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Relevant bibliographies by topics / Slaves' writings, history and criticism

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Dissertations / Theses

Academic literature on the topic 'Slaves' writings, history and criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Dissertations / Theses on the topic "Slaves' writings, history and criticism"

1

Geissler, Christopher Michael. "'Die schwarze Ware' : transatlantic slavery and abolitionism in German writing, 1789-1871." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610465.

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2

Gibb, Adrienne. "Poetics of distraction : Ozaki Midori's writings on film." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81492.

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The cinematic experience in Taisho Japan was a defining part of a spectrum of modernity's experiences associated with daily urban life. This paper argues that rather than theorizing film in rational terms common to "serious" film criticism focussing on aspects of production, Ozaki Midori envisioned the cinematic experience from the standpoint of an enthralled spectator, in terms of a sensual, bodily interaction with the cinematic image. Given the over-determined relationship of women to mass culture, one that is wrought with contradictions, Ozaki's writings on film open up the question

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3

Kydd, Elizabeth Roseanne. "Organicism in musicology, a critique of selected twentieth-century writings." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0019/NQ39280.pdf.

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4

Go, King-fan, and 吳景勛. "Burdens of the past: a study of Chinese-American writings." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B37642832.

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5

Whitney, Kathryn. "Determining indeterminacy : vision and revision in the writings of Pierre Boulez." Thesis, University of Oxford, 2000. http://ora.ox.ac.uk/objects/uuid:1ff0a118-6df6-4352-a567-303b2235ce31.

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This study is framed by questions about the wider implications of a belief in Boulez's independent indeterminate aesthetic for divergent trends such as Europeanism vs. Americanism, modernism vs. postmodernism and serial structure vs. non-serial structure. In conclusion it suggests that an ongoing tendency toward historical revisionism in Boulez's texts may be a function of the difficulty in articulating an intentional indeterminate aesthetic in light of the serial inheritance.

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6

Bhimani, Nazlin. "Kaikhosru Sorabji’s critical writings on British music in The New Age (1924-1934)." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25348.

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This thesis examines the music criticism of Kaikhosru Shapurji Sorabji (1892- ), a well known composer and music critic active in England from the early 1920s to the late 1940s. Although many authors have referred to Sorabji's music and criticism, neither has been treated in a substantive manner. The present study focuses on Sorabji's contributions to The New Age, a weekly journal, and particularly on his articles therein dealing with contemporary British composers. It is of interest that Sorabji's criticism deals with a vibrant period of music history, known as the English Renaissance. An ex

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7

Stone, Timothy J. "The compilational history of the 'Megilloth' : canon, contoured intertextuality and meaning in the writings." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1992.

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It is widely agreed among scholars that the third part of the Hebrew canon, the Writings, is a miscellaneous collection of materials, as its name would seem to suggest. My thesis re-examines this assumption. The introduction sets out the critical issues, outlines the thesis and charts the larger picture from which the thesis makes a limited contribution. Chapter one explains my approach. In critical conversation with Brevard Childs and his adherents, I examine the need for contours within the canonical context that respect the discrete voice of each book, while understanding it in relationship

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8

Kelly, Michael Gerard. "Speech and utopia : spaces of poetic work in the writings of Segalen, Daumal and Bonnefoy." Thesis, University of Oxford, 2002. http://ora.ox.ac.uk/objects/uuid:ecd46701-c98b-4887-8cce-74613757b5f9.

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The thesis argues that a certain 'locus' of poetry is perceptible diachronically in the French literary field of the 20<sup>th</sup> Century and that this locus (elusive, fragmented, multilayered) may be meaningfully focused upon via the interaction of the questionings centered around the terms 'speech' and 'utopia'. In the introduction an argument is made for the conceptual validity of the term 'utopia' in relation to the diverse literary practices accruing around the pole of the 'poetic', which results in the derivation of the idea of a Utopian dynamic - a vectoral addition to the convention

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9

Chang, Na. "The East and the West in the travel writings of the late medieval East and West." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708975.

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10

Englard, Michael Anselm. "'Grounds for argument' : English literary travel 1911-1941." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610092.

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