Relevant bibliographies by topics / Slovak Hymns

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Academic literature on the topic 'Slovak Hymns'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Slovak Hymns"

1

Ruščin, Peter. "A few notes on the spread of the song "Vímť já jeden stromeček jest krásná oliva" in Slovakia." Bohemica litteraria, no. 1 (2023): 171–89. http://dx.doi.org/10.5817/bl2023-1-10.

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During the Baroque period in Bohemia, Moravia, and Slovakia there was a significant development in the creation of spiritual love lyrics. This includes the anonymous song "Vímť já jeden stromeček" ("I know a little tree"), probably of Bohemian origin, which was also spread as a broadside ballad as early as the 17th century. While in Bohemia and Moravia the song entered the folk singing tradition, in Slovakia it was mainly known as a hymn in the church tradition of Slovak Lutherans. This study is devoted to variants of the hymn and its setting in Lutheran manuscript and printed sources in Slova
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di Fiore, David. "A Comparison of Hymn Playing Styles from the United States, France, Germany and Slovakia." Studia Scientifica Facultatis Paedagogicae Universitas Catholica Ružomberok 21, no. 4 (2022): 58–67. http://dx.doi.org/10.54937/ssf.2022.21.4.58-67.

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Hymn playing styles can vary from country to country in addition to what is sung for Masses. This article will compare those styles and repertoire, making observations about not only the accompanying styles but also about the kind of repertoire sung.
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3

Johnson, Bret. "American Music." Tempo 57, no. 226 (2003): 56–57. http://dx.doi.org/10.1017/s004029820330035x.

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LEES: Symphonies Nos. 2, 3 and 51; Etudes for piano and orchestra2. 1Staatsphilharmonie Rheinland-Pfalz c. Stephen Gunzenhauser, 2James Dick (pno), Texas Festival Orchestra c. Robert Spano. Albany TROY 564/565 (2-CDset).LEES: Passacaglia. PERSICHETTI: Symphony No 4. DAUGHERTY: Philadelphia Stories; Hell's Angels. Oregon Symphony c. James De Preist. Delos DE 3291.FLAGELLO: Symphony No. 1; Theme, Variations and Fugue; Sea Cliffs; Intermezzo. Slovak Radio Symphony Orchestra c. David Amos. Naxos 8.559148.HOVHANESS: Symphony No 22, City of Light1; Cello Concerto2. 2Janos Starker (vlc), Seattle Symp
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4

Belišová, Jana. "Sounds, Emotions, and the Body in Pentecostal Romani Communities in Slovakia." Religions 15, no. 5 (2024): 532. http://dx.doi.org/10.3390/rel15050532.

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In the past, the Romani in Slovakia identified with the prevailing religion, mainly with the Roman Catholic Church. However, the missionary activities of various Christian denominations after 1990 resulted in the conversion of the Romani to Pentecostal Christian communities. This launched a long, creative process of the formation of Pentecostal Romani music. Romani believers consider music and the ability to play and sing to be a gift from God and view these as a form of prayer that should serve for the praise of God. That is why many have given up their worldly music making and now play only
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5

Towarek, Piotr. "GREAT MUSICAL FORMS DEDICATED TO SAINTS CYRIL AND METHODIUS." Forum Teologiczne 24 (November 14, 2023): 143–58. http://dx.doi.org/10.31648/ft.9466.

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This article takes a closer look at the great musical forms dedicated to Saints Cyril and Methodius. These are mainly liturgical compositions related to the worship of the two saints. This group includes a medieval Mass propria (e.g. Parchment Missal no. 212 of the Cracow Chapter) and the Baroque-Classical Mass by Michael Haydn (1758). In the 19th century, the repertoire was expanded to include cantatas (Křížkovsky, Surzyński, Dinew) and hymns (Liszt, Tchaikovsky, Borodin, Pipkov), which are linked to the process of national awakening of Czechs, Slovaks, Croats and Bulgarians. The 19th and 20t
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6

Orton, Martha. "The Significance of Trees in the Himalayan Region and in the Rig Veda." Rigvedic Himalaya 1 (December 31, 2024): 83–92. https://doi.org/10.3126/jorh.v1i1.75194.

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Trees are among the many elements of nature that are revered in the Rig Veda and honored by people living in the Himalayan region, as well as in other regions of the world. Consequently, this reverence pervades Himalayan culture. Trees are honored in many ways and revered for the strength they embody and for their role in enabling the worship of deities, as they are the source of wood for fires used in offerings, worship, and oblation. Trees are also honored for their essential role in enabling cooking fires and providing warmth. This paper will offer a brief discussion of sacred trees in the
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7

Ngalouo-Antso, Abraham. "School Rhymes in today’s Congolese society: A sociopragmatic approach." Annales de la Faculté des Lettres, Arts et Sciences Humaines 13, no. 1 (2024): 62–73. https://doi.org/10.55595/m57m3h31.

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This paper focuses on the impact of school rhymes on social security and cohesion in the Republic of Congo. It aims to elucidate the nature of the skills that are installed in schoolchildren through the teaching of school rhymes in order to make them capable of acting in favor of social security and cohesion later. Today, the Republic of Congo is going through a socio-cultural and institutional crisis, to a certain extent. This is illustrated by the depravity of morals and the recurrence of acts of violence perpetrated in the streets of large cities and in schools by adolescents organized into
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8

Loewe, Iwona. "SYMBOLE IGRZYSK OLIMPIJSKICH Z PERSPEKTYWY LINGWISTYKI DYSKURSU." Zeszyty Naukowe KUL 60, no. 2 (2020): 37–52. http://dx.doi.org/10.31743/zn.2017.60.2.37-52.

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Za tytułowe symbole igrzysk olimpijskich autorka uznaje maskotkę, imię maskotki, logotyp igrzysk. Ma świadomość, że obiekt jest bardziej obszerny i zawiera ponadto stronę internetową Międzynarodowego Komitetu Olimpijskiego (MKOl), logotyp MKOl, spot reklamowy MKOl i slogan, hymn i flagę olimpiady oraz hasło barona de Coubertaine`a, znicz, od 2002 roku piosenkę igrzysk, stronę internetową kolejnych igrzysk. Możliwy obiekt badania zawiera zatem symbole olimpijskie o znaczeniu globalnym i ponadczasowym oraz symbole igrzysk kolejnych olimpiad. W odniesieniu do tego podziału autorka zakłada, że w a
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9

Verny, Serge. "Comments on Space in Poste (1929) by Mikhaïl M. Tsekhanovsky (1889-1965)." Slovo To the East of Pixar :... (March 2, 2019). http://dx.doi.org/10.46298/slovo.2019.5241.

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International audience The film Poste (1929) by M. Tsekhanovsky, illustrator and film director, based on a text by the poet Samuel Marchak, is an adaptation of the eponymous book conceived by the same two authors. The conjunction of this graphical universe with cinema is viewed in the artistic context of this period. Animation and montage reveal the dynamic unity of this poem in images. A registered letter written by a child pursues its recipient who has left on a voyage round the world. Space unfolds at several registers of representation, between the second and third dimensions, between the
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Vimenet, Pascal. "The New Gulliver: Russian Mountains and Soviet Fantasmagoria." Slovo To the East of Pixar :... (March 2, 2019). http://dx.doi.org/10.46298/slovo.2019.5244.

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International audience Новый Гулливер (1935), первый черно-белый советскиймультипликационно-игровой фильм, режиссера Александра Птушко, не былдо сих пор предметом специального исследования. Нижеследующее являетсяего контекстуальным, биографическим, равно как и кинематографическим анализом. Творческий путь Птушко (1900-1973) дается в новом освещении, особенно 1920-30 годы, на которые приходится становление его кино.Осуществив постановку Это случилось на стадионе (1928) и Властелинбыта (1932), Птушко принял руководство секцией мультипликационногофильма на студии Совкино, ставшей Москинокомбинат,
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Books on the topic "Slovak Hymns"

1

Augustinová, Eva. Cithara sanctorum: Bibliografia. Slovenská národná knižnica, 2011.

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2

Lauková, Silvia. Cantus catholici v interpretácii. FF Univ. Konštantína Filozofa v Nitre, 2010.

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3

Augustínová, Eva, editor of compilation and Kovačka, Miloš, editor of compilation, eds. Cithara sanctorum 1636-2006: Zborník prác z vedeckej konferencie, ktorá sa konala pri príležitosti 370. výročia 1. vydania kancionála v dňoch 22. a 23. novembra 2006 v Liptovskom Mikuláši a Liptovskom Jáne. Slovenská národná knižnica v Martine, 2008.

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Sankaracarya. Saundarya lahari of Śaṅkarācārya: Sanskrit text with English verse wise word to word translation and transliteration with the commentary of Lakshmi Dhara Sastry with Yantras for the individual hundred slokas with bijaksharas. Sākhyāyana Vidyā Parishat, 1999.

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Mach, Jozef, and Zora Vanovičová. Pohrebný kancionál Jozefa Macha. Prebudená pieseň-nadácia, 1997.

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6

Po pervym slovam: Svod sochineniĭ i napevov Pravoslavnoĭ t︠s︡erkvi. Palomnik, 2002.

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Book chapters on the topic "Slovak Hymns"

1

Ferro, Maria Chiara. "Una prassi liturgica controversa nella Russia del Cinquecento: il «Breve discorso» sull’alleluia di Massimo il Greco." In Europe in between. Histories, cultures and languages from Central Europe to the Eurasian Steppes. Firenze University Press, 2024. https://doi.org/10.36253/979-12-215-0646-4.16.

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This article focuses on a particular controversy that swept through Eastern Slavic Christianity between the 16th and 18th centuries: the so-called “alleluia dispute” (spor ob allilue), i.e. the problem of the performance of the hymn with the triple or double repetition of the Hebrew term ‘alleluia’ before the verse ‘Glory to you, O Lord’. In this debate, one of the contributing voices was that of Maximus the Greek. This study presents and analyzes his short discourse to those who dared to say “alleluia” three times (Slovco k’’ smějuščim’’ triždy glagolati «alliluia» črez predania cerkovnago, a
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2

Ruščin, Peter. "Czech Religious Broadside Ballads in Slovak Manuscript Hymnals of the Eighteenth and Early Nineteenth Centuries." In Czech Broadside Ballads as Text, Art, and Song in Popular Culture, ca. 1600–1900. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463721554_ch15.

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This chapter by Peter Ruščin is focused on the influence of Czech religious broadside ballads on Slovak religious songs during the eighteenth and early nineteenth centuries. Ruščin shows that Czech broadside ballads significantly affected the development of Slovak hymnography during this period. This transfer between shared genres of different countries was enabled by the similarities of the two languages, Slovak and Czech, allowing the publication by printing houses of broadside ballads in both languages. Such a transference can be especially seen in the nation’s shared privileging of Marian
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Conference papers on the topic "Slovak Hymns"

1

Ruščin, Peter. "The Role of »Matica slovenská« and St Adalbert’s Association in the Collecting of Slovak Catholic Hymns in the Second Half of the Nineteenth Century." In Simpozij Umrežavanje glazbom u "dugom 19. stoljeću" (2021 ; Zagreb). Hrvatska akademija znanosti i umjetnosti, Odsjek za povijest hrvatske glazbe, 2023. http://dx.doi.org/10.21857/m3v76t55qy.

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