Relevant bibliographies by topics / Singers, Indic

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Singers, Indic'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Singers, Indic.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Singers, Indic"

1

Sharma, Vasudha, Srikanth Nayak, and Usha Devadas. "A survey of vocal health in church choir singers." European Archives of Oto-Rhino-Laryngology 278, no. 8 (April 10, 2021): 2907–17. http://dx.doi.org/10.1007/s00405-021-06770-0.

Full text
Abstract:
Abstract Purpose Choir singing is an important tradition of Christian worship across India. However, vocal health issues related to the church choir singers are less addressed in the literature. Hence, this study aimed to investigate the prevalence of vocal symptoms, identify the variables associated with increased risk of voice problems and knowledge of factors influencing vocal health in church choir singers. Method One hundred and forty-eight church choir singers (61 males and 85 females) between the age range of 18 and 70 years participated in the study. They completed a self-reported questionnaire addressing demographic and singing-related details, vocal symptoms, variables associated with increased risk reporting voice problems and knowledge about factors influencing vocal health. Result Eighty-four percent of the choir singers reported two or more vocal symptoms sometimes or more frequently while or after singing. More than half of the church choir singers had experienced vocal symptoms such as accessing notes in the upper range, loss of vocal endurance, pitch breaks, hoarseness, dryness in the throat, and discomfort in the throat. Among the different variables, systemic hydration found to have a significant association with reporting of voice problems in church choir singers. The overall knowledge regarding the factors influencing vocal health was found to be limited among the choir singers. Conclusion Choir singers like other professional singers experienced a higher prevalence of vocal symptoms during or after singing and exhibited limited knowledge about factors that negatively influence vocal health. Hence, there is a need to look into these singer’s vocal requirements, who usually go unnoticed.
APA, Harvard, Vancouver, ISO, and other styles
2

KUMAR, RAJESH, SHAILESH PANDEY, RAJA R. RISHI, and KRISHNA GIRI. "Macrolepiota procera (Scop.) Singer (Agaricomycetes) – a new generic record of edible mushroom for Nagaland, Northeast India." Asian Journal of Agriculture 1, no. 01 (May 15, 2017): 6–8. http://dx.doi.org/10.13057/asianjagric/g010102.

Full text
Abstract:
Kumar R, Pandey S, Rishi RR, Giri K. 2017. Macrolepiota procera (Scop.) Singer (Agaricomycetes) - a new generic record of edible mushroom for Nagaland, Northeast India. Asian J Agric 1: 6-8. In August 2013, an interesting mushroom was collected from the Puliebzie forest range in Kohima District of Nagaland state of India. The mushroom was identified as Macrolepiota procera (Scop.) Singer based on the macroscopic and microscopic characters.
APA, Harvard, Vancouver, ISO, and other styles
3

Landauer, Carl. "Passage from India: Nagendra Singh’s India and international law." Indian Journal of International Law 56, no. 3-4 (December 2016): 265–305. http://dx.doi.org/10.1007/s40901-017-0057-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Ardiyono, Yoppy. "Perkembangan Motif Sineas Film Indie dalam Menghadapi Industri Film Mainstream." Jurnal The Messenger 7, no. 1 (March 24, 2016): 9. http://dx.doi.org/10.26623/themessenger.v7i1.284.

Full text
Abstract:
<em>The research aims to review to review determine the effect and its impact raised by motive - a motive the ada in the hearts period travel time history of film short against cinematographer-filmmaker as principal especially filmmakers left path (indie). The used platform theory research hearts singer adopts from theory commodification media vincent mosco. Singer helped shift theory understanding the motive filmmakers working hearts differences fundamental basis of political pressure economic happens under with demands regime. The method used is descriptive qualitative research methods. Data collection techniques through observation of the environment of an independent film live and in-depth interviews with speakers including mr. Yang prayer orangutan direct contact 'with realm of research. Coupled with study to review the literature references adding insight research. And that was concluded change appears motif among indie film cinematographer it is true the situation is closely linked to the mainstream industry, konstilasi politics, and the orientation of capitalism. Necessary their one thing is clear and systematic regulation from the government to the future movement of currents sidestream (indie) more with good operates professionally arranged, the air so that the contribution of indie cinema film land for progress can feels good to yourself indie filmmakers as well as those of its main industries.</em>
APA, Harvard, Vancouver, ISO, and other styles
5

Sachdeva Jha, Shweta. "Eurasian Women as Tawa'if Singers and Recording Artists: Entertainment and Identity-making in Colonial India." African and Asian Studies 8, no. 3 (2009): 268–87. http://dx.doi.org/10.1163/156921009x458118.

Full text
Abstract:
Abstract Scholarship on Eurasians has often addressed issues of migration, collective identity and debates around home. Women performers however do not find themselves discussed in these histories of Eurasian peoples in India. This paper aims to account for individual agency in shaping one's identity within the meta-narratives of collective identity of migrant peoples. I focus on two Eurasian women entertainers in the colonial cities of Benares and Calcutta who chose to forget their mixed-race past to fashion successful careers using new identities as tawa'if singers and actors in the late nineteenth and early twentieth centuries. This, I shall argue, was possible within the wider context of emergent colonial modernities in colonial India. By choosing micro-level case histories of these celebrity entertainers, I want to argue for including popular culture as an arena of identity-making within histories of migration and gender. To engage with popular culture, I shall extend our perception of historical 'archive' to include a varied set of materials such as biographical anecdotes, discographies, songbooks, and address the fields of poetry, music and history. Through this project I hope to rethink ideas of gender, culture and agency within wider debates of migration and identity-making.
APA, Harvard, Vancouver, ISO, and other styles
6

Khan, Qaisar, and Muhammad Ramzan Pahore. "Ideology and Representation of the Nation: Aggressor and Transgressor in Film Sarfarosh." Progressive Research Journal of Arts & Humanities (PRJAH) 2, no. 1 (March 19, 2021): 79–94. http://dx.doi.org/10.51872/prjah.vol2.iss1.25.

Full text
Abstract:
This paper analyses the narrative of Bollywood film Sarfarosh which portrays the ethnic, cultural and religious issues between majority Hindu-minority and Muslim communities in India with projection of identifying politics between India and Pakistan. Further, it t reveals that Pakistan army constitutes spies who are behind the plot of cross border terrorism and supplies of arms through their local agents in the Indian state of Rajasthan. The agents and their activities are projected as the machineries that are firmly responsible for a series of havocs and killings of innocent people in the most of cities and towns within their reach. Through crafting the notions of national (in) securities, the film picks up an Urdu Ghazal singer, the Pakistani who migrated from Rajasthan during the partition of the subcontinent in 1947. The singer as a metaphor of terrorism often sings Ghazals among Indian dignitaries in the front of his weaponry smuggling to India. The paper finds out that the historical traumatic event of partition is used for posing the Muslim minorities, „Other? as cultural methodological device, whereas Pakistanis understood as extremely dangerous enemy of the Indian nation. The identity politics of the film results the conflicting ideologies of Hinduism and Islam. This is due to the cultural industry?s ideological apparatus for making strategies to manage and maximize the profits by seeking wider audiences through its well- established capitalist system. Bollywood cinematic apparatus should be cautious of essentialist form of nationalist narratives and the post partition conflicts should be avoided for authentic peaceful culturalsocial relationships between India and Pakistan.
APA, Harvard, Vancouver, ISO, and other styles
7

Khan, Dominique-Sila. "The Kāmaḍ of Rajasthan — Priests of a Forgotten Tradition." Journal of the Royal Asiatic Society 6, no. 1 (April 1996): 29–56. http://dx.doi.org/10.1017/s1356186300014759.

Full text
Abstract:
In Rajasthan, one of the north-western states of India, whoever has heard of the Kāmaḍ (or Kāmaḍiyā) would define them as wandering minstrels or jugglers, singing hymns in praise of Bābā Rāmdeo, a famous saint from Mārwāṛ, whose footprints they worship. Most people could not say much more about this community of religious singers who, since Independence, have been listed among the “scheduled castes”. In any case, everybody seems to be aware of their connection with Rāmdeo, a famous folk deity, also popular in Gujarat and Madhya Pradesh, now venerated by devotees of all castes and creeds, but mostly by Hindus, as an avatār of Vishnu-Krishna.
APA, Harvard, Vancouver, ISO, and other styles
8

Afzal-Khan, Fawzia. "Roshan Ara Begum: Performing Classical Music, Gender, and Muslim Nationalism in Pakistan." TDR/The Drama Review 62, no. 4 (December 2018): 8–22. http://dx.doi.org/10.1162/dram_a_00790.

Full text
Abstract:
The imbrication of issues of nation, class, gender, and religion necessitates a critical revision of the so-called secular postcolonial modernity embraced by Indian nationalists, including musicologists. The life and struggle of Roshan Ara Begum — Pakistan’s first and, to date, arguably greatest singer of classical music — is an instructive example of the complex intertwining of agency, resistance, and resignation in Muslim-identified Pakistan and Hindu-identified India.
APA, Harvard, Vancouver, ISO, and other styles
9

WILLIAMS, RICHARD DAVID. "Songs between cities: listening to courtesans in colonial north India." Journal of the Royal Asiatic Society 27, no. 4 (September 26, 2017): 591–610. http://dx.doi.org/10.1017/s1356186317000311.

Full text
Abstract:
AbstractIn the aftermath of 1857, urban spaces and cultural practices were transformed and contested. Regional royal capitals became nodes in a new colonial geography, and the earlier regimes that had built them were recast as decadent and corrupt societies. Demolitions and new infrastructures aside, this transformation was also felt at the level of manners, sexual mores, language politics, and the performing arts. This article explores this transformation with a focus on women's language, female singers and dancers, and the men who continued to value their literary and musical skills. While dancing girls and courtesans were degraded by policy-makers and vernacular journalists alike, their Urdu compositions continued to be circulated, published, and discussed. Collections of women's biographies and lyrics gesture to the importance of embodied practices in cultivating emotional positions. This cultivation was valued in late Mughal elite society, and continued to resonate for emotional communities of connoisseurs, listeners, and readers, even as they navigated the expectations and sensibilities of colonial society.
APA, Harvard, Vancouver, ISO, and other styles
10

Phillips-Hutton, Ariana. "Private words, public emotions: performing confession in indie music." Popular Music 37, no. 3 (September 12, 2018): 329–50. http://dx.doi.org/10.1017/s0261143018000387.

Full text
Abstract:
AbstractThis essay examines the work of singer-songwriter William Fitzsimmons as an example of how confessional performance is constructed within indie music. I contend that both audiences and artists participate in a discourse that draws on narratives of personal communication, intimacy and authenticity in order to create a distinctively confessional aesthetic. This aesthetic orientation is then reflected in performances that are framed as autobiographical and truth-telling. After surveying aspects of indie music that contribute to the formation of this aesthetic, I trace the implications of performed confession through an exploration of the sonic, visual and relational characteristics of Fitzsimmons's performances from his 2008 albumThe Sparrow and the Crow.By examining how artist and audience construct the confessional, I suggest a new perspective on how the confessional trope operates in indie music.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Singers, Indic"

1

Hadj, Tahar Abdallah. "Effets d'un traitement subchronique au KW-6002, un nouvel antagoniste des recepteurs, adénosinergiques A¦2[indice]A, administré à des singes MPTP dyskinetiques à la levodopa." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq25604.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Huang, Andrew, and 黃執虔. "Taiwan Indie Music in the Social Media Era: an Empirical Investigation of How Taiwan Indie Singers Balance Creating, Entrepreneurship and Self-Promotion." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/27qpn6.

Full text
Abstract:
碩士
國立政治大學
國際傳播英語碩士學位學程(IMICS)
106
This thesis investigates the mechanism of Taiwan's independent music sector and how Taiwanese independent musicians operate in the era of social media. Departing from an interest in the nature of independent music and the interactions between artist, audience and the market, I conduct in-depth interviews with 20 music professionals from the industry (including singers and behind-the-scene personnel) to derive multi-perspective observation about the various stages of production chain of Taiwan’s independent music. The data is analyzed and discussed in details with the following themes: artist segmentation and positioning, music release and distribution, Facebook music promotion, live performance, storytelling, creating versus self-promotion, what they perceive as the “indie music spirit,” and finally what is the typical indie music career pattern. This research concludes that, in the realm of independent music publishing, veritable talent is the prerequisite to establishing a career. While digital music production and social media democratized the cost of music making and provides publicity access to everyone, the amount of time and expertise required for managing social media constraint indie singers so that only very few reach mainstream recognition through self-promotion in social media. However, many indie singers perceive their career goals as sharing stories through music rather than using music as means to reach fame and fortune.
APA, Harvard, Vancouver, ISO, and other styles
3

Layton, Myrna June. "Illusion and reality : playback singers of Bollywood and Hollywood." Thesis, 2014. http://hdl.handle.net/10500/13240.

Full text
Abstract:
Text in English
India’s film production industry, referred to commonly as Bollywood, and the film production industry of America, referred to as Hollywood, have created a large number of musical films since sound was introduced into motion pictures. Both create fictional stories—illusions, if you will—through the use of prerecorded sound and playback technology coupled with lip-synching interpolated onto filmed images. While studies exist that treat the music of both production centres, there is very little research that compares both, and very little research on playback singers. Playback singers in both Bollywood and Hollywood may or may not be the actors who are seen on the screen; however, people in the Bollywood system—its directors, producers, creators, as well as the journalists who write about it—are very open about this practice, and playback singing is a highly respected career. Conversely, in the Hollywood system, playback singing that is done by an individual other than the on-screen actor remains uncredited or under-credited, and those who do the work are just hired workers; they are not respected as artists in the same way that their Bollywood counterparts are. I believe this difference has a cultural basis, shaped by variation in the way that illusion and reality are expressed by film production staff and interpreted by audiences in the two cultures. Through primary and secondary research, this project seeks to discover the differences and to understand how cultural implications of illusion and reality affect the playback singers in both film centres.
Art History, Visual Arts & Musicology
D. Litt et Phil. (Musicology)
APA, Harvard, Vancouver, ISO, and other styles
4

Wu, Chia-Ching, and 吳家慶. "A study of the influences of the intersection set characteristics across brand communities on human brand loyalty --The examples of indie music singers." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/27993776108893882699.

Full text
Abstract:
碩士
淡江大學
國際貿易學系國際企業學碩士班
97
The independent record companies in the number of award-winning has increased year by year since 2003. It shows that the rise of independent music has been a growing wave. The various loyal fans become the most valuable assets of independent singer. What are their considerations when they support their own favorite independent singer. Whether the helps of other fans will strengthen the loyalty of fans as the theory is said, it needs to be clarified. In this paper, we adopted the qualitative research in in-depth interview to collect the text information on relevant experience of independent music fans, and selected Hermeneutics to interpret the exploratory study. Research finding is that presence or absence of oppositional loyalty mainly from the characteristics of singer and music type. In a similar belief system, derived from the characteristics of singer higher than that derived from the music type; in contrast; belief in the non-similar system, the oppositional loyalty derived from the type of music more than derived from the characteristics of singer. By the difference level between two groups, Independent music artists can improve oppositional loyalty with providing different information by their brand community. At beginning, we only consider the social interaction among fans. With Hermeneutics, we find the dimensions of interaction not only horizontal interaction among fans but also vertical interaction. Interactions Include among fans and among celebrities, it will affect the perceptions of fans to other independent singer indirectly. Fans will strengthen the level of the preference for other singers. Such interpretation of the result can be used as a point of view of the future theory building.
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Singers, Indic"

1

Veena Dhanammal: The making of a legend. New Delhi: Rotledge, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Subramanian, Lakshmi. Veena Dhanammal: The making of a legend. New Delhi: Rotledge, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

1946-, Gold Ann Grodzins, ed. A carnival of parting: The tales of King Bharthari and King Gopi Chand as sung and told by Madhu Natisar Nath of Ghatiyali, Rajasthan. Berkeley: University of California Press, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

The music room. New Delhi: Random House India, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

The music room: A memoir. St. Martin's Press: Thomas Dunne Books, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Nevile, Pran. Nautch girls of India: Dancers, singers, playmates. Paris: Ravi Kumar Publisher, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Khushwant Singh's joke book. New Delhi: Orient Paperbacks, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Singh, Mohan. Mohan Singh's Waqai-Holkar. Jaipur: Publication Scheme, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Khushwant Singh's big fat joke book. New Delhi: Penguin Books in association with Vision Books, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Bhīmāṇī, Harīśa. Latā Dīdī: Ajība dāstām̐ hai ye-. Nayī Dillī: Vāṇī Prakāśana, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Singers, Indic"

1

"Indice." In Monte Singar, edited by Samuele Giamil, 3–4. Piscataway, NJ, USA: Gorgias Press, 2012. http://dx.doi.org/10.31826/9781463225315-toc.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Das, Samir Kumar. "Singur." In India Migration Report 2017, 29–45. Routledge India, 2018. http://dx.doi.org/10.4324/9781351188753-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Coleman, Claire. "Indie folk’s bowerbirds: Nostalgia and contemporary singer-songwriters." In The Singer-Songwriter Handbook. Bloomsbury Academic, 2017. http://dx.doi.org/10.5040/9781501396595.ch-016.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

McHugh, Kathleen A. "Miranda July and the New Twenty-first-century Indie." In Indie Reframed. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474403924.003.0015.

Full text
Abstract:
This chapter singles out the brilliant, idiosyncratic multi-mediary work of Miranda July as exemplary of American independent cinema as it currently stands. Defining the latter in terms of the emerging indie culture of the twenty-first century’s second decade, McHugh argues that July’s oeuvre reframes the masculinist rhetoric that has dominated the discussion until now. Manifesting itself communally, through informal networks rather than through self-stylisation, July’s creative work is collaborative, improvisational, and distributed across a broad range of platforms including, besides film and video, writing, acting, performance and conceptual art, all of which are represented in her two feature films Me and You and Everyone We Know (2005) and The Future (2011).
APA, Harvard, Vancouver, ISO, and other styles
5

Bannister, Matthew. "The singer or the song? Homosociality, genre and gender." In White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock, 91–110. Routledge, 2017. http://dx.doi.org/10.4324/9781351218023-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

"Land Grabs and Protests from Wukan to Singur." In Governing the Urban in China and India, 35–55. Princeton University Press, 2020. http://dx.doi.org/10.2307/j.ctvtxw2r1.9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Ren, Xuefei. "Land Grabs and Protests From Wukan to Singur." In Governing the Urban in China and India, 35–55. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691203393.003.0003.

Full text
Abstract:
This chapter examines the territorial and associational forms of governance through the case of land acquisition and citizens' protests. It talks about the rural protesters at Wukan in China that targeted the bottom-level village authorities and made strong claims of land ownership. It also looks at the case in India where rural protesters at Singur targeted the regional state government and investigates the success of their resistance that depended not on land ownership claims but on the intervention of political parties. The chapter discusses rural collective land ownership that lent a strong territorial logic to the residents' mobilization in Wukan. It also analyzes the involvement of political parties that marked the associational character of mobilizations in Singur.
APA, Harvard, Vancouver, ISO, and other styles
8

"3. Land Grabs and Protests from Wukan to Singur." In Governing the Urban in China and India, 35–55. Princeton University Press, 2020. http://dx.doi.org/10.1515/9780691203416-005.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

"Beyond Clientelism: Digvijay Singh’s Participatory, Pro-Poor Strategy in Madhya Pradesh: James Manor." In Power and Influence in India, 224–44. Routledge India, 2012. http://dx.doi.org/10.4324/9780203085417-16.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

"Who Are Better: The Singers of Persia, India, or Byzantium [fols. 53b–54a; ZY 62]." In Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān, 136. BRILL, 2021. http://dx.doi.org/10.1163/9789004465497_051.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Singers, Indic"

1

Ali, Syed Abbas, Aisha Siddiqui, Tahura Fatima, and Javeria Barkat. "Comparative analysis of melodic pattern matching techniques for performance evaluation of singer." In 2014 IEEE 17th International Multi-Topic Conference (INMIC). IEEE, 2014. http://dx.doi.org/10.1109/inmic.2014.7097337.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Kamal, Abhishek, Gagan Chandra Das, Vinayak Kulkarni, and Niranjan Sahoo. "Comparative Study of Force Prediction Techniques Using Multi Component Accelerometer Force Balance for High Enthalpy Ground Testing." In ASME 2019 Gas Turbine India Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/gtindia2019-2666.

Full text
Abstract:
Abstract Large wave drag and high surface heating are the major concerns of hypersonic flows. Hence, development of force measurement technique or prediction of force has always remained a promising research topic in this field. Present studies also deal with force prediction techniques and force balance calibration methodology for ground testing in an impulse test facility. A blunt double cone model is fabricated along with a three component accelerometer force balance. Impulse hammer hits are made on different locations of this test model. In these calibration experiments, the applied impulse and acceleration responses from three accelerometers are recorded. These calibration tests are repeated multiple times to apply hammer hits of different magnitude. All the input and corresponding output singles are then processed first to arrive at the impulse response function or correlation between input and outputs. Then the force recovery techniques are applied to recover the axial and normal forces generated during application of one of the calibration forces. The experimentally recovered force signals from different techniques are compared and then the accuracy of these predictions is estimated using different error estimation techniques. Such studies are found essential not only in defining the most accurate force prediction technique but also in understanding the time required for prediction by a particular technique. Additionally, such studies essentially helps to improve a force prediction algorithm.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Singers, Indic' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography