Relevant bibliographies by topics / Slovak imprints

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Academic literature on the topic 'Slovak imprints'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Slovak imprints"

1

LAUKOVÁ, Silvia, and Petra KAIZEROVÁ. "Cyrilo-Methodian tradition and its forms in some works of Slovak literature." Problems of slavonic studies 70 (2021): 156–69. http://dx.doi.org/10.30970/sls.2021.70.3744.

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Fordinálová, E., 2009. Older Slovak literature. 2nd amended edition. Trnavská univer-zita in Trnave: Trnava. (In Slovak) Keruľová, M., 2009. Value aspects of literary and spiritual heritage. In: Hodnotové aspekty staršej literatúry. Nitra: Univerzita Konštantína Filozofa in Nitra, pp.87–96. (In Slovak) Ratkoš, P., 1968. Sources to the History of Great Moravia. Bratislava: Vydavateľstvo Slovenskej akadémie vied. (In Slovak) Rúfus, M., 2013. Distant Face. In: Between duration and history. Cyril and Methodius in Slovak Literature. Nitra: Univerzita Konštantína Filozofa in Nitra. (In Slovak) Šafárik, P. J., 1851. Monuments of the wooden art of lettering of Jugoslavians. 1st edi-tion Praha. (In Czech) Sládkovič, A. , 2013. The Cyrilo-Methodian linden tree. In: Between duration and history. Cyril and Methodius in Slovak Literature. Nitra: Univerzita Konštantína Filozofa in Nitra. (In Slovak) Tibenský, J., 1965. Praises and Defences of the Slovak Nation. Bratislava: Vyda-vateľstvo krásnej literatúry. (In Slovak) Tibenský, J., 1954. Imprint of the introductory study for a selection from the work. Bratislava: SAV. (In Slovak) Great Moravia in the millennium in the words of sources, legends, chronicles and beautiful writings, 1985. Compiled by R. Krajčovič. Bratislava: Tatran. (In Slovak) From the treasury of older Slovak writing, 1997. Bratislava: Tatran. (In Slovak) Zambor, J., 2012. A few letters in praise of Constantine Cyril. In: Poetic translations and interpretations. Bratislava: Literárne informačné centrum. (In Slovak) The Life of Constantine, 2007. Chapter XIV. In: From the treasury of the older Slovak writing. Compiled by J. Minárik. Bratislava: Tatran. (In Slovak) The Life of Methodius, 2007. Chapter VII. In: From the treasury of the older Slovak writing. Compiled by J. Minárik. Bratislava: Tatran. (In Slovak)
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2

Калечиц, Елена. "Обращения как способ выражения эмоций (на материале русского, белорусского и словацкого языков)." Studia Rossica Posnaniensia 44, no. 2 (September 5, 2019): 195–208. http://dx.doi.org/10.14746/strp.2019.44.2.18.

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Emotions put their imprint on all language levels and, most likely, are manifested in almost all appeals. The paper analyzes the appeals, synonymous with the word “grandmother”, which perform pragmatic and expressive functions. On this basis, we call them emotives and emotives-regulators. Some nuances of their use in Russian, Belarusian and Slovak are described. The positive national and international emotional meaning of the appeals under consideration is underlined.
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3

Verina, Ulyana, and Andrea Grominová. "M. Valek, G. Aygi and “Woman on the Right”, or The first Slovak translation of G. Aygi’s poetry in the context of the 1960s and modern reception." Philological Sciences. Scientific Essays of Higher Education, no. 4 (July 2021): 80–87. http://dx.doi.org/10.20339/phs.4-21.080.

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The book of poetry by G. Aygi was translated and published into Slovak language as “Žena sprava” (“The Woman on the Right”) in 1967. The same year the book was translated into Czech language. It is the Czech translation that occupies the first place in the research and bibliography of G. Aygi’s publications. The paper examines the features of the Slovak translation through the views of the translator and poet M. Valek. The translations appeared when Slovak poets were in search of finding a modern artistic language and modifying the original in accordance with the artistic concept of the poet-translator. M. Valek’s interest in the poetry of G. Aygi was associated with the same range of problems. The translations have an imprint of M. Valek’s own stylistics and demonstrate his priority for existentiality and metaphor, which he emphasizes, leading to neglecting the peculiarities of the original form. The contemporary Slovak translations of G. Aygi’s poetry are more focused on the transfer of formal innovation, the preservation of the author’s punctuation and graphics. However, the novelty of G. Aygi’s verses, which is still far from being fully explored, was comprehensively analyzed only in the 2000s and contemporary translators rely on new theory as well as a rich history of translations.The novelty of the paper is that it compares the translations of different years, the views of G. Aygi and M. Valek on free verse, and also provides an assessment of the translations by G. Aygi himself.
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4

Hroboňová, Katarína, Andrea Špačková, and Martina Ondáková. "Application of solid-phase extraction for isolation of coumarins from wine samples." Nova Biotechnologica et Chimica 18, no. 1 (June 1, 2019): 37–43. http://dx.doi.org/10.2478/nbec-2019-0005.

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Abstract Coumarins can be as a result wine storage and aging in wood drums and they can affect organoleptic characteristics of wine. The aim of this work was to determine the content of coumarins in wine samples originated from Slovak Tokaj wine region. The HPLC method with high specificity, accuracy, precision, and recovery was proposed. SPE sorbents of C18 type, styrene-divinylbenzene copolymer and molecularly imprinted polymers were compared for extraction of six coumarins, coumarin, aesculin, scoparone, scopoletin, 4-methylumbelliferone, and herniarin. Higher recoveries (above 89 %; except aesculin – recoveries higher from 68 %, RSDs less than 6 %) were obtained with selective polymeric sorbent laboratory prepared by molecularly imprinted technology. The results showed that content of coumarins in wine samples are in ng.mL−1 concentration levels and depend on the age and wine puttony.
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5

ВАЩЕНКО, ДАРЬЯ. "Культурная память и структура локального пространства в селах Чуново, Яровце и Русовце (Южная Словакия)." Studia Slavica Academiae Scientiarum Hungaricae 64, no. 1 (June 2019): 197–205. http://dx.doi.org/10.1556/060.2019.64115.

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The paper describes the structure of the local space of the Croatian villages of Chunovo and Jarovce, and the Slovak (earlier predominantly Hungarian-German) village Rusovce (Southern Slovakia, the region of Bratislava) in the form in which it conceptualities in the minds of local residents. The material was oral records on the results of the field survey of villages in May 2018. It is noted that the specificity of the structuring of local space in the villages was influenced by their complex geographical and sociohistorical peculiarities since the villages are located within the capital of Slovakia and at the same time they became part of the state only after 1947. It is shown that each of the three villages is characterized by orientation to a certain type of space which is significantly transformed with the passage of time. Thus, in Chunovo, which is located closer to the Hungarian border, the mythological and sacred space is supported. The natural space in the village is closely intertwined with the mythological, and the domestic is subordinated to the sacred, while the historical space does not play any significant role. Rusovce, located five kilometres towards the capital, is a completely different type of spatial organization, a significant imprint on Rusovce was imposed by the deportation of indigenous people after the Second World War. The disintegration of the ethno-cultural tradition is perceived by the remaining indigenous people as a traumatic experience. Sacred space in Rusovce is the subject of the opposition “real (old)” and “fake (modern)”. Domestic space is characterized by the deprivation of former buildings from their household functions, while they are turning into symbols of the past. The transformation of the village takes place not on the principle of expanding its borders but on the principle of concentration, filling the old coordinates with new objects. Natural space bears traces of human intervention and is associated with the consequences of the territory's accession. In the structuring of the mental map of the old residents of Rusovce, the opposition “real” and “false” plays a significant role. The false, artificial, is associated with modernity, and the signs of the present remain within the village but either lose their direct function or are “lost” as a result of the concentration of the village space by objects which are similar in form and but foreign in origin. The village of Jarovce, which is the closest to Bratislava, is dominated by a focus on specific historical events and on the functional relevance of the locus. The sacred space in the village is subordinated to the historical, and the domestic, in turn, is subordinated to the sacred, the dominants of which structure the village and at the same time are clearly associated with specific events in the relatively distant past. Mythological space in Jarovce is almost not structured but natural topos serves for orientation about weather events or specific localities.
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6

Crowe, David M. "From Persecution to Pragmatism: The Habsburg Roma in the Eighteenth Century." Austrian History Yearbook 37 (January 2006): 99–120. http://dx.doi.org/10.1017/s0067237800016799.

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In many ways, the habsburg roma, or Gypsies, are a “people without history.”1 Given their nomadic existence, they left little or no imprint on the political, economic, and cultural institutions of the various dominions through which they passed. Even such staples of social historians as birth, death, and census records, land and tax registers, court transcripts, and popular newspapers bear little witness to their presence and impact. Not surprisingly, successive regimes in Vienna and other centers of power had little interest in a people who dwelled permanently only on the lower rungs of society. The Roma also had no corporate or national agenda. Although some did participate on the edges of various nineteenth-century national movements, they did so only marginally and often as Hungarians, Romanians, or Slovaks, rather than as representatives of the Roma community. Much of what we know comes not from the people themselves, but from the observations of non-Roma or gadžé (singular, gadžo; plural, gadžé or gadjé), whose accounts were often riddled with the kinds of cultural overlays and stereotypes that have haunted the Roma for centuries.
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7

Madej, Paweł, Stejskal, and Kučerová. "Mierzanowice culture material from Spišský hrad." Acta Archaeologica Carpathica 58 (2023): 61–70. http://dx.doi.org/10.4467/00015229aac.23.004.19100.

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The Spiš Castle (Spišský hrad) hill (632 a.s.l.) is located administratively within the village of Žehra, Spišská Nová Ves district, the northern part of eastern Slovakia, in the historic region of Spiš. Since the 12th century, the top of the hill has become the seat of a vast royal castle complex as the seat of the Spiš Komitat (County). It is a multicultural place, that has already been inhabited in prehistoric times. For many years there have been excavation works done here that yielded a substantial amount of archaeological material including artefacts dated before the building of the castle. However, due to numerous reconstructions of Spišský hrad involving repeated earthworks, this material is located within the secondary deposit. These discoveries include a relatively small ceramics inventory with features typical of the Mierzanowice culture groups from the eastern part of the Polish Carpathians. The most numerous in this collection are fragments of ceramics referring directly to the inventories known from the late-Mierzanowice-culture assemblages. This indicates the presence of zonal cord ornaments formed in a wavy line, with negatives of cord imprints inclined to the right, knobs with incisions, presence of the triangle-shaped stamp ornamentation, Besenstrichmuster-type roughening of the belly as well as pseudo-textile ornament. In the ceramics inventory from Spišský hrad, we can indicate pottery fragments, which can be linked with the older phases of the Mierzanowice culture development. This is proven by the presence of carpet cord ornamentation with the negatives of cord imprints inclined to the left and the zonal cord ornamentation inclined to the left as well. The analysis of the Spišský hrad inventory indicates that we can identify here the direct references to the Mierzanowoice culture assemblages from the San river valley, i.e. the eastern part of the Polish Carpathian zone as well as the area between the Raba and Vistula rivers, located further west.
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8

Kiss, Dániel, Emő Márton, and Antek K. Tokarski. "An integrated paleomagnetic and magnetic anisotropy study of the Oligocene flysch from the Dukla nappe, Outer Western Carpathians, Poland." Geologica Carpathica 67, no. 6 (December 1, 2016): 595–605. http://dx.doi.org/10.1515/geoca-2016-0037.

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Abstract The Dukla Nappe belongs to the Outer Western Carpathians, which suffered considerable shortening due to the convergence and collision of the European and African plates. In this paper we present new paleomagnetic and magnetic anisotropy results from the Polish part of the Dukla Nappe, based on 102 individually oriented cores from nine geographically distributed localities. Susceptibility measurements and mineralogy investigations showed that paramagnetic minerals are important contributors to susceptibility anisotropy (AMS). The AMS fabrics are related to deposition/compression (foliation) and weak tectonic deformation (lineation). The AARM fabric, that of the ferrimagnetic minerals, seems to be a less sensitive indicator of tectonic deformation than the AMS fabric. The inclination-only test points to the pre-folding age of the remanent magnetizations. Seven localities exhibit CCW rotation, a single one shows CW rotation. The CCW rotated paleomagnetic directions form two groups, one showing large, the other moderate CCW rotation. Previously published paleomagentic directions from the Slovak part of the same nappe exhibit smeared distribution between them. The declination of the overall-mean paleomagnetic direction for the Dukla nappe is similar to those observed in the neighbouring Magura and Silesian nappes, but it is of poorer quality. The AMS lineations at several localities are deviating more to the west from the present north than that of the local tectonic strikes. A possible explanation for this is that the AMS lineations were imprinted first, probably still in the Oligocene, while the sediments were soft (ductile deformation) and the folding and tilting took place during the CCW rotation.
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9

Pastukhova, I. P. "THE ROLE OF A SLOGAN IN CREATING A CITY BRAND: LINGUO-CULTURAL ANALYSIS (based on the slogans of the German historical cities)." Modern Linguistic and Methodical-and-Didactic Researches, no. 4(39) (December 31, 2022): 48–56. http://dx.doi.org/10.36622/mlmdr.2023.86.78.005.

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Statement of the problem. The main reflection of tourism lies in the understanding of the world, which is perceived not as a "traditional", but as a special imprint of the culture and history of civilizations in space and time. Such an understanding largely contributes to hybridization of new heterogeneous forms of representation, which confirms a certain syncretism and captures a separate discourse. The society itself, social system, economic structure and rituals in material culture, tourist destinations (in our case: a city) acquire their own architectonics and manifest that human-controlled spaces that serve to the purposes of their presentation and promotion as city's attractions. Results. Tourist discourse and its speech projection are accompanied in practice by myths; oral (tourist’s impressions, vacation stories, etc.) and written (guides, catalogs, commercials, souvenirs, forums, blogs, online diaries, etc.) texts are “mythified” in tourism industry as important communicative forms of the tourism space linked to location of the tourism topography. The analysis of the tourist discourse, based on the synthesis of factors and the concept of a tourist destination and advertising reveals the speech markers of the city, which can be considered as deep patterns of the slogan as a small text in the tourist culture. Conclusions. The textual and linguocultural description, as well as the study of the syntactic structures of the slogans exampled on German cities are presented in the paper as a result of the of a representative speech corpus interpretation.
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10

Jones, Stephanie. "Darmstadt 2016: the ‘Universal Mouth’." Tempo 71, no. 279 (December 20, 2016): 86–87. http://dx.doi.org/10.1017/s0040298216000723.

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In the preface to the 2016 International Summer Course for New Music programme booklet, the festival's artistic director, Thomas Schäfer, repeated a question that Irvine Arditti had put to him when they were discussing the Arditti Quartet's concerts: ‘shall we attack the future or dig up the past?’. This question, posed in order to establish some form of discursive framework for the course, became a subliminal trace throughout the festival. The participants' bags, for instance, were imprinted with the slogan, ‘attack the future’ and Schäfer ended his preface by stating, ‘let me call out to everyone involved, and to our audience: let's attack the future!’. The air of the festival itself, however, seemed slightly more reserved throughout its lengthy 17-day span. There were, of course, moments of theatrical flamboyance, such as Fantasises of Downfall (2015) by Johannes Kreidler, metalized void (2015/16) by Claus-Steffen Mahnkopf, The Lichtenberg Figures (2014/15) by Eva Reiter, Sideshow (2009/15) by Steven Kazuo Takasugi, EVERYTHING IS IMPORTANT (2015/16) by Jennifer Walshe, and Living Instruments (2015) by Serge Vuille. Yet, overall the atmosphere of the festival seemed to be one of quiet vigilance as events unfolded.
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Books on the topic "Slovak imprints"

1

Hronec, Vít̕azoslav. Bibliografia slovenskej knižnej tvorby v Juhoslávii, 1918-1977. Nový Sad: Obzor, 1993.

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Štefanko, Ondrej. Poldruhastoročná vydavatel̕ská činnosť nadlackých slovákov. Nadlak: Vydavatel̕stvo Ivan Krasko, 2003.

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Šeflová, Ludmila. České a slovenské knihy v exilu: Bibliografie 1948-1989. 2nd ed. Praha: Československé dokumentační středisko, 2008.

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Praze, Národní knihovna v. Umění: Soupis české a slovenské literatury z let 1981-1985 a samizdat, exilová literatura, zvlásťní fondy z let 1948-1989. Praha: Národní knihovna v Praze, 1992.

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Babíková, Anna. Bibliografia novín a časopisov vychádzajúcich na Slovensku v rokoch 1966-1970. V Martine: Matica slovenská, 1997.

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Balúnová, Melánia. Bibliografia novín a časopisov vychádzajúcich na Slovensku v rokoch 1945-1960. V Martine: Matica slovenská, 1995.

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Vydavatel̕sko-tlačiarenská, činnost̕ Slovákov v. Juhoslávii (1999 Bački Petrovac Serbia). Vydavatel̕sko-tlačiarenská činnost̕ Slovákov v Juhoslávii: Zborník materiálov z medzinárodného sympózia Vydavatel̕sko-tlačiarenská činnost̕ Slovákov v Juhoslávii, uskutočneného 10. a 11. septembra 1999 v Báčskom Petrovci, a z medzinárodnej vedeckej konferencie Časopis juhoslovanských Slovákov Nový Život v kontexte slovenskej kultúry, uskutočnenej 28. a 29. októbra 1999 v Bratislave. Bratislava: Dom zahraničných Slovákov, 2000.

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Csájiová, Alžbeta. Z produkcie menších tlačiarenských centier na Slovensku do roku 1900: Katalóg starých tlačí z fondov Štátnej vedeckej knižnice. Košice: Štátna vedecká knižnica v Košiciach, 2002.

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Beňovský, Jozef, and Igor Štrbík. Klenotnica slovenskej literatury: Paríż, Divadlo Moliéra-Dom poézie, marec-april 1998. Martin]: Matica slovenská v Martine, 1998.

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Beňovský, Jozef. Klenoty slovenskej národnej literatury. [Martin]: Vydala a vytlačila Matica slovenská v Martine, 1994.

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