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Books on the topic 'Singers, Indic'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Veena Dhanammal: The making of a legend. New Delhi: Rotledge, 2009.

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2

Subramanian, Lakshmi. Veena Dhanammal: The making of a legend. New Delhi: Rotledge, 2009.

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3

1946-, Gold Ann Grodzins, ed. A carnival of parting: The tales of King Bharthari and King Gopi Chand as sung and told by Madhu Natisar Nath of Ghatiyali, Rajasthan. Berkeley: University of California Press, 1992.

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4

The music room. New Delhi: Random House India, 2007.

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5

The music room: A memoir. St. Martin's Press: Thomas Dunne Books, 2009.

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6

Nevile, Pran. Nautch girls of India: Dancers, singers, playmates. Paris: Ravi Kumar Publisher, 1996.

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7

Khushwant Singh's joke book. New Delhi: Orient Paperbacks, 1987.

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8

Singh, Mohan. Mohan Singh's Waqai-Holkar. Jaipur: Publication Scheme, 1998.

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9

Khushwant Singh's big fat joke book. New Delhi: Penguin Books in association with Vision Books, 2000.

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10

Bhīmāṇī, Harīśa. Latā Dīdī: Ajība dāstām̐ hai ye-. Nayī Dillī: Vāṇī Prakāśana, 2009.

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11

Bhimani, Harish. Latā dīdī, ajība dāstām̐ hai ye--. Nayī Dillī: Vāṇī Prakāśana, 2009.

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12

Bhimani, Harish. Latā dīdī, ajība dāstām̐ hai ye--. Nayī Dillī: Vāṇī Prakāśana, 2009.

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13

Atahualpa Yupanqui: Indio, criollo y vasco. Tafalla nafarroa: Txalaparta, 2015.

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14

Hoeber, Rudolph Susanne, Rudolph Lloyd I, and Kānotā Mohanasiṃha, eds. Reversing the gaze: Amar Singh's diary, a colonial subject's narrative of Imperial India. 2nd ed. New Delhi: Oxford University Press, 2011.

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15

Hoeber, Rudolph Susanne, Rudolph Lloyd I, Kānotā Mohanasiṃha, and American Institute of Indian Studies., eds. Reversing the gaze: Amar Singh's diary, a colonial subject's narrative of Imperial India. New Delhi: Oxford University Press, 2000.

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16

Singh, Amar. Reversing the gaze: Amar Singh's diary : a colonial subject's narrative of imperial India. Boulder, Colo: Westview Press, 2002., 2002.

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17

Aruṇ, Roni. Erik Ojhēriyo thakānātllo jhujāri. Maṅgḷūr: Māṇḍ Sōbhāṇ, 2015.

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18

Rāvata, Amara Siṃha. Reversing the gaze: Amar Singh's diary, a colonial subject's narrative of Imperial India. Boulder, Colo: Westview Press, 2002.

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19

Samākhya, Aruṇōdaya Sāhitī Sāṃskr̥tika. Prajā kaḷāraṅga mahā śikharaṃ kāmrēḍ Kānūri Veṅkaṭēśvararāvu: Anubhavālu-jñāpakālu-viślēṣaṇalu = Praja kalaranga maha sikharam Kanuri Venkateswara Rao. Hyderabad: Aruṇōdaya Sāṃskr̥tika Samākhya, 2015.

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20

Em, Cuntaram Pi. M. Balamuralikrshna, splendour of swaras: An authorised biography. New Delhi: Siddhi Books, 1996.

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21

Canda, Sudhīra. Śāntiniketanāẏana. Kalakātā: Pyāpirāsa, 2010.

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22

Copyright Paperback Collection (Library of Congress), ed. Ragtime in Simla. New York: Bantam Dell, 2004.

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23

Ragtime in Simla. New York: Carroll & Graf, 2003.

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24

Ragtime in Simla. New York: Delta Trade Paperbacks, 2006.

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25

Salman, Rushdie. The ground beneath her feet: A novel. 2nd ed. Toronto: Vintage Canada, 2000.

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26

Salman, Rushdie. The ground beneath her feet: A novel. New York: Picador USA/Henry Holt and Co., 2000.

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27

Salman, Rushdie. The ground beneath her feet: A novel. New York: Henry Holt, 1999.

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28

Rushdie, Salman. The ground beneath her feet: A novel. London: Quality Paperbacks Direct, 1999.

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29

Salman, Rushdie. The ground beneath her feet. Thorndike, Me: G.K. Hall, 1999.

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30

Salman, Rushdie. The ground beneath her feet: A novel. Toronto: Alfred A. Knopf Canada, 1999.

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31

Salman, Rushdie. Zem pod jejíma nohama. Praha: Paseka, 2001.

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32

Salman, Rushdie. The ground beneath her feet. London: Jonathan Cape, 1999.

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33

1966-, Friedrichs Horst A., ed. Saints and singers: Sufi music in the Indus Valley. Oxford University Press, 2014.

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34

Vivek Singh's Indian Festival Feasts. Absolute Press, 2017.

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35

Verma, Rajinder Singh. Singer Saints of India. Sterling Pub Private Ltd, 1996.

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36

1925-, Bhargava G. S., ed. Perestroika in India: V.P. Singh's prime ministership. New Delhi: Gian Pub. House, 1990.

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37

Mangesakara-Khadikara, Mina. Mothi Tici Savali. Parchure Prakashan Mandir, 2018.

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38

Bhimsen Joshi, My Father. Oxford University Press, 2016.

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39

Gana gandharva: Pi. Kalinga Rav kurita lekhanagalu. Bengaluru: Kannada mattu Samskrti Ilakhe, 2010.

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40

Marovich, Robert M. “Move On Up a Little Higher”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039102.003.0011.

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This chapter focuses on the explosion of gospel music recording in Chicago during the 1940s. One of the first Chicago gospel singers to record for an indie label in the immediate postwar period was Brother John Sellers. Meanwhile, his mentor, Mahalia Jackson, recorded the song “Move on Up a Little Higher,” for Apollo Records. This chapter examines some of the recordings made by Chicago gospel artists for Apollo Records, including the Roberta Martin Singers' “Old Ship of Zion,” as well as those by independent Chicago-based record companies like Hy-Tone Records. It also discusses the recordings of Rev. John Branham and the St. Paul Echoes of Eden Choir, Sallie Martin, and Louis Henry Ford and the St. Paul Church of God in Christ Choir. Finally, it considers the broadcasts of the Greater Harvest Baptist Church and the Forty-Fourth Street Baptist Church; the 1948 National Baptist Music Convention held in Houston, Texas; the Argo Singers; and gospel singing during the Religious Festival of Song, part of Chicago's annual Bud Billiken Parade.

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41

Her majestic voice: South Indian female playback singers and stardom, 1945-1955. 2016.

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42

Mobilizing India: Women, Music, and Migration between India and Trinidad. Duke University Press, 2006.

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43

India (The Divas). Pocket, 2008.

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44

Grewal, J. S. Master Tara Singh’s Rise into Pre-eminence. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199467099.003.0007.

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In the first elections to the SGPC (Central Board) Kharak Singh and Master Tara Singh were elected President and Vice-President. Most of the meetings of the SGPC from 1926 to 1929 were presided over by Master Tara Singh, and a number of important resolutions were passed. He played a leading role in the Akali agitation against the Maharaja of Patiala, and in mobilizing Sikh opinion against the recommendations of the Motilal Nehru Committee which were unjust to the Sikhs. Eventually, the Congress passed a resolution at its annual session at Lahore in 1929 that no constitution for India would be finalized without the consent of the Sikhs. Master Tara Singh decided to work with the Congress, but Kharak Singh decided to boycott it. Elected President of the SGPC in 1930, Master Tara Singh replaced Kharak Singh as the topmost leader of the Akalis.

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45

Singh, Amar. Reversing the Gaze: Amar Singh's Diary, A Colonial Subject's Narrative of Imperial India (Oxford India Paperbacks). Oxford University Press, USA, 2005.

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46

Indie hits, 1980 to 1989: The complete U.K. independent charts (singles & albums). London: Cherry Red Books, 1997.

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47

Grewal, J. S. Master Tara Singh in Indian History. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199467099.001.0001.

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This is the first comprehensive study of Master Tara Singh (1885–1967), placed in the wider context of Indian history. It is based on a large volume and variety of source materials in English and Punjabi, revealing many new facts, ideas, and perspectives, and questioning several assumptions. The book is divided into two parts, the first dealing with Master Tara Singh’s activity in colonial India with special reference to his patriotism and anti-British attitude, and the second part dealing with Master Tara Singh’s pursuit of a unilingual Punjab state, called the Punjabi Suba. What lends unity to the two parts is Master Tara Singh’s politics based on Sikh identity. It was a source of inspiration as well as confrontation with the colonial state and the Congress leadership, particularly Mahatma Gandhi and Jawaharlal Nehru. Master Tara Singh played a key role in the partition of British Punjab and formation of a Punjabi-speaking state which were essentially in consonance with his view of Sikh interests. His vision of the Indian national state was fundamentally different from that of Jawaharlal Nehru and the Congress. Master Tara Singh stood firmly for a large measure of pluralism in free India. This book throws fresh light also on the freedom struggle, the Akali Movement, and the politics of partition.

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48

Shah, Vidya. Jalsa - Indian Women and Their Journeys from the Salon to the Studio. Columbia University Press, 2016.

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49

Indie Hits: The Complete U. K. Independent Charts (Singles and Albums), 1980-1989. Cherry Red Books, 2002.

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50

Nagarajan, Vijaya. Following Lines of Beauty. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780195170825.003.0002.

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This chapter (along with Chapters 1 and 3) introduces the kōlam, a women’s ritual art tradition in Tamil Nadu, and outlines the author’s field research in India. The author found sacred marks not only on the thresholds of homes, businesses, and temples, but also on the foreheads of elephants and on pots and pans. The author relates what she learned from Indian women, a temple singer, a third-gender person, a Muslim student, elephant keepers, an astrologer, and many others. One key person in her research was the choreographer Chandralekha, whose work was deeply influenced by the kōlam. The author learned that men often dismissed the importance of the kōlam. The author recalls that although it was considered unusual for a single woman to travel alone through India as she did, she had only one unnerving encounter, which she describes in detail.

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