Academic literature on the topic 'Skiagraphia'

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Journal articles on the topic "Skiagraphia"

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Jansen, Sarah Ruth. "Poetry and Skiagraphia in Republic X." Politeia 1, no. 3 (2019): 2–27. http://dx.doi.org/10.5840/politeia20191317.

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Small. "Circling Round Vitruvius, Linear Perspective, and the Design of Roman Wall Painting." Arts 8, no. 3 (2019): 118. http://dx.doi.org/10.3390/arts8030118.

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Many scholars believe that linear perspective existed in classical antiquity, but a fresh examination of two key texts in Vitruvius shows that 1.2.2 is about modularity and symmetria, while 7.Pr.11 describes shading (skiagraphia). Moreover, these new interpretations are firmly based on the classical understanding of optics and the history of painting (e.g., Pliny the Elder). A third text (Philostratus, Imagines 1.4.2) suggests that the design of Roman wall painting depends on concentric circles. Philostratus’ system is then used to successfully make facsimiles of five walls, representing Styles II, III, and IV of Roman wall painting. Hence, linear perspective and its relatives, such as Panofsky’s vanishing vertical axis, should not be imposed retrospectively where they never existed.
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Barthelet, Marie. "La skiagraphia : un art de détail, un art de détaille nécessaire aux effets naturalistes." Ktèma : civilisations de l'Orient, de la Grèce et de Rome antiques 37, no. 1 (2012): 191–216. http://dx.doi.org/10.3406/ktema.2012.1660.

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Czekalski, Stanisław. "Talbotowski paradygmat wizualności fotografii." Artium Quaestiones, no. 28 (May 22, 2018): 5–32. http://dx.doi.org/10.14746/aq.2017.28.1.

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The concept of visuality proposed by Norman Bryson, which refers to conscious perception determined by a system of concepts and knowledge of the visible, is related in the paper to the relationship between two kinds and ideas of photography, introduced respectively by Louis J. Daguerre and William H. Fox Talbot. The discourse about daguerrotypy stresses the quasi-telescopic properties of the picture whose visually ungraspable surface triggers an effect of reaching with the eye far beyond it toward even the farthest details, invisible without a looking glass but still clearly visible in the picture. In response to this feature, Talbot connected the photographic picture primarily with the effects of transferring the relations of shadow and light to contrast on the surface of photosensitive paper. He referred the “photogenic drawing” to a tradition older than the Albertian paradigm of the illusion of perspective adopted by Daguerre in his famous views of the streets of Paris from the window. His technique, called “skiagraphy,” Talbot associated with an ancient legend about the origin of drawing as the art of fixing shadows on a flat surface. His photographs of Lacock Abbey windows were a paradigmatic example that determined the understanding of each photo on the level of its basic self-reflexive content: in the first place, the photographic picture shows how reality before the camera lens projects its “skiagraphic” drawing – a “stamp,” as it were – on the paper surface, and how the forms of objects are reduced to that surface and grasped on it. In his Pencil of Nature, Talbot connected photographic pictures with text, determining the visual status of print photography as replica – both repetition of the highly appreciated daguerrotypy, and a rival response to it, showing the advantages of Calotypy based on the visible proximity of the picture and the surface. Thanks to the properties of Calotypy, precise “fixing of shadows” allows one to arrest despite the flow of time and fix in a visual structure what is the most volatile and changeable.
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Roman, F. "Skiagraphs and foreign bodies." British Journal of Ophthalmology 78, no. 6 (1994): 507. http://dx.doi.org/10.1136/bjo.78.6.507.

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Rowland, S. "Archives of Clinical Skiagraphy (1896)." British Journal of Radiology 68, no. 805 (1995): H2—H20. http://dx.doi.org/10.1259/0007-1285-68-805-h2.

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Schefer, Jean-Louis. "Thanatography, Skiagraphy (fromEspèce de chose mélancolie)." Word & Image 1, no. 2 (1985): 191–96. http://dx.doi.org/10.1080/02666286.1985.10435675.

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Swann, G., and G. B. Farmer. "‘The Box’ – a skiagraphic approach to recording shape and size." Journal of Visual Communication in Medicine 39, no. 1-2 (2016): 60–64. http://dx.doi.org/10.1080/17453054.2016.1203092.

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Shimek, Katherine M., and James S. Newman. "The Skiagraph: The Birth of Radiology at Mayo Clinic." Mayo Clinic Proceedings 84, no. 6 (2009): 492. http://dx.doi.org/10.4065/84.6.492.

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Manino, Federico, and Ursula Zich. "The Narration Project. Skiagraphic Reading of the Ecce Homo Chapel at the Sacro Monte at Varallo." Proceedings 1, no. 9 (2017): 1095. http://dx.doi.org/10.3390/proceedings1091095.

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Books on the topic "Skiagraphia"

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Skiagraphia mias ephēveias: Ston Peiraia, 1954-1973. Ekdoseis Kastalia, 2012.

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Kalokyrēs, Kōnstantinos D. Ho mousourgos Iōannēs Th. Sakellaridēs kai hē Vyzantinē mousikē: Kritikē skiagraphia 50 chronia meta ton thanato tou. 2nd ed. [s.n.], 1988.

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Maugarlonne, François. Traité de l'ombre: Essai de skiagraphie. Editions du Bon Albert, 2000.

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Anagnōstou, Tasos G. Oneiro kai mnēmē: Skiagraphies--Pouskin, Poe, Bōntlair, Lōtreamon, Dostogiephski, Rempō, Tolstoi, Trakl, Lorka, Kamy. Typogr. K.M., 1990.

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Moschos, E. N. Apodēmies kai skiagraphies: Mikra meletēmata tēs exodou gia dikous mas logotechnes, epistēmones, kai kallitechnes. Ekdoseis Philippotē, 2001.

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Book chapters on the topic "Skiagraphia"

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Kubicek, Jan, Martin Augustynek, Andrea Vodakova, and Marek Penhaker. "Modelling and Objectification of Secondary X ray Irradiation on Skiagraphy Images in Clinical Conditions." In Intelligent Information and Database Systems. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75420-8_35.

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Fiedorova, Klara, Martin Augustynek, Jan Kubicek, Marek Penhaker, Andrea Vodakova, and Karol Korhelik. "Modeling and Objectification of Skiagraphy Image Quality Deterioration Caused by X-Ray Secondary Irradiation on Mobile X-Ray Device." In IFMBE Proceedings. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-31635-8_197.

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"5. Skiagraphia once again." In Painter and Poet in Ancient Greece. B. G. Teubner, 1997. http://dx.doi.org/10.1515/9783110953060.107.

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Petraki, Zacharoula. "Plato’s Use of Shadow-painting as a Metaphor for Deceptive Speech." In Proceedings of the XXIII World Congress of Philosophy. Philosophy Documentation Center, 2018. http://dx.doi.org/10.5840/wcp232018221317.

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Contrary to the traditional viewpoint which interpreted Plato’s stance towards poetry as derogatory, more recently scholars have rightly argued that Plato’s treatment of painting is too complicated to be dismissed as negative only. Painting is for Plato a well-adapted analogy which allows him to discuss highly intricate philosophical issues, as, for example, the relationship of the forms with our earthly realm of sense-perception. It also provides him with useful vocabulary to conduct his philosophical investigations. In this paper, I focus on Plato’s employment of one particular pictorial technique, that of shadow-painting (skiagraphia). I argue that this innovative 5th century technique served Plato as a metaphor for discussing the intricate philosophical issue of opposition and antithesis (ta enantia). In specific terms, Plato associates the technique of skiagraphia with the poets, sophists and the unsophisticated non-philosophical majority.
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Mould, Richard F. "Archives of Clinical Skiagraphy." In A Century of X-rays and Radioactivity in Medicine. CRC Press, 2018. http://dx.doi.org/10.1201/9781315136271-4.

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"The skiagraphy of rheumatoid arthritis." In Classic Papers in Rheumatology. CRC Press, 2001. http://dx.doi.org/10.3109/9780203214237-13.

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Conference papers on the topic "Skiagraphia"

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Kubicek, Jan, Martin Augustynek, Andrea Vodakova, Marek Penhaker, Martin Cerny, and David Oczka. "Segmentation and modeling of scattered RTG irradiation on quality of skiagraphy images in clinical conditions." In 2017 IEEE Conference on Big Data and Analytics (ICBDA). IEEE, 2017. http://dx.doi.org/10.1109/icbdaa.2017.8284115.

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