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Dissertations / Theses on the topic 'Sinzig (Germany)'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Sinning, Mathias. "The savings behavior of immigrants in Germany." [Essen] [Rheinisch-Westfälisches Inst. für Wirtschaftsforschung], 2008. http://www.rwi-essen.de/sinning.

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2

Sinning, Mathias [Verfasser]. "The savings behavior of immigrants in Germany / vorgelegt von Mathias Sinning." [Essen] : [Rheinisch-Westfälisches Inst. für Wirtschaftsforschung], 2007. http://d-nb.info/99787466X/34.

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3

Cobb-Jordan, Amy. "The study of English, French, German and Italian techniques of singing related to the female adolescent voice." Thesis, view full-text document, 2001. http://www.library.unt.edu/theses/open/20011/cobb-jordan%5Famy/index.htm.

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4

Brusniak, Friedhelm. "Die "Zentrale Forschungsstelle für Chorwesen im deutschsprachigen Raum (ZFC)"." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-225442.

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Aus Anlaß einer Ausstellung zum 150jährigen Bestehen des Gesang- und Musikvereins Feuchtwangen e.V. wurde die Idee eines "Fränkischen Sängermuseums" aufgegriffen. 1988 erhielt Dr. Friedhelm Brusniak vom Fränkischen Sängerbund (FSB) den Auftrag zur Ausarbeitung eines Konzeptentwurfs, bei dem allerdings der ursprüngliche Plan eines regionalen Museums für die Geschichte des Chorwesens zugunsten einer Wiedererrichtung des ehemaligen Deutschen Sängermuseums (DSM) aufgegeben wurde.

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5

Ophaug, Wencke. "Vowel migration and equalisation in classical singing : a formant-based acoustic and perceptual study of German and Norwegian long vowels in speech and singing /." Oslo : University of Oslo - Unipub, 1999. http://catalogue.bnf.fr/ark:/12148/cb39976822k.

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6

Treganza, Jeffrey. "Professional training of singers and teachers of singing a comparative study of selected vocal performance and pedagogy programs in the United States of America and the Federal Republic of Germany." Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2007. http://d-nb.info/985669837/04.

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7

Brusniak, Friedhelm. "Die "Zentrale Forschungsstelle für Chorwesen im deutschsprachigen Raum (ZFC)": ein Konzeptentwurf." Musikgeschichte in Mittel- und Osteuropa ; 5 (1999), S. 222-226, 1999. https://ul.qucosa.de/id/qucosa%3A15672.

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Aus Anlaß einer Ausstellung zum 150jährigen Bestehen des Gesang- und Musikvereins Feuchtwangen e.V. wurde die Idee eines "Fränkischen Sängermuseums" aufgegriffen. 1988 erhielt Dr. Friedhelm Brusniak vom Fränkischen Sängerbund (FSB) den Auftrag zur Ausarbeitung eines Konzeptentwurfs, bei dem allerdings der ursprüngliche Plan eines regionalen Museums für die Geschichte des Chorwesens zugunsten einer Wiedererrichtung des ehemaligen Deutschen Sängermuseums (DSM) aufgegeben wurde.

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8

Sinnig, Julia [Verfasser], Christoph [Akademischer Betreuer] Burmann, Christoph [Gutachter] Burmann, and Tilo [Gutachter] Halaszovich. "The Role of Origin of Fame in Influencer Branding : a Comparative Analysis of German and Russian Consumers / Julia Sinnig ; Gutachter: Christoph Burmann, Tilo Halaszovich ; Betreuer: Christoph Burmann." Bremen : Staats- und Universitätsbibliothek Bremen, 2019. http://d-nb.info/118624884X/34.

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9

Sinnig, Julia Verfasser], Christoph [Akademischer Betreuer] [Burmann, Christoph [Gutachter] Burmann, and Tilo [Gutachter] Halaszovich. "The Role of Origin of Fame in Influencer Branding : a Comparative Analysis of German and Russian Consumers / Julia Sinnig ; Gutachter: Christoph Burmann, Tilo Halaszovich ; Betreuer: Christoph Burmann." Bremen : Staats- und Universitätsbibliothek Bremen, 2019. http://d-nb.info/118624884X/34.

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10

Salgado, Antonio G. "Vox phenomena : a psycho-philosophical investigation of the perception of emotional meaning in the performance of solo singing (19th century German lied repertoire)." Thesis, University of Sheffield, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.275087.

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11

Mahaney, Cynthia Lynn. "Diction for singers a comprehensive assessment of books and sources /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1148931700.

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12

Christmann, Juliana Damião Gomes. "Processos fonológicos em fronteiras de palavras no Canto Erudito em Alemão." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8144/tde-10082012-190813/.

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O presente trabalho tem por objetivo a análise dos processos fonológicos em fronteiras de palavras que ocorrem na língua alemã cantada. Como corpus, recolhemos gravações de uma ária para voz feminina da ópera Der Freischütz, de Carl Maria Von Weber, interpretada por cantoras alemãs seguindo determinados critérios, e também gravações do texto da ária apenas lido por mulheres cuja língua mãe é o alemão a fim de comparar com o que ocorre na língua falada. Como embasamento teórico, recorremos a estudos de Fonética e Fonologia, Morfologia, interferência lingüística

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13

Rossbach, Roberto Fabiano. "As sociedades de canto da região de Blumenau no início da colonização alemã (1863-1937)." Universidade do Estado de Santa Catarina, 2009. http://tede.udesc.br/handle/handle/1568.

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Made available in DSpace on 2016-12-08T17:06:49Z (GMT). No. of bitstreams: 1 RobertoRossbach.pdf: 3579379 bytes, checksum: e5cda1ba92c0ddbcc926af8f2f1aa8db (MD5) Previous issue date: 2009-12-09<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>At the beginning of the German colonization in the region of Blumenau (SC), one of the main cultural manifestations of the immigrants were the singing societies, consisting of male choirs which sang secular repertoires. The activity of these societies was intense since the first years of the foundation of the Blumenau Colony until the p

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14

Mallett, Ross A. History Australian Defence Force Academy UNSW. "The Interplay between Technology, Tactics and Organisation in the First AIF." Awarded by:University of New South Wales - Australian Defence Force Academy. School of History, 1999. http://handle.unsw.edu.au/1959.4/38710.

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The purpose of this thesis is to investigate the interplay between the technology, tactics and organisation of the First AIF. Warfare in the twentieth warfare is characterised by the presence of certain technologies that give it a distinctive nature and which first appeared in the Great War. It was in the Great War that the highly dispersed form of tactics that we know today emerged. Thus, it is a natural starting point not only for the examination of warfare in the era of technology but for considering the nature of technological change itself. My Australian perspective enabled issues to be

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15

Koch, Ute. "Herstellung und Reproduktion sozialer Grenzen : Roma in einer westdeutschen Großstadt /." Wiesbaden : VS Verl. für Sozialwissenschaften, 2005. http://www.loc.gov/catdir/toc/fy0701/2005474345.html.

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16

Silva, Caiti Hauck da. "Dicção, expressividade e escolhas do regente em obras corais em alemão: discutindo relações entre escritos e gravações." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-23052017-152507/.

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A performance coral requer que o regente faça uma série de escolhas técnicas e interpretativas. Um dos elementos a respeito dos quais o regente faz escolhas é a dicção do texto cantado, visto que a notação musical ocidental não especifica o exato instante de articulação, a duração ou a dinâmica de vogais e consoantes. Manuais de regência coral geralmente discutem a dicção em termos de uniformidade de pronúncia e clareza de enunciação, ou também de sua relação com a homogeneidade do timbre coral e/ou com uma linha legato. Entretanto, são poucos os escritos sobre regência coral que explicitam po

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17

Jevtic, Elizabeta. "Blank Pages of the Holocaust: Gypsies in Yugoslavia During World War II." BYU ScholarsArchive, 2004. http://contentdm.lib.byu.edu/ETD/image/etd463.pdf.

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Thesis (M.A.)--Brigham Young University. Dept. of German and Slavic Languages, 2004.<br>"August 2004." Title taken from PDF title screen (viewed September 11, 2007). Includes bibliographical references (p. 158-163).

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18

Cheippe, Emmanuelle. "La voie musicale pour remédier aux difficultés de prononciation des voyelles de l'allemand dans des textes lus : expérimentation dans une classe bilingue : analyse acoustique." Phd thesis, Université de Strasbourg, 2012. http://tel.archives-ouvertes.fr/tel-00781335.

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Dans cette étude, nous analysons dans quelle mesure l'exploitation d'un chant populaire, pourrait aider les élèves francophones dans la lecture de textes en allemand. L'exercice musical peut-il contribuer à faciliter la prononciation des voyelles de la langue allemande et ainsi permettre de remédier aux nombreuses difficultés mentionnées dans la littérature et repérées en classe ? L'expérimentation décrite ici a été menée dans une classe bilingue de Strasbourg. Vingt élèves d'une même classe ont été répartis en deux groupes. Le premier groupe avait pour objectif l'apprentissage de la chanson "

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19

Blumer, Nadine. "From Victim Hierarchies to Memorial Networks: Berlin’s Holocaust Memorial to Sinti and Roma Victims of National Socialism." Thesis, 2011. http://hdl.handle.net/1807/31694.

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In April 1989, four months after a German citizens’ initiative proposed construction of a central memorial to the Jewish victims of the Holocaust, Romani Rose, chair of the Central Council of German Sinti and Roma, published a petition demanding inclusion of the Sinti and Roma victims into the same memorial. Any other outcome, he wrote, would indicate a “hierarchy of victims” (die Zeit). The Berlin Wall fell seven months later, transforming the political and spatial dimensions of Germany’s commemorative landscape. So began a new phase of contestation – a national memorial project at its centre

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20

Spohn, Elmar 1967. "Zwischen Anpassung, Affinität und Resistenz : eine historische Studie zu evangelischen Glaubens- und Gemeinschaftsmissionen in der Zeit des Nationalsozialismus." Thesis, 2013. http://hdl.handle.net/10500/18533.

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German text<br>Gegenstand dieser Studie ist die historische Erforschung der deutschen Glaubens- und Gemeinschaftsmissionen, modern ausgedrückt der evangelikalen Missionen in der Zeit des Nationalsozialismus. Die bisherige Forschung hatte diesen Themenkomplex vernachlässigt. Diese Studie beschreibt, wie sich diese Missionsgesellschaften im Umfeld des nationalsozialistischen Unrechtsregimes verhielten. Da die Quellenlage problematisch ist, wird anhand der Missionsblätter aufgezeigt, wie die Glaubens- und Gemeinschaftsmissionen zur Machtergreifung Hitlers standen. Dabei kristallisierte sich

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21

Skoupá, Kateřina. "Fenomén lotyšských Svátků písní." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-305692.

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This work deals with Latvian Song Festivals as an important phenomenon in Latvian history which started in Latvia in 1873. Their basis lays in choir singing developed in Latvia on a massive scale in 2nd half of 19th century. The festivals probably continued old tradition of singing - so-called teicamās dziesmas which had a similar structure as modern choirs. The development of choir singing is connected with Herrnhuterian schools and pedagogical colleges. The personality playing an important role in this process was a chief pedagogue in Valmiera Jānis Cimze whose collection Dziesmu rota launch

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