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1

Zhenyu, Guo, ed. Xinjiapo ren jiao ao ma? Ba fang wen hua chuang zuo shi, 2004.

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2

K, Seet K., Wong Pat M, and Collette, eds. Made in Singapore. Times Books International, 1985.

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3

Keng, Kau Ah, ed. Understanding Singaporeans: Values, lifestyles, aspirations, and consumption behaviors. World Scientific, 2004.

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4

Living the Singapore story: Celebrating our 50 years, 1965-2015. National Library Board, 2015.

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5

Craig, JoAnn. Culture shock! Singapore. Kuperard (London), 1993.

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6

Craig, JoAnn. Culture Shock! Singapore. Graphic Arts Center Pub. Co., 2001.

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7

Craig, JoAnn. Culture Shock! Singapore. Graphic Arts Center Publishing Company, 2005.

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8

Craig, JoAnn. Culture shock!. Times Books International, 1993.

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9

Craig, JoAnn. Culture shock!. Graphic Arts Center Pub. Co., 1996.

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10

Craig, JoAnn. Culture shock: Singapore--Malaysia. Times Books International, 1989.

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11

Culture shock!: Singapore and Malaysia. Times Books International, 1986.

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12

Craig, JoAnn. Culture shock!. Times Books International, 1993.

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13

Thum, Pingtjin. Living with myths in Singapore. Ethos Books, 2017.

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14

Arun, Mahizhnan, and Institute of Policy Studies (Singapore), eds. Heritage and contemporary values. Institute of Policy Studies, 2004.

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15

Ong, Yong Lock. Singapore on the couch: Interviews with astonishing individuals. Monsoon, 2014.

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16

Editions, Marshall Cavendish. Great expatations: Don't chop my passport! and other stories. Marshall Cavendish Editions, 2012.

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17

Home: 50 50-word stories to celebrate Singapore's 50th birthday. Andre Yeo, 2014.

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18

Roll out the champagne, Singapore!: An exuberant celebration of the nation's 50th birthday. Marshall Cavendish Editions, 2014.

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19

Heidt, Erhard U. Mass media, cultural tradition, and national identity: The case of Singapore and its television programmes. Breitenbach, 1987.

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20

Yen, Chʻing-huang. A social history of the Chinese in Singapore and Malaya, 1800-1911. Oxford University Press, 1986.

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21

Lab, Asia Urban, ed. Architecture art identity in Singapore: Is there life after tabula rasa? Asian Urban Lab, 2004.

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22

Culture shock!. Marshall Cavendish, 2006.

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23

Singapore. Graphic Arts Center Pub., 2004.

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24

Keng, Kau Ah, Tambyah Siok Kuan, Tan Soo Jiuan, and Jung Kwon. Understanding Singaporeans: Values, Lifestyles, Aspirations And Consumption Behaviors. World Scientific Publishing Company, 2004.

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25

Craig, JoAnn. Culture Shock! Singapore: Singapore (Culture Shock! Guides). Graphic Arts Center Publishing Company, 2002.

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26

Craig, JoAnn. Culture Shock! Singapore: Survive and Succeed in Singapore. Graphic Arts Center Publishing Company, 2007.

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27

Craig, JoAnn. Culture Shock!: Singapore (Culture Shock Series). Graphic Arts Center Pub Co, 1992.

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28

Craig, JoAnn. Culture Shock! Singapore (Culture Shock!). Kuperard, 2000.

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29

Koh, Buck Song. Brand Singapore: Nation Branding in a World Disrupted by Covid-19. Marshall Cavendish International (Asia) Private Limited, 2021.

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30

Brand Singapore: How nation branding built Asia's leading global city. Marshall Cavendish Business, 2011.

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31

Yew, Leong. Asianism and the Politics of Regional Consciousness in Singapore. Taylor & Francis Group, 2013.

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32

Yew, Leong. Asianism and the Politics of Regional Consciousness in Singapore. Taylor & Francis Group, 2017.

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33

Yew, Leong. Asianism and the Politics of Regional Consciousness in Singapore. Taylor & Francis Group, 2013.

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34

Yew, Leong. Asianism and the Politics of Regional Consciousness in Singapore. Taylor & Francis Group, 2013.

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35

Yew, Leong. Asianism and the Politics of Regional Consciousness in Singapore. Taylor & Francis Group, 2013.

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36

Asianism and the Politics of Regional Consciousness in Singapore. Taylor & Francis Group, 2013.

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37

Huang, Alexa. ‘It is the East’. Edited by Michael Neill and David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.54.

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Shakespearean tragedies have played an important part in modern and contemporary East Asian engagements with Western cultures. Japanese, Korean, Chinese, and Singaporean translations, rewritings, films, and theatre productions have three important shared characteristics, namely hybridization of genres, intra-regional and trans-historical allusions, and spirituality. These adaptations tend to present the plays in hybrid performative genres, sometimes turning tragedy into comedy or parody. These adaptations are also informed by intra-regional borrowing and allusions that matter to each separate
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38

Brand Singapore: Nation Branding after Lee Kuan Yew, in a Divisive World. Marshall Cavendish, 2017.

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39

Nasir, Kamaludeen Mohamed, and Humairah Zainal. Primordial Modernity of Malay Nationality: Contemporary Identity in Malaysia and Singapore. Taylor & Francis Group, 2021.

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40

Nasir, Kamaludeen Mohamed, and Humairah Zainal. Primordial Modernity of Malay Nationality: Contemporary Identity in Malaysia and Singapore. Taylor & Francis Group, 2021.

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41

Primordial Modernity of Malay Nationality: Contemporary Identity in Malaysia and Singapore. Taylor & Francis Group, 2023.

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