Journal articles on the topic 'Site-specific art'
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Kurg, Regina-Nino. "Aesthetic consciousness of site-specific art." South African Journal of Philosophy 32, no. 4 (October 2, 2013): 349–53. http://dx.doi.org/10.1080/02580136.2013.865098.
Tanyildizi, Seda Ozen. "Scale: New Strategies in Site-Specific Art." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (December 28, 2017): 107–12. http://dx.doi.org/10.18844/prosoc.v4i11.2864.
Kim, Jong Ryeol. "A study on the ‘Site-Specific Art’." Korea Institute of Design Research Society 4, no. 4 (December 30, 2019): 9–18. http://dx.doi.org/10.46248/kidrs.2019.4.9.
Krilov, I. A. "SITE-SPECIFIC ART-PRACTICE AS AN ALTERNATIVE FORMAT OF THEATRE ART." Arts education and science 1, no. 4 (2021): 47–56. http://dx.doi.org/10.36871/hon.202104006.
MacDonald, Shana. "On Resonance in Contemporary Site-Specific Projection Art." Performance Research 19, no. 6 (November 2, 2014): 64–70. http://dx.doi.org/10.1080/13528165.2014.985101.
Johnston, D. "Legal I: Site-specific art and changing circumstances." Museum Management and Curatorship 7, no. 3 (September 1988): 298–300. http://dx.doi.org/10.1016/0260-4779(88)90040-4.
Hawthorne, Lucy. "When the Walls Aren’t White: Site-specific Art in Non-art Museums." International Journal of the Inclusive Museum 3, no. 2 (2010): 121–32. http://dx.doi.org/10.18848/1835-2014/cgp/v03i02/44328.
Bernier, Michelle. "Fred Astaire’s site-specific choreography: High art for the low-art consumer." Studies in Musical Theatre 9, no. 3 (December 1, 2015): 255–63. http://dx.doi.org/10.1386/smt.9.3.255_1.
Hayes, Lauren. "From Site-specific to Site-responsive: Sound art performances as participatory milieu." Organised Sound 22, no. 1 (March 7, 2017): 83–92. http://dx.doi.org/10.1017/s1355771816000364.
Kenney, Denise, and Nancy Holmes. "Site-specific performance and the art of not leaving." Choreographic Practices 9, no. 1 (April 1, 2018): 31–43. http://dx.doi.org/10.1386/chor.9.1.31_1.
Coleman, Lucinda. "Performing Water: Site-specific dance-making as liquid art." Choreographic Practices 11, no. 1 (July 1, 2020): 101–22. http://dx.doi.org/10.1386/chor_00014_1.
Gaiger, J. "Dismantling the Frame: Site-Specific Art and Aesthetic Autonomy." British Journal of Aesthetics 49, no. 1 (January 1, 2009): 43–58. http://dx.doi.org/10.1093/aesthj/ayn058.
Supendi, Eko, and Satriana Didiek Isnanta. "STUDI PENCIPTAAN KARYA SITE SPECIFIC DANCE “HELAI KERTAS”." Acintya Jurnal Penelitian Seni Budaya 12, no. 1 (July 27, 2020): 33–43. http://dx.doi.org/10.33153/acy.v12i1.3140.
Nagao, T., and Y. Fukushima. "Source- and Site-Specific Earthquake Ground Motions." Engineering, Technology & Applied Science Research 10, no. 4 (August 16, 2020): 5882–88. http://dx.doi.org/10.48084/etasr.3612.
Roberts, Margaret. "Models of Site-Related Art Practice: Critical Potential and Mobility in the Phenomenological Model of Site-Specific Art." International Journal of the Arts in Society: Annual Review 4, no. 3 (2009): 215–22. http://dx.doi.org/10.18848/1833-1866/cgp/v04i03/35656.
Strejčková, Hana. "Site-Specific Author’s Drama." Amfiteater 9, no. 2021-2 (June 30, 2022): 216–32. http://dx.doi.org/10.51937/amfiteater-2022-1/216-232.
Kochetkova, Ekaterina S. "Horizon as a Symbolic Category in Contemporary Site-Specific Art." Actual Problems of Theory and History of Art 10 (2020): 576–85. http://dx.doi.org/10.18688/aa200-3-51.
Kim, Min Ji. "Study on Spatiality in Site-Specific Art and Locative Media." KOREA SCIENCE & ART FORUM 19 (March 31, 2015): 89. http://dx.doi.org/10.17548/ksaf.2015.03.19.89.
Willard, Mary Beth. "When Public Art Goes Bad: Two Competing Features of Public Art." Open Philosophy 2, no. 1 (January 18, 2019): 1–9. http://dx.doi.org/10.1515/opphil-2019-0001.
Kuppers, Petra. "Dancing Material History: Site-Specific Performance in Michigan." TDR/The Drama Review 61, no. 3 (September 2017): 132–40. http://dx.doi.org/10.1162/dram_a_00677.
Lee, Su Jeong. "Feminist practice in site-specific art of Korean artists since 2000." Korean Feminist Philosophy 30 (November 30, 2018): 183–214. http://dx.doi.org/10.17316/kfp.2018.11.30.183.
Navarro, Henry. "Fashion as public art: Strengthening communities through site-specific fashion collections." Fashion, Style & Popular Culture 1, no. 3 (August 1, 2014): 445–57. http://dx.doi.org/10.1386/fspc.1.3.445_1.
Kim. "Encounters with the Material: Krzysztof Wodiczko and Site-Specific Media Art." Discourse 38, no. 2 (2016): 173. http://dx.doi.org/10.13110/discourse.38.2.0173.
Hill, Leslie. "‘Push the Boat Out’: Site-Specific and Cyberspatial in Live Art." New Theatre Quarterly 14, no. 53 (February 1998): 43–47. http://dx.doi.org/10.1017/s0266464x00011714.
Sward, Brandon. "How to make site-specific art when sites themselves have histories." Athanor 39 (November 22, 2022): 81–94. http://dx.doi.org/10.33009/fsu_athanor131122.
Lin, Nancy P. "Keepers of the Waters: Experiments in xianchang art practice in 1990s China." Journal of Contemporary Chinese Art 7, no. 2-3 (December 1, 2020): 325–43. http://dx.doi.org/10.1386/jcca_00032_1.
Rustiyanti, Sri. "Situs Megalitik Tutari sebagai Sumber Inspirasi Penciptaan Koreografi Site-Specific “Tutari MegArt Lithic”." Dance and Theatre Review 4, no. 1 (June 13, 2021): 1–9. http://dx.doi.org/10.24821/dtr.v4i1.5457.
Chu, Lin Ya, and Min Lee. "The Role of Site-specific Art in Public Spaces in Rural Areas of Japan: A Case Study on the Convergence of Site-specific Art and Regional Regeneration." Korean Society of Science & Art 39, no. 5 (December 31, 2021): 427–42. http://dx.doi.org/10.17548/ksaf.2021.12.30.427.
Babb, Genie. "Center and Edge of the World: Frontiers of Site-Specific Performance in Alaska." TDR/The Drama Review 52, no. 3 (September 2008): 61–78. http://dx.doi.org/10.1162/dram.2008.52.3.61.
Jina Kim. "Rereading Womanhouse (1972): A Pioneer of Feminist Art and Site-specific Installation." Journal of Humanities, Seoul National University 75, no. 3 (August 2018): 173–220. http://dx.doi.org/10.17326/jhsnu.75.3.201808.173.
Townsend, S. "Book Review: One Place after Another: Site-Specific Art and Locational Identity." Visual Communication 4, no. 3 (October 1, 2005): 372–75. http://dx.doi.org/10.1177/1470357205056749.
Pavoni, Andrea. "Speculating on (the) urban (of) art: (un)siting street art in the age of neoliberal urbanisation." Horizontes Antropológicos 25, no. 55 (December 2019): 51–88. http://dx.doi.org/10.1590/s0104-71832019000300003.
김영옥. "Site-Specific Art Practices as Intervention in the Era of Globalization: Focused on Two “Dongducheon” Art Projects." Women's Studies Review 27, no. 1 (June 2010): 73–109. http://dx.doi.org/10.18341/wsr.2010.27.1.73.
Payne, Daniel. "Exhibiting information literacy: site-specific art and design interventions at the Ontario College of Art & Design." Art Libraries Journal 33, no. 1 (2008): 35–41. http://dx.doi.org/10.1017/s0307472200015200.
Han, Jung-Mi. "A Study on the Expansion of Public Art to Dance -Based on Site Specific Dance Performance." Dance Research Journal of Dance 78, no. 3 (June 30, 2020): 217–30. http://dx.doi.org/10.21317/ksd.78.3.12.
Chagas, Deivisson Dias. "A QUESTÃO DO ESPAÇO E A ENUNCIAÇÃO DO SUJEITO NO TRABALHO DE DANA AWARTANI / The issue of space and the enunciation of the subject in the work of Dana Awartani." arte e ensaios 26, no. 39 (August 15, 2020): 107–19. http://dx.doi.org/10.37235/ae.n39.9.
Matejić, Bojana. "The conjunction of art and life: Ontology of the site." SAJ - Serbian Architectural Journal 7, no. 2 (2015): 223–30. http://dx.doi.org/10.5937/saj1502223m.
Daugherty, Jay. "Our Land, Our People: A Reflection of Tibetan Buddhist Space in Contemporary Art." HIMALAYA 40, no. 2 (November 15, 2021): 50–58. http://dx.doi.org/10.2218/himalaya.2021.6589.
Pilcher, Jeremy. "Network Art Unbound?" Leonardo 45, no. 5 (October 2012): 470–71. http://dx.doi.org/10.1162/leon_a_00447.
Scarfone, Amy. "One Place After Another: Site-Specific Art and Locational Identity by Miwon Kwon." Rhetoric Society Quarterly 37, no. 2 (March 29, 2007): 209–12. http://dx.doi.org/10.1080/02773940701266106.
Zaffi, Leonardo, Antonio Capestro, and Stefania Viti. "Code-compliant structural design for site specific works of art: a case-study." Procedia Structural Integrity 29 (2020): 157–64. http://dx.doi.org/10.1016/j.prostr.2020.11.152.
Doss, Erika. "Public Art, Public Feeling: Contrasting Site-Specific Projects of Christo and Ai Weiwei." Public Art Dialogue 7, no. 2 (July 3, 2017): 196–229. http://dx.doi.org/10.1080/21502552.2017.1343612.
Sarkar, Asmita. "Ecology of site-specific painting and drawing: Embodied and empathic mark-making in urban cites." Visual Inquiry 10, no. 1 (June 1, 2021): 13–30. http://dx.doi.org/10.1386/vi_00023_1.
Kloetzel, Melanie. "Site and Re-Site: Early Efforts to Serialize Site Dance." Dance Research Journal 49, no. 1 (April 2017): 6–23. http://dx.doi.org/10.1017/s0149767717000018.
이수홍 and 김범수. "A Study on methods for site specific uses of public art focused on sculpture." Korean Journal of Art and Media 14, no. 3 (August 2015): 37–56. http://dx.doi.org/10.36726/cammp.2015.14.3.37.
Urbán Rivero, Luis Eduardo, Jonás Velasco, and Javier Ramírez Rodríguez. "A Simple Greedy Heuristic for Site Specific Management Zone Problem." Axioms 11, no. 7 (June 29, 2022): 318. http://dx.doi.org/10.3390/axioms11070318.
Cheng, Meiling. "Cyborgs in Mutation: osseus labyrint's Alien Body Art." TDR/The Drama Review 45, no. 2 (June 2001): 145–68. http://dx.doi.org/10.1162/105420402760157736.
Caldarola, Elisa. "Architecture and Sites." Croatian journal of philosophy 21, no. 61 (May 21, 2021): 5–23. http://dx.doi.org/10.52685/cjp.21.1.1.
Bradley, Brendon A. "Benefits of site-specific hazard analyses for seismic design in New Zealand." Bulletin of the New Zealand Society for Earthquake Engineering 48, no. 2 (June 30, 2015): 92–99. http://dx.doi.org/10.5459/bnzsee.48.2.92-99.
Bae-Dimitriadis, Michelle. "Land-Based Art Criticism: (Un)learning Land Through Art." Visual Arts Research 47, no. 2 (December 1, 2021): 102–14. http://dx.doi.org/10.5406/visuartsrese.47.2.0102.