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Relevant bibliographies by topics / Singapore Art Museum

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Academic literature on the topic 'Singapore Art Museum'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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Journal articles on the topic "Singapore Art Museum"

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Meegama, Sujatha Arundathi. "Curating the Christian Arts of Asia." Archives of Asian Art 70, no. 2 (2020): 151–71. http://dx.doi.org/10.1215/00666637-8620357.

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Abstract This essay examines the transformation of the Asian Civilisations Museum (ACM) into a global art histories museum. An analysis of the new Christian Art Gallery and its objects that date from the eighth through the twentieth century illuminates the ways in which the ACM engages with global art histories in a permanent gallery and not only through special exhibitions. This essay begins with a history of the ACM and its transition from a museum for the “ancestral cultures of Singapore” to one with a new mission focusing on multicultural Singapore and its connections to the wider world. H

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Widrich, Mechtild. "The Naked Museum: Art, Urbanism, and Global Positioning in Singapore." Art Journal 75, no. 2 (2016): 46–65. http://dx.doi.org/10.1080/00043249.2016.1202630.

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Krairiksh, Piriya. "Re-visioning Buddhist art in Thailand." Journal of Southeast Asian Studies 45, no. 1 (2014): 113–18. http://dx.doi.org/10.1017/s0022463413000635.

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The Asian Civilisations Museum, Singapore, is to be congratulated for organising a splendid exhibition of Thai Buddhist art entitled ‘Enlightened ways: The many streams of Buddhist art in Thailand’, which ran from 30 November 2012 to 17 April 2013, and for publishing the exhibition catalogue as well as a separate monograph, Buddhist storytelling in Thailand and Laos, which elucidates the long cloth scroll depicting the story of Prince Vessantara on display at the exhibition.

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Cai, Yunci. "The Art of Museum Diplomacy: The Singapore–France Cultural Collaboration in Perspective." International Journal of Politics, Culture, and Society 26, no. 2 (2012): 127–44. http://dx.doi.org/10.1007/s10767-012-9122-7.

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Cai, Y. Y., B. F. Lu, Z. W. Fan, et al. "Proteins, Immersive Games and Music." Leonardo 39, no. 2 (2006): 135–37. http://dx.doi.org/10.1162/leon.2006.39.2.135.

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The authors present their research on using virtual reality (VR) in the presentation of protein music and immersive games. They first describe the core components of VR technology for protein modeling, visualization and interaction. They then present their implementations of VR protein games and protein-derived computer music. Instruction in protein-structure learning is discussed in the context of the authors' trial project in the Chinese High School in Singapore and an exhibition at Singapore Art Museum.

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Grincheva, Natalia. "The Form and Content of ‘Digital Spatiality’: Mapping the Soft Power of DreamWorks Animation in Asia." Asiascape: Digital Asia 6, no. 1-2 (2019): 58–83. http://dx.doi.org/10.1163/22142312-12340102.

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Abstract The article explores a series of blockbuster exhibitions of DreamWorks Animation developed by the Australian Centre of the Moving Image (ACMI) in collaboration with one of the largest Hollywood producers. Curated by ACMI, this blockbuster exhibition was designed to provide a behind-the-scenes look into collaborative processes involved in DreamWorks animations. This exhibition travelled across the Asia-Pacific in 2015-2017 and was hosted by a number of museums, such as the ArtScience Museum in Singapore, the Te Papa Museum in New Zealand, the Seoul Museum of Art in South Korea, and the

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PARK, SeYoun. "A Case Study on Innovation of National Identity Through Arts and Culture Policies Focused on Renaissance Project and Singapore Art Museum." Society for Art Education of Korea 68 (December 1, 2018): 73–89. http://dx.doi.org/10.25297/aer.2018.68.73.

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Hall, Rebecca S. "Enlightened Ways: The Many Streams of Buddhist Art in Thailand. Edited by Heidi Tan. Singapore: Asian Civilisations Museum, 2012. 267 pp. ISBN 9789810746285 (cloth)." Journal of Asian Studies 75, no. 1 (2016): 273–74. http://dx.doi.org/10.1017/s0021911815002016.

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Samdarshi, Pranshu. "Asia. Nalanda Srivijaya and beyond: Re-exploring Buddhist art in Asia Edited by Gauri Parimoo Krishnan Singapore: Asian Civilisations Museum, 2017. Pp. 296. Maps, Plates, Notes, Bibliography, Index." Journal of Southeast Asian Studies 49, no. 2 (2018): 323–25. http://dx.doi.org/10.1017/s0022463418000024.

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Wright, Astri. "The Integrative Art of Modern Thailand. By Herbert P. Phillips. Berkeley: Lowie Museum of Anthropology, University of California Press. 1992. x, 138 pp. - Modern Art in Thailand: Nineteenth and Twentieth Centuries. By Apinan Poshyananda. Singapore: Oxford University Press. 1992. xxiv, 259 pp." Journal of Asian Studies 53, no. 2 (1994): 642–45. http://dx.doi.org/10.2307/2059934.

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Dissertations / Theses on the topic "Singapore Art Museum"

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Sin, Song-Chiew James, University of Western Sydney, and of Performance Fine Arts and Design Faculty. "Arts, culture and museum development in Singapore." THESIS_FPFAD_XXX_SinSongChiew_ J.xml, 1997. http://handle.uws.edu.au:8081/1959.7/240.

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This thesis discusses some aspects of the exhibition designer's role in state museums and galleries. It draws on the author's experiences in Singapore and his observations as a student living in Sydney. Museum exhibition designers are servants of the state. They help create public culture and promote a version of history. But if one is to understand the ways in which designers create meaning (and serve their employer's interests) we need to identify the 'vocabulary' and 'grammar' that they have at their disposal. To this end, the thesis outlines the variables that they work with and argues tha

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Leong, Wai Yee Jane. "The formation of identities and art museum education : the Singapore case." Thesis, Durham University, 2009. http://etheses.dur.ac.uk/1347/.

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Sin, Song-Chiew James. "Arts, culture and museum development in Singapore /." View thesis, 1997. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030901.095617/index.html.

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Books on the topic "Singapore Art Museum"

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National Museum Art Gallery (Singapore), ed. Sculpture in Singapore: National Museum Art Gallery, Singapore, 16 November-15 December 1991. The Gallery, 1991.

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Seok, Chee Eng-Lee, ed. Treasures from the National Museum, Singapore. The Museum, 1987.

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Tomorrow, today: Contemporary art from the Singapore Art Museum, 2009-2011. Singapore Art Museum, 2012.

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From Words to Pictures, Art During the Emergency (2007 Singapore Art Museum). From Words to Pictures, Art During the Emergency: 24 August - 31 October 2007, Singapore Art Museum. Singapore Art Musuem, 2007.

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Masriadi: Black is my last weapon : Singapore Art Museum, 22 August-9 November 2008. Singapore Art Museum, 2008.

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Pompidou, Centre Georges, and Singapore Art Museum, eds. Video, an art, a history: 1965-2010 : a selection from the Centre Pompidou and Singapore Art Museum collections. Singapore Art Museum, 2011.

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Shan, Chen. Xiang xue zhuang zhen zhang. Asian Civilisations Museum, 2006.

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Keen, Wong. Wong Keen, a Singapore abstract expressionist: An exhibition of donated works by Mr. and Mrs. Koh Seow Chuan, 9 March-29 April 2007, Singapore Art Museum. Singapore Art Museum, 2007.

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1927-, Bastin John Sturgus, Kwa Chong Guan, Hassan Ibrahim, Strange Morten, and National Museum of Singapore, eds. Natural history drawings: The complete William Farquhar collection : Malay Peninsula, 1803-1818. Editions Didier Millet, 2010.

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(Singapore), Asian Civilisations Museum, ed. Inspired by Japan and China: The Egawa collection of European ceramics. Asian Civilisations Museum, 2011.

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Book chapters on the topic "Singapore Art Museum"

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Leong, Jane. "Art Museum Education in Singapore." In Landscapes: The Arts, Aesthetics, and Education. Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-010-0043-7_4.

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Varela, Miguel Escobar, Andrea Nanetti, and Michael Stanley-Baker. "Digital Humanities in Singapore." In Digital Humanities and Scholarly Research Trends in the Asia-Pacific. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-7195-7.ch005.

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In Singapore, digital humanities (DH) is inclusive of the larger spectrum of the humanities, including not only its traditional disciplines (e.g., languages and literature, philosophy, law, geography, history, art history, musicology) but also anthropology, heritage studies, museum studies, performing arts, and visual arts. Multilingual, interdisciplinary, and audiovisual projects are particularly prominent. A community is growing around an emergent concept of DH, and it is developing results mainly in society-driven research projects. Although the DH label is relatively new, and DH dialogue across Singapore institutions is at its early stages, Singapore-based researchers have carried out digital research for decades. An increasing number of projects are home-grown, but several projects have also migrated to Singapore recently due to the high degree of mobility at Singaporean institutions. Current trends suggest that the next stage of DH history in Singapore will include the development of more formal institutions and more participation in global DH conversations.

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KRISHNAN, Gauri Parimoo. "A Museological Challenge: Presenting Living Cultures of the South Asians in a Museum Context in Singapore." In Art Hats in Renaissance City. WORLD SCIENTIFIC, 2015. http://dx.doi.org/10.1142/9789814630788_0009.

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HOE, Su Fern, and Terence CHONG. "Nurturing the Cultural Desert: The Role of Museums in Singapore." In The State and the Arts in Singapore. WORLD SCIENTIFIC, 2018. http://dx.doi.org/10.1142/9789813236899_0012.

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Kuchit, Alfian Yasrif. "Muslim Institutions with Statutory Powers in Singapore: The Administration of Muslim Law Act (AMLA)." In Majulah! WORLD SCIENTIFIC, 2016. http://dx.doi.org/10.1142/9789814759885_0027.

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Abdullah, Walid Jumblatt. "Muslim Activism: A Survey across the World." In Islam in a Secular State. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463724012_ch02.

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The second chapter is a literature review. The first section tackles the different theological positions Muslim scholars have posited with regard to activism. This is important as we find that some of these stances guide, or are used to justify, the various forms of activism. I further discuss the types of Muslim activists, and the social movement literature, in order to ground the findings of this book within a field of study. The idea is that the book should be relevant beyond Singapore or even Islamic studies, and locating the book within the literature of social movements serves this purpose.

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Abdullah, Walid Jumblatt. "Introduction: The State, Islam, and Muslim Activism in Singapore." In Islam in a Secular State. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463724012_ch01.

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This chapter introduces the research questions the book tries to answer, its main arguments, and the scope of discussion. These questions include the following. How do Muslim activists navigate their way through politics in a secular, authoritarian state to maximize their influence? What are the different methods by which the varied categories of activists work to further their causes? What accounts for the differences in these approaches? Briefly, I postulate that many activists attempt to strategically align themselves with the state, and call upon the state to be an arbiter in their disagreements with other factions. Though there are activists who challenge the state, these are by far in the minority, and are typically unable to assert their influence in a sustained manner. The dominating nature of the state has largely resulted in activists refusing to defy the state on fundamental issues, regardless of their orientations. The chapter discusses Singapore’s political context, and how Islam is managed. I further outline the case selection and methodology.

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Kuchit, Alfian Yasrif. "THE INSTITUTIONALISATION OF ISLAM IN SINGAPORE: THE ADMINISTRATION OF MUSLIM LAW ACT AND THE BIRTH OF A ‘MAJLIS UGAMA’." In Fulfilling the Trust. WORLD SCIENTIFIC, 2018. http://dx.doi.org/10.1142/9789813274273_0002.

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Kuchit, Alfian Yasrif. "THE INSTITUTIONALISATION OF ISLAM IN SINGAPORE: THE ADMINISTRATION OF MUSLIM LAW ACT AND THE BIRTH OF A “MAJLIS UGAMA”." In Beyond Bicentennial. WORLD SCIENTIFIC, 2020. http://dx.doi.org/10.1142/9789811212512_0022.

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Ahmad Mohamad, Khaliq, Rizal Mohd Nor, and Aimadhuddin Ahmad Kamely. "Crowdfunding." In Innovative Strategies for Implementing FinTech in Banking. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-3257-7.ch007.

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Crowdfunding is a new form of both investment opportunities and source of raising capital. The aim of this chapter is to explore the understanding of the newly invented crowdfunding, types of the existing platforms of the industry. Authors investigated crowdfunding platforms that are registered in securities commission Malaysia and Kapitalboost platform of Singapore and their mode of investment. Authors also looked in depth and reviewed a current literature on crowdfunding. An investment model of crowdfunding that will be suitable for the Muslim investors who are looking into an ethical investment that will contribute to the wellbeing of the societies as whole through Mudharabah and Musharakah investment. The findings explored that equity crowdfunding could bring more benefit and less harm to entrepreneurs. Consequently, there are two types of models that are based on equity-in and equity-out; hence, the chapter recommends the equity crowdfunding over the debt-based through Islamic investment method of Musharakah and Mudharabah investment.

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Conference papers on the topic "Singapore Art Museum"

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Batri, Nek Mah Binte. "The Integration of Fiqh Psychology in Curriculum: Muslim Community Healthcare in Singapore." In 2018 3rd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/amca-18.2018.18.

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