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Journal articles on the topic 'Sir Gawain And The Green Knight'

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1

Breeze, Andrew. "Did Sir John Stanley write Sir Gawain and the Green Knight?" SELIM. Journal of the Spanish Society for Medieval English Language and Literature. 27, no. 1 (2022): 81–113. http://dx.doi.org/10.17811/selim.27.2022.81-113.

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The Gawain Poet was the author of Sir Gawain and the Green Knight, a fourteenth-century Arthurian romance, and perhaps the greatest poem ever written in Northern England. Its anonymous creator ranks with Marvell, Wordsworth, and the Brontës as amongst the North's supreme literary artists. The question naturally arises as to who he was. In 2004 the present writer gave an answer, publishing (in the US journal Arthuriana) an analysis of the poem and its associated works Pearl, Cleanness, and Patience. He there proposed that the unknown poet was Sir John Stanley (c. 1350-1414), the evidence includ
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2

Higley, Sarah L. "David Lowery’s "The Green Knight": An Ecocinematic Dialogue between Film and Poem." Medieval Ecocriticisms 2 (2022): 53–88. http://dx.doi.org/10.32773/ykvn8089.

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A “faithful” film adaptation of Sir Gawain and the Green Knight has long been awaited. The romance lends itself well, it seems, to cinema in its vivid staging, psychology, and suspense. David Lowery’s The Green Knight (2019) reflects its visual splendor but dismantles its plot, the relationship of its characters, re-signifies its significant objects—ax, shield, and girdle. It forefronts contemporary anxieties about film revision of a medieval poem and invites us to examine our technical engagement with and representation, then and now, of the natural world. By suggesting that Gawain might die
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3

Hussey, S. S. "Vocabulary in Sir Gawain and the Green Knight." Florilegium 11, no. 1 (1992): 22–31. http://dx.doi.org/10.3138/flor.11.003.

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4

Derek Pearsall. "Sir Gawain and the Green Knight:." Chaucer Review 46, no. 1-2 (2011): 248. http://dx.doi.org/10.5325/chaucerrev.46.1_2.0248.

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5

Myer, Thomas. "Sir Gawain and the Green Knight, line 1771." Explicator 53, no. 4 (1995): 188–89. http://dx.doi.org/10.1080/00144940.1995.9937276.

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6

ANDERSON, J. J. "SIR GAWAIN AND THE GREEN KNIGHT, 1008–1009." Notes and Queries 41, no. 4 (1994): 443—a—443. http://dx.doi.org/10.1093/nq/41-4-443a.

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7

Reynolds, Evelyn. "Kynde in Sir Gawain and the Green Knight." Arthuriana 28, no. 2 (2018): 28–52. http://dx.doi.org/10.1353/art.2018.0013.

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8

HARDMAN. "GAWAIN'S PRACTICE OF PIETY IN "SIR GAWAIN AND THE GREEN KNIGHT"." Medium Ævum 68, no. 2 (1999): 247. http://dx.doi.org/10.2307/43630179.

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9

Jucker, Andreas H. "Courtesy and Politeness in Sir Gawain and the Green Knight." Studia Anglica Posnaniensia 49, no. 3 (2014): 5–28. http://dx.doi.org/10.1515/stap-2015-0007.

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Abstract A close reading of three selected passages of the Middle English alliterative romance Sir Gawain and the Green Knight provides a detailed picture of fictional and fairy-tale manifestations of courtly and polite behaviour in Middle English, a period that imported many new terms of courtesy and politeness from French. In the three passages Sir Gawain is visited in his bedchamber by the lady of the house, who tries to seduce him and thus puts him in a severe dilemma of having to be courteous to the lady and at the same time loyal to his host and to the code of chivalry. The analysis show
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10

Vitto, Cindy. "Literature and Life: Sir Gawain and the Green Knight." Medieval Feminist Newsletter 23 (March 1997): 35–37. http://dx.doi.org/10.17077/1054-1004.1382.

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11

Owen, Corey. "Patient Endurance in Sir Gawain and the Green Knight." Florilegium 27, no. 1 (2010): 177–207. http://dx.doi.org/10.3138/flor.27.009.

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12

Coley, David K. "Diaspora, Neighborhood, Empire: Sir Gawain and the Green Knight." Exemplaria 32, no. 3 (2020): 206–28. http://dx.doi.org/10.1080/10412573.2020.1840176.

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13

Mills, Maldwyn, Miriam Younger Miller, and Jane Chance. "Approaches to Teaching 'Sir Gawain and the Green Knight'." Yearbook of English Studies 21 (1991): 336. http://dx.doi.org/10.2307/3508519.

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14

Roberts, Jane, Robert J. Blanch, and Lynn Staley Johnson. "Sir Gawain and the Green Knight: A Reference Guide." Modern Language Review 82, no. 4 (1987): 911. http://dx.doi.org/10.2307/3729063.

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15

Jakovljević, Mladen. "Sir. Gawain and the Green Knight: Meanings and interpretations." Зборник радова Филозофског факултета у Приштини 48, no. 1 (2018): 61–80. http://dx.doi.org/10.5937/zrffp48-16461.

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16

Beauregard, David N. "Moral Thrology in Sir Gawain and the Green Knight." Renascence 65, no. 3 (2013): 146–62. http://dx.doi.org/10.5840/renascence20136537.

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17

Owen, Corey. "Patient Endurance in Sir Gawain and the Green Knight." Florilegium 29 (January 2010): 8. http://dx.doi.org/10.3138/flor.27.8.

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18

Gillan, Doreen M. E. "Sir Gawain and the Green Knight, Lines 1020-1066." Explicator 45, no. 1 (1986): 3–7. http://dx.doi.org/10.1080/00144940.1986.11483948.

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19

Bourguignon, Tom. "Sir Gawain and the Green Knight by Simon Armitage." Comitatus: A Journal of Medieval and Renaissance Studies 39, no. 1 (2008): 322–24. http://dx.doi.org/10.1353/cjm.2008.0042.

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20

Stein, Megan. "Sir Gawain and the Green Knight (review)." Comitatus: A Journal of Medieval and Renaissance Studies 43, no. 1 (2012): 282–84. http://dx.doi.org/10.1353/cjm.2012.0064.

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21

Jordi Sánchez-Martí. "Sir Gawain and the Green Knight (review)." Arthuriana 20, no. 3 (2010): 119–21. http://dx.doi.org/10.1353/art.2010.0006.

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22

Shoji, Kuniko. "Sir Gawain and the Green Knight (review)." Arthuriana 21, no. 2 (2011): 128–29. http://dx.doi.org/10.1353/art.2011.0019.

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23

Pearsall, Derek. "Sir Gawain and the Green Knight (review)." Arthuriana 22, no. 2 (2012): 104–6. http://dx.doi.org/10.1353/art.2012.0017.

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24

COOKE. "SIR GAWAIN AND THE GREEN KNIGHT: A RESTORED DATING." Medium Ævum 58, no. 1 (1989): 34. http://dx.doi.org/10.2307/43632510.

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25

Battles, Paul. "Sir Gawain and the Green Knight, Stanzas 32-34." Explicator 67, no. 1 (2008): 22–24. http://dx.doi.org/10.3200/expl.67.1.22-24.

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26

Walls, Kathryn. "The Axe in Sir Gawain and the Green Knight." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 16, no. 1 (2003): 13–18. http://dx.doi.org/10.1080/08957690309598180.

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27

McCarthy, Conor. "Luf-talkyng in Sir Gawain and the Green Knight." Neophilologus 92, no. 1 (2007): 155–62. http://dx.doi.org/10.1007/s11061-007-9041-4.

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28

Edgeworth, Robert J. "Anatomical geography in Sir Gawain and the Green Knight." Neophilologus 69, no. 2 (1985): 318–19. http://dx.doi.org/10.1007/bf00414002.

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29

MORGAN, GERALD. "THE VALIDITY OF GAWAIN'S CONFESSION IN SIR GAWAIN AND THE GREEN KNIGHT." Review of English Studies XXXVI, no. 141 (1985): 1–18. http://dx.doi.org/10.1093/res/xxxvi.141.1.

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30

O’Néill, Rosamond Eileen. "Development of gender equality in English medieval society fixed in Sir Gawain and the Green Knight." Beacon: Journal for Studying Ideologies and Mental Dimensions 2, no. 1 (2019): 010110110. http://dx.doi.org/10.55269/thebeacon.2.010110110.

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In the work, the author studies the ideological use of Celtic symbolism in the chivalric poem "Sir Gawain and the Green Knight" to depict the gender equality. It is demonstrated that "Sir Gawain" can be considered not only a novel, but a social work coining gender equality in medieval society. In "Sir Gawain" different signs play an important role, form the reader's attitude to the idea of gender equality. They also build a certain Christian ideological view of the world, communicate the religious maxims and ideological attitudes, within which the equality narration is built.
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31

Burrow, John. "The Conclusion of Sir Gawain and the Green Knight: Three Knightly Verdicts." Essays in Criticism 67, no. 2 (2017): 103–15. http://dx.doi.org/10.1093/escrit/cgx002.

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32

Warner. "Notes on Sir Gawain and the Green Knight." Chaucer Review 56, no. 2 (2021): 125. http://dx.doi.org/10.5325/chaucerrev.56.2.0125.

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33

Batt, Catherine, and Ad Putter. "'Sir Gawain and the Green Knight' and French Arthurian Romance." Modern Language Review 92, no. 3 (1997): 689. http://dx.doi.org/10.2307/3733401.

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34

Lowe, Jeremy. "The Cinematic Consciousness of Sir Gawain and the Green Knight." Exemplaria 13, no. 1 (2001): 67–97. http://dx.doi.org/10.1179/exm.2001.13.1.67.

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35

Cox, Catherine S. "Genesis and Gender in Sir Gawain and the Green Knight." Chaucer Review 35, no. 4 (2001): 378–90. http://dx.doi.org/10.1353/cr.2001.0001.

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36

Trigg, Stephanie. "The Romance of Exchange: Sir Gawain and the Green Knight." Viator 22 (January 1991): 251–66. http://dx.doi.org/10.1484/j.viator.2.301324.

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37

MANN, JILL. "Price and Value in Sir Gawain and the Green Knight." Essays in Criticism XXXVI, no. 4 (1986): 294–318. http://dx.doi.org/10.1093/eic/xxxvi.4.294.

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38

Twomey, Michael W. "Sir Gawain and the Green Knight ed. by Paul Battles." Arthuriana 23, no. 3 (2013): 106–8. http://dx.doi.org/10.1353/art.2013.0026.

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39

Ashton, Gail. "The Perverse Dynamics of Sir Gawain and the Green Knight." Arthuriana 15, no. 3 (2005): 51–74. http://dx.doi.org/10.1353/art.2005.0035.

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40

Lindley, Arthur. "Lady Bertilak's Cors: Sir Gawain and the Green Knight, 1237." Notes and Queries 42, no. 1 (1995): 23–24. http://dx.doi.org/10.1093/notesj/42.1.23.

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41

Bishop, Ian. "Time and tempo in Sir gawain and the Green Knight." Neophilologus 69, no. 4 (1985): 611–19. http://dx.doi.org/10.1007/bf00399536.

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42

O'Neill, Barry. "The beheading game in Sir Gawain and the green knight." Mathematical Social Sciences 18, no. 2 (1989): 192. http://dx.doi.org/10.1016/0165-4896(89)90046-2.

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43

Martinez, Ann M. "Bertilak’s Green Vision: Land Stewardship in Sir Gawain and the Green Knight." Arthuriana 26, no. 4 (2016): 114–29. http://dx.doi.org/10.1353/art.2016.0052.

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44

Stouck, Mary-Ann. "Of Talking Heads and Other Marvels: Hagiography and Lay Piety in Sir Gawain and the Green Knight." Florilegium 17, no. 1 (2000): 59–72. http://dx.doi.org/10.3138/flor.17.004.

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Among the unresolved issues in our understanding of Sir Gawain and the Green Knight is the function of the hagiographical references, comprised both of saints whom the poet mentions explicitly (Julian, Peter, Giles, John the Evangelist and/or Baptist), and of those whom he seems to have in mind but does not explicitly name. Since Ronald Tamplin's 1969 essay in Speculum substantially introduced the subject, scholars have traced numerous parallels between the stories of the saints and Gawain's adventures with a view to discovering whether the analogies function positively or ironically—that is,
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45

Morgan, Gerald. "Medieval Misogyny and Gawain's Outburst against Women in "Sir Gawain and the Green Knight"." Modern Language Review 97, no. 2 (2002): 265. http://dx.doi.org/10.2307/3736858.

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46

Heng, Geraldine. "Feminine Knots and the Other Sir Gawain and the Green Knight." PMLA 106, no. 3 (1991): 500. http://dx.doi.org/10.2307/462782.

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47

Calin, William. ""Sir Gawain and the Green Knight" and French Arthurian Romance.Ad Putter." Speculum 72, no. 1 (1997): 213–14. http://dx.doi.org/10.2307/2865932.

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48

Batt, Catherine, and Gerald Morgan. "'Sir Gawain and the Green Knight' and the Idea of Righteousness." Modern Language Review 88, no. 4 (1993): 937. http://dx.doi.org/10.2307/3734434.

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49

Blanch, Robert J. "Sir Gawain and the Green Knight: A Dual-Language Version.William Vantuono." Speculum 68, no. 1 (1993): 274–75. http://dx.doi.org/10.2307/2863934.

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50

Morrison, Clint. "Choreographic Description: Carole Dancing in Sir Gawain and the Green Knight." Arthuriana 31, no. 3 (2021): 21–39. http://dx.doi.org/10.1353/art.2021.0024.

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