Journal articles: 'Slavenka'

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Burkhart, Dagmar. "Archeology of female cannibalism: Slavenka Drakulić's novel Divine Hunger." Russian Literature 59, no. 1 (January 2006): 1–24. http://dx.doi.org/10.1016/j.ruslit.2006.01.001.

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Todesco, Serena. "Maternal Troubling Bodies in Slavenka Drakulić and Elena Ferrante." MLN 136, no. 1 (2021): 164–85. http://dx.doi.org/10.1353/mln.2021.0009.

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Drezgic, Rada, and Dubravka Zarkov. "Feminist troubles with the Balkans." Sociologija 47, no. 4 (2005): 289–306. http://dx.doi.org/10.2298/soc0504289d.

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The paper analyses writings of Slavenka Drakulic and certain number of other feminist writers from ex-Yugoslavia aiming to answer to the following questions: first, how much and in what way the discourses on ex-Yugoslavia Balkans, (post)socialism, nationalism and war have been produced by local feminists and/or imported from the West; second, have these discourses been overlapping with local feminist discourses about masculinity and femininity and how.

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Marin, Noemi. "Slavenka Drakulić: Dissidence and Rhetorical Voice in Postcommunist Eastern Europe." East European Politics & Societies 15, no. 3 (September 1, 2001): 678–97. http://dx.doi.org/10.1177/088832501766276317.

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Marin, Noemi. "Slavenka Drakulić: Dissidence and Rhetorical Voice in Postcommunist Eastern Europe." East European Politics and Societies: and Cultures 15, no. 3 (September 2001): 678–97. http://dx.doi.org/10.1177/0888325401015003008.

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Ahmetagić, Jasmina. "The case study by Slavenka Drakulić: Whose victim is Mileva Einstein?" Зборник радова Филозофског факултета у Приштини 50, no. 4 (2020): 3–17. http://dx.doi.org/10.5937/zrffp50-29483.

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By embedding the "theory of sadness" phrase in the novel's title (Mileva Einstein, a theory of sadness), Slavenka Drakulić suggests that she sees her heroine's life as a paradigm of melancholy and depression. By diving into the psychology of a woman who has been portrayed during the two decades as wilingless and gloomy, always lacking the sense of self-fulfillment, the author is trying to reveal the key drivers which are responsible for Mileva's humiliating life circumstances-non-assertiveness, suppression, adjustment, feeling of inferiority, inability to tolerate separation and addiction, as well as a tendency to deny the facts. The protagonist illuminates her own feelings of inferiority due to her birth physical defects which pushed her into the science. She compensates her low self-esteem by school achievements and by nurturing the love relationship towards the symbiosis and removal of self-boundaries. Therefore, the love loss is a personal impoverishment and an identity issue. The novel is told by the omniscient narrator influenced by the influx of Mileva's stream of consciousness (still unreliable, since it is a testimony of "melancholy effect" and distortion of reality). The heroine faces the deepest truth about herself and at the same time turns away from it. Intertwined contradictions and ambivalences are revealing that the main cause of Mileva's tragedy is her pathological sadness. Using the psychoanalytical repertoire of object relations, we point out that, following the loss of the object, the heroine transferred her libido to herself and became self-obsessed in a destructive manner. By suggesting to the reader why Mileva Marić Einstein's response to the circumstances was depression (amidst all other psychological possibilities), Slavenka Drakulić's work is breaking the journalistic boundaries and emerges as a psychological novel.

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Sabljić, Jakov, and Tina Varga Oswald. "Genre differentiation in A guided Tour through the Museum of Communismby Slavenka Drakulić." Journal of Education Culture and Society 4, no. 1 (January 12, 2020): 243–56. http://dx.doi.org/10.15503/jecs20131.243.256.

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On the 20th anniversary of the fall of the Berlin Wall, a Croatian novelist Slavenka Dra-kulić simultaneously in several countries published a collection of essays titled A Guided Tour through the Museum of Communism.The collection consists of eight stories narrated by ani-mals: a mole, a mouse, a dog, a cat, a raven, a parrot, a pig and a bear. The animals talk about neuralgic issues of Communism in former Eastern European countries (Eastern Germany, Czechoslovakia, Poland, Rumania, Albania, Yugoslavia, Hungary and Bulgaria). The genre differentiation is based on determining postmodern variations of basic genre conventions in the process of creating a piece of literature. Fable variations are determined by analyzing the relationship between a fable and other genre forms, such as, an essay, a novella, a legend, a myth. Next to genre differentiation of a literary structure, one can also observe the differen-tiation of its role that has been conditioned by today’s cultural memory. In that manner, my-thologized persons, objects and features of Communism are analyzed as universal symbols of a message, as well as elements of a satiric play. This paper will determine in which ways the above mentioned variations enrich the existent genre forms.

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Berber, Neval. "Writing the Rape in Post-Conflict Societies of the 1990s: John M. Coetzee and Slavenka Drakulić." Critique: Studies in Contemporary Fiction 59, no. 1 (August 4, 2017): 103–14. http://dx.doi.org/10.1080/00111619.2017.1354811.

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Bahun, Sanja. "There Was Once A Country An impossible chronotope in the writings of Slavenka Drakulić and Dubravka Ugrešić." European Journal of English Studies 14, no. 1 (April 2010): 63–74. http://dx.doi.org/10.1080/13825571003588486.

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Zolkos, M. "The Time That Was Broken, the Home That Was Razed: Deconstructing Slavenka Drakulic's Storytelling About Yugoslav War Crimes." International Journal of Transitional Justice 2, no. 2 (July 1, 2008): 214–26. http://dx.doi.org/10.1093/ijtj/ijn006.

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Knežić, Boško. ""MARCO KRAGLIEVICH S’È DESTO. L’HAN VISTO IN CROAZIA" – TOMMASEOV PRILOG AFIRMACIJI SLAVENSKE NARODNE POEZIJE." Croatica et Slavica Iadertina 1, no. 12 (March 30, 2017): 231. http://dx.doi.org/10.15291/csi.1165.

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Rad se bavi odnosom Nikole Tommasea i hrvatskoga jezika te slavenske književne tradicije općenito s posebnim osvrtom na prijevode slavenske narodne poezije na talijanski jezik koji su pridonijeli njezinoj afirmaciji na zapadnoj obali Jadrana. Zajednički nazivnik svih analiziranih književnih priloga objavljenih u zadarskom listu Rivista Illustrata 1894., 1895. i 1897. godine sveslavenski je junak Kraljević Marko, mitološka spona slavenskoga jedinstva. Tommaseovi prijevodi i zanimanje za slavensku narodnu poeziju kao jedinu istinsku manifestaciju duha i najveći plod slavenskoga kreativnog genija posebno su važni u kontekstu njezine afirmacije izvan granica slavenskoga svijeta gdje je zbog nedostatka prijevoda ostala neotkrivena. U drugome su dijelu članka na nekoliko primjera ilustrirane prevoditeljske tehnike korištene prilikom prijevoda narodne poezije iz čega se može izvesti zaključak da su slavenske i romanske književne i kulturne tradicije duboko prožete i ukorijenjene u otočentesknoj Dalmaciji.

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Zarkov, Dubravka. "Book Reviews : Slavenka Drakulic Balkan Express: Fragments from the Other Side of War London: Hutchinson, 1993, 146 pp., ISBN 0-09-177527-2." European Journal of Women's Studies 1, no. 1 (May 1994): 130–32. http://dx.doi.org/10.1177/135050689400100120.

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Lytvynenko, Viacheslav V. "Selective textual evidence as a case for a single translator of Athanasius’ Orations against the Arians into Old Slavonic." Slovo, no. 68 (2018): 199–226. http://dx.doi.org/10.31745/s.68.7.

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Cilj je članka argumentirati pretpostavku o jednom prevoditelju Atanazijevih (triju) Govora protiv Arijevaca i Pisma biskupima Egipta i Libije (poimana kao četvrti govor u staroslavenskom korpusu) na staroslavenski jezik. U tu svrhu istražuje se osam grčkih termina, koji predstavljaju temeljni vokabular u raspravama o trojstvenosti u 4. stoljeću i u samim Atanazijevim Govorima, i njihovi slavenski ekvivalenti. Prvi dio rada donosi iscrpnu terminološku tablicu koja sadrži spomenutih osam grčkih termina i njihove slavenske ekvivalente u svim četirima pismima. Na temelju terminološke tablice u drugom se dijelu rada raščlanjuju odabrani termini. Istražuje se dosljednost njihove uporabe u Atanazijevim govorima kao argument da se staroslavenski prijevod Govora protiv Arijevaca može smatrati radom jednoga prevoditelja.

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Despalatović, Elinor Murray. "Sterben in Kroatien: Vom Krieg mitten in Europa. By Slavenka Drakulić. Trans. Ulrike Bischoff and Katherina Wolf-Grieβhaber. Hamburg: Rowohlt, 1992. 155 pp. DM 9.90, paper." Slavic Review 53, no. 3 (1994): 927–28. http://dx.doi.org/10.2307/2501582.

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15

Radosavljević, Vladan R., Slavenka M. Janković, and Jelena M. Marinković. "Stressful life events in the pathogenesis of Graves' disease." European Journal of Endocrinology 134, no. 6 (June 1996): 699–701. http://dx.doi.org/10.1530/eje.0.1340699.

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Radosavljević VR, Janković SM, Marinković JM. Stressful life events in the pathogenesis of Graves' disease. Eur J Endocrinol 1996;134:699–701. ISSN 0804–4643 A case-control study was conducted in order to assess possible relationships between life events and Graves' disease. The study included 100 newly diagnosed patients with Graves' disease and 100 controls matched with respect to sex, age (±2 years) and type of residence (rural, urban). Paykel's Interview for Recent Life Events (a semistructured research interview covering 61 life events) was administered to each subject. In comparison with controls, the patients claimed to have had significantly more life events in the 12 months preceding the diagnosis (p = 0.0001). The following eight life events were significantly more prevalent among patients than controls: change in time spent on work (much overtime work, second job, much less work than usual) (McNemar = 12.04; RR= 7.00;95%CI= 2.35–20.80;p= 0.0001), unemployment for at least 1 month (McNemar = 4.00; RR = 8.00; 95%CI = 1.04–61.39; p = 0.039), arguments with one's superior at work or a coworker (McNemar = 4.50; RR = 3.50; 95%CI = 1.10–11.08; p = 0.031), change in the work conditions (new company division, new chief, large reorganization) (McNemar = 4.26; RR = 4.00; 95%CI = 1.07–14.92; p = 0.035), increased arguments with spouse (McNemar = 6.75; RR = 11.00; 95%CI = 1.82–66.44; p = 0.006), increased arguments with fiancé/fiancée or a steady date (McNemar = 4.00; RR = 8.00; 95%CI = 1.04–61.39; p = 0.039), hospitalization of a family member for serious illness (McNemar = 3.76; RR = 3.25; 95%CI = 1.01–10.68; p = 0.049) and moderate financial difficulties (McNemar = 8.50; RR = 3.25; 95%CI = 1.47–7.16; p = 0.003). Our findings indicate that life events may be a risk factor for Graves' disease. Slavenka Janković, Institute of Epidemiology, Višegradska 26, PO Box 456, 11000 Belgrade, Yugoslavia

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Barščevski, Taras. "Sveti Ćiril i Metod i prijevod Svetog pisma na crkvenoslavenski jezik." Obnovljeni život 72., no. 1. (April 13, 2017): 35–48. http://dx.doi.org/10.31337/oz.72.1.3.

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Temeljni je razlog nastajanja nekog prijevoda ponajprije omogućiti razumijevanje originalnog teksta onomu tko ne razumije jezik na kojem je taj tekst napisan. Biblijski tekstovi nisu samo tekstovi napisani na starohebrejskom (i aramejskom) ili starogrčkom jeziku, nego oni sadržavaju i Riječ Božju — objavu Boga o Sebi te Njegove volje spasenja za svakog čovjeka. Dakle, prijevod Svetog pisma nije samo prijevod s jednog jezika (drevnog i nerazumljivog) na drugi jezik (moderan i razumljiv), nego i prenošenje Božanske Objave. Prijevod sv. Ćirila i Metoda realizira i jedno i drugo. Članak istražuje preduvjete i nastajanje ćirilometodskog prijevoda Svetog pisma na slavenski jezik, uzimajući u obzir ponajprije razloge — naviještaj Evanđelja kod Slavena, no i poteškoće tog prijevoda — nepostojanje pisma i otpor slavenskomu jeziku u liturgijskoj upotrebi. Odgovor Slavenskih apostola na nepostojanje slavenskog pisma bilo je stvaranje glagoljice i ćirilice, a pravo na liturgijsku upotrebu bilo je ostvareno prijevodom ne samo Svetog pisma, nego i brojnim liturgijskim tekstovima. No ta dostignuća Svete braće imala su utjecaj ne samo na razvoj kršćanstva kod slavenskih naroda u početcima, nego su u kasnijim stoljećima često postajala i razlog zastoja misijske gorljivosti radi očuvanja „sakralnosti“ slȏva prijevoda.

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Vasic, Aleksandar. "The beginnings of Serbian music historiography: Serbian music periodicals between the world wars." Muzikologija, no. 12 (2012): 143–64. http://dx.doi.org/10.2298/muz120227007v.

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The transition of the 19th into the 20th century in Serbian music history was a period of music criticism, journalism and essay writing. At that time, Serbian musicology had not yet been developed as an academic discipline. After WWI there were many more academic writings on this subject; therefore, the interwar period represents the beginning of Serbian music historiography. This paper analyses Serbian interwar music magazines as source material for the history of Serbian musicology. The following music magazines were published in Belgrade at the time: Muzicki glasnik (Music Herald, 1922), Muzika (Music, 1928-1929), Glasnik Muzickog drustva ?Stankovic? (Stankovic Music Society Herald, 1928-1934, 1938-1941; from January 1931. known as Muzicki glasnik /Music Herald/), Zvuk ( Sound, 1932-1936), Vesnik Juznoslovesnkog pevackog saveza (The South Slav Singing Union Courier, 1935-1936, 1938), Slavenska muzika ( Slavonic Music, 1939-1941), and Revija muzike (The Music Review, 1940). A great number of historical studies and writings on Serbian music were published in the interwar periodicals. A significant contribution was made above all to the study of Serbian musicians? biographies and bibliographies of the 19th century. Vladimir R. Djordjevic published several short biographies in Muzicki glasnik (1922) in an article called Ogled biografskog recnika srpskih muzicara (An Introduction to Serbian Musicians? Biographies). Writers on music obviously understood that the starting point in the study of Serbian music history had to be the composers? biographical data. Other magazines (such as Muzicki glasnik in 1928 and 1931, Zvuk, Vesnik Juznoslovenskog pevackog saveza, and Slavenska muzika) published a number of essays on distinguished Serbian and Yugoslav musicians of the 19th and 20th centuries, most of which deal with both composers? biographical data and analysis of their compositions. Their narrative style reflects the habits of 19th-century romanticism and positivism: in some of these writings the language also has an aesthetic function. Serbian interwar music magazines also published some archival documents contributing to the future research of Serbian music history. Interwar period in the then Yugoslavia was a time of rapid development and modernization in various fields of culture. There was a great demand for music writings of general interest. Therefore, Revija muzike (January - June 1940) was totally oriented towards the popularization of music and the arts (such as drama and film). This magazine also published some popular articles on music history. Serbian interwar music periodicals were least active in the field of musicological analysis. However, in 1934, Branko M. Dragutinovic published a detailed analytic study of Josip Slavenski?s composition Religiofonija (Religiophonics) in Zvuk. There were also some interdisciplinary history articles in Serbian interwar music magazines. Being well aware of the fact that music history comprises not only music itself, but also music writing, schools, institutions and music life, our music writers used ?indirect? sources, such as literature and art, as well as music. Serbian interwar music periodicals opened many fields of research, thus blazing a trail in postwar Serbian musicology.

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Skubic, Mitja. "Un importante contributo alla lessicografia italo-slovena: Sergij Šlenc." Linguistica 47, no. 1 (December 31, 2007): 159–65. http://dx.doi.org/10.4312/linguistica.47.1.159-165.

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Anni fa ho avuto l'onore e il piacere di segnalare nella nostra rivista, v. Linguistica XXXVIII,2 (1998),l'apparizione del Grande dizianario italiana-slavena dello stesso autore. Ho concluso ilmio resoconto fonnulando l'augurio e la speranza di molti tra dinoidi vedere pubblicata anche la versione sloveno-italiana del vocabolario. Ora l'abbiamo: con il Veliki slovensko-italijanski slovar/Grande dizianaria slavena-italiana è completata l'opera che servirà agli interessati sloveni e italiani. Il Dizionario non è, ovviamente, il primo della specie; però, l'ultimo di una certa mole, quello del benemerito Janko Kotnik risale all'anno 1965, vale a dire a quarant'anni fa, ripubblicato nel 1967 e nel 1972 il che testimonia della sua utilità e necessità. Trascorso tale periodo di tempo va da sé che l'apparizione di un nuovo dizionario è stata sentita di urgente attualità.

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19

Bubrin, Vladimir. "Slaveni u Renesansi." Journal of Croatian Studies 45 (2004): 275–79. http://dx.doi.org/10.5840/jcroatstud2004-0545-4620.

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20

Topić, Anamarija. "Palača Slavenske banke u Vlaškoj ulici u Zagrebu." Peristil 63, no. 1 (March 31, 2021): 167–81. http://dx.doi.org/10.17685/peristil.63.11.

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U članku je obrađena palača Slavenske banke na križanju Vlaške i Draškovićeve ulice u Zagrebu. Palača je izgrađena između 1921. i 1923. godine prema projektu arhitekta Huga Ehrlicha, u stilu međuratnog klasicizma. Istraživanje se temelji na sačuvanom arhivskom gradivu, člancima iz dnevnog tiska iz doba gradnje, građevinskim nacrtima, starim fotografijama te relevantnoj stručnoj literaturi. Rezultati istraživanja omogućuju uvid u tijek gradnje i opremanja poslovno-stambene zgrade Slavenske banke.

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Bedina, Katarina. "Josip Slavenski v publicistiki Slavka Osterca." Musicological Annual 22, no. 1 (December 1, 1986): 53–58. http://dx.doi.org/10.4312/mz.22.1.53-58.

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Delibašić, Spomenka. "La rencontre de la littérature sud-slave avec les littératures étrangères: Alberto Fortis et Charles Nodier." Croatica et Slavica Iadertina 15, no. 2 (March 12, 2020): 517–34. http://dx.doi.org/10.15291/csi.2987.

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Cilj nam je proučiti različite utjecaje okcidentalnih književnosti na južnoslavensku književnost kao i način prijenosa i širenja narodnih pjesama u oba smjera. Predlažemo imagološki i interkulturalni metodološki otvoren pristup koji daje apsolutni prioritet tekstovima Alberta Fortisa i Charlesa Nodiera ispitujući funkciju drugosti, studiju prikaza drugog, altera et aliusa. Usmeno prenošenje francuskog epskog materijala na područje Južnih Slavena je veoma značajno: tema Rolanda prodire u Dalmaciju preko Umbrije (Banašević 1975a: 8). Poetska tema “Hasanaginice” (“Tužna balada plemenite supruge Asan-age”), prvog teksta književnosti s istočne obale Jadrana prevedene na francuski, pobudila je znatiželju i zanimanje francuske javnosti za narodne pjesme južnih Slavena. Ovu “morlačku” pjesmu objavio je Alberto Fortis u originalu s talijanskim prijevodom u Viaggio in Dalmazia (1774). Goetheova verzija ove poznate pjesme doprinosi valorizaciji poezije balkanskih naroda u Njemačkoj, a zatim i u drugim europskim zemljama. Može se konstatirati da visoka poetska vrijednost narodnih pjesama na ovom području juga obilježava u okcidentalnoj književnosti paralelni razvoj i uzajamnu potporu.

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Loparnik, Borut. "Kogoj in Slavenski. Prispevek k tipologiji jugoslovanskega glasbenega dogajanja." Musicological Annual 22, no. 1 (December 1, 1986): 29–38. http://dx.doi.org/10.4312/mz.22.1.29-38.

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Dodik, Sanda. "The Review of the Collection "Mešoviti Horovi II" by Josip Slavenski." English version, no. 10 (October 20, 2018): 54–67. http://dx.doi.org/10.51515/issn.2744-1261.2018.10.54.

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This paper presents and gives analytical review of some of the posthumously discovered choir compositions by Josip Slavenski. An important role in their discovery, the following editorship, and also partial reconstructing of newly discovered, unfinished choirs, was played by professor Mirjana Živković, a composer and a theoretician who has studied music of Josip Slavenski from different angles, throughout many years. Out of close to 40 newly discovered choirs, there are 19 mixed a cappella choir compositions which were prepared for printing, which lead to publishing of Horsko stvaralaštvo; Mešoviti horovi of Josip Slavenski, edited by Mirjana Živković in May 2016. The aim of this paper is to show the importance of these posthumously discovered compositions, and to give the analytical review of some of them. Although simplified and less elaborated, these mixed choirs show an importаnt features of the author’s style, аnd for that reason deserve our attention, and the illuminаtion from the analytical, but also performing point of view.

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Kudera, Jacek. "O początkach badań dialektologicznych Południowej Słowiańszczyzny 120 lat po projekcie Milana Rešetara." Slavica Wratislaviensia 165 (February 1, 2018): 243–53. http://dx.doi.org/10.19195/0137-1150.165.21.

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On the origins of dialectological research into South Slavic languages, 120 years since Milan Rešetar’sprojectPaper presents the brief history of the first investigations into South Slavic dialects. It contains the Polish translation of Rešetar’s questionnaire “Pitanja ogovoru prostoga naroda” published in 1897, with some comments on methodology. The author presents the investigated dialectic phenomena in the field of phonetics, morphology and syntax based on afew responses. Some lexical characteristics of speech at the time are also explored. The instructions are compared with the contemporary approach to dialectological research. Other comments on the pioneer research are presented from the perspective of diachronic dialectology.O počecima dijalektoloških istraživanjakod južnih Slavena povodom 120 godišnjice Rešetarovog projektaRad predstavlja kratku povijest prvih dijalektoloških istraživanja kod južnih Slavena. On sadrži ipoljski prijevod Rešetarovoga upitnika Pitanja ogovoru prostoga naroda objavljenog 1897 s metodološkim komentarima. Na osnovu nekoliko odgovora, autor donosi istražene dijalektološke pojave na području fonetike, morfologije isintakse. Također, navodi ineka leksička obilježja ondašnjeg govora. Upute su uspoređene isa suvremenom metodologijom dijalektoloških istraživanja. Navedeni su idrugi komentari opionirskom istraživanju uperspektivi dijakronijske dijalektologije.

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Kunetka, František. "Celebrating the Pascha in the Ancient Church." Studia theologica 18, no. 2 (June 1, 2016): 23–57. http://dx.doi.org/10.5507/sth.2016.015.

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Paić, Žarko. "Mi, s rubova Europe: Sumorni jezik i „slavenska duša”." Poznańskie Studia Slawistyczne, no. 8 (January 1, 2015): 259. http://dx.doi.org/10.14746/pss.2015.8.17.

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Jarak, Mirja. "Kršćanstvo na tlu Srbije od prvih početaka do dolaska Slavena." Diacovensia 27, no. 2 (2019): 339–59. http://dx.doi.org/10.31823/d.27.2.6.

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U radu se izlažu okvirni podatci o ranokršćanskom razdoblju na području današnje Srbije, od razdoblja tetrarhije do kraja kasne antike. U to doba na tlu Srbije nalazilo se nekoliko kasnoantičkih rimskih provincija s bogatim gradovima koji su bili središta kršćanskoga života. Najvažniji grad tijekom 3. i 4. st. bio je Sirmium, središte prefekture Illyricum i od kraja 4. st. središte nadbiskupije. Izlaganje je zasnovano na povijesnim literarnim izvorima i arheološkoj građi. Iz obilja podataka izdvojeni su neki posebno zanimljivi vidovi razvoja kršćanstva na proučavanom području. Neka zbivanja, poput odvijanja progona kršćana početkom 4. st., teološke rasprave u kasnijem dijelu 4. st., uspostave nadbiskupije u gradu Iustiniana Prima u 6. st., imala su vrlo veliko značenje unutar cijeloga područja Rimskoga Carstva, te su u radu posebno naglašena. Isto tako posebno su naglašeni neki elementi arheološke ostavštine (oslikane grobnice, sahranjivanje u crkvama), koji se sagledavaju u širem kontekstu ranokršćanske arheologije.

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Kunetka, František. "The Evolutional Lines of the Celebration of the Eucharist in the Pre-Constantinian Church." Studia theologica 17, no. 2 (June 1, 2015): 86–110. http://dx.doi.org/10.5507/sth.2015.015.

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Dudás, Előd. "Slavensko stanovništvo zapadne Panonije u zrcalu toponima." Folia onomastica Croatica 28 (2019): 53–61. http://dx.doi.org/10.21857/m3v76t655y.

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Meel, Peter. "Anton de Kom and the Formative Phase of Surinamese Decolonization." New West Indian Guide / Nieuwe West-Indische Gids 83, no. 3-4 (January 1, 2009): 249–80. http://dx.doi.org/10.1163/13822373-90002453.

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Wij slaven van Suriname (We slaves of Suriname) by Anton de Kom (1898-1945) stands out as one of the classics of Surinamese historiography and one of the most debated books among contemporary scholars involved in Surinamese studies. In this article I argue that Wij slaven van Suriname marks a new stage in Surinamese history writing and a novel way of dealing with the Surinamese past. To determine the characteristics of the book and its contribution to Caribbean historiography I juxtapose Wij slaven van Suriname with two other groundbreaking works in Caribbean political thought: Capitalism and Slavery by Eric Williams (1911-81) and The Black Jacobins by C.L.R. James (1901-89). The three works display many similarities, but also important differences. In my opinion De Kom’s hitherto surprisingly weak Caribbean profile is not justified given that his work represents the formative phase of Surinamese decolonization. It therefore deserves a prominent place in twentieth-century Caribbean history writing.

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Tarabardina, O., M. Petrov, and E. Zubkova. "Felt caps of the 14th century from Duboshin II site in Novgorod." Archaeological News 31 (2021): 148–53. http://dx.doi.org/10.31600/1817-6976-2021-31-148-153.

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This paper is devoted to mediaeval headdresses — felt caps found during archaeological investigations at the Slavensky Konets (district) in Novgorod at excavation Duboshin II. It comprises their characterisation, archaeo logical context of the findings, belonging to particular complexes of the buildings at the urban properties and chronology.

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Pavel, Kopeček. "The Liturgy and the Parish in Dialectics among the Individual Piety of the Faithful and the Sunday Liturgy of the Assembled Community." Studia theologica 22, no. 2 (October 19, 2020): 49–72. http://dx.doi.org/10.5507/sth.2020.016.

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Pezelj, Vilma, and Marija Štambuk Šunjić. "Pravni položaj žene prema srednjovjekovnom Korčulanskom statutu." Zbornik radova Pravnog fakulteta u Splitu 55, no. 3 (October 3, 2018): 557–78. http://dx.doi.org/10.31141/zrpfs.2018.55.129.557.

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Autorice analiziraju neka pitanja pravnog položaja žene u srednjovjekovnoj Korčuli, ukazujući na rješenja drugih dalmatinskih pravnih sustava. U radu su obrađena pitanja pravnog položaja žene u statusnom, obiteljskom, imovinskom, kaznenom i procesnom pravu. Težnja komunalnih vlasti ka sprečavanju prelaska imovine u ruke stranaca i sprečavanju diobe obiteljske imovine putem miraza temeljni su uzroci podređenog položaja žene u komunalnim pravnim sustavima. U Korčulanskom statutu vidljiva je slavenska pravna osnovica na koju se nadovezuju elementi bizantskog i mletačkog prava. U vrijeme recepcije rimskog prava počinju se usvajati neki elementi toga prava iz Justinijanove kodifikacije u glosatorskoj i postglosatorskoj obradi što ukazuje na postojanje interakcije pravnih kultura u srednjovjekovnim dalmatinskim komunama.

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Ricci, Vito. "Slavic (schiavoni) households in some towns in Northern Terra di Bari in 1553." Radovi Zavoda za hrvatsku povijest Filozofskoga fakulteta Sveučilišta u Zagrebu 50, no. 2 (2018): 301–7. http://dx.doi.org/10.17234/radovizhp.50.19.

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Ivanova, Najda. "Slaveno-Serbian language: Between simplicity and perfection." Juznoslovenski filolog, no. 66 (2010): 255–68. http://dx.doi.org/10.2298/jfi1066255i.

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In the studies on Slaveno-Serbian period of the history of Serbian literary language one discrepancy is examined. The latter refers to the key role of the aforementioned period for the integration of Serbian society to the values of rationalism and Enlightment and the imposed negative stereotypes of Slaveno Serbian written praxis as deprived of norm and codification respectively. As long as this hybrid type of literary language derives under the predominant influence of extra linguistic factors, it cannot be investigated neither from the perspective of contemporary views on unification and stability of literary norm, nor by implementing methods of historical dialectology and historical grammar. In the recent paper the regulating role of stylistic conventions of the period in question in using language elements of different origin is emphasized. Then, the necessity of examining discoursively determined selective position of the writers on language and literature development as well as on sociocultural processes in Serbian society are outlined.

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Požar, Sandra. "Morfologija, sintaksa i leksik glagoljskoga inventara samostana sv. Marije Magdalene u Portu na otoku Krku (1734. – 1878.)." Fluminensia 31, no. 2 (2019): 7–24. http://dx.doi.org/10.31820/f.31.2.11.

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Članak opisuje jezik Inventara samostana sv. Marije Magdalene u Portu na otoku Krku (1734. – 1878.), spomenika praktične pismenosti franjevaca trećoredaca glagoljaša. Prikazuju se morfološke osobitosti u Inventaru, sintaktičke značajke vezane uz atribut kao najzastupljeniju sintaktičku kategoriju u tekstu i slavenski leksički elementi. Na morfološkoj razini uočava se utjecaj južnijih čakavskih dijalektnih elemenata, što se nastavlja na inodijalektne utjecaje u fonologiji.

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Vidović, Domagoj. "Pogled u toponimiju Kotorskoga zaljeva." Studia lexicographica 13, no. 24 (2019): 97–122. http://dx.doi.org/10.33604/sl.13.24.3.

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U ovome se radu obrađuje petstotinjak toponima u Kotorskome zaljevu. U uvodnome se dijelu članka iznose temeljni povijesni i demografski podatci. U središnjemu se dijelu mjesni toponimi razvrstavaju prema motivaciji i s obzirom na jezično postanje. Motivacijski se toponimija Kotorskoga zaljeva izdvaja po iznadprosječnomu udjelu toponima antroponimskoga postanja te toponima uvjetovanih titularima crkava, među kojima se izdvaja toponim Sutorman (sanctus Romanus), prežitak rane romansko-slavenske simbioze.

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Tomašević, Katarina. "On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević." Musicological Annual 52, no. 1 (June 27, 2016): 27–40. http://dx.doi.org/10.4312/mz.52.1.27-40.

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The main aim of this paper is to re-examine the modalities of Béla Bartók’s influence as a composer during the first half of the 20th century to the main, dominantly “nationally oriented style” in the former Yugoslavia, focusing on two of Bartók’s somewhat younger contemporaries – the composers Josip Slavenski (1896–1955) and Marko Tajčević (1900–1984), prominent representatives of European interwar musical modernism.

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Vasic, Aleksandar. "The magazine “Slavenska muzika” (1939–1941) in the history of Serbian music periodicals." Muzikologija, no. 29 (2020): 121–47. http://dx.doi.org/10.2298/muz2029121v.

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From November 1939 to March 1941, the monthly magazine ?Slavenska muzika?, a journal of the Association of Friends of Slavic Music, was published in Belgrade. The magazine did not differ from other Serbian magazines of the interwar period in its sections. ?Slavic music? also published essays on music, music criticism, reviews of books and music editions, notes, news, obituaries, and in one case, polemics. However, differentia specifica of this review is the exclusive focus on the music of the Slavic nations. The study provides a review and analysis of the texts in this journal. It was noticed that in ?Slavic music? were crossed the Slavophile idea, which has a long tradition among Serbs, and Marxism, at that time strongly represented by one part of Belgrade musicians. The study also contains an integral bibliography of ?Slavic music?, which has not been published so far.

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Vidović, Domagoj. "Pogled u tivatsku toponimiju." Studia lexicographica 14, no. 26 (July 27, 2020): 65–89. http://dx.doi.org/10.33604/sl.14.26.3.

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U ovome se radu obrađuje četiristotinjak toponima u Tivtu i okolici. U uvodnome se dijelu iznose temeljni povijesni i demografski podatci za obrađeno područje (naselja Bogdašići, Gornja i Donja Lastva, Kavač, Lepetane, Mrčevac te Tivat). U središnjemu se dijelu mjesni toponimi razvrstavaju prema motivaciji i s obzirom na jezično postanje. Uz temeljni su se slavenski (hrvatski) sloj u tivatskoj toponimiji očuvali različiti supstratni i adstratni uglavnom romanski prežitci.

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Repar, Kristina. "Prikaz šume u djelima Josipa Kozarca i značaj šume u mitologiji starih Slavena." Posebna izdanja / Hrvatska akademija znanosti i umjetnosti, Centar za znanstveni rad u Vinkovcima 28 (2017): 271–88. http://dx.doi.org/10.21857/yq32oh4vj9.

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Čepo, Dario. "Slaven Ravlić: Liberalna demokracija. Izazovi i iskušenja." Drustvena istrazivanja 27, no. 2 (June 29, 2018): 367–70. http://dx.doi.org/10.5559/di.27.2.10.

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Radinović, Sanja. "Béla Bartók and the development of the formal analysis of Serbian vocal folk melodies." Studia Musicologica 48, no. 1-2 (March 1, 2007): 183–200. http://dx.doi.org/10.1556/smus.48.2007.1-2.12.

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Abstract Béla Bartók's and Albert Lord's capital work on folk songs of the Serbs and Croats (Serbo-Croatian Folk Songs, Texts and Transcriptions of 75 Folk Songs from the Milman Parry Collection and a Morphology of Serbo-Croatian Folk Melodies, New York: Columbia University Press, 1951) has been known for more than six decades to Serbian experts. Yet, in Serbia Bartók's contribution have remained insufficiently studied and valued by the time being, specially his methodology of formal analysis and precious conclusions about the principles of traditional melopoetic shaping, realized on that basis. The author of this paper presents Bartók's notions on the formal structure of Serbo-Croatian folk songs, and then highlights delayed and extremely negative reaction on Bartók's work, made by the cultural public in postwar Belgrade. Namely, on account of this book of Bartók, Stanislav Vinaver and Josip Slavenski, renowned representatives of the then expert public opinion, engaged in a fierce debate with the Hungarian writer József Debreceni in the Književne novine (literary magazine) during the 1950's, concerning Bartók's political pretensions to a part of the Yugoslav territory, which are supposedly distinguishable precisely from some of the conclusions from the said study. Today it transpires that in the delicate political climate of the time the great authorities of Vinaver and Slavenski had a direct bearing on the negative reception of the said Bartók's ethnomusicological work, which considerably slowed down the potential development of Serbian ethnomusicology, primarily its methodological bases.

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Sambunjak, Zaneta. "Die Ballade und die Zensur im Illyrismus und im Biedermeier." Croatica et Slavica Iadertina, no. 1 (January 18, 2017): 229. http://dx.doi.org/10.15291/csi.303.

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Bidermajer i ilirizam književni su pravci nastali u prilikama koje je stvorila cenzura i apsolutistička redarstvena vlast uopće. Polazeći od te činjenice u nekim smo djelima ilirizma i bidermajera ustanovili postojanje usporedivih elemenata. Međutim, vrhunac povezanosti ovih dviju književnosti pokazao se u teško prepoznatljivoj kritici tadanje vlasti i cenzure koja se skrivala u antologijskim pjesmama iz obiju književnosti. Dapače, najbolji pjesnik bidermajera, Nikolaus Lenau, u baladi "Die Drei" progovara alegorijski istodobno i o Slavenima i o cenzuri. U tome ga slijede Stanko Vraz i Ljudevit Vukotinović svojim antologijskim baladama.

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Gajić, Milica. "'Short lexicon' of dedications in the handwritten legacy of Josip Slavenski (1896-1955) in the Library of the Faculty of Music in Belgrade." New Sound, no. 42 (2013): 147–62. http://dx.doi.org/10.5937/newso1342147g.

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The paper presents some aspects of the handwritten legacy of Josip Slavenski, stored in the Library of the Faculty of Music in Belgrade-dedications that the composer wrote by his own hand are collected in one place. These are mainly dedications to musical performers-soloists and ensembles. They reveal many biographical details from the author's life-from performances of his works to friendly and professional contacts. Perceiving Josip Slavenski's oeuvre from this aspect calls to mind many associations with the general artistic climate of the age he was living and working in.

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Milanovic, Biljana. "Balkans as a cultural symbol in the Serbian music of the first half of the twentieth century." Muzikologija, no. 8 (2008): 17–26. http://dx.doi.org/10.2298/muz0808017m.

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Focus on the internalization of Western images in the Balkans has special significance in researching Serbian art. The functioning of Balkanism as it overlapped and intersected with Orientalism is indicated in the text by an examination of the cases of Petar Konjovic, Miloje Milojevic and Josip Slavenski, the three significant composers working in Serbia during the first half of the twentieth century. Their modernistic projects present different metaphors of the Balkans. Nevertheless each of them is marked by desire to change the Balkan image into a 'positive' one and thus stands as a special voice for Serbian and regional placing in European competition for musical spaces.

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Paskojević, Kristian. "Načela usporedbenog paleografskog proučavanja dubrovačke i nemanjićke slavenske kancelarije sredine XIV. st." Slovo, no. 69 (2019): 171–209. http://dx.doi.org/10.31745/s.69.5.

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Srednovjekovna ćirilička diplomatička minuskula sredinom XIV. st. je preferirano sredstvo pismovne komunikacije između Dubrovnika i susjednih slavenskih kancelarija. To poslovno pismo u ovom razdoblju već ima definirane karakteristične slovne oblike, uvelike uvjetovane poodmaklim procesom slovne koordinacije unutar linijskog ustroja, kao i ostale pismovne posebnosti zapadne ćirilice koje su naslijeđene iz duge dubrovačke tradicije ćiriličkog pisanja. Cilj ovog usporednog paleografskog istraživanja jest na osnovi dokumenata iz dvije najplodnije slavenske kancelarije ovog razdoblja na obližnjem prostoru, odnosno dubrovačke i srpske (nemanjićke), identificirati moguće razlike u istraživanim kategorijama pisma, potencijalne lokalne karakteristike pisma, kao i produbiti spoznaje o mogućim smjerovima razvoja pisma (prvenstveno identifikacija poveznica s novovjekovnim kurzivnim pismima).

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Matasović, Ranko. "Sjevernoslavenski participi prezenta i padežni nastavci "mekih" osnova." Croatica et Slavica Iadertina, no. 6 (January 18, 2017): 3. http://dx.doi.org/10.15291/csi.675.

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U radu se pokazuje kako glasovna promjena po kojoj je završno *-īn(s) postalo *-ē(s) u skupini dijalekata iz kojih su potekli zapadni i istočni slavenski jezici objašnjava postanak nekih padežnih nastavaka "mekih" osnova (nominativ i akuzativ množine i genitiv jednine jā-osnova, te akuzativ množine jo-osnova). Ta se promjena nije dogodila u dijalektima iz kojih su potekli južnoslavenski jezici, aprethodila je nekim općeslavenskim promjenama, npr. prijelazu praslavenskoga *ē u *ā iza *j. Time se objašnjava postanak sjevernoslavenskih participa prezenta na -a (npr. staroruski nesa, bera) koji su se analoški proširili iz glagola kod kojih je završno -a pravilno nastalo iza j (npr. staroruski znaja).

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Rounthwaite, Adair. "Citizen Action: Political Performance after Yugoslavia." TDR/The Drama Review 63, no. 2 (June 2019): 117–37. http://dx.doi.org/10.1162/dram_a_00838.

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Post–2000, the space of what was formerly socialist Yugoslavia saw the rise of politicized performance practices that interrogate the nation and national identity. The performance works of Grupa Spomenik (The Monument Group), Slaven Tolj, and the three artists who changed their names to Janez Janša all ask what it means to be a citizen, specifically by engaging with commemoration as a paradigmatic act of citizenship.

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Journal articles on the topic 'Slavenka'

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