christianity – 680 A.D." Journal of Early Christian History 6, no. 1 (January 2, 2016): 97–115. http://dx.doi.org/10.1080/2222582x.2016.1184036.

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Read, Kay A., and Jane Rosenthal. "The Chalcan Woman’s Song: Sex as a Political Metaphor in Fifteenth-Century Mexico." Americas 62, no. 03 (January 2006): 313–48. http://dx.doi.org/10.1017/s0003161500064506.

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In 1479 (the year 13-Reed), some men from the towns of Chalco-Amaquemecan and Tlamanalco went for the first time to sing in Mexico-Tenochtitlan: the Mexica (Aztecs) held hegemony in the area, including Chalco. The song they sang was a war song called the “Song of the Woman Warrior.” They played it for the tlatoani, or ruler, Lord Axayacatl (ca 1469-1481), performing it in the patio outside his house of women. Unfortunately, the performance got off to a rather slow start. A man from the area of Tlamanalco in Chalco, one who had never played the drums before or directed a song, made a very bad showing.
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Read, Kay A., and Jane Rosenthal. "The Chalcan Woman’s Song: Sex as a Political Metaphor in Fifteenth-Century Mexico." Americas 62, no. 3 (January 2006): 313–48. http://dx.doi.org/10.1353/tam.2006.0042.

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In 1479 (the year 13-Reed), some men from the towns of Chalco-Amaquemecan and Tlamanalco went for the first time to sing in Mexico-Tenochtitlan: the Mexica (Aztecs) held hegemony in the area, including Chalco. The song they sang was a war song called the “Song of the Woman Warrior.” They played it for the tlatoani, or ruler, Lord Axayacatl (ca 1469-1481), performing it in the patio outside his house of women. Unfortunately, the performance got off to a rather slow start. A man from the area of Tlamanalco in Chalco, one who had never played the drums before or directed a song, made a very bad showing.
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Dissertations / Theses on the topic "Sing to the Lord"

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Shirt, David John. "'Sing to the Lord with the harp' : attitudes to musical instruments in early Christianity, 680 A.D." Thesis, Durham University, 2015. http://etheses.dur.ac.uk/11249/.

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Arguments for the absence of instrumental music in early Christian worship are commonly founded on a corpus of texts which, in the main, describe the attitudes of their educated,elite authors towards worship within churches and other officially sanctioned venues of the Roman empire. This inevitably ignores much of the popular religious ritual associated with the non-elite Christian(ized) masses. Of equal significance, it ignores huge swathes of the population, beyond the Mediterranean world, who, in more remote locations such as Ireland and Ethiopia, embraced Christianity and expressed it in the context of their own cultures. However important the Roman empire was, the horizons on which any assessment of musical practice is focused, must extend beyond its geographical borders. This not only involves examining a diversity of geographical locations, but a diversity of definitions regarding concepts of Christian worship. It is not only the attitudes of the elite, well aware of the disciplines of their philosophical/theological heritage, but the attitudes of the uneducated masses, whose religious practices were not necessarily in conformity with the desires and demands of Church authority, which provide the groundwork upon which this dissertation is built.
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Boyd, Jonathan. ""Sing an old song to the Lord" I Chr. 16:8-36, the Psalter, and the Chronicler's historiography /." Theological Research Exchange Network (TREN), 1991. http://www.tren.com.

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Moore, Laurence James, and res cand@acu edu au. "Sing to the Lord a New Song: a Study of changing musical practices in the Presbyterian Church of Victoria, 1861-1901." Australian Catholic University. School of Arts and Sciences, 2004. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp49.29082005.

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The latter half of the 19th century was a time of immense change in Presbyterianism worldwide in respect of the role of music in worship. Within this period the long tradition of unaccompanied congregational psalmody gave way to the introduction of hymnody, instrumental music (initially provided by harmoniums and later by pipe organs) and choral music in the form of anthems. The Presbyterian Church of Victoria, formed in 1859 as a union of the Church of Scotland and the majority of the Free Presbyterian and the United Presbyterian churches and numerically the strongest branch of Presbyterianism in Australia, was to the forefront in embracing this tide of change. Beginning in 1861with the proposal for the compilation of a colonial hymnbook, issues associated with musical repertoire and practice occupied a prominent place in discussions and decision making over the next 30 years. Between 1861 and 1901 hymnody was successfully introduced into church worship with the adoption of three hymnals in 1867, 1883 and 1898. Programs of music education were devised for the teaching of the new repertoire and for improving the standard of congregational singing. A hallmark tradition of Presbyterianism was overturned with the introduction of instruments into worship, initially as a support for congregational singing but in time as providers of purely instrumental music also. The profile of the choir changed dramatically. Making extensive use of primary sources, this study aims to document the process of change in Victoria between 1861 and 1901, exploring the rationales underlying decisions taken and historical factors facilitating change. Musical developments in Victoria are viewed in the context of those elsewhere, especially Scotland and of general changes in aesthetic taste. The study concludes that the process of musical change shows the Presbyterian Church of Victoria to have been a forwardlooking and well-endowed institution with the confidence to take initiatives independent of Scottish control. It is also concluded that changes in musical practice within the worship of the Presbyterian Church of Victoria reflect developments taking place in other denominations and the changing aesthetic tastes of the Victorian era.
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Berg, Daniel. "The Sins of Boromir : Representations of Sin in J.R.R. Tolkien's Lord of the Rings." Thesis, Mälardalens högskola, Akademin för utbildning, kultur och kommunikation, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-38817.

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In this essay, Ralph C. Wood's religious-philosophical interpretation of LotR has been analyzed, with emphasis upon his conclusions about evil and sin in LotR. Some of Wood's claims about evil and sin in LotR have been applied upon the character Boromir, in order to show how sin is manifested as truth-transgression, pride, avarice, and misdirected love. A theoretical section is presented in order to define the concepts of sin, mimetic desire, and evil. The literary analysis focuses upon the character Boromir; the relevant works of literary scholas Ralph C. Wood and René Girard have been chosen as points of reference in this analysis. Attention is also given to an article by the historian Stephen Morillo, in the analysis of Norse pagan and Christian interpretations. It has been argued that a Christian reading of LotR, contrary to Morillo's standpoint, is possible.
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Baxter, Tamara. "Rock Big and Sing Loud: Short Stories from Southern Appalachia." Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/alumni_books/31.

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The past decade has been an exciting time for American fiction in general and Southern Appalachian fiction in particular. Rock Big and Sing Loud by Tamara Baxter is a significant addition to this surge of new writing. Writing truly about the world of eastern Tennessee Baxter also writes about the world at large, about humanity. Her narratives can make you laugh or break your heart, and sometimes they do both at once. She has given us the stories of some of the most afflicted and addicted, the most failed and failing, individuals on the planet, and also some of the strongest and most enduring people we are ever likely to meet. These stories take us to places we did not expect to go, and just when we think we have seen what is strangest, most absurd, most alien and outrageous, we recognize something of ourselves. - Robert Morgan, author of Gap Creek and Brave Enemies
https://dc.etsu.edu/alumni_books/1021/thumbnail.jpg
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Cichy, Andrew Stefan. "'How shall we sing the song of the Lord in a strange land?' : English Catholic music after the Reformation to 1700 : a study of institutions in Continental Europe." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:0bdfe9b2-b5c6-48fe-a565-ddb699b72312.

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Research on English Catholic Music after the Reformation has focused almost entirely on a small number of Catholic composers and households in England. The music of the English Catholic colleges, convents, monasteries and seminaries that were established in Continental Europe, however, has been almost entirely overlooked. The chief aim of this thesis is to reconstruct the musical practices of these institutions from the Reformation until 1700, in order to arrive at a clearer understanding of the nature of music in the post-Reformation English Catholic community. To this end, four institutions have been selected to serve as case studies: 1. The Secular English College, Douai. 2. St Alban’s College, Valladolid. 3. The Benedictine Monastery of Our Lady of the Assumption, Brussels. 4. The Augustinian Monastery of Our Lady of Nazareth, Bruges. The music of these institutions is evaluated in two ways: firstly, as a means of constructing, reflecting and forming English Catholic identity, and secondly, in terms of the range of influences (both English and Continental) that shaped its stylistic development. The thesis concludes that as a result of the peculiarly domestic nature of religious practice among Catholics in England, and interactions with Continental Catholicism, the aesthetic and ideological bases for English Catholic music were markedly different from those of its Protestant counterpart. The marked influence of Italianate styles on the sacred music of English Catholic composers and institutions in exile demonstrates a simultaneous process of cultural alignment with the aesthetic and theological principles of the Counter-Reformation, and dissociation from those of English Protestantism. Finally, it is clear that music was an important formational tool in both the seminaries and convents, where it shaped both community and self-identity, and created affinities with the locales in which these institutions were situated – although it is also clear that these uses of music had the potential to conflict.
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Inglis, James Marc Andrew. "The early premiership of Lord Liverpool 1812-15 : palma non sine pulvere." Thesis, University of Edinburgh, 2006. http://hdl.handle.net/1842/15752.

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Robert Banks Jenkinson, 2nd Earl of Liverpool KG (1770-1828), was First Lord of the Treasury and Prime Minister for almost fifteen years in the early nineteenth century. He survived in the premiership for longer than all but two of his predecessors and longer than all of his successors, at least so far. Liverpool is, however, one the most overlooked and underestimated of Prime Ministers. Norman Gash's book is the first and so far only modem biography of Liverpool. This study, however, is less than three hundred pages in length, is based on only seven of the hundreds of volumes of the Liverpool Papers in the custody of the British Library and is far from exhaustive in its use of printed sources. There is evidently considerable scope and need for further research on the subject of Liverpool's life and career especially during the period of his premiership and based on a trawl through all the manuscript sources now available. This doctoral dissertation seeks to examine Liverpool during his early premiership between 1812 and 1815, one of the least studied but most significant periods of both Liverpool's life and career, and his administration, from the point Liverpool succeeded to the highest office to the resettlement of Europe after the long war with France. The opening section aims to place Liverpool in his historical context. There is a particular emphasis here on an analysis of the political system that Liverpool was required to master. Liverpool's early life and career before he rose to the premiership is the focus of the next section. The main body of the thesis is divided into two parts. One part examines Liverpool during his early premiership in a mainly chronological style and is concerned almost entirely with the issues of war and peace, and the other part seeks to examine a number of major themes that are most satisfactorily looked at in isolation from the main narrative. For example, one chapter covers the premier's relationship with the monarchy.
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Larson, Jennifer Harris Trudier. "The revisionary aesthetic of Suzan-Lori Parks hear the bones sing, write it down /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2008. http://dc.lib.unc.edu/u?/etd,1749.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2008.
Title from electronic title page (viewed Sep. 16, 2008). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature." Discipline: English; Department/School: English.
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Voegler, Sebastian. "Sing your song." Thesis, Kungl. Musikhögskolan, Institutionen för jazz, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-888.

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Kinsman, Kay 1909. "Sing cuccu nu." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65491.

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Books on the topic "Sing to the Lord"

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Lawrence, Antonia Darlene Ann. Sing unto the Lord vocal class. Atlanta, Ga. (P.O. Box 47099, Atlanta 30362): D. & A. Lawrence, 1987.

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Sing to the Lord: Devotions for Advent. Nashville: Upper Room Books, 1994.

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Sing to the Lord: Music in divine worship. Washington, D.C: United States Conference of Catholic Bishops, 2008.

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Nance, Stephen W. Sing to the Lord!: A survey of Christian hymnody. Shippensburg, PA: Ragged Edge Press, 1995.

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McConnel, Patricia. Sing soft, sing loud: Scenes from two lives. New York: Atheneum, 1989.

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Sing to the Lord: Devotions, texts, and music for 26 favorite hymns. Minneapolis: Augsburg, 1988.

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Schwanz, Keith. Resources for worship planning: A companion to the hymnal "Sing to the Lord". Kansas City, MO: Lillenas Pub. Co., 1993.

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R, Tindall Susan, ed. Sing to the Lord an old song: Activities, games & puzzles for teaching hymns. Washington, DC: Pastoral Press, 1988.

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Gill, Gerald Dennis. Music in Catholic liturgy: A pastoral and theological companion to Sing to the Lord. Chicago, Ill: Hillenbrand Books, 2009.

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Gill, Gerald Dennis. Music in Catholic liturgy: A pastoral and theological companion to Sing to the Lord. Chicago, Ill: Hillenbrand Books, 2009.

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Book chapters on the topic "Sing to the Lord"

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Cox, Jeffrey. "Sing Unto the Lord a New Song." In Europe as the Other, 149–64. Göttingen: Vandenhoeck & Ruprecht, 2013. http://dx.doi.org/10.13109/9783666101311.149.

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Cheng, Yingheng. "“Sing to the Lord a New Song”: The Development and Influence of Minnan Hymns." In Protestantism in Xiamen, 165–92. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-89471-3_7.

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Steinborn, Anke. "Sing, Cowboy, sing." In Populäre Musikkulturen im Film, 213–29. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-10896-0_10.

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Young, Vanessa. "You sing, I sing, we both sing, we all sing." In Young Children’s Play and Creativity, 257–65. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315446844-23.

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Macpherson, Ben. "Sing." In The Routledge Companion to the Contemporary Musical, 69–77. New York; London: Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315543703-11.

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Maring, Heather. "A Lord-Retainer Theme." In Signs That Sing. University Press of Florida, 2017. http://dx.doi.org/10.5744/florida/9780813054469.003.0004.

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Chapter 3 discusses an oral-connected idiom whose constitutive motifs employ clusters of concepts rather than specific morphemes or phraseological patterns. By calling the lord-retainer convention a “theme” in the oral-traditional sense, this chapter highlights meaningful features of the theme and the expressive role of metonymic referentiality. The poems discussed use the motifs of the lord-retainer theme to frame the relationship between lords and retainers in different ways. In Battle of Maldon and Beowulf the lord-retainer theme represents the social contract between mortal lords and their retainers, while in Andreas and Genesis A it describes a spiritual contract between Christ and his followers.
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"A Lord-Retainer Theme." In Signs That Sing, 50–70. University Press of Florida, 2017. http://dx.doi.org/10.2307/j.ctvx072nh.8.

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"“Sing Soft, Sing Loud”:." In Words Is a Powerful Thing, 25–43. University Press of Kansas, 2021. http://dx.doi.org/10.2307/j.ctv1rr6dgr.7.

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"Sing to the Lord a new song." In Psalms and Prayers, 237–52. BRILL, 2007. http://dx.doi.org/10.1163/ej.9789004160323.i-306.73.

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"Sing to the Lord a New Song:." In Alleluia!, 187–99. 1517 Media, 2020. http://dx.doi.org/10.2307/j.ctvzcz47t.20.

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Conference papers on the topic "Sing to the Lord"

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Castillo, Eduardo J., Xenia Mountrouidou, and Xiangyang Li. "Time Lord." In SIGCSE '17: The 48th ACM Technical Symposium on Computer Science Education. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3017680.3022463.

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Iwama, Hidekazu, Hiroshi Chida, and Kenji Ishimaru. "Hop step sing." In SA '18: SIGGRAPH Asia 2018. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3278625.3290269.

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Unknown. "Lord of the rings." In the 29th International Conference. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/2931127.2931218.

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Jackson, Peter. "Lord of the rings." In the 29th International Conference. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/2931127.2931219.

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Karwas, Piotr. "Lord of the Rings." In ACM SIGGRAPH 2002 conference abstracts and applications. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/1242073.1242223.

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Gladkova, Natalia Viacheslavovna. "Let's Sing In English." In International Scientific and Practical Conference. TSNS Interaktiv Plus, 2019. http://dx.doi.org/10.21661/r-529831.

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Aitken, Matt, Greg Butler, Dan Lemmon, Eric Saindon, Dana Peters, and Guy Williams. "The Lord of the Rings." In the conference. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1103900.1103911.

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Lee, Hojoon, Chihyun Song, and Brent Byunghoon Kang. "Lord of the x86 Rings." In CCS '18: 2018 ACM SIGSAC Conference on Computer and Communications Security. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3243734.3243748.

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Michalas, Antonis. "The lord of the shares." In SAC '19: The 34th ACM/SIGAPP Symposium on Applied Computing. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3297280.3297297.

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CHECHIN, V. A., E. L. FEINBERG, G. A. GUSEV, B. N. LOMONOSOV, N. G. POLUKHINA, V. A. RYABOV, V. A. TSAREV, K. M. PICHKADZE, V. K. SYSOEV, and T. SAITO. "CONCEPT OF THE LORD EXPERIMENT." In Proceedings of the International Workshop (ARENA 2005). WORLD SCIENTIFIC, 2006. http://dx.doi.org/10.1142/9789812773791_0043.

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Reports on the topic "Sing to the Lord"

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Pearl, Judea. Lord's Paradox Revisited - (On Lord! Kumbaya!). Fort Belvoir, VA: Defense Technical Information Center, October 2014. http://dx.doi.org/10.21236/ada615058.

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Wanda Sowa, Wanda Sowa. Do humans and noise pollution impact the way birds sing? Experiment, April 2014. http://dx.doi.org/10.18258/2449.

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Plummer, J., D. Immel, J. Bobbitt, and M. Negron. Gray QB-sing-faced version 2 (SF2) open environment test report. Office of Scientific and Technical Information (OSTI), February 2015. http://dx.doi.org/10.2172/1212654.

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Freitag, Alexander. High Efficiency Cost Optimized - Spark Ignited Natural Gas Engines (HECO-SING) (Final Report). Office of Scientific and Technical Information (OSTI), February 2019. http://dx.doi.org/10.2172/1497085.

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Wegener, Madison. A Question of Belief: The Narrative of Joseph Conrad?s Lord Jim. Portland State University Library, January 2016. http://dx.doi.org/10.15760/honors.325.

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Rank, James. RHIC Warm-to-Cold Transition: Heat Load Analysis of the Placement on the Beam Tube of the Lug for the Braided Heat Sink Strap. Office of Scientific and Technical Information (OSTI), March 1998. http://dx.doi.org/10.2172/1119244.

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Nic Daeid, Niamh, Heather Doran, Lucina Hackman, and Pauline Mack. The Curse of the Burial Dagger Teacher Materials. University of Dundee, September 2021. http://dx.doi.org/10.20933/100001220.

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Abstract:
The Curse of the Burial Dagger is an interactive graphic novel murder mystery, created by the Leverhulme Research Centre for Forensic Science and digital story studio Fast Familiar. Players use maths, logic and critical reasoning skills to assist Susie uncover different types of forensic evidence and weigh up contrasting hypotheses. Can they uncover the events leading up to Lord Hamilton’s death and deduce how he died…before the curse strikes again? These documents are the Teacher/Group lead pack which contain additional resources including: • The Teacher/Group Lead Pack – Teacher walk through – Factsheet – What is Forensic Science? – Factsheet – What is a hypothesis? – Marzipan Calculation – Factsheet and activity – Fingerprint Analysis – Activity – Chromatography investigation • Printable completion certificate • Printable Note paper and fact-sheet
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Head Office - Construction, visitors - Lord Mayor and Aldermen of the City Council - 12 April 1915 (plate 669). Reserve Bank of Australia, March 2021. http://dx.doi.org/10.47688/rba_archives_pn-000825.

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Head Office - Construction, visitors - Lord Mayor and Aldermen of the City Council - 12 April 1915 (plate 668). Reserve Bank of Australia, March 2021. http://dx.doi.org/10.47688/rba_archives_pn-000824.

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Are children of any age susceptible to suicidal behaviour? ACAMH, November 2020. http://dx.doi.org/10.13056/acamh.13835.

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