Relevant bibliographies by topics / Six Suites for Violin Solo

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Academic literature on the topic 'Six Suites for Violin Solo'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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Journal articles on the topic "Six Suites for Violin Solo"

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Inna, Uspenskaya. "Typology of genres of concert music for violin: classification criteria." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 57, no. 57 (2020): 150–62. http://dx.doi.org/10.34064/khnum1-57.09.

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The article is devoted to the systematization of the criteria of the classification of concert music for violin, in which, along with the traditional genre criteria, stylistic and textured ones are highlighted It is noted that such a comprehensive consideration allows solving a number of tasks of both research and performance profile. Based on the modern approach to the genre system, the article extrapolates it to concert violin music, which covers the range from solo miniature pieces to concerts for violin and symphony orchestra. It is emphasized that the least researched is the question of t
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Eppstein, Hans. "Chronologieprobleme in Johann Sebastian Bachs Suiten für Soloinstrument." Bach-Jahrbuch 62 (March 22, 2018): 35–57. http://dx.doi.org/10.13141/bjb.v19762015.

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Sowohl die Chronologie der Suitensammlungen im Verhältnis zueinander als auch die Chronologie innerhalb der einzelnen Gruppen werden untersucht. Im letzteren Fall werden stilistische Kriterien mit Prinzipien für die Anordnung der einzelnen Sätze (tonale Beziehungen, Länge, Wahl und Anzahl) kombiniert. Das Ergebnis der Untersuchung zeigt die folgende Reihenfolge: Englische Suiten - Suiten für Violoncello - Französische Suiten. Der einheitliche Charakter der Englischen Suiten suggeriert ein Vorbild, das möglicherweise auf den "englischen" Musiker Charles Dieupart zurückgeht. Die späteren Suitenk
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Schiff, David. "Elliott Carter's Harvest Home." Tempo, no. 167 (December 1988): 2–13. http://dx.doi.org/10.1017/s0040298200024499.

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ApproachingHisEightiethBirthday, Elliott Carter has acquired a new fluency, as if composing had suddenly—finally—become easy. In his middle years Carter felt compelled to exhaust a musical vocabulary with each composition. Since the solo piano Night Fantasies of 1980, however, he has based a series of widely different works on similar premises: after years of ploughing through rocky soil it was now time for the harvest. As an overflow of this bounty Carter has produced a new (for him) genre: short occasional pieces of three to six minutes in duration. Along with the five major works composed s
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Swack, Jeanne. "John Walsh's Publications of Telemann's Sonatas and the Authenticity of ‘Op. 2’." Journal of the Royal Musical Association 118, no. 2 (1993): 223–45. http://dx.doi.org/10.1093/jrma/118.2.223.

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In the past decade the eighteenth-century London music publisher John Walsh has been subject to a new evaluation with regard to his pirated editions and deliberate misattributions, especially of the music of George Frideric Handel. That Walsh's attributions were anything but trustworthy had already been recognized in the eighteenth century: a surviving copy (London, British Library, BM g.74.d) of his first edition of the Sonates pour un traversiere un violon ou hautbois con basso continuo composées par G. F. Handel (c.1730), which, as Donald Burrows and Terence Best have shown, was provided wi
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Li Yan Lun. "MA SIZONG'S VIOLIN WORK IN CONTEXT ARTISTIC AND AESTHETIC TRENDS AND ARTISTIC DIRECTIONS OF THE TWENTIETH CENTURY." International Journal of Innovative Technologies in Social Science, no. 1(29) (March 5, 2021). http://dx.doi.org/10.31435/rsglobal_ijitss/30032021/7457.

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The problem of synthesis of artistic and aesthetic directions of the XX century is considered in the violin music of the Chinese composer Ma Sitsong, whose creative path is outlined in the European, Chinese and American periods. Ma Sitsong was the first Chinese musician to study at the Paris Conservatory and adapt the modernist tendencies of Europe (Impressionism by C. Debussy; I. Stravinsky's search for the "Holy Spring", B. Bartok's neo-folklore). The principles of the latter resonated with Ma's intense reliance on the national Chinese firstborn. After returning to China, he admired the work
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Brien, Donna Lee. "A Taste of Singapore: Singapore Food Writing and Culinary Tourism." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.767.

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Introduction Many destinations promote culinary encounters. Foods and beverages, and especially how these will taste in situ, are being marketed as niche travel motivators and used in destination brand building across the globe. While initial usage of the term culinary tourism focused on experiencing exotic cultures of foreign destinations by sampling unfamiliar food and drinks, the term has expanded to embrace a range of leisure travel experiences where the aim is to locate and taste local specialities as part of a pleasurable, and hopefully notable, culinary encounter (Wolf). Long’s foundati
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Dissertations / Theses on the topic "Six Suites for Violin Solo"

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Gao, Beixi. "The Use of Multiple Stops in Works for Solo Violin by Johann Paul Von Westhoff (1656-1705) and Its Relationship to German Polyphonic Writing for a Single Instrument." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984169/.

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Johann Paul von Westhoff's (1656-1705) solo violin works, consisting of Suite pour le violon sans basse continue published in 1683 and Six Suites for Violin Solo in 1696, feature extensive use of multiple stops, which represents a German polyphonic style of the seventeenth-century instrumental music. However, the Six Suites had escaped the public's attention for nearly three hundred years until its rediscovery by the musicologist Peter Várnai in the late twentieth century. This project will focus on polyphonic writing featured in the solo violin works by von Westhoff. In order to fully underst
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Rittstieg, Jessika Ulrike. "Continuity and change in Eugène Ysaÿe's Six Sonatas, Op. 27, for solo violin." Thesis, Open University, 2018. http://oro.open.ac.uk/55874/.

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The Six Sonatas, Op. 27, for Solo Violin by the Belgian violinist and composer Eugène Ysaÿe (1858-1931), written in 1923/24, are increasingly adopted into the standard repertoire of violinists. Ysaÿe saw them as containing his legacy to future generations of violinists and composers and also as a statement of his aesthetic identity. However, not much research has been done on the aesthetics reflected in them. Yet, a greater awareness of Ysaÿe's aesthetics will add to the understanding of this important historical figure who did so much to popularise French and Belgian music of the turn of
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Lin, Shang Jung. "Technical Analysis on H. W. Ernst’s Six Etudes for Solo Violin in Multiple Voices." University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1573812417187084.

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Kreutzfeldt, Hannah L. "Interpreting Bach: Sonata No. 3 in C Major For Solo Violin." University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1405364000.

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Todd, Richard. "The sarabandes from J.S. Bach's Six suites for solo cello an analysis and interpretive guide for the modern guitarist /." connect to online resource, 2007. http://digital.library.unt.edu/permalink/meta-dc-3606.

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Thesis (D.M.A.)--University of North Texas, 2007.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Oct. 25, 2004, Feb. 14, 2005, Apr. 25, 2005, and Nov. 30, 2006. Includes bibliographical references (p. 56-57).
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Todd, Richard. "The Sarabandes from J. S. Bach's Six Suites for Solo Cello: An Analysis and Interpretive Guide for the Modern Guitarist." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3606/.

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The purpose of this dissertation is to present a comparative analysis of the sarabandes from the six cello suites. Six individual analyses each address the following elements: harmonic reduction, the relationship between the large-scale harmonic and metrical structures, the melodic elaboration of the harmonic-metrical structure, and the type and prevalence of sarabande rhythm. A summary at the end of each analysis provides a cumulative comparison of the results. Knowledge gained from this exercise will provide insight into Bach's conception of the genre by identifying both those features that
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7

Marckx, Leslie Hirt. "French Baroque influences on Johann Sebastian Bach's Six suites for violoncello solo : with an emphasis on French court dance and Suite V /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/11220.

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Martens, Peter. "Inspired by the past : a practical guide for cellist and other string players to the execution of Baroque music on modern instruments with special reference to the Six Suites for Solo Cello by J. S. Bach." Master's thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/8144.

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Includes abstract.<br>Includes bibliographical reference (leaves 84-86).<br>This dissertation will explore cello technique through the ages with a view to providing a performer with a meaningful and accurate guide to the various techniques necessary to give stylistic and historically honest performances of Baroque music on a modem instrument.
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Yen, Ling-Chuan, and 顏伶娟. "J.S.Bach Six Suites for Violoncello Solo BWV 1009." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/46362155164760354647.

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Curty, Andrey. "A pedagogical approach to Eugène Ysaÿe's Six sonatas for solo violin, op. 27." 2003. http://purl.galileo.usg.edu/uga%5Fetd/curty%5Fandrey%5F200305%5Fdma.

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Books on the topic "Six Suites for Violin Solo"

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Glinsky, Albert. Six miniatures: For unaccompanied solo violin. Highgate Press, 1987.

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2

Lazarof, Henri. Divertimento III for solo violin and strings. Merion Music, 1993.

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3

Delius, Frederick. Suite in four movements: For violin and orchestra. Delius Trust, 1996.

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Lazarof, Henri. Suite for solo percussion and five instrumentalists. Merion Music, 1991.

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Sibelius, Jean. Suite for violin and string orchestra (op. 117). Fazer Music, 1994.

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6

Boni, Pietro Giuseppe Gaetano. Six sonatas for flute, oboe or violin and continuo (ca. 1728): Solo. Classical Winds Press, 2003.

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7

London, Larry. Suite for six: Four movements for flute, B♭ clarinet, bassoon, violin, viola and cello. Larry London, 2014.

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8

Joseph, Haydn. Sechs Trios für Violine oder Oboe (Flöte), Viola und Violoncello =: Six trios for violin or oboe (flute), viola, and violoncello. Amadeus, 1999.

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9

Laderman, Ezra. Partita: Violin Solo. G. Schirmer, Inc., 1993.

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10

Narvaez, Roisber. Six Suites for Viola Solo: Suites for Viola Bach. Independently Published, 2020.

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