Relevant bibliographies by topics / Sitting Bull, 1834?-1890

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Academic literature on the topic 'Sitting Bull, 1834?-1890'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Books on the topic "Sitting Bull, 1834?-1890"

1

Sitting Bull. Heinemann Library, 2012.

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2

Vestal, Stanley 1887. Sitting Bull, Champion of the Sioux: A biography. University of Oklahoma Press, 1989.

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3

Sitting bull: His life and legacy. Gibbs Smith, 2009.

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4

Sitting Bull and the paradox of Lakota Nationhood. HarperCollins College Publishers, 1996.

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Sitting Bull and the paradox of Lakota nationhood. 3rd ed. Pearson Longman, 2007.

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6

Sitting Bull: Lakota warrior and defender of his people. Abrams, 2015.

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7

Bridger, Bobby. Buffalo Bill and Sitting Bull: Inventing the Wild West. University of Texas Press, 2002.

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8

Calvert, Patricia. Standoff at Standing Rock: The story of Sitting Bull and James McLaughlin. Twenty-First Century Books, 2001.

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9

Bloodshed at Little Bighorn: Sitting Bull, Custer, and the destinies of nations. Johns Hopkins University Press, 2010.

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10

Isaacs, Sally Senzell. America in the time of Sitting Bull: 1840 to 1890. Heinemann Library, 2000.

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Book chapters on the topic "Sitting Bull, 1834?-1890"

1

Frisken, Amanda. "“A First-Class Attraction on Any Stage”." In Graphic News. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252042980.003.0004.

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Abstract:
This chapter examines the 1890 Ghost Dance, a nonviolent religious practice among the Lakota Sioux. In covering the Ghost Dance, daily newspaper editors Joseph Pulitzer (the New York World) and William Randolph Hearst (the San Francisco Examiner), along with the New York Herald and ChicagoTribune, experimented with the limits of news illustration. Their images mischaracterized the dance as a declaration of war, contributing to events leading to the massacre at Wounded Knee. Their quest for illustrations that were both “authentic” (photograph-based) and dramatic led editors to appropriate images from the entertainment marketplace (photographs of Sitting Bull, and Buffalo Bill’s Wild West show), for political and commercial benefit. The Lakota’s efforts had limited power to correct misrepresentations of the dance and its aftermath.
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