Relevant bibliographies by topics / Skármeta, Antonio

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Skármeta, Antonio'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Skármeta, Antonio"

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Rodríguez Fernández, Mario. "Antonio Skármeta." Atenea (Concepción), no. 455 (June 1987): 175–78. https://doi.org/10.29393/at455-14asmr10014.

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Gräbner, Cornelia. "Poetry's Total Scandal: Poets and Postmen in Antonio Skármeta's "El cartero de Neruda"." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada 1, no. 18 (2012): 118. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.201218553.

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The argument put forward here takes Antonio Skármeta's short novel El cartero de Neruda (Ardiente paciencia) as a theorization of the relationship between poetry and politics, by way of the concept-metaphors (Mieke Bal) that are deployed in the novel. Skármeta stages the public role of poetry through the telling of a story about the poet Pablo Neruda and his postman Mario Jiménez. The relationship between poetry and politics is analysed with reference to Hazard Adams' concept of «the offense of poetry» and Roland Barthes' reflections on the total scandal of language in his essay «Écrivains et
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Rosas Lira, Marcela. "Entrevista a Antonio Skármeta." Revista chilena de literatura, no. 100 (December 2019): 395–403. http://dx.doi.org/10.4067/s0718-22952019000200395.

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Skármeta, Antonio, and Mario A. Blanc. "Antonio Skármeta: Cuentos y Novelas." Chasqui 18, no. 2 (1989): 64. http://dx.doi.org/10.2307/29740182.

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Oropesa, Salvador A., and Donald Shaw. "Antonio Skármeta and the Post Boom." Chasqui 24, no. 2 (1995): 168. http://dx.doi.org/10.2307/29741245.

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Nash, Susan Smith, and Donald Shaw. "Antonio Skármeta and the Post Boom." World Literature Today 69, no. 4 (1995): 771. http://dx.doi.org/10.2307/40151641.

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Coddou, Marcelo. "Entrevista a Antonio Skármeta de Match Ball." Revista Iberoamericana 56, no. 151 (1990): 579–82. http://dx.doi.org/10.5195/reviberoamer.1990.4739.

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Bines, Rosana Kohl. "Playing chess against the military." Childhood 27, no. 3 (2020): 413–26. http://dx.doi.org/10.1177/0907568220924105.

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My contribution engages in close-reading analysis of the award-winning picture book The Composition, written by Chilean author Antonio Skármeta and illustrated by Alfonso Ruano. It explores the political potential of fiction to recast children as creative subjects with political awareness and instruments to resist oppressive discourses and practices in the context of military dictatorships.
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Schraibman, José. "Sobre Antonio Skármeta, Match Ball." Revista Iberoamericana 60, no. 168 (1994): 1216–17. http://dx.doi.org/10.5195/reviberoamer.1994.6481.

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Llorens García, Ramón Francisco, and Sara Terol Bertomeu. "Educación literaria, pensamiento crítico y conciencia ética: La composición, de Antonio Skármeta." América sin nombre, no. 20 (December 15, 2015): 102. http://dx.doi.org/10.14198/amesn.2015.20.09.

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El presente estudio aborda las contribuciones al canon literario escolar del álbum ilustrado La composición de Antonio Skármeta, con ilustraciones de Alfonso Ruano, una de las obras fundamentales de la literatura infantil y juvenil chilena que trata el tema de la dictadura y la represión. La obra, de marcado carácter histórico, favorece la reflexión del lector por la realidad que refleja y por el simbolismo de los elementos que la conforman. Tanto el relato como las ilustraciones conducen al lector a implicarse en la obra, sintiendo como propios el miedo, la tristeza y el cariño de sus persona
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Dissertations / Theses on the topic "Skármeta, Antonio"

1

Guevara, Lara María Teresa. "Máscaras y soledad en la novela Match Ball de Antonio Skármeta." Tesis, Universidad de Chile, 2010. http://repositorio.uchile.cl/handle/2250/109940.

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El presente trabajo pretende analizar cómo se desarrollan los tópicos de Máscara y Soledad en la novela Match Ball. El estudio se fundamentará en las reflexiones críticas de autores como Octavio Paz con “Máscaras mexicanas” y “La dialéctica de la soledad”; Gabriel García Márquez, “La soledad de América Latina” y Antonio Skármeta, “Testimonio: Perspectiva de los novísimos”.
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Carrasco-Marchessi, Maritza. "Masculinidades y Nación : una lectura alegórica del compañero en la narrativa de Antonio Skármeta." Thesis, University of Birmingham, 2014. http://etheses.bham.ac.uk//id/eprint/5398/.

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My work reads the compañero [working-class male] as allegory of the Chilean nation in a corpus of Antonio Skármeta’s fiction that portrays the convulsive years leading up to, and during the early years of the Pinochet dictatorship. I deploy an interdisciplinary methodology to expound the relationship between Skármeta’s textualisation of the writer/artist and his ideological project of allegorising the nation in the compañero. My innovative approach uses key concepts drawn from theorisations of nation, identity and gender in order to evaluate the allegorical construction and de-construction of
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Hernández, Haro Reyna Guadalupe Leticia. "Tres novelas de Antonio Skármeta: del libro a la lectura: Una propuesta de análisis receptivo." Tesis, Universidad de Chile, 2007. http://repositorio.uchile.cl/handle/2250/109024.

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La presente investigación persigue como objetivo principal analizar las diversas lecturas realizadas por los agentes receptivos del proceso comunicativo en que se moviliza la literatura; sin desatender el objeto textual que las origina y produciendo a su vez una lectura donde se trabaje con los contenidos diegéticos. El libro y la novela, como parte de dicho circuito, dialogan con otras instancias como los mass media, las casas editoriales y la publicidad. En esta dinámica se percibirá cómo surge el interés por estudiar con mayor atención los mecanismos de producción-recepción literarios.
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Morpaw, May. "Antonio Skármeta's Narratives of Ethnicity: Rewriting Chile's Discourses of Identity." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/35559.

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This dissertation examines the representation of ethnic origins in Antonio Skármeta’s fiction. My hypothesis is that exile in Europe and return to Chile led the author to rethink his Dalmatian-Croatian roots and his sense of self in response to prevailing discourses of national identity. I assess Chile’s immigration history as well as the development of the idea of a homogeneous national identity. Blending concepts of ethnic narrative with theories of memory, identity, and literature, I trace Skármeta’s literary shift towards reclaiming his roots and initiating a critical dialogue with establi
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Hsin-Mei, Su, and 蘇芯玫. "La narratología en El baile de la Victoria de Antonio Skármeta." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/643xkm.

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碩士<br>輔仁大學<br>西班牙語文學系碩士班<br>103<br>Esta tesina se basa en la teoría de la narrativa de Mieke Bal. Se estudia las técnicas que se utilizan en El baile de la Victoria de Antonio Skármeta. El baile de la Victoria narra sobre la sociedad chilena después de la dictadura, los problemas que tuvieron y los sueños de los ciudadanos. Este trabajo trata de investigar la narración de Skármeta. El primer capítulo, ofrece una breve descripción biográfica sobre el autor, Antonio Skármeta y sus obras más destacadas incluyendo especialmente, la novela que es la esencia de este estudio, El baile de la Victoria.
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Wu, Hua-Chun, and 吳華君. "History and society behind the novel El baile de la Victoria of Antonio Skármeta." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/39940121545281678458.

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碩士<br>淡江大學<br>美洲研究所碩士班<br>100<br>Antonio Skármeta is one of the most influential writers of Chile, his works won several domestic and international awards, the novel El baile de la Victoria won the Premio Planeta of 2003. El baile de la Victoria describe the situation of Chile from 1970s until principles of century XXI. The writer says that he prefers to use a literary and euphemistic way to tell the story, because sometimes the literature is more powerful than history. Chile had the first elected leftist government of Latin America, also experienced a nearly 20 years of military dictatorship
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Books on the topic "Skármeta, Antonio"

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Shaw, Donald Leslie. Antonio Skármeta and the post Boom. Ediciones del Norte, 1994.

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Skármeta, Antonio. La velocidad del amor / c Antonio Skármeta. Plaza & Janés, 1997.

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Lemaître, Monique J. Skármeta, una narrativa de la liberación. Pehuén, 1991.

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García-Corales, Guillermo. Relaciones de poder y carnavalización en la novela chilena contemporánea. Asterión, 1995.

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Strauß, Imke. Poesie und Politik in Antonio Skármetas Roman 'Mit brennender Geduld'. GRIN Verlag GmbH, 2008.

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Book chapters on the topic "Skármeta, Antonio"

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Wild, Gerhard. "Skármeta, Antonio." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17974-1.

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Wild, Gerhard. "Skármeta, Antonio." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2024. https://doi.org/10.1007/978-3-476-05728-0_17974-2.

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Macchiavello, Gloria. "Skármeta, Antonio: Ardiente paciencia." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17975-1.

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"Silva, Bernardo Guimarães de Antonio Skármeta 1940–." In Encyclopedia of Latin American Literature. Routledge, 1997. http://dx.doi.org/10.4324/9780203304365-95.

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"Memoria y exilio: Poli Délano y Antonio Skármeta." In Literatura chilena hoy. Vervuert Verlagsgesellschaft, 2002. http://dx.doi.org/10.31819/9783954879847-008.

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Hatry, Laura. "Adaptation and the Use of Documentary Material in No." In ReFocus: The Films of Pablo Larraín. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474448284.003.0008.

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This chapter will analyze Pablo Larraín’s adaptation of No from the play El plebiscito by Antonio Skármeta through a close reading and textual analysis of the unpublished play (provided by Skármeta), focusing especially on the ideological shift from one work to another. Skármeta used his own play as well in a different form of adaptation, that is, in his novel Los días del arcoiris, which will be analyzed briefly. Given the vital importance of archival elements in both the play and the film, this chapter also aims at shedding light onto the way in which Larraín incorporates historic, documenta
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"Ficción e historia en Los días del arcoíris, de Antonio Skármeta." In La novela Chilena. Ediciones Universidad Alberto Hurtado, 2022. http://dx.doi.org/10.2307/j.ctv3596xqg.16.

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Klengel, Susanne. "Chilenisches Exil in Berlin Ost ǀ Berlin West: Carlos Cerda und Antonio Skármeta." In Berlin International. De Gruyter, 2023. http://dx.doi.org/10.1515/9783110789539-002.

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Lillo, Gastón. "La adaptación cinematográfica como interacción dialógica con el texto literario." In Nuevas aproximaciones a viejas polémicas: cine/literatura. Pontificia Universidad Católica del Perú, 2023. http://dx.doi.org/10.18800/9786123175030.003.

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En este texto se busca un acercamiento al problema de la adaptación desde una perspectiva inspirada por la sociocrítica de los discursos y los textos culturales. La sociocrítica se instala en la estela abierta por los trabajos de Mijaíl Bajtín en torno al «dialogismo», y a la corriente del «análisis del discurso» (a partir de las propuestas de Michel Foucault); se interesa en la «interdiscursividad», la «intertextualidad», y el «discurso social», entre otros muchos otros conceptos forjados, entre otros, por Marc Angenot, Claude Duchet, Regine Robin, Edmond Cros y Antonio Gómez Moriana. Esta pe
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Yovanovich, Gordana. "Individualism and Human Rights in Antonio Skármeta’s Match Ball." In Latin American Identities After 1980. Wilfrid Laurier Press, 2010. http://dx.doi.org/10.51644/9781554582136-013.

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