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Books on the topic 'Slave trade in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 March 2023

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1

Slaves waiting for sale: Abolitionist art and the Southern slave trade. Chicago: University of Chicago Press, 2011.

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2

McInnis, Maurie Dee. Slaves waiting for sale: Abolitionist art and the American slave trade. Chicago: University of Chicago Press, 2011.

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3

Nicolaas, E. Sint, Valika Smeulders, Maria Holtrop, Stephanie Archangel, Lisa Lambrechts, Geri Klazema, and Barbera van Kooij. Slavernij: Het verhaal van João, Wally, Oopjen, Paulus, Van Bengalen, Surapati, Sapali, Tula, Dirk, Lohkay. Amsterdam: Rijksmuseum, 2021.

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4

author, Ohri Aditi, Crooks Julie 1962 author, Kelebay Alexandra author, Thompson Cheryl author, Boone Emilie author, Bowen Deanna author, Duncan, Carol B. (Carol Bernadette), 1965- author, et al., eds. Towards an African Canadian art history: Art, memory, and resistance. Concord, ON: Captus Press, 2019.

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5

Pole, Len, and Zoë Shearman. Cargo: Excavating the contemporary legacy of the transatlantic slave trade in Plymouth and Devon. Plymouth: University of Plymouth Press, 2011.

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6

David, Jacques. Mauritius. [Port Louis], Mauritius: Pygmalion Publications, 2010.

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7

Executive, Scotland Scottish, ed. Scotland and the slave trade: 2007 bicentenary of the Abolition of the Slave Trade Act. Edinburgh: Scottish Executive, 2007.

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8

Musée d'Aquitaine de la ville de Bordeaux, ed. Bordeaux au XVIIIe siècle: Le commerce atlantique et l'esclavage = Bordeaux in the 18th century : trans-Atlantic trading and slavery. Bordeaux: Le Festin, 2010.

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9

author, Déry Louise 1955, James Erica Moiah author, and Galerie de l'UQAM, eds. Graham Fagen: Complainte de l'esclave = The slave's lament. Montréal, Québec: Galerie de l'UQAM, 2018.

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10

D, Savary Claude Ph, Labarthe Gilles 1968-, and Musée d'ethnographie de la ville de Genève., eds. Mémoires d'esclaves. Genève: Musée d'ethnographie, 1997.

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11

Madge, Dresser, Giles Sue, and City of Bristol Museum and Art Gallery., eds. Bristol & transatlantic slavery: Catalogue of the exhibition A Respectable Trade? Bristol & Transatlantic Slavery at the City Museum & Art Gallery, Bristol 6 March - 2 September 1999, with additional material. Bristol: Bristol Museums & Art Gallery, 2000.

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12

City of Bristol Museum and Art Gallery. Bristol & transatlantic slavery: Catalogue of the exhibition A Respectable Trade? Bristol & Transatlantic Slavery at the City Museum & Art Gallery, Bristol 6 March - 2 September 1999, with additional material. Bristol: Bristol Museums & Art Gallery, 2000.

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13

Representing enslavement and abolition in museums: Ambiguous engagements. New York: Routledge, 2011.

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14

Le bois d'ébène: De l'histoire à l'histoire dessinée, exposition du 26 octobre 1985 au 10 février 1986, Musée des beaux-arts A. Malraux. Le Havre: Musée des beaux-arts A. Malraux, 1986.

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15

Our new husbands are here: Households, gender, and politics in a West African state from the slave trade to colonial rule. Athens: Ohio University Press, 2011.

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16

Susan, Wright. Slave trade. New York: Pocket Star Books, 2003.

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17

Britain's slave trade. London: Channel 4 Books, 1999.

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18

The slave trade. Chicago, Ill: Heinemann Library, 2009.

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19

The slave trade. Mankato, Minn: Creative Education, 2008.

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20

The slave trade. Oxford: Heinemann Library, 2010.

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21

The slave trade. New York: Thames & Hudson, 2011.

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22

Jeremy, Black. The slave trade. London: Social Affairs Unit, 2006.

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23

The slave trade. Stroud: Sutton, 1999.

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24

Kachur, Matthew. The slave trade. New York: Facts On File, 2006.

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25

Smith, Jabali. Slave. Green Bay, WI: Titletown Pub, 2017.

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26

The Atlantic slave trade. 2nd ed. New York: Cambridge University Press, 2010.

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27

McInnis, Maurie D. Slaves Waiting for Sale: Abolitionist Art and the American Slave Trade. University of Chicago Press, 2013.

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28

McInnis, Maurie D. Slaves Waiting for Sale: Abolitionist Art and the American Slave Trade. University of Chicago Press, 2011.

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29

McInnis, Maurie D. Slaves Waiting for Sale: Abolitionist Art and the American Slave Trade. University of Chicago Press, 2012.

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30

Value in Art: Manet and the Slave Trade. University of Chicago Press, 2022.

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31

Tadman, Michael. Internal Slave Trades. Edited by Mark M. Smith and Robert L. Paquette. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199227990.013.0029.

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This article reviews scholarship on internal slave trades in the Americas. Intra-regional slave trades in the Americas have often left few records and have been little noticed by historians. In many cases, historians have probably ignored significant inter-regional trades that pre-dated the era of abolition. The internal slave trades that have been most researched are long-distance trades that operated under the critical attention of active abolitionist movements, and they are trades that flourished after the supply of slaves from Africa had terminated or been much restricted. The internal trade was most prominent in North America from 1807 (the abolition of the African trade) to 1865, in Brazil from 1850 (the ending of African importation) to 1888, and in the British Caribbean from 1807 (again the abolition of the African trade) to 1833.

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32

Atkinson Reproduced in Color. St Pubns, 1994.

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33

Hodges, Graham, William Earle Williams, and Susanna White. Wicked Commerce: The U.S. and the Atlantic Slave Trade Through the Lens of William Earle Williams. Picker Art Gallery, Colgate University, 2022.

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34

Melville, Herman. Benito Cereno (The Art of the Novella). Melville House Publishing, 2007.

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35

Committed to Memory: The Art of the Slave Ship Icon. Princeton University Press, 2009.

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36

Representing Slavery: Art, artefacts and archives in the collections of the National Maritime Museum. Lund Humphries, 2014.

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37

Memoirs of the Reign of Bossa Ahádee: King of Dahomy, an Inland Country of Guiney. to Which Are Added, the Author's Journey to Abomey, the Capital; and a Short Account of the African Slave Trade. by Robert Norris. Illustrated with a New Map. Creative Media Partners, LLC, 2022.

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38

Memoirs of the Reign of Bossa Ahádee: King of Dahomy, an Inland Country of Guiney. to Which Are Added, the Author's Journey to Abomey, the Capital; and a Short Account of the African Slave Trade. by Robert Norris. Illustrated with a New Map. Creative Media Partners, LLC, 2022.

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39

Bicentenary of the abolition of the Slave Trade Act, 1807-2007. London: Dept. for Communities and Local Government Pub., 2007.

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40

Brown, Bob. Slavery And The Slave Trade Were And Are Crimes Against Humanity! African Diaspora Publishing Corporation, 2004.

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41

Black Milk: Imagining Slavery in the Visual Cultures of Brazil and America. Oxford University Press, Incorporated, 2013.

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42

Black Milk: Imagining Slavery in the Visual Cultures of Brazil and America. Oxford University Press, 2012.

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43

Wood, Marcus. Black Milk: Imagining Slavery in the Visual Cultures of Brazil and America. Oxford University Press, 2013.

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44

Visualising Slavery: Art Across the African Diaspora. Liverpool University Press, 2016.

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45

Bernier, Celeste-Marie, and Hannah Durkin. Visualising Slavery: Art Across the African Diaspora. Liverpool University Press, 2021.

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46

Afro Atlantic Histories. D.A.P./Distributed Art Publishers, 2021.

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47

I have found a song: Poems and images about enslavement to mark the Bicentenary of the Abolition of the Slave Trade Act . London: Enitharmon Editions, 2010.

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48

Where The Negroes Are Masters An African Port In The Era Of The Slave Trade. Harvard University Press, 2014.

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49

Slavery and the British Country House. English Heritage, 2013.

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50

Thompson, Katrina Dyonne. Advertisement. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038259.003.0006.

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This chapter focuses on the common order for bondsmen and women to dance, act lively, and smile in the domestic slave trade. Through an analysis of the coffle, slave pen, and auction block experiences of slaves, the chapter reveals the reasons why music and dance often were incorporated into the complex system of the domestic slave trade. It examines how performing coffles functioned as public advertisements for not only planters but also those hoping to achieve planter status. It considers the manner in which these singing and dancing coffles positively promoted the institution of slavery to non-slaveholders. It shows that the coffle served as an organized transportation network of slaves to the auction block within the interstate slave trade. While slave coffle scenes represented to whites a justification of their enslavement of blacks, they represented an avenue of agency for blacks. Dance and music also publicly presented the racial hierarchy of the time.

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