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Books on the topic 'Singing Vocal music'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

John, Potter. Vocal authority: Singing style and ideology. New York: Cambridge University Press, 1998.

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2

M, Rogers Nancy, ed. Music for sight singing. 7th ed. Upper Saddle River, N.J: Prentice Hall, 2007.

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3

Courtney, David. Elementary north Indian vocal. 5th ed. Houston, Tex: Sur Sangeet Services, 1995.

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4

Courtney, David. Elementary north Indian vocal. 3rd ed. Houston, TX: Distributed by Sur Sangeet Services, 1992.

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5

J, Beicken Suzanne, ed. Treatise on vocal performance and ornamentation. Cambridge: Cambridge University Press, 2001.

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6

E, Miller Kenneth. Vocal music education: Teaching in the secondary school. Englewood Cliffs, N.J: Prentice Hall, 1988.

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7

Mark, Jordan James, ed. Group vocal technique. Chapel Hill, N.C: Hinshaw Music, 1991.

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8

Shipton, Alyn. Singing. Austin, Tex: Raintree Steck-Vaughn, 1994.

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9

Music Educators National Conference (U.S.), ed. Getting started with vocal improvisation. Reston, VA: MENC, 1999.

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10

Singing in style: A guide to vocal performance practices. Haven and London: Yale University Press, 2006.

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11

Elliott, Martha. Singing in style: A guide to vocal performance practices. New Haven, CT: Yale University Press, 2005.

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12

Dixon, Eustace A. Gospel music: Vocal cords and related issues. Mantua, NJ: Eureka Publications, 1992.

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13

Dixon, Eustace A. Gospel music: Vocal cords and related issues. 2nd ed. Mantua, NJ: Eureka Publications, 1994.

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14

Dayme, Meribeth Bunch. The singing book. 2nd ed. New York: W. W. Norton, 2008.

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15

Dayme, Meribeth Bunch. The singing book. 2nd ed. New York: W. W. Norton, 2008.

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16

Glenn, Paton John, ed. Foundations in singing: A basic textbook in vocal technique and song interpretation. 2nd ed. Dubuque, IA: WCB, 1990.

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17

Glenn, Paton John, ed. Foundations in singing: A basic textbook in vocal technique and song interpretation. 5th ed. Dubuque, IA: WCB, 1990.

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18

Christy, Van Ambrose. Foundations in singing: A basic textbook in vocal technique and song interpretation. 6th ed. Madison, WI: Brown & Benchmark, 1997.

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19

Mark, Jordan James, ed. Group vocal technique: The vocalise cards. Chapel Hill, N.C: Hinshaw Music, 1992.

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20

R, Bartholomew Douglas, ed. Singing from sound to symbol. Belmont, Calif: Wadsworth, 1999.

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21

The structure of singing: System and artin vocal technique. New York: Schirmer Books, 1986.

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22

The sound of medieval song: Ornamentation and vocal style according to the treatises. Oxford: Clarendon Press, 1998.

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23

Santiago, Abraham J. Acappella street corner vocal groups: A brief history and discography of 1960s singing groups. Glencoe, Ill: Mellow Sound Press, 2006.

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24

Santiago, Abraham J. Acappella street corner vocal groups: A brief history and discography of 1960s singing groups. Glencoe: Mellow Sound Press, 2006.

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25

Singing a Hindu nation: Marathi devotional performance and nationalism. New York: Oxford University Press, 2012.

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26

Hempel, Frieda. My golden age of singing. Portland, Or: Amadeus Press, 1998.

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27

Murray, Dena. Advanced vocal technique: Middle voice, placement & style. Milwaukee, WI: Hal Leonard, 2008.

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28

Austin, Diane. The theory and practice of vocal psychotherapy: Songs of the self. London: Jessica Kingsley Publishers, 2009.

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29

Warner, Jay. American singing groups: A history from 1940s to today. Milwaukee: Hal Leonard Corp., 2006.

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30

Richard, Miller. The structure of singing: System and art in vocal technique. New York: Schirmer Books, 1996.

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31

Miller, Richard. The structure of singing: System and art in vocal technique. New York: Schirmer Books, 1986.

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32

Lyons, Jodie. P.O.P.S: Principles of pop singing. New York: Schirmer Books, 1989.

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33

Clayton, Jay. Sing your story: The art of jazz singing : a practical guide for learning and teaching. [Germany]: Advance Music, 2001.

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34

Coffin, Berton. Coffin's sounds of singing: Principles and applications of vocal techniques with chromatic vowel chart. 2nd ed. Lanham, Md: Scarecrow Press, 2002.

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35

Coffin's sounds of singing: Principles and applications of vocal techniques with chromatic vowel chart. 2nd ed. Metuchen, N.J: Scarecrow Press, 1987.

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36

The performer's voice: Realizing your vocal potential. New York: W.W. Norton, 2005.

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37

Warner, Jay. The Billboard bookof American singing groups: A history, 1940-1990. New York: Billboard Books, 1992.

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38

Zervanos, Lydía. Singing in Greek: A guide to Greek lyric diction and vocal repertoire. Lanham, Md: Rowman & Littlefield, 2015.

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39

Schultz, Anna C. Singing a Hindu nation: Marathi devotional performance and nationalism. New York: Oxford University Press, 2012.

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40

Sheng yue yi shu zhi shi. Beijing: Zhongguo wen lian chu ban gong si, 1986.

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41

Sheng ge qiu dao: Zhongguo sheng yue yi shu de li lun yu shi jian = Shenggeqiudao : Zhongguoshengyueyishudelilunyushijian. Beijing Shi: Wen hua yi shu chu ban she, 2007.

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42

Legge, Anthony. The art of auditioning: A handbook for singers, accompanists and coaches. London: Edition Peters, 2001.

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43

Legge, Anthony. The art of auditioning: A handbook for singers, accompanists and coaches. London: Peters, 2001.

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44

Legge, Anthony. The art of auditioning: A handbook for singers, accompanists and coaches. London: Rhinegold, 1990.

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45

Legge, Anthony. The art of auditioning: A handbook for singers, accompanists and coaches. London: Peters, 2001.

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46

Exploring Twentieth-Century Vocal Music. New York: Oxford University Press, 2007.

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47

Vander Wel, Stephanie. The Singing Voice in Country Music. Edited by Travis D. Stimeling. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190248178.013.25.

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This chapter offers new insights about the musical and cultural significance of singing styles in country music by contextualizing the details of predominant female vocal approaches within the rich and complex history of southern vernacular singing and by considering, the role of the performing body in relation to the singing voice. Specifically, it takes into account the vocal techniques of Loretta Lynn in relation to the musical conventions of honky tonk singing, the physiological and bodily components of vocal production, and the role of microphone and recording technology. With a chest-dominant vocal technique—amplified by the microphone—Lynn has projected a vocal identity of strength and conviction interpreted as the first working-class feminist voice in country music. This chapter demonstrates that singers such as Kitty Wells, Jean Shepard, and Rose Maddox helped to forge a distinct singing style that had a lasting influence on Lynn’s vocal performances.

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48

Voiceworks 2: A Further Handbook for Singing (Voiceworks). Oxford Univ Pr (Sd), 2003.

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49

Vocal Authority: Singing Style and Ideology. Cambridge University Press, 2006.

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50

Coffin, Berton. Coffin's Sounds of Singing. 2nd ed. Scarecrow Pr, 1992.

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