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Academic literature on the topic 'Slave trade in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 March 2023

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Journal articles on the topic "Slave trade in art"

Porterfield, Laura Krystal. "Slaves waiting for sale: Abolitionist art and the American slave trade." Visual Studies 28, no. 1 (March 2013): 99–100. http://dx.doi.org/10.1080/1472586x.2012.717774.

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Tamarkin, E. "Slaves Waiting for Sale: Abolitionist Art and the American Slave Trade." Journal of American History 99, no. 3 (December 1, 2012): 914–15. http://dx.doi.org/10.1093/jahist/jas472.

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Wood, Marcus. "Slaves Waiting for Sale: Abolitionist Art and the American Slave Trade." Slavery & Abolition 34, no. 1 (March 2013): 174–77. http://dx.doi.org/10.1080/0144039x.2012.759675.

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Oostindie, Gert. "The slippery paths of commemoration and Heritage tourism: the Netherlands, Ghana, and the rediscovery of Atlantic slavery." New West Indian Guide / Nieuwe West-Indische Gids 79, no. 1-2 (January 1, 2005): 55–77. http://dx.doi.org/10.1163/22134360-90002501.

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Reflects upon the commemoration of the Atlantic slave trade and American slavery. Author describes how the slave trade and slavery was recently "rediscovered", as a part of Dutch history, and he compares this to the attention to this history in other European countries once engaging in slavery. He argues that despite the fact that the history of the slave trade and slavery is worthy of attention in itself, contemporary political and social factors mainly influence attention to the slave trade and slavery, noting that in countries with larger Afro-Caribbean minority groups the attention to this past is greater than in other once slave-trading countries. He further deplores the lack of academic accuracy on the slave trade and slavery in slavery commemorations and in the connected search for African roots among descendants of slaves, and illustrates this by focusing on the role of Ghana, and the slave fortress Elmina there, as this fortress also has become a much visited tourist site by Afro-Americans. According to him, this made for some that Ghana represents the whole of Africa, while African slaves in the Caribbean, also in the Dutch colonies, came from various parts of Africa. Author attributes this selectivity in part to the relatively large Ghanaian community in the Netherlands.

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Albert, Taneshia W., and Lindsay Tan. "Through the House of Slaves: A memorial to the origins of the Black diaspora." Art & the Public Sphere 10, no. 1 (July 1, 2021): 17–36. http://dx.doi.org/10.1386/aps_00046_1.

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The debate surrounding the removal of statues of imperialists, slave owners and slave traders raises the question of how to memorialize sombre historical truths with cultural humility. The House of Slaves on Gorée Island, Senegal, represents the connections of cultural identity, belonging and placemaking reclaimed from the enduring cultural trauma of the Trans-Atlantic slave trade. Using daughtering as a methodology (Evans-Winters 2019: 1), the authors present a discussion about the symbolic nature of art that memorializes a transformational passage shaped by imperialism and racist ideology. The critical relationship between art and culture as embodied in an architectural form is explored through (1) the anthropological notion of belonging as membership and identity, (2) the direct human affective/emotional impact of architecture as art in the social and political issues of past and present and (3) art as an intracultural interaction based in cultural trauma and community spaces. Theoretical Framework: critical race theory. Method: autoethnographic narrative. Results: The House of Slaves speaks of a critical cultural moment that shaped the creation of a new cultural diaspora. This historical structure has become a sacred, spiritual Mecca for those whose ancestors were displaced from continental Africa. The remains of its architectural form reveal the forgotten history of slave exploitation that happened here. This memorial speaks of the continued struggle to make a space safe for Black bodies, Black design and Black identity within the public sphere. The cultural memory of this artefact, and all moments and memorials shaped by imperialism and racism, haunt our present reality. Just as art played a role in celebrating now-outdated narratives, it may also reframe these sombre historical truths. Art can elevate contemporary narratives that embrace cultural humility and speak to cultural competence through the continued first-person experiences of these monuments, spaces and artefacts.

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Steckel, Richard H., and Richard A. Jensen. "New Evidence on the Causes of Slave and Crew Mortality in the Atlantic Slave Trade." Journal of Economic History 46, no. 1 (March 1986): 57–77. http://dx.doi.org/10.1017/s0022050700045502.

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The journals of slave ship surgeons of the 1790s are used to address questions on the relative importance of African conditions versus those on ships, crowding, the effectiveness of Dolben's Act, and the interaction between slave and crew health. In contrast with previous work we find that most slaves who died did so near the middle of the voyage. Crowding was important to health and mortality, but the restrictions of Dolben's Act did little to reduce losses. The crew was largely isolated from patterns of disease among slaves.

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Molineux, C. "MAURIE D. MCINNIS. Slaves Waiting for Sale: Abolitionist Art and the American Slave Trade." American Historical Review 118, no. 2 (April 1, 2013): 516–17. http://dx.doi.org/10.1093/ahr/118.2.516.

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Boylan, A. L. "Slaves Waiting for Sale: Abolitionist Art and the American Slave Trade. Maurie D. McInnis." MELUS: Multi-Ethnic Literature of the United States 39, no. 2 (March 10, 2014): 235–37. http://dx.doi.org/10.1093/melus/mlu001.

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Ivanov, Alexey. "Jews and Carolingians — Cooperation, Publicity, Slave Trade and Administrative Resource." ISTORIYA 13, no. 1 (111) (2022): 0. http://dx.doi.org/10.18254/s207987840018804-3.

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The prohibitions on the possession of Christian slaves, adopted at the beginning of the 5th century, squeezed Jews out of the industrial sphere of activity, i.e. from agriculture and handicrafts, to trade and financial and economic services, previously not very revered in the Jewish environment. Since the trade of that period was predominantly the slave trade, Jews became the main slave traders of the early Middle Ages. The texts of sources of the 5th-7th centuries indicate that during this period of time Jewish merchants were not public and hid under Greek pseudonyms — Anthony, Vasily, Priscus. The Saxon Wars of Charlemagne, which began in 770, became manna from heaven for Jews - they gained access to the almost unlimited demographic resource of the pagans, whose sale in slavery was not limited to the Catholic Church. By gifts of Asian luxury items at the beginning of the 9th century Jews were able to significantly strengthen their position in the French court. In 825, Jews received official bulls from Louis the Pious on permission to sell foreign slaves (mancipia peregrina) to countries located “below our empire” (infra imperium nostrum). Here, for the first time, we see elements of publicity — the judgments contain the names of Rabbi Donatus and Samuel (most likely from Paris), David and Joseph from Lyon and Abram from Saragossa. From the letters of Bishop Agobard of Lyons for the period 826-828 follows that these permissions were not purely declarative — in the event of conflicts between Jewish slave traders and the local administration, a “Master of Jewish Affairs” (Iudęorum magister) arrived and settled the situation. In conclusion, we comment on the economy of the Elba-Cordoba slave trade route and give a brief overview of the Jewish slave trade of the 9—11th centuries.

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Nelson, Megan Kate. "Tracing Footsteps: Visual Art and the Landscape of the Slave Trade." Reviews in American History 41, no. 1 (2013): 57–61. http://dx.doi.org/10.1353/rah.2013.0000.

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Dissertations / Theses on the topic "Slave trade in art"

Knight, Christina Anne. "Performing Passage: Contemporary Artists Stage the Slave Trade." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11178.

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My dissertation examines the work of George C. Wolfe, August Wilson, Lorna Simpson and Glenn Ligon, theater and visual artists working in the 1980s and 1990s who feature representations of the Middle Passage in their work. Despite their different mediums--Wolfe and Wilson created plays for the proscenium stage and Simpson and Ligon crafted art installations--all four critiqued the racialized social retrenchment of their historical moment by linking it to the slave trade, and each did so through an engagement with black performance traditions.
African and African American Studies

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Delvaux, Matthew C. "Transregional Slave Networks of the Northern Arc, 700–900 C.E.:." Thesis, Boston College, 2019. http://hdl.handle.net/2345/bc-ir:108583.

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Thesis advisor: Robin Fleming
This dissertation charts the movement of slaves from Western Europe, through Scandinavia, and into the frontiers of the Caliphate, a movement which took shape in the early 700s and flourished into the late 800s. The victims of this movement are well attested in texts from either end of their journey, and the movement of everyday things allows us to trace the itineraries they followed. Necklace beads—produced in the east, carried to the north, and worn in the west—serve as proxies for human traffic that traveled the same routes in opposite directions. Attention to this traffic overcomes four impasses—between regional particularism and interregional connectivity; between attention to exchange and focus on production; between privileging textual or material evidence; and between definitions of slavery that obscure practices of enslavement. The introduction outlines problems of studying medieval slavery with regard to transregional approaches to the Middle Ages, the transition to serfdom, and the use of material evidence. Chapter One gathers narrative texts previously dealt with anecdotally to establish patterns for the Viking-Age slave trade, with eastward traffic thriving by the late 800s. Chapter Two confirms these patterns by graphically comparing viking violence to reports of captive taking in the annals and archival documents of Ireland, Francia, and Anglo-Saxon England. Chapter Three investigates how viking captive taking impacted Western societies and the creation of written records in Carolingian Europe. Chapter Four turns to the material record, using beads to trace the intensity and flow of human traffic that fed from early viking violence. Chapter Five establishes a corresponding demand for slaves in the ʿAbbāsid Caliphate through Arabic archival, legal, historical, and geographic texts. The conclusion places this research in the context of global history. By spanning periods, regions, and disciplines, this dissertation brings to focus people who crossed boundaries unwillingly, but whose movements contributed to epochal change
Thesis (PhD) — Boston College, 2019
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: History

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Hernaes, Per O. "Slaves, Danes, and African coast society : The Danish slave trade from West Africa and Afro-Danish relations on the Eighteenth-Century Gold Coast /." Trondheim : NTNU, 1995. http://catalogue.bnf.fr/ark:/12148/cb38868537r.

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Southwick, Morgan. "'The Blacks Are Also Human': Africans and African Caribbeans and the Abolition of the Danish Slave Trade: 1732-1804." Thesis, University of Sydney, 2020. https://hdl.handle.net/2123/22980.

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In March 1792, the small Kingdom of Denmark-Norway became the first European power to formally announce the abolition of its slave trade. This thesis examines the part played by by African and African Caribbean people in this decision. The discussion focuses on key turning points in the history of Danish slavery including the St. John rebellion, the arrival of the Moravian Church, the Crown takeover of the West India Company and the slave trade commission. Through various modes of adaption and resistance African Caribbeans shaped these events and took advantage of them in new and creative ways. Within limits, they were able to challenge their position, create new communities, earn positions of leadership, blur racial lines, make claims, maintain links to their African cultural heritage and even become literate. These actions did not operate in a vacuum but helped to awaken a broadening consciousness. They helped force decision makers in the Danish West Indies and Copenhagen to rethink how slavery was operating. Ultimately, this awakening culminated in the final decision to ban the trade under the Danish flag. The existing histories of abolition have focused on various economic, moral and trans-imperial reasons for the abolition of the trade. These approaches are all important in explaining the decision. None, however, sufficiently address the role of African and African Caribbeans in the event. As such, they have remained not only passive but silent within the history of what was a pivotal moment in the history of abolitionism and slavery. In this dissertation, Africans are moved out of the shadows of Danish abolition history. They were, within strict limits, co-authors of their destiny, who were able to directly shape the institution of slavery in the Danish West Indies playing an important, albeit subtle, role in the final decision to abolish the Danish Slave trade.

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Hylton, Richard. "A labour of love : the politics of presenting contemporary art as part of commemorations to mark the United Kingdom's bicentenary of the Abolition of the Slave Trade Act, 1807-2007." Thesis, Goldsmiths College (University of London), 2018. http://research.gold.ac.uk/24371/.

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This thesis examines the role played by contemporary art in commemorations organised to mark the bicentenary of the abolition of the slave trade in 2007. It argues that, besides representing an unprecedented commemorative event, it was also indicative of how certain political, social and cultural practices around ‘race’ and multiculturalism, under New Labour, assumed a hitherto unseen level of prominence and institutional validation. Centred on a number of key exhibitions and other commemorative material and programmes produced for the bicentenary, the study explores themes relating to Black Britain, inclusion politics, national remembrance and commemoration, British history, artistic intervention, institutional critique, the role of Black artists, public collections, contemporary African art and the ethnographic museum. The study draws on and examines a range of discourses and practices involving government, funding agencies, galleries, museums, journalists, researchers and historians. This study contends that rather than being merely a moment of reflection and celebration of multiculturalism, the bicentenary’s contemporary art programme epitomised, in microcosm, the problematic ways in which skewed notions of diversity were normalised in British society. The conclusion also considers the wider influence and implications of the bicentenary regarding ongoing discourses and practices in Britain about the relationships between slavery, history and contemporary art.

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Günther, Heide. "Historisches Kalenderblatt: Das Ende des transatlantischen Sklavenhandels ; zum 200. Jahrestag des „Foreign Slave Trade Act“ am 25. März 2007." Universität Potsdam, 2007. http://opus.kobv.de/ubp/volltexte/2009/3743/.

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Gilman, Daniel. "The Acoustics of Abolition: Recovering the Evangelical Anti–Slave Trade Discourse Through Late-Eighteenth-Century Sermons, Hymns, and Prayers." Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/24055.

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This thesis explores the late-eighteenth-century movement to end Britain’s transatlantic slave trade through recovering one of the major discourses in favour of abolition, namely that of the evangelical Anglicans. This important intellectual milieu has often been ignored in academia and is discovered through examining the sermons, hymns, and prayers of three influential leaders in this movement: Member of Parliament William Wilberforce, pastor and hymn writer John Newton, and pastor and professor Charles Simeon. Their oral texts reveal that at the heart of their discourse lies the doctrine of Atonement. On this foundation these abolitionists primarily built a vocabulary not of human rights, but of public duty. This duty was both to care for the destitute as individuals and to protect their nation as a whole because they believed that God was the defender of the enslaved and that he would bring providential judgement on those nations that ignored their plight. For the British evangelicals, abolishing the slave trade was not merely a means to avoid impending judgement, but also part of a broader project to prepare the way for Jesus’s imminent return through advancing the work of reconciliation between humankind and God as they believed themselves to be confronting evil in all of its forms. By reconfiguring the evangelical abolitionist arguments within their religious framework and social contexts, this thesis helps overcome the dissonance that separates our world from theirs and makes accessible the eighteenth-century abolitionist discourse of a campaign that continues to resonate with human rights activists and scholars of social change in the twenty-first-century.

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Deaton, Thomas Edward. "Slave castle." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1581.

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The work described in this thesis is a series of narrative prints detailing the exploits of a criminally inclined religious cult. These prints encourage an open dialogue about the nature of religious practice and serve as a cautionary tale regarding absolute power and the importance of questioning authority and generally accepted beliefs.

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Sonoi, Chine. "British romanticism, slavery and the slave trade." Thesis, Nottingham Trent University, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.657618.

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Hurbon, Laennec. "TH􁪽 SLAVE TRADE AND BLACK SLAVERY IN AMERICA." Bulletin of Ecumenical Theology, 1991. http://digital.library.duq.edu/u?/bet,1477.

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Books on the topic "Slave trade in art"

Slaves waiting for sale: Abolitionist art and the Southern slave trade. Chicago: University of Chicago Press, 2011.

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McInnis, Maurie Dee. Slaves waiting for sale: Abolitionist art and the American slave trade. Chicago: University of Chicago Press, 2011.

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Nicolaas, E. Sint, Valika Smeulders, Maria Holtrop, Stephanie Archangel, Lisa Lambrechts, Geri Klazema, and Barbera van Kooij. Slavernij: Het verhaal van João, Wally, Oopjen, Paulus, Van Bengalen, Surapati, Sapali, Tula, Dirk, Lohkay. Amsterdam: Rijksmuseum, 2021.

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author, Ohri Aditi, Crooks Julie 1962 author, Kelebay Alexandra author, Thompson Cheryl author, Boone Emilie author, Bowen Deanna author, Duncan, Carol B. (Carol Bernadette), 1965- author, et al., eds. Towards an African Canadian art history: Art, memory, and resistance. Concord, ON: Captus Press, 2019.

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Pole, Len, and Zoë Shearman. Cargo: Excavating the contemporary legacy of the transatlantic slave trade in Plymouth and Devon. Plymouth: University of Plymouth Press, 2011.

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David, Jacques. Mauritius. [Port Louis], Mauritius: Pygmalion Publications, 2010.

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Executive, Scotland Scottish, ed. Scotland and the slave trade: 2007 bicentenary of the Abolition of the Slave Trade Act. Edinburgh: Scottish Executive, 2007.

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Musée d'Aquitaine de la ville de Bordeaux, ed. Bordeaux au XVIIIe siècle: Le commerce atlantique et l'esclavage = Bordeaux in the 18th century : trans-Atlantic trading and slavery. Bordeaux: Le Festin, 2010.

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author, Déry Louise 1955, James Erica Moiah author, and Galerie de l'UQAM, eds. Graham Fagen: Complainte de l'esclave = The slave's lament. Montréal, Québec: Galerie de l'UQAM, 2018.

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D, Savary Claude Ph, Labarthe Gilles 1968-, and Musée d'ethnographie de la ville de Genève., eds. Mémoires d'esclaves. Genève: Musée d'ethnographie, 1997.

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Book chapters on the topic "Slave trade in art"

Morgan, Kenneth. "Certain Considerations Relating to the Royal African Company of England. In Which, The Original Growth, and National Advantages of the Guiney Trade, are Demonstrated: As Also That the same Trade cannot be carried on, but by a Company and Joint Stock (London, 1680)." In The British Transatlantic Slave Trade, 1–14. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003113409-1.

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Harrison, Renee K. "“Dey Fooled Dem to Come”: Seduction and Trickery in the African Slave Trade." In Enslaved Women and the Art of Resistance in Antebellum America, 15–28. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230100664_2.

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Watkins-Kenney, Sarah C., and Lynn B. Harris. "Marine Art as a Research Tool for Investigating Casks as a Form of Material Culture Found on Historic Shipwrecks Identified as Slave-Trade and Pirate Ships." In Excavating the Histories of Slave-Trade and Pirate Ships, 171–225. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-96233-3_9.

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Suzuki, Hideaki. "“They are Raising the Devil with the Trading Dows:” Reconsidering the Royal Navy’s Anti-Slave Trade Campaign from the Slave Trader Perspective." In Slave Trade Profiteers in the Western Indian Ocean, 59–72. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-59803-1_4.

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Miguel, Marlon. "Representing the World, Weathering its End." In Cultural Inquiry, 247–76. Berlin: ICI Berlin Press, 2020. http://dx.doi.org/10.37050/ci-17_12.

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This chapter explores the intrinsic relationship between weather/weathering and the imaginary of the sea, which features in the work of artist Arthur Bispo do Rosário. Bispo was a black man who spent most of his life in psychiatric institutions. There is an important interplay between his psychotic deliriums and the production of hundreds of objects, many of them ships or forms that relate to the sea. These objects open up a discussion on decoloniality as they are embedded with marks left by the transatlantic slave trade.

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Everill, Bronwen. "Slave Trade Interventionism." In Abolition and Empire in Sierra Leone and Liberia, 107–27. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137291813_6.

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Knepper, Paul. "White Slave Trade." In The Invention of International Crime, 98–127. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230251120_5.

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Petersen, Anne Ring. "The square, the monument and the re-configurative power of art in postmigrant public spaces." In Postmigration, 235–64. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839448403-014.

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This chapter explores how art in public spaces shapes, and is shaped by, disagreements and conflicts resulting from the need to tackle »togetherness in difference« (Ien Ang), and how contemporary artistic practices play out in postmigrant public spaces, understood as plural domains of human encounter impacted by former and ongoing migration, and by new forms of nationalism. The chapter focuses on two art projects in Copenhagen, Denmark. The first one is The Red Square, a part of the public park Superkilen in the multicultural Nørrebro district. Designed by the artist group Superflex (in collaboration with architects from Bjarke Ingels Group and Topotek1), Superkilen opened in 2012. The second project is Jeannette Ehlers and La Vaughn Belle's collaboration on the sculpture I Am Queen Mary. Installed outside an old colonial Warehouse in Copenhagen harbour in 2018, it is the first monument in the country to commemorate Danish colonialism and complicity in the transatlantic slave trade. Borrowing a term from Chantal Mouffe, these projects could be characterized as »agonistic« interventions into public urban space. The chapter argues that they may provide us with some much-needed answers to the important question of the much debated yet crucial role of public art in democratic societies, particularly how works of art may form a possible loophole of escape from dominant discourses by openly contesting, or subtly circumventing, monocultural understandings of national heritage and identity, thereby helping us to imagine national and urban community otherwise, i.e. as postmigrant communities. The chapter examines what the re-configurative power of art might accomplish in postmigrant public spaces by considering the following questions: How can public art open up a social and national imagination pervaded by anxieties about (post)migration to other ways of thinking about diversity and collective identity? Furthermore, is it possible to identify a common pattern - i.e. a particular postmigrant strategy - that underpins and interconnects various types of artistic interventions into public spaces and debates, which, on the surface, present themselves as radically different kinds of projects?

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Lian, John, and Trevor Burnarp. "Hearing Slave Voices." In The Atlantic Slave Trade, 443–56. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003362647-24.

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Kehinde, Michael. "Trans-Saharan Slave Trade." In Encyclopedia of Migration, 1–4. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-6179-7_30-1.

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Conference papers on the topic "Slave trade in art"

Chen, Yuekun, and Yousef Sardahi. "Multi-Objective Optimal Design of an Active Aeroelastic Cascade Control System for an Aircraft Wing With a Leading and Trailing Control Surface." In ASME 2020 Dynamic Systems and Control Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/dscc2020-3121.

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Abstract This paper presents a multi-objective optimal design of cascade controllers applied to an aircraft wing with a leading and trailing control surface driven by electromagnetic actuators (EMAs). The design of the control system is decoupled into an inner (slave or secondary) and outer (master or primary) control algorithm. The master control algorithm is applied to the dynamics of the wing and its ailerons while two salve control loops are designed for the two EMAs. Then, a multi-objective and optimal design of the control algorithms is carried out. Three objectives are considered : 1) the speed of response of the slave controlled system must be faster than that of the master one, 2) the controlled system must be robust against external upsets, and 3) optimal energy consumption. The multi-objective optimization problem (MOP) is solved by the non-dominated sorting genetic algorithm (NSGA-II), which is one of the widely algorithms in solving MOPs. The setup parameters of the primary and secondary control algorithms are tuned during the optimization and the design objectives are evaluated. The solution of the MOP is a set of optimal cascade controllers that represent the trade-offs among the design objectives. Computer simulations show that the design objectives are achieved. However, some of the optimal solutions are practically in-feasible because they respond poorly to external disturbances. Presented study may become the basis for multi-objective optimal design of active aeroelastic control systems.

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Leckman, Tad, Larry Bafia, Peter Bardazzi, Pam Hogarth, Harry Mott, Dug Ward, and Peter Weishar. "Art school or trade school?" In ACM SIGGRAPH 2006 Educators program. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1179295.1179301.

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Leydier, Laurence. "Trade secrets of the violin masters." In ACM SIGGRAPH 98 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/281388.282015.

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Pereda, Javier, Patricia A. Murrieta-Flores, Nicholas Radburn, Lois South, and Christian Monaghan. "Afrobits: An interactive installation of African music and the Trans-Atlantic slave trade." In Proceedings of EVA London 2020. BCS Learning and Development Ltd, 2020. http://dx.doi.org/10.14236/ewic/eva2020.19.

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Chen, Jinling, and Zhongyi Bao. "History of Russia China Foreign Trade Relations." In 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.015.

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Park, Jin-Sik. "A Study on the Recognition of TV Format Trade Factors and the Person in Charge of International Trade Fair." In 5th International Workshop on Art, Culture, Game, Graphics, Broadcasting and Digital Contents 2016. Global Vision School Publication, 2016. http://dx.doi.org/10.21742/asehl.2016.1.09.

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Hu, Langyue. "Three Means of Indian Ocean Trade: Bartering, Purchasing, and Gifting." In 2021 International Conference on Public Art and Human Development ( ICPAHD 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220110.113.

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Li, Kang, Yongling Wu, Shaoyuan Li, and Yugeng Xi. "Energy Saving and System Performance - An Art of Trade-Off for Controller Design." In 2013 IEEE International Conference on Systems, Man and Cybernetics (SMC 2013). IEEE, 2013. http://dx.doi.org/10.1109/smc.2013.806.

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"International Experience Reference and Mathematical Statistics Analysis of China's Free Trade Zone Construction." In 2018 1st International Conference on Education, Art, Management and Social Sciences. Clausius Scientific Press, 2018. http://dx.doi.org/10.23977/eamss.2018.048.

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Kaliuzhnyi, Aleksandr, and Nikolai Shurukhnov. "LEGAL AND ORGANIZATIONAL PROBLEMS OF INTERNATIONAL COOPERATION IN THE FIELD OF COUNTERACTING ABDUCTION OF PEOPLE, TRAFFICKING IN PEOPLE AND THE USE OF THEIR SLAVE LABOR." In 7th SWS International Scientific Conferences on ART and HUMANITIES ISCAH 2020. STEF92 Technology, 2020. http://dx.doi.org/10.5593/sws.iscah.f2020.7.2/s01.02.

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Reports on the topic "Slave trade in art"

Steckel, Richard, and Richard Jensen. Determinants of Slave and Crew Mortality in the Atlantic Slave Trade. Cambridge, MA: National Bureau of Economic Research, January 1985. http://dx.doi.org/10.3386/w1540.

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Huntington, Dale. Anti-trafficking programs in South Asia: Appropriate activities, indicators and evaluation methodologies. Population Council, 2002. http://dx.doi.org/10.31899/rh2002.1019.

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Throughout South Asia, men, women, boys, and girls are trafficked within their own countries and across international borders against their wills in what is essentially a clandestine slave trade. The Congressional Research Service and the U.S. State Department estimate that between 1 to 2 million people are trafficked each year worldwide with the majority originating in Asia. Root causes include extreme disparities of wealth, increased awareness of job opportunities far from home, pervasive inequality due to caste, class, and gender bias, lack of transparency in regulations governing labor migration, poor enforcement of internationally agreed-upon human rights standards, and the enormous profitability for traffickers. The Population Council, UNIFEM, and PATH led a participatory approach to explore activities that address the problem of human trafficking in South Asia. A meeting was held in Kathmandu, Nepal, September 11– 13, 2001 to discuss these issues. Approximately 50 representatives from South Asian institutions, United Nations agencies, and international and local NGOs attended. This report summarizes the principal points from each paper presented and captures important discussion points that emerged from each panel presentation.

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Thomas, M. D. Magnetic and gravity characteristics of the Thelon and Taltson orogens, northern Canada: tectonic implications. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/329250.

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Differences of opinion concerning the relationship between the Thelon tectonic zone and the Taltson magmatic zone, as to whether they are individual tectonic elements or two independent elements, have generated various plate tectonic models explaining their creation. Magnetic and gravity signatures indicate that they are separate entities and that the Thelon tectonic zone and the Great Slave Lake shear zone form a single element. Adopting the single-element concept and available age dates, a temporally evolving plate tectonic model of Slave-Rae interaction is presented. At 2350 Ma, an Archean supercontinent rifted along the eastern and southern margins of the Slave Craton. Subsequent ocean closure, apparently diachronous, began with subduction at 2070 Ma in the northern Thelon tectonic zone, followed by subduction under the Great Slave Lake shear zone at 2051 Ma. Subduction related to closure of an ocean between the Buffalo Head terrane and the Rae Craton initiated under the Taltson magmatic zone at 1986 Ma, at which time subduction continued along the Thelon tectonic zone. At 1970 Ma, collision in the northern Thelon tectonic zone is evidenced in the Kilohigok Basin. From 1957 to 1920 Ma, plutonism was active in the Taltson magmatic zone, Great Slave Lake shear zone, and southern Thelon tectonic zone. The plutonism terminated in the northern Thelon tectonic zone at 1950 Ma, but it resumed at 1910 Ma and continued until 1880 Ma. The East Arm Basin witnessed igneous activity as early as 2046 Ma, though this took place more continuously from 1928 to 1861 Ma; some igneous rocks bear subduction-related trace element signatures. These signatures, and the presence of northwest-verging nappes, may signify collision with the Great Slave Lake shear zone as a result of southeastward subduction, completing closure between the Slave and Rae cratons.

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Nunn, Nathan, and Leonard Wantchekon. The Slave Trade and the Origins of Mistrust in Africa. Cambridge, MA: National Bureau of Economic Research, March 2009. http://dx.doi.org/10.3386/w14783.

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Fisman, Raymond, and Shang-Jin Wei. The Smuggling of Art, and the Art of Smuggling: Uncovering the Illicit Trade in Cultural Property and Antiques. Cambridge, MA: National Bureau of Economic Research, September 2007. http://dx.doi.org/10.3386/w13446.

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Levine, Ross, Chen Lin, and Wensi Xie. The Origins of Financial Development: How the African Slave Trade Continues to Influence Modern Finance. Cambridge, MA: National Bureau of Economic Research, September 2017. http://dx.doi.org/10.3386/w23800.

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Smith, I. R., S. J. A. Day, R C Paulen, and D. G. Pearson. Chemical studies of kimberlite indicator minerals from stream sediment and till samples in the southern Mackenzie region (NTS 85B, C, F, G), Northwest Territories, Canada. Natural Resources Canada/CMSS/Information Management, 2021. http://dx.doi.org/10.4095/329080.

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Till (n=196) and stream sediment (n=60) samples were collected in the area south and west of Great Slave Lake, Northwest Territories (NTS 85B, C, F, and G), over the course of 3 summer field seasons. Samples were processed to recover kimberlite and other indicator minerals. This report summarizes results of the kimberlite indicator mineral (KIM) studies, including measures of KIM mineral types, abundances, and chemistry (major, trace, and rare earth elements). KIMs were present in 24% of the samples collected, and only 183 KIM grains in total were recovered, of which Cr-pyrope garnets were the most abundant (65.6%). Chemical analyses revealed strong similarities to the Drybones Bay and Mud Lake kimberlites which are situated 50 to &gt;100 km to the northeast, roughly aligned with prominent glacially streamlined landform flowsets in this field area. Results suggest there is little evidence for undetected kimberlite outcrop or sub-crop in the study area.

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Reis, João. Slaves Who Owned Slaves in Nineteenth-Century Bahia, Brazil. Maria Sibylla Merian International Centre for Advanced Studies in the Humanities and Social Sciences Conviviality-Inequality in Latin America, May 2021. http://dx.doi.org/10.46877/reis.2021.36.

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It was not uncommon in Brazil for slaves to own slaves. Slaves as masters of slaves existed in many slave societies and societies with slaves, but considering modern, chattel slavery in the Americas, Brazil seems to have been a special case where this phenomenon thrived, especially in nineteenth-century urban Bahia. The investigation is based on more than five hundred cases of enslaved slaveowners registered in ecclesiastical and manumission records in the provincial capital city of Salvador. The paper discusses the positive legal basis and common law rights that made possible this peculiar form of slave ownership. The paper relates slave ownership by slaves with the direction and volume of the slave trade, the specific contours of urban slavery, access by slaves to slave trade networks, and slave/master relations. It also discusses the web of convivial relations that involved the slaves of slaves, focusing on the ethnic and gender profiles of the enslaved master and their slaves.

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Knight, R. D., and B. A. Kjarsgaard. Comparative pXRF and Lab ICP-ES/MS methods for mineral resource assessment, Northwest Territories. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/331239.

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The Geological Survey of Canada undertook a mineral resource assessment for a proposed national park in northern Canada (~ 33,500 km2) spanning the transition from boreal forest to barren lands tundra. Bedrock geology of this region is complex and includes the Archean Slave Craton, the Archean and Paleoproterozoic Rae domain of the Churchill Province, the Paleoproterozoic Thelon and Taltson magmatic-tectonic zones, and the Paleoproterozoic East Arm sedimentary basin. The area has variable mineral potential for lode gold, kimberlite-hosted diamonds, VMS, vein uranium and copper, SEDEX, as well as other deposit types. A comparison of analytical methods was carried out after processing the field collected samples to acquire both the &lt; 2 mm and for the &lt; 0.063 mm size fractions for 241 surficial sediment (till) samples, collected using a 10 x 10 km grid. Analytical methods comprised: 1) aqua regia followed by ICP-MS analysis, 2) 4-acid hot dissolution followed by ICP-ES/MS analysis, 3) lithium metaborate/tetraborate fusion methods followed by ICP-ES for major elements and ICP-MS for trace elements and, 4) portable XRF on dried, non-sieved sediment samples subjected to a granular segregation processing technique (to produce a clay-silt proxy) for seventeen elements (Ba, Ca, Cr, Cu, Fe, K, Mn, Ni, Pb, Rb, Sr, Th, Ti, U, V, Zn, and Zr) Results indicate that pXRF data do not replicate exactly the laboratory 4-acid and fusion data (in terms of precision and accuracy), but the relationship between the datasets is systematic as displayed in x-y scattergrams. Interpolated single element plots indicate that till samples with anomalies of high and low pXRF concentration levels are synonymous with high and low laboratory-based analytical concentration levels, respectively. The pXRF interpolations thus illustrate the regional geochemical trends, and most importantly, the significant geochemical anomalies in the surficial samples. These results indicate that pXRF spectrometry for a subset of elements is comparable to traditional laboratory methods. pXRF spectrometry also provides the benefit of rapid analysis and data acquisition that has a direct influence on real time sampling designs. This information facilitates efficient and cost-effective field projects (i.e. where used to identify regions of interest for high density sampling), and to prioritize samples to be analyzed using traditional geochemical methods. These tactics should increase the efficiency and success of a mineral exploration and/or environmental sampling programs.

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Rodrigues-Moura, Enrique, and Christina Märzhauser. Renegotiating the subaltern : Female voices in Peixoto’s «Obra Nova de Língua Geral de Mina» (Brazil, 1731/1741). Otto-Friedrich-Universität, 2023. http://dx.doi.org/10.20378/irb-57507.

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Out of ~11.000.000 enslaved Africans disembarked in the Americas, ~ 46% were taken to Brazil, where transatlantic slave trade only ended in 1850 (official abolition of slavery in 1888). In the Brazilian inland «capitania» Minas Gerais, slave numbers exploded due to gold mining in the first half of 18th century from 30.000 to nearly 300.000 black inhabitants out of a total ~350.000 in 1786. Due to gender demographics, intimate relations between African women and European men were frequent during Antonio da Costa Peixoto’s lifetime. In 1731/1741, this country clerk in Minas Gerais’ colonial administration, originally from Northern Portugal, completed his 42-page manuscript «Obra Nova de Língua Geral de Mina» («New work on the general language of Mina») documenting a variety of Gbe (sub-group of Kwa), one of the many African languages thought to have quickly disappeared in oversea slaveholder colonies. Some of Peixoto’s dialogues show African women who – despite being black and female and therefore usually associated with double subaltern status (see Spivak 1994 «The subaltern cannot speak») – successfully renegotiate their power position in trade. Although Peixoto’s efforts to acquire, describe and promote the «Língua Geral de Mina» can be interpreted as a «white» colonist’s strategy to secure his position through successful control, his dialogues also stress the importance of winning trust and cultivating good relations with members of the local black community. Several dialogues testify a degree of agency by Africans that undermines conventional representations of colonial relations, including a woman who enforces her «no credit» policy for her services, as shown above. Historical research on African and Afro-descendant women in Minas Gerais documents that some did not only manage to free themselves from slavery but even acquired considerable wealth.

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