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Dissertations / Theses on the topic 'Sing to the Lord'

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Published: 4 June 2021

Last updated: 4 February 2022

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1

Shirt, David John. "'Sing to the Lord with the harp' : attitudes to musical instruments in early Christianity, 680 A.D." Thesis, Durham University, 2015. http://etheses.dur.ac.uk/11249/.

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Arguments for the absence of instrumental music in early Christian worship are commonly founded on a corpus of texts which, in the main, describe the attitudes of their educated,elite authors towards worship within churches and other officially sanctioned venues of the Roman empire. This inevitably ignores much of the popular religious ritual associated with the non-elite Christian(ized) masses. Of equal significance, it ignores huge swathes of the population, beyond the Mediterranean world, who, in more remote locations such as Ireland and Ethiopia, embraced Christianity and expressed it in the context of their own cultures. However important the Roman empire was, the horizons on which any assessment of musical practice is focused, must extend beyond its geographical borders. This not only involves examining a diversity of geographical locations, but a diversity of definitions regarding concepts of Christian worship. It is not only the attitudes of the elite, well aware of the disciplines of their philosophical/theological heritage, but the attitudes of the uneducated masses, whose religious practices were not necessarily in conformity with the desires and demands of Church authority, which provide the groundwork upon which this dissertation is built.

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2

Boyd, Jonathan. ""Sing an old song to the Lord" I Chr. 16:8-36, the Psalter, and the Chronicler's historiography /." Theological Research Exchange Network (TREN), 1991. http://www.tren.com.

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3

Moore, Laurence James, and res cand@acu edu au. "Sing to the Lord a New Song: a Study of changing musical practices in the Presbyterian Church of Victoria, 1861-1901." Australian Catholic University. School of Arts and Sciences, 2004. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp49.29082005.

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The latter half of the 19th century was a time of immense change in Presbyterianism worldwide in respect of the role of music in worship. Within this period the long tradition of unaccompanied congregational psalmody gave way to the introduction of hymnody, instrumental music (initially provided by harmoniums and later by pipe organs) and choral music in the form of anthems. The Presbyterian Church of Victoria, formed in 1859 as a union of the Church of Scotland and the majority of the Free Presbyterian and the United Presbyterian churches and numerically the strongest branch of Presbyterianism in Australia, was to the forefront in embracing this tide of change. Beginning in 1861with the proposal for the compilation of a colonial hymnbook, issues associated with musical repertoire and practice occupied a prominent place in discussions and decision making over the next 30 years. Between 1861 and 1901 hymnody was successfully introduced into church worship with the adoption of three hymnals in 1867, 1883 and 1898. Programs of music education were devised for the teaching of the new repertoire and for improving the standard of congregational singing. A hallmark tradition of Presbyterianism was overturned with the introduction of instruments into worship, initially as a support for congregational singing but in time as providers of purely instrumental music also. The profile of the choir changed dramatically. Making extensive use of primary sources, this study aims to document the process of change in Victoria between 1861 and 1901, exploring the rationales underlying decisions taken and historical factors facilitating change. Musical developments in Victoria are viewed in the context of those elsewhere, especially Scotland and of general changes in aesthetic taste. The study concludes that the process of musical change shows the Presbyterian Church of Victoria to have been a forwardlooking and well-endowed institution with the confidence to take initiatives independent of Scottish control. It is also concluded that changes in musical practice within the worship of the Presbyterian Church of Victoria reflect developments taking place in other denominations and the changing aesthetic tastes of the Victorian era.

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4

Berg, Daniel. "The Sins of Boromir : Representations of Sin in J.R.R. Tolkien's Lord of the Rings." Thesis, Mälardalens högskola, Akademin för utbildning, kultur och kommunikation, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-38817.

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In this essay, Ralph C. Wood's religious-philosophical interpretation of LotR has been analyzed, with emphasis upon his conclusions about evil and sin in LotR. Some of Wood's claims about evil and sin in LotR have been applied upon the character Boromir, in order to show how sin is manifested as truth-transgression, pride, avarice, and misdirected love. A theoretical section is presented in order to define the concepts of sin, mimetic desire, and evil. The literary analysis focuses upon the character Boromir; the relevant works of literary scholas Ralph C. Wood and René Girard have been chosen as points of reference in this analysis. Attention is also given to an article by the historian Stephen Morillo, in the analysis of Norse pagan and Christian interpretations. It has been argued that a Christian reading of LotR, contrary to Morillo's standpoint, is possible.

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5

Baxter, Tamara. "Rock Big and Sing Loud: Short Stories from Southern Appalachia." Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/alumni_books/31.

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The past decade has been an exciting time for American fiction in general and Southern Appalachian fiction in particular. Rock Big and Sing Loud by Tamara Baxter is a significant addition to this surge of new writing. Writing truly about the world of eastern Tennessee Baxter also writes about the world at large, about humanity. Her narratives can make you laugh or break your heart, and sometimes they do both at once. She has given us the stories of some of the most afflicted and addicted, the most failed and failing, individuals on the planet, and also some of the strongest and most enduring people we are ever likely to meet. These stories take us to places we did not expect to go, and just when we think we have seen what is strangest, most absurd, most alien and outrageous, we recognize something of ourselves. - Robert Morgan, author of Gap Creek and Brave Enemies<br>https://dc.etsu.edu/alumni_books/1021/thumbnail.jpg

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6

Cichy, Andrew Stefan. "'How shall we sing the song of the Lord in a strange land?' : English Catholic music after the Reformation to 1700 : a study of institutions in Continental Europe." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:0bdfe9b2-b5c6-48fe-a565-ddb699b72312.

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Research on English Catholic Music after the Reformation has focused almost entirely on a small number of Catholic composers and households in England. The music of the English Catholic colleges, convents, monasteries and seminaries that were established in Continental Europe, however, has been almost entirely overlooked. The chief aim of this thesis is to reconstruct the musical practices of these institutions from the Reformation until 1700, in order to arrive at a clearer understanding of the nature of music in the post-Reformation English Catholic community. To this end, four institutions have been selected to serve as case studies: 1. The Secular English College, Douai. 2. St Alban’s College, Valladolid. 3. The Benedictine Monastery of Our Lady of the Assumption, Brussels. 4. The Augustinian Monastery of Our Lady of Nazareth, Bruges. The music of these institutions is evaluated in two ways: firstly, as a means of constructing, reflecting and forming English Catholic identity, and secondly, in terms of the range of influences (both English and Continental) that shaped its stylistic development. The thesis concludes that as a result of the peculiarly domestic nature of religious practice among Catholics in England, and interactions with Continental Catholicism, the aesthetic and ideological bases for English Catholic music were markedly different from those of its Protestant counterpart. The marked influence of Italianate styles on the sacred music of English Catholic composers and institutions in exile demonstrates a simultaneous process of cultural alignment with the aesthetic and theological principles of the Counter-Reformation, and dissociation from those of English Protestantism. Finally, it is clear that music was an important formational tool in both the seminaries and convents, where it shaped both community and self-identity, and created affinities with the locales in which these institutions were situated – although it is also clear that these uses of music had the potential to conflict.

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7

Inglis, James Marc Andrew. "The early premiership of Lord Liverpool 1812-15 : palma non sine pulvere." Thesis, University of Edinburgh, 2006. http://hdl.handle.net/1842/15752.

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Robert Banks Jenkinson, 2nd Earl of Liverpool KG (1770-1828), was First Lord of the Treasury and Prime Minister for almost fifteen years in the early nineteenth century. He survived in the premiership for longer than all but two of his predecessors and longer than all of his successors, at least so far. Liverpool is, however, one the most overlooked and underestimated of Prime Ministers. Norman Gash's book is the first and so far only modem biography of Liverpool. This study, however, is less than three hundred pages in length, is based on only seven of the hundreds of volumes of the Liverpool Papers in the custody of the British Library and is far from exhaustive in its use of printed sources. There is evidently considerable scope and need for further research on the subject of Liverpool's life and career especially during the period of his premiership and based on a trawl through all the manuscript sources now available. This doctoral dissertation seeks to examine Liverpool during his early premiership between 1812 and 1815, one of the least studied but most significant periods of both Liverpool's life and career, and his administration, from the point Liverpool succeeded to the highest office to the resettlement of Europe after the long war with France. The opening section aims to place Liverpool in his historical context. There is a particular emphasis here on an analysis of the political system that Liverpool was required to master. Liverpool's early life and career before he rose to the premiership is the focus of the next section. The main body of the thesis is divided into two parts. One part examines Liverpool during his early premiership in a mainly chronological style and is concerned almost entirely with the issues of war and peace, and the other part seeks to examine a number of major themes that are most satisfactorily looked at in isolation from the main narrative. For example, one chapter covers the premier's relationship with the monarchy.

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8

Larson, Jennifer Harris Trudier. "The revisionary aesthetic of Suzan-Lori Parks hear the bones sing, write it down /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2008. http://dc.lib.unc.edu/u?/etd,1749.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2008.<br>Title from electronic title page (viewed Sep. 16, 2008). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature." Discipline: English; Department/School: English.

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9

Voegler, Sebastian. "Sing your song." Thesis, Kungl. Musikhögskolan, Institutionen för jazz, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-888.

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10

Kinsman, Kay 1909. "Sing cuccu nu." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65491.

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11

Fantin, Joseph D. "The lord of the entire world : Lord Jesus, a challenge to Lord Caesar?" Thesis, University of Sheffield, 2007. http://etheses.whiterose.ac.uk/3604/.

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The purpose of this thesis is to determine whether in some of Paul's uses of the title K-6ptoq for Jesus, there exists a polemic against the living Roman emperor. After preliminary matters concerning methodology, history of research, and limitations are addressed (chapter 1), the sources for the study are described (chapter 2). Issues surrounding Paul's letters are considered. Then the various literary and non-literary sources which are used to better understand Paul's letters are discussed. The thesis proceeds inductively. Chapter 3 describes aspects of the first century context in which the original readers lived. This is intended to provide a grid to understand Paul's proclamation ofJesus as Lord as close to the first century context as possible. First, forms of emperor worship (imperial cults) are described within the context of Roman religious experience. However, this alone does not provide sufficient context to determine whether a polemic exists. Thus, the role of the emperor in the larger context is also considered. Chapter 4 focuses on the title K-6ptoq and the nature of lordship. First, the meaning, usage, and possible referents are described. The relational nature of the term is emphasised. The wide range of potential referents make it difficult to determine whether a polemic exists. The result is the postulation and defence of a superlative concept of supreme lord which has a restricted referent in a given culture. In chapter 5, the usages of the title for the Julio-Claudian and Flavian emperors are catalogued and it is determined that the living Caesar fills the role of the concept supreme lord in the context of Paul's original readers. Using communication principles from relevance theory, it is demonstrated that an author may include certain contextual clues that would suggest a challenge to the default referent by another. Certain modifiers and structures in the Pauline text lead to the conclusion that in some cases Paul intended a polemic against the living emperor. Specifically, this is suggested for Rom 10: 9; 1 Cor 8: 5-6; 12: 3; Eph 4: 5; Phil 2: 11.

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Grekul, Lisa. "Sing For Me, Kalyna!" Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0019/MQ46978.pdf.

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13

Takacs, Stephen R. "Sing the Body Electric." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343344994.

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14

Spellman, Jennifer Lee. "Can the Subaltern Sing?" Ohio University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1556281880685869.

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15

Condra, Jill. "Lord Clive's suit?" Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ32081.pdf.

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16

Seymour, Matt. "Theorizing Reflection and Refraction within Dialogic Literary Argumentation in the Teaching of Sing, Unburied, Sing." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1590666596628712.

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17

Coover, Dorian. ""Who is the Lord?" the self-revelation of the Lord in Exodus /." Theological Research Exchange Network (TREN), 1988. http://www.tren.com.

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18

Carey, Charles W. "Lord Dunmore's Ethiopian Regiment." Thesis, This resource online, 1995. http://scholar.lib.vt.edu/theses/available/etd-12052009-020355/.

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19

Valencich, Kenneth James, and Kenneth James Valencich. "Honganji, Lord of Ishiyama." Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/625338.

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Studies of medieval Japanese history have often presented the upper-crust of society as divided into three distinct groups: warriors, nobles, and religious institutions. However, this model creates a sharper distinction between social classes than reality. Using the history of a sect of Buddhism called Honganji, this thesis seeks to problematize the tripartite model in order to demonstrate how blurred the lines between the social classes were. This is done through direct comparison between the actions of Honganji and daimyo, regional lords of the 15th and 16th centuries. The three ideas I focus on are: military action, organizational structure, and the creation of personality cults.

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20

Mirapuri, Dawn. "Discordant tunes : Christina Rossetti's sing-song /." [St. Lucia, Qld.], 2000. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16358.pdf.

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21

Guimarães, Daniela Lapoli. "Words that sing, music that speaks." Florianópolis, SC, 2005. http://repositorio.ufsc.br/handle/123456789/101929.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente.<br>Made available in DSpace on 2013-07-15T23:34:41Z (GMT). No. of bitstreams: 0<br>O objetivo deste trabalho é analisar o uso de canções e efeitos sonoros em quatro produções teatrais de Romeu e Julieta, de William Shakespeare, enfocando os cruzamentos interculturais entre o texto e os vários contextos de performance. Este estudo propõe a análise do desenho sonoro como prática teatral, tomando como referência central teorias dos estudos musicais (Luiz Tatit e Marcos Napolitano), dos estudos de desenho sonoro (Deena Kaye, James Lebrecht e Livio Tragtenberg), da análise da performance (W. B. Worthen, Patrice Pavis, Susan Bennett, e outros), e de análises textuais, e levando em conta os estágios que envolvem uma produção teatral: concepção, produção, e recepção. O corpus da pesquisa é constituído pelas seguintes produções teatrais: Romeo and Juliet, da Royal Shakespeare Company, dirigida por Michael Bogdanov (1986); Romeo and Juliet, da Royal Shakespeare Company, dirigida por Michael Boyd (2000); Romeu e Julieta, do Grupo Macunaíma, dirigida por Antunes Filho (1984); e Romeu e Julieta, do Grupo Galpão, dirigida por Gabriel Villela (1992). O estudo demonstra que a análise da performance pode ser aprimorada ao enfocar a complexidade discursiva dos eventos sonoros, através da investigação dos momentos em que som e canção ocupam papéis importantes na cena teatral.

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22

Chan, Cheuk-pan Anson, and 陳焯賓. "Redevelopment of Wing Sing Lane at Yaumati." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31983182.

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Chan, Cheuk-pan Anson. "Redevelopment of Wing Sing Lane at Yaumati." Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25954647.

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Haydon, Liam David. "'I sing'? : narrative technique in epic poetry." Thesis, University of Manchester, 2012. https://www.research.manchester.ac.uk/portal/en/theses/i-sing-narrative-technique-in-epic-potry(3d7d23da-ade0-424c-93a2-9b183283e30e).html.

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This thesis examines the genre of epic, and particularly Milton’s Paradise Lost. It argues that it is only in attending to the contextual interactions within Paradise Lost that its full meaning can be comprehended. It demonstrates that the poem not only narrates the Fall, but actively performs its consequences in its thematic and linguistic structures, which continually stress the impossibility of approaching perfect (divine) totality. Chapter one outlines the theoretical response to epic, read as a petrified genre in contrast to the newness, openness and linguistic flexibility of the novel. It then challenges these assumptions through a reading of the invocation to book III of Paradise Lost. The chapter closes by examining seventeenth-century writings on epic, demonstrating that Milton’s contemporaries saw the epic as defined by the possibility of didactic intervention into its context. Chapter two examines the forms of the epic metaphor, which serve as a temporal link between the ‘mythic’ past of epic and contemporary events. It then shows that the nationalistic impulse of epic was a method by which the mythic past of a country was deployed as an exemplary narrative for the present. The chapter closes by considering the ways in which shifts in national conception were mapped onto the epic. Chapter three outlines Paradise Lost’s thematic engagement with the concept of representation. It focuses on the twin images of the music of the spheres and the Tower of Babel, used in Paradise Lost to represent man’s relationship with God. It argues that the poem uses these tropes to explore the linguistic effects of the Fall. Both these images are deployed to suggest that postlapsarian expression is too open and ambiguous to properly portray divinity. Chapter four moves that discussion to a linguistic level, arguing that the poem is characterised by indeterminacy. It argues that Paradise Lost calls into question the possibility of expressing perfect truth in fractured, postlapsarian language. It shows that punning is the mark of fallen creatures in the poem, and suggests that the poem’s own puns exploit this category to linguistically question its own status as representation through performances of ambiguity. The conclusion synthesises these local readings of Paradise Lost into a reading of the poem as a whole. It argues that these individual instances demonstrate the poem’s continual reflexive concern over its theodicean project. By continually expressing ambiguity, at the level of imagery and language, Paradise Lost draws attention to its status as postlapsarian art, and the consequent impossibility of approaching the divine perfection exemplified by the celestial music or prelapsarian language.

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Bilgrien, Marie Vianney. ""What do I do, Lord?"." Theological Research Exchange Network (TREN), 1986. http://www.tren.com.

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Nicholas, Jonathan Daniel. "Lord Bute's ministry, 1762-1763." Thesis, Aberystwyth University, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283515.

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Willie, Sonya. "Orphic Descent in "Lord Jim"." W&M ScholarWorks, 2001. https://scholarworks.wm.edu/etd/1539626312.

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Waylett, Dianne Marie. "Does anyone know Lord Byron?" CSUSB ScholarWorks, 1998. https://scholarworks.lib.csusb.edu/etd-project/1507.

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Dooley, Laura Jones. "The Correspondence of Henry, Lord Brougham, with Henry, Lord Holland,1831-1840: Additional m.s 51564." W&M ScholarWorks, 1987. https://scholarworks.wm.edu/etd/1539625412.

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Lobo, Jansson Stefan. "Lord of the Rings, Lord of Nature : A postcolonial-ecocritical study of J.R.R Tolkien's The Lord of the Rings and its implications in the EFL classroom." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-76582.

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This essay examines J.R.R Tolkien’s The Lord of the Rings through the application of a theoretical framework of postcolonial ecocriticism, endeavoring to discern the author’s concerns and the environmental and colonial underpinnings interwoven in the novel through a thematic analysis focusing on the concepts of pastoral, nature, wilderness and development. The results show that Tolkien undoubtedly projected his profound sentiments for environmental disruption as a product of a rapidly changing world during his lifetime. Although Tolkien’s trilogy is a work of high fantasy written in a different context, this essay argues that it is valid for scrutiny in relation to contemporary society. Furthermore, this study investigates the implementation of the text in the Swedish EFLclassroom with the purpose of raising students’ awareness for, and investment in the environment, whilst improving their all-round communicative skills, ultimately educating for a sustainable future.

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Sagredo, Ponce Javier Agusto. "Resonancia subsincrónica producto de la interconexión SIC-SING." Tesis, Universidad de Chile, 2016. http://repositorio.uchile.cl/handle/2250/140785.

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Ingeniero Civil Eléctrico<br>En este trabajo de título, se estudia el fenómeno de Resonancia Subsincrónica (SSR) que podría generarse producto de la línea de 617 km de longitud con compensación serie que unirá el Sistema Interconectado Central (SIC) con el Sistema Interconectado del Norte Grande (SING). Se determinan modos de resonancia subsincrónica en el conjunto SIC-SING, y su nivel de amortiguamiento, a través de un análisis modal, para luego analizar si los generadores sincrónicos cercanos a la interconexión presentan riesgos de sufrir SSR. Se utiliza el modelo de interconexión propuesto por Engie (ex GDF Suez), que corresponde a una línea de 500 kV de corriente alterna (HVAC), que unirá las subestaciones Nueva Cardones, en el SIC, con Los Changos, en el SING, pasando por Cumbres, que será la subestación de compensación intermedia. Se busca identificar los riesgos que involucran dichos modos de resonancia en los generadores sincrónicos, determinando las medidas de mitigación necesarias para evitarlos, en el caso que ocurran. Se realiza una revisión bibliográfica para introducir el tema, que involucra teoría de compensación serie en Sistemas Eléctricos de Potencia (SEP), resonancias, fenómenos oscilatorios en SEP y mitigación de SSR. Se utiliza el software DIgSILENT PowerFactory, programa dedicado a la realización de estudios eléctricos de potencia ampliamente utilizado en Chile, como herramienta de simulación, obtención y comprobación de resultados. Del análisis modal realizado para llevar a cabo este estudio, se desprende que no existen modos de resonancia subsincrónica peligrosos, puesto que todos tienen un amortiguamiento sobre el 30%, muy por encima del mínimo de 5% que la Norma Técnica de Seguridad y Calidad de Servicio (NTSyCS) exige. Se comprueba el carácter inofensivo de dichos modos mediante un análisis RMS, concluyéndose que el fenómeno de SSR no se produce, debido a que el sistema es lo suficientemente enmallado, y por tanto, suficientemente robusto como para que la resonancia subsincrónica no ocurra. Tras realizado este trabajo, se recomienda tener especial cuidado en la operación del sistema en la primera fase de la interconexión, cuando haya una máquina dedicada en el SING inyectando hacia el SIC, ya sea CTM3 o alguna IEM. Además, es importante corroborar y actualizar los modelos de las máquinas, sus controladores y PSS asociados, dado que son críticos en la obtención de resultados que se apeguen a la realidad (a la fecha, los CDEC siguen homologando modelos).

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Walton, Barbara Lyn. "Volunteer satisfaction in serving the Lord /." Free full text is available to ORU patrons only; click to view:, 2005. http://wwwlib.umi.com/cr/oru/fullcit?p3163182.

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Gifford, Mary. "Lord Berners : aspects of a biography." Thesis, King's College London (University of London), 2007. https://kclpure.kcl.ac.uk/portal/en/theses/lord-berners--aspects-of-a-biography(3b644374-52bd-48f8-ba92-23b5707bc02f).html.

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Appleby, Judith. "Lord Harrowby's home farm at Sandon." Thesis, University of Nottingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363920.

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Marandi, Seyed Mohammad. "Lord Byron, his critics and Orientalism." Thesis, University of Birmingham, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397121.

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Papadopulos, Alexander Savas Thomas. "Plant speciation on Lord Howe Island." Thesis, Imperial College London, 2011. http://hdl.handle.net/10044/1/7069.

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Lord Howe Island (LHI) is an ideal location for researching the speciation process. The diversity of unique species, its isolation and minute size offer a rare opportunity to investigate the contribution that speciation has made to the entire flora of an ecosystem. On LHI, speciation in sympatry has been documented previously in Howea palms and this project sought to investigate whether this divergence was an exceptional occurrence or if the process is more general. A phylogenetic approach was used to acquire the first estimates of the frequency of sympatric speciation and speciation with gene flow in a community of island plants. The results indicate that speciation with gene flow may be relatively common on LHI. Biogeographic patterns show that Australia is a major source of species for LHI and that, for a given region, the number of immigrants that can establish and speciate is dependent on dispersal limitation and niche conservatism. Speciation events in two genera (Metrosideros and Coprosma) were examined in greater detail to determine whether ecological divergent selection may have promoted the evolution of reproductive isolation. In both cases, evidence is presented demonstrating that natural selection, habitat isolation and competitive exclusion may have played vital roles in these speciation events. Closer examination of speciation in Coprosma revealed that six species have evolved following a single colonisation of LHI, the first documented evidence for a sympatric radiation in plants. Four of these species have evolved via speciation with gene flow and two species are derived from hybrid speciation events; supporting theories that speciation with gene flow and hybrid speciation may be integral to the onset of an adaptive radiation. Together with speciation in Howea, these new cases show that ecologically driven speciation with gene flow is an important source of biodiversity on LHI and potentially in other botanical communities.

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Bennett, Elizabeth Stearns Morris Marilyn. "Negotiating interests Elizabeth Montagu's political collaborations with Edward Montagu, George, Lord Lyttelton, and William Pulteney, Lord Bath /." [Denton, Tex.] : University of North Texas, 2009. http://digital.library.unt.edu/ark:/67531/metadc12082.

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Bennett, Elizabeth Stearns. "Negotiating Interests: Elizabeth Montagu's Political Collaborations with Edward Montagu; George, Lord Lyttelton; and William Pulteney, Lord Bath." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc12082/.

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This dissertation examines Elizabeth Robinson Montagu's relationships with three men: her husband, Edward Montagu; George Lyttelton, first baron Lyttelton; and William Pulteney, earl of Bath to show how these relationships were structured and how Elizabeth Montagu negotiated them in order to forward her own intellectual interests. Montagu's relationship with her husband Edward and her friendships with Lord Lyttelton and Lord Bath supplied her with important outlets for intellectual and political expression. Scholarly work on Montagu's friendships with other intellectual women has demonstrated how Montagu drew on the support of female friends in her literary ambitions, but at the same time, it has obscured her equally important male relationships. Without discounting the importance of female friendship to Montagu's intellectual life, this study demonstrates that Montagu's relationships with Bath, Lyttleton, and her husband were at least as important to her as those with women, and that her male friendships and relationships offered her entry into the political sphere. Elizabeth Montagu was greatly interested in the political debates of her day and she contributed to the political process in the various ways open to her as an elite woman and female intellectual. Within the context of these male friendships, Montagu had an opportunity to discuss political philosophy as well as practical politics; as a result, she developed her own political positions. It is clear that contemporary gender conventions limited the boundaries of Montagu's intellectual and political concerns and that she felt the need to position her interests and activities in ways that did not appear transgressive in order to follow her own inclinations. Montagu represented her interest in the political realm as an extension of family duty and expression of female tenderness. In this manner, Montagu was able to forward her own opinions without appearing to cross conventional gender boundaries.

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Zhang, Shunhong. "British views on China during the time of the embassies of Lord Macartney and Lord Amherst (1790-1820)." Thesis, Online version, 1990. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.294158.

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Williams, W. Keith. "The military functions of the office of lord lieutenant, 1585 to 1603, with special emphasis on Lord Burghley." Thesis, University of Leicester, 2002. http://hdl.handle.net/2381/31055.

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This dissertation is an investigation of the military functions of the office of lord lieutenant in the years 1585 to 1603. The lieutenants commanded the county militias, and the main goal of this study is to determine whether or not they were vital to military efficiency in the late-Elizabethan years. By vital, it is meant did the lieutenants make a noticeable difference in a country's performance in preparing sufficient men and arms for service. Emphasis is placed on William Cecil, first Lord Burghley, lieutenant of Essex, Hertfordshire and Lincolnshire because he was typical of many lieutenants in that he was involved in national government as a privy councillor and Lord Treasurer in addition to being an absentee lieutenant. Like all lieutenants, he relied on his deputies to oversee the actual work of mustering and levying men in the counties. Many of those deputies would later become members of the commissions of musters that replaced lieutenants in many counties after 1590. The fact that many lieutenancies were not renewed calls the importance of the office into question. Burghley's approach to the job is explored and his deputies compared to those of several other counties. Then other lieutenants, including Sir Christopher Hatton, George Talbot, William Brooke, Charles Howard of Effingham, Henry Carey and Roger North, are compared to Burghley. The musters and levies, the chief military functions, which took place under Burghley from 1587 until his death in August 1598 are compared with those in other counties. Burghley's former counties had no lieutenants from late 1598 through the rest of Elizabeth's reign in March 1603. During these later years, a commission of musters supervised the militias in those counties, making it possible to compare the difference, if any, the two types of command had on military competence. The findings here are that there are no major differences between counties with lieutenants and those without them. The office of lord lieutenant had no major impact on military efficiency.

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Ott, Dorothee. "Shall we dance and sing? zeitgenössische Musical- und Tanzfilme." Konstanz UVK-Verl.-Ges, 2007. http://d-nb.info/986829439/04.

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Subbaraman, Nidhi. "Why we sing : an ode to our musical origins." Thesis, Massachusetts Institute of Technology, 2010. http://hdl.handle.net/1721.1/60840.

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Thesis (S.M. in Science Writing)--Massachusetts Institute of Technology, Dept. of Humanities, Graduate Program in Science Writing, 2010.<br>"September 2010." Cataloged from PDF version of thesis.<br>Includes bibliographical references (p. 29-32).<br>Music is part of human culture and has been around for several thousand years. In spite of its strong emotional appeal, the history of this human characteristic, and the source of its allure remain elusive. This thesis is a report from the front lines of research into the origins of human music, presenting four popular scenarios for the source of music. Music is treated as a homolog for gibbon song, as a co-evolver with language, as a sexually selected adaptation and as a cultural artifact that elicits universally reaching, culturally exclusive emotional responses from listeners.<br>by Nidhi Subbaraman.<br>S.M.in Science Writing

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Krishnamurthy, Thanmayee. "Sing Rāga, Embody Bhāva: The Way of Being Rasa." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505144/.

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The rasa theory of Indian aesthetics is concerned with the nature of the genesis of emotions and their corresponding experiences, as well as the condition of being in and experiencing the aesthetic world. According to the Indian aesthetic theory, rasa ("juice" or "essence," something that is savored, that is tasted) is an embodied aesthetic experienced through an artistic performance. In this thesis, I have investigated how the aesthetics of rasa philosophy account for creative presence and its experiences in Karnatik vocal performances. Beyond the facets of grammar, Karnatik rāga performance signifies a deeper ontological meaning as a way to experience rasa, idiomatically termed as rāga-rasa by South Indian rāga practitioners. A vocal performance of a rāga ideally depends on a singer's embodied experience of rāga and rāga-bhāva (emotive expression of rāga), as much as it does on his/her theoretical knowledge and skillset of a rāga's svaras (scale degrees), gamakas (ornamentation), lakṣhaṇās (emblematic phrases), and so on. Reflecting on my own experience of being a Karnatik student and performer for the last two decades, participant observation, interviews, and analysis of Indian aesthetic theory of rasa, I propose a way of understanding that to sing rāga is to embody bhāva opening the space that brings rasa into being. Reflecting on the epistemology of rāga theory, particularly its smaller entities of svaras and gamakas, and through a phenomenological description of the process through which a vocalist embodies rāga (including how a guru transmits this musical embodiment to his shishya [disciple]), I argue that the notion of rāga-rasa itself has agency in determining the nature of svaras and its gamakas in a rāga performance. Additionally, focusing on the relationship between performers and rasikas (drinkers of the juice), this thesis examines how the embodiment of rāga-bhāva and the experience of rasa open the possibility for musicians and audiences to live rāga-rasa in a performance.

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Moreland, Kathleen A. "Of Thee We Sing: Roots of the American Songbook." University of Akron / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=akron1428148686.

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Webb, Stephen. "Lord Byron and Nation : Education and Reification." Thesis, Uppsala universitet, Historiska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-210032.

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Mittmann, Gerald. "The longsuffering of the Lord is salvation." Theological Research Exchange Network (TREN), 1986. http://www.tren.com.

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McSharry, P. T. "The religious radicalism of Lord George Gordon." Thesis, University of York, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.516411.

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Norlin, Susanne. "Neologisms in Lord of the Rings Online." Thesis, Mittuniversitetet, Avdelningen för humaniora, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-23128.

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Tang, Yong. "Jesuit Leadership as Companionship in the Lord." Thesis, Boston College, 2011. http://hdl.handle.net/2345/2502.

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Thesis advisor: Howard J. Gray<br>Thesis advisor: Thomas D. Stegman<br>This thesis attempts, first of all, to explore and reflect upon the question of “What is Jesuit leadership?” through some developmental landmarks (the founding experiences, the Formula of the Institute, the Constitutions, and the GCs 31-35 documents) within the history of the Society of Jesus. Second, it strives to argue that Jesuit leadership is essentially companionship in the Lord Jesus Christ for his universal mission, which has its depth in “Christ,” its breadth in “companionship,” and its length in “his universal mission.”<br>Thesis (STL) — Boston College, 2011<br>Submitted to: Boston College. School of Theology and Ministry<br>Discipline: Sacred Theology

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Halliwell, William Arthur Clare. "Lord Wellesley's confrontation with the Maratha 'Empire'." Thesis, University of Southampton, 1999. https://eprints.soton.ac.uk/42326/.

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The purpose of the thesis is to reinterpret Lord Wellesley's forward policy in India, with particular reference to his dealings with the Marathas, and to consider its motivation and the reasons for its failure. Lord Wellesley was the product of his age and environment. He was a colonial with ambitions to play a major role in metropolitan affairs. At the time of his appointment as Governor General of India the most important aspect of metropolitan concerns was the war with France, so that a major element in his policy was the protection of India from French interference. His policy was formed before he reached India, and had as its motivation, not only fear of the French, but fear of aggression by the Indian rulers, with or without French support. This fear derived from a conviction that Indian rulers were totally untrustworthy; only treaties permitting British control of their affairs (subsidiary treaties) could be effective to preserve peace in India. A balance of power between the Indian states, which was thought to have existed five years earlier, had been destroyed. Lord Wellesley succeeded at Mysore and Hyderabad, but failed with the Marathas. His primary target had been the Pune state, which was emphasised in the autumn of 1800 by conditional orders given to Arthur Wellesley to occupy Pune in certain circumstances. These did not occur and he retired. Meanwhile a new treaty had been concluded with the Nizam which was intensely provocative to the Marathas. It involved the British in protecting the Nizam's territory from all comers, including the Marathas who had legitimate claims on the Nizam. Their pursuit of them was liable to lead to war at some point and the British obligation made Lord Wellesley's forward policy towards them irreversible. The Peshwa of Pune was driven from Pune by Holkar and concluded the Treaty of Bassein with the British. This further provocation of the Marathas led to war with Sindhia and the Raja of Berar. The war was short lived and peace treaties were concluded with the Maratha chiefs separately by Arthur Wellesley who had been granted plenipotentiary powers in Western India. His policy was one of conciliation, not as Lord Wellesley's conquest. As a result the British failed to dominate Sindhia. Holkar now arrived on the scene and after abortive diplomatic exchanges war was declared on him. Lake the Commander-in-Chief failed to conquer Holkar, and Arthur Wellesley took no direct part in the war. Sindhia was sympathetic to Holkar and elements of his army, and, later, Sindhia himself, joined him. Lake's failure and Arthur Wellesley's divergent policy led to Lord Wellesley's failure to dominate the Marathas and, therefore, his failure to bring peace to India by conquest.

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