Books: 'Singular models'

1

Griebel, Michael, ed. Singular Phenomena and Scaling in Mathematical Models. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-00786-1.

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2

Gilsinn, David. Updating a turning center error model by singular value decomposition. U.S. Dept. of Commerce, Technology Administration, National Institute of Standards and Technology, 2001.

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3

National Institute of Standards and Technology (U.S.), ed. Singular integrals, image smoothness, and the recovery of texture in image deblurring. U.S. Dept. of Commerce, Technology Administration, National Institute of Standards and Technology, 2003.

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4

Silk, Julian. Maximum likelihood estimation of singular systems of equations: An application to translog cost functions. Dept. of Economics, Bar-Ilan University, 1994.

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5

A, Sobolev V., ed. Kachestvennyĭ analiz singuli͡a︡rno-vozmushchennykh sistem. Akademii͡a︡ nauk SSSR, Sibirskoe otd-nie, In-t matematiki, 1988.

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6

United States. National Aeronautics and Space Administration., ed. Vibration attenuation of the NASA Langley evolutionary structure experiment using H [subscript infinity] and structured singular value [micron] robust multivariable control techniques: Midyear report. National Aeronautics and Space Administration, 1992.

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7

Jameson, Fredric. A singular modernity. Verso, 2012.

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8

(Firm), MS Arquitectos. Luxury architecture: Villas, urban design and singular architecture. Loft, 2013.

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9

Colóquio sobre "O Estatuto do Singular" (2006 Lisbon, Portugal). O estatuto do singular: Estratégias e perspectivas : actas do colóquio. Imprensa Nacional-Casa da Moeda, 2008.

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10

Rivera, Efraim Aragón. Estado, política económica y social en Colombia, 1990-2002: Un modelo singular en América Latina. Universidad Santiago de Cali Editorial, 2008.

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11

Rivera, Efraim Aragón. Estado, política económica y social en Colombia, 1990-2002: Un modelo singular en América Latina. Universidad Santiago de Cali Editorial, 2008.

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12

Museum, Solomon R. Guggenheim. Singular forms (sometimes repeated): Art from 1951 to the present. Guggenheim Museum, 2004.

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13

Heinich, Nathalie. Harald Szeemann: Un cas singulier : entretien. L'Echoppe, 1995.

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14

National Institute of Standards and Technology (U.S.), ed. UPDATING A TURNING CENTER ERROR MODEL BY SINGULAR VALUE DECOMPOSITION... NISTIR 6722... U.S. DEPARTMENT OF COMMERCE. s.n., 2001.

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15

Avery, Milton. Milton Avery: A singular vision : [exhibition], Center for the Fine Arts, Miami. Trustees of the Center for the Fine Arts Association, 1987.

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16

France), Centre Wallonie-Bruxelles (Paris, and Namur (Belgium : Province). Service de la culture, eds. Cobra singulier pluriel: Les oeuvres collectives, 1948-1995. La Renaissance du livre, 1998.

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17

(Auberive, France) Abbaye Notre-Dame. Esprit singulier: Fonds de l'abbaye d'Auberive. Flammarion, 2016.

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18

Melvin, Blake, Purnell Frank, and Museum of Fine Arts, Boston, eds. A singular vision: Works from the Melvin Blake & Frank Purnell Collection at the Museum of Fine Arts, Boston. MFA Publications, 2003.

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19

del, Río García Francisco, ed. Piezas singulares de la colección Cajasol (siglos XVII-XVIII). Cajasol, Obra Social, 2010.

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20

Rennie, Kriston R. The Destruction and Recovery of Monte Cassino, 529-1964. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463729130.

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Between the sixth and twentieth centuries, the Benedictine Abbey of Monte Cassino (est. 529) experienced a cycle of atrocities which forever transformed its identity. This book examines how such a tumultuous history has been constructed, remembered, and represented from the Middle Ages to the present day. It uses this singular and pivotal case to analyse the historical process of remembering and its impact on modern representations of the past. Exactly how Monte Cassino is remembered is distinctive and diagnostic. The abbey is recognizable today as a beacon of western civilization, culture, and learning precisely because of its 'destruction tradition' over fourteen centuries. The Destruction and Recovery of Monte Cassino, 529.1964 asks how the abbey’s fragmented past has been ideologically, politically, and culturally constituted and preserved; how its experience with destruction and suffering . and recovery and rebirth . has become incorporated into a modern narrative of progress and triumph.

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21

Griebel, Michael. Singular Phenomena and Scaling in Mathematical Models. Springer London, Limited, 2013.

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22

Singular Phenomena and Scaling in Mathematical Models. Springer International Publishing AG, 2013.

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23

Griebel, Michael. Singular Phenomena and Scaling in Mathematical Models. Springer, 2016.

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24

Torres, Pedro J. Mathematical Models with Singularities: A Zoo of Singular Creatures. Atlantis Press (Zeger Karssen), 2015.

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25

Torres, Pedro J. Mathematical Models with Singularities: A Zoo of Singular Creatures. We Publish Books, 2015.

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26

Donnelly, D. M. Thinning even-aged forest stands: behavior of singular path solutions in optimal control analyses. 1992.

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27

Bouchaud, Jean-Phillipe, and Marc Potters. Asymptotic singular value distributions in information theory. Edited by Gernot Akemann, Jinho Baik, and Philippe Di Francesco. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198744191.013.41.

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This article examines asymptotic singular value distributions in information theory, with particular emphasis on some of the main applications of random matrices to the capacity of communication channels. Results on the spectrum of random matrices have been adopted in information theory. Furthermore, information theorists, motivated by certain channel models, have obtained a number of new results in random matrix theory (RMT). Most of those results are related to the asymptotic distribution of the (square of) the singular values of certain random matrices that model data communication channels. The article first provides an overview of three transforms that are useful in expressing the asymptotic spectrum results — Stieltjes transform, η-transform, and Shannon transform — before discussing the main results on the limit of the empirical distributions of the eigenvalues of various random matrices of interest in information theory.

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28

Cristina Monica Fandiño de Cirilli. La sagrada familia: A singular portrait of womens' [i.e. women's] suffering : the explanatory models of depression in Latin American women. 1998.

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29

Convection Diffusion Problems: An Introduction to Their Analysis and Numerical Solution. American Mathematical Society, 2018.

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30

Singular Modernity. Verso, 2014.

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31

Balmer, Derek, Lambirth, Andrew, Smith, A. C. H. Derek Balmer: A Singular Vision. Sansom & Co, 2012.

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32

Casas singulares. Links, 2007.

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33

LaZella, Andrew T. The Singular Voice of Being. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823284573.001.0001.

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The Singular Voice of Being: John Duns Scotus and Ultimate Difference reconsiders John Duns Scotus’s well-covered theory of the univocity of being in light of his less explored discussions of ultimate difference. Ultimate difference is a notion introduced by Aristotle and known by the Aristotelian tradition, but one that, the book argues, Scotus radically retrofits to buttress his doctrine of univocity. Ultimate difference for Aristotle meant the last difference in a line of specific differences whereby all the preceding differences would be united into a single substance rather than remain a heapish multiplicity. Scotus both broadens and deepens the term such that, in the end, it comes to resemble its Aristotelian ancestor more in name than in substance. This is because Scotus broadens ultimate difference to include not only specific differences, but also intrinsic modes of being (e.g., finite/infinite) and principles of individuation (i.e., haecceitates). Furthermore, he deepens it by divorcing it from anything with categorial classification, such as substantial form. Rather, by linking ultimate difference to primary diversity irreducible to opposition, privation, or contradiction, Scotus responds to the long-standing Parmenidean arguments against the division of being. Differentiation is not a fall from the perfect unity of being. Rather, ultimate difference divides being by perfective determination of this otherwise indifferent concept. The division of being culminates in individuation as the final degree of perfection, which constitutes indivisible (i.e., singular) degrees of being.

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34

Lattman, Eaton E., Thomas D. Grant, and Edward H. Snell. Shape Reconstructions from Small Angle Scattering Data. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199670871.003.0004.

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This chapter discusses recovering shape or structural information from SAXS data. Key to any such process is the ability to generate a calculated intensity from a model, and to compare this curve with the experimental one. Models for the particle scattering density can be approximated as pure homogenenous geometric shapes. More complex particle surfaces can be represented by spherical harmonics or by a set of close-packed beads. Sometimes structural information is known for components of a particle. Rigid body modeling attempts to rotate and translate structures relative to one another, such that the resulting scattering profile calculated from the model agrees with the experimental SAXS data. More advanced hybrid modelling procedures aim to incorporate as much structural information as is available, including modelling protein dynamics. Solutions may not always contain a homogeneous set of particles. A common case is the presence of two or more conformations of a single particle or a mixture of oligomeric species. The method of singular value decomposition can extract scattering for conformationally distinct species.

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35

Murcutt, Glenn. Glenn Murcutt: A Singular Architectural Practice. Images Publishing Dist A/C, 2006.

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36

Portraits, singulier pluriel 1980-1990: Le photographe et son modele. Bibliotheque nationale de France, 1997.

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37

Anderl, Sibylle. Astronomy and Astrophysics. Edited by Paul Humphreys. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199368815.013.45.

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This article looks at the philosophical aspects and questions that modern astrophysical research gives rise to. Other than cosmology, astrophysics particularly deals with understanding phenomena and processes operating at “intermediate” cosmic scales, which has rarely aroused philosophical interest so far. Being confronted with the attribution of antirealism by Ian Hacking because of its observational nature, astrophysics is equipped with a characteristic methodology that can cope with the missing possibility of direct interaction with most objects of research. In its attempt to understand the causal history of singular phenomena, it resembles the historical sciences, while the search for general causal relations with respect to classes of processes or objects can rely on the “cosmic laboratory”: the multitude of different phenomena and environments naturally provided by the universe. Furthermore, the epistemology of astrophysics is strongly based on the use of models and simulations and a complex treatment of large amounts of data.

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38

Estado, política económica y social en Colombia, 1990-2002: Un modelo singular en América Latina. Universidad Santiago de Cali Editorial, 2008.

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39

Singular forms (sometimes repeated): Art from 1951 to the present. 12 Service Battalion Society Museum, 2004.

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40

Kim Lee, Esther, ed. Modern and Contemporary World Drama: Critical and Primary Sources. Bloomsbury Publishing Plc, 2022. http://dx.doi.org/10.5040/9781350121737.

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Bringing together over 80 major critical articles across four volumes, Modern and Contemporary World Drama: Critical and Primary Sources collects scholarly articles, reviews and critical interventions that are indispensable to anyone wishing to gain an understanding of world drama from the past 150 years. Contesting a Eurocentric reading or history of modern drama, the articles underscore the importance of migration and transnational movements of dramatic forms, and place emphasis on the transmission and circulation of dramatic theories around the world. Modern drama is revealed as a worldwide phenomenon in which a diverse array of artists and writers participated and in which modernism is seen to have affected all parts of the world in ways that are much more complex and multi-directional than what has been assumed in Eurocentric models. The four volumes are arranged both thematically and chronologically to give readers a sense of how world modern and contemporary drama began and how it has been studied in the past 150 years. This volume includes essays that describe various beginnings of modern drama. Instead of identifying a singular origin of modern drama with a linear chronology, the volume suggests multidirectional and multidimensional beginnings. The geographical area covered in the volume is extensive, and each essay describes different ways to conceptualize time, chronology, and what would be considered innovative in dramatic writing

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41

Singular examples: Artistic politics and the neo-avant-garde. Northwestern University Press, 2009.

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42

Roca, Josep Gallifa, Salvador Pié Ninot, and Josep Maria Garrell Guiu. La Universitat Ramon Llull: Orígens i evolució del projecte universitari i desenvolupament d’un model singular d’educació superior. Pagès editors, S.L., 2021.

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43

Kim Lee, Esther, ed. Modern and Contemporary World Drama: Critical and Primary Sources. Bloomsbury Publishing Plc, 2022. http://dx.doi.org/10.5040/9781350121751.

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Bringing together over 80 major critical articles across four volumes, Modern and Contemporary World Drama: Critical and Primary Sources collects scholarly articles, reviews and critical interventions that are indispensable to anyone wishing to gain an understanding of world drama from the past 150 years. Contesting a Eurocentric reading or history of modern drama, the articles underscore the importance of migration and transnational movements of dramatic forms, and place emphasis on the transmission and circulation of dramatic theories around the world. Modern drama is revealed as a worldwide phenomenon in which a diverse array of artists and writers participated and in which modernism is seen to have affected all parts of the world in ways that are much more complex and multi-directional than what has been assumed in Eurocentric models. The four volumes are arranged both thematically and chronologically to give readers a sense of how world modern and contemporary drama began and how it has been studied in the past 150 years. This volume includes essays that address theoretical questions of modern and contemporary world drama. In many ways, modern drama around the world began as a theoretical endeavor that questioned the fundamentals of the dramatic form. Like the first volume, the second illustrates an array of studies that challenge a singular interpretation of modern and contemporary drama. Many of the essays provide practical applications of dramatic theories, and all of them situate the core analysis in historically and politically specific contexts, and the volume questions what theory means to lived experiences in the era of globalization.

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44

Marías, Julián. El Curso Del Tiempo, (Libros Singulares (Ls)). Alianza Editorial, 2005.

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45

Marías, Julián. El Curso Del Tiempo, (Libros Singulares (Ls)). Alianza Editorial, 2005.

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46

Schellenberg, Susanna. Fregean Particularism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198827702.003.0005.

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Chapter 4 develops Fregean particularism, thereby providing the details of my account of singular content. Fregean particularism advances a new understanding of singular modes of presentation: perceptual content is constituted by the perceptual capacities employed and the particulars (if any) thereby singled out. These modes of presentation can be individuated at the level of content types and token contents. Perceptions, hallucinations, and illusions with the same phenomenal character are constituted by employing the same perceptual capacities; they thereby share a content type. But the token content of perception, hallucination, and illusion differs at least in part. If one perceives a particular, one employs perceptual capacities that successfully single out that particular. Thereby, the token content is constituted by the particular singled out and thus is singular content. If one fails to single out a particular (perhaps because one is suffering an illusion or hallucination), the token content is gappy.

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47

Matthee, Rudi. Historiographical Reflections on the Eighteenth Century in Iranian History. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190250324.003.0003.

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This chapter seeks to bring some historiographical coherence to the rather chaotic eighteenth century in Iranian history. It suggests that rather than looking at the period in dynastic terms, as a tale of ‘great men’, or as a mere tribal interlude between the seventeenth-century Safavid and the nineteenth-century Qajar dynasties, it is more productive to view it in its own right and suggest three interpretive models for future research on this transitional period: a ‘supranational’ or regional approach, situating Iran in a broader Eurasian framework; a more narrow purview which perceives the country as a singular political and cultural entity, although not necessarily through a nationalist lens; and a regional perspective, in recognition of the fact that Iran at the time was not yet a nation-state but rather a conglomerate of poorly connected and relatively autonomous regional centers.

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48

Kim Lee, Esther, ed. Modern and Contemporary World Drama: Critical and Primary Sources. Bloomsbury Publishing Plc, 2022. http://dx.doi.org/10.5040/9781350121775.

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Bringing together over 80 major critical articles across four volumes, Modern and Contemporary World Drama: Critical and Primary Sources collects scholarly articles, reviews and critical interventions that are indispensable to anyone wishing to gain an understanding of world drama from the past 150 years. Contesting a Eurocentric reading or history of modern drama, the articles underscore the importance of migration and transnational movements of dramatic forms, and place emphasis on the transmission and circulation of dramatic theories around the world. Modern drama is revealed as a worldwide phenomenon in which a diverse array of artists and writers participated and in which modernism is seen to have affected all parts of the world in ways that are much more complex and multi-directional than what has been assumed in Eurocentric models. The four volumes are arranged both thematically and chronologically to give readers a sense of how world modern and contemporary drama began and how it has been studied in the past 150 years. This volume includes themes of migration, exchange, national borders, exile, and diaspora, and the theatrical stage is often used as a laboratory to examine key issues of globalization and displacement. The volume also examines other definitions of "movements," including political and aesthetic movements that have determined the development of modern and contemporary drama. Like the first two volumes, the third volume prioritizes studies that emphasize the complexities of the global and cosmopolitan experience and refuses to arrive at a narrative with a singular or universal perspective.

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49

Onega, Susana, and Jean-Michel Ganteau. Transcending the Postmodern: The Singular Response of Literature to the Transmodern Paradigm. Taylor & Francis Group, 2020.

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50

Onega, Susana, and Jean-Michel Ganteau. Transcending the Postmodern: The Singular Response of Literature to the Transmodern Paradigm. Taylor & Francis Group, 2020.

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Books on the topic 'Singular models'

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