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Journal articles on the topic 'Small genre'

Author: Grafiati

Published: 28 May 2022

Last updated: 31 July 2025

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1

Yuzmukhametova, Landysh N., Venera R. Amineva, Leysan G. Ibragimova, Rosalia M. Svetlova, and Safina F. Gulnara. ""Small" prose of R. Gabudlkhakova." Linguistics and Culture Review 5, S3 (2021): 667–77. http://dx.doi.org/10.21744/lingcure.v5ns3.1626.

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On the material of the works of R. Gabdulkhakova, the internal measure of the "small" genres of modern Tatar prose is revealed: in the brocade it is determined by the nature of the relationship of the narrative plot and its generalizing "ending." Genre varieties of brocade in the work of R. Gabdulhakova are described, which correspond to two directions of the plot movement: from external to internal or from single to universal and two types of narrative - from the 1st or from the 3rd person. It was concluded that the internal measure of the genre determines the nature of the relationship of th

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Khabibullina, Alsu Z. "Small Genres of Russian and Tatar Literature: Comparative Poetics." Polylinguality and Transcultural Practices 16, no. 2 (2019): 239–51. http://dx.doi.org/10.22363/2618-897x-2019-16-2-239-251.

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The article is devoted to the study of small genres of Russian and Tatar literature in the aspect of comparative poetics. It is stated that comparative poetics is based on a comparative method which is in its’ turn based on the idea of preservation of national literature originality, involved in a dialogue. The sphere of the uniqueness actualizes the category of genre, that is the problem of genres correlation, their possible correlation in cross-literal space. The factual basis - are the genres of fable and masal in works by I.A. Krylov and G. Tukai. Their history, some aspects of poetics and

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Bakanova, A. V. "Small Genres of Spanish Folklore." Cuadernos Iberoamericanos 11, no. 3 (2023): 146–63. http://dx.doi.org/10.46272/2409-3416-2023-11-3-146-163.

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The article analyzes the small genres of Spanish folklore. Genre is the main form of study in folklore; it translates a certain life experience of the people. The formation of the Spanish genre system was influenced both by Western and Eastern folklore traditions, and Spain itself has repeatedly served as a cultural intermediary. Spanish and Russian folklorists do not share the same take on terminology: Spanish researchers do not typically classify groups of genres according to their volume, therefore proverbs and sayings are studied as part of phraseology, whereas riddles, rhymes, tongue twis

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Carliner, Saul, and Timothy Boswood. "Genre." Information Design Journal 12, no. 2 (2004): 124–36. http://dx.doi.org/10.1075/idjdd.12.2.05car.

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This paper presents a case for a genre-based approach to research into online communication. Questions about the appropriateness and extensiveness of research-based guidelines for communicating online exist. These questions include the appropriateness of transferring guidelines from research on print communication online without first re-verifying them, the appropriateness of generalizing conclusions from context-based, small sample-sized usabilty studies, the extent of generalizability of empirical studies, and the limited scope of guidelines that focus almost exclusively on physical features

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Orlova, Natalia V. "Genre quantification: The functioning of “brief” and “short” in the position of definitions of genre names." International Journal “Speech Genres” 19, no. 1 (41) (2024): 29–37. http://dx.doi.org/10.18500/2311-0740-2024-19-1-41-29-37.

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The relevance of the study of the quantitative dimension of genres, in particular genres of small format and short implementations of genres in general, has increased due to the need to “compress” information of various types in modern communications, insufficient knowledge of the patterns of functioning of short and abbreviated texts/discourses, attention to the quantitative aspects of speech in terms of their value. The problematic situation is defined by the author as a contradiction between the ascertainment of the prototypical nature of texts of small volume, rather complete descriptions

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Никифорова, Вера Витальевна. "AS A SMALL GENRE OF CHUVASH PROSE." Bulletin of the Chuvash State Pedagogical University named after I Y Yakovlev, no. 3(116) (October 7, 2022): 91–95. http://dx.doi.org/10.37972/chgpu.2022.116.3.011.

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Вопросы теории и истории малых повествовательных форм в чувашском литературоведении в настоящее время изучены недостаточно. Одним из неизученных жанров чувашской малой прозы является хайла. Первые произведения с обозначенным жанровым определением появились в чувашской литературе в начале XX в. на страницах газеты «Хыпар» (Весть). Жанр, утратив «самоназвание», продолжает развиваться и в XXI в. Материалом исследования выбраны произведения чувашских авторов, в которых ярко выражены признаки хайла. Тексты, «претендующие» на интерпретацию их в рамках обозначенной жанровой номинации, встречаются в т

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Hong, Xinyu. "Comparison Among AlexNet, GoogLeNet and ResNet-18 in Autiomatic Music Genre Classification." Academic Journal of Science and Technology 10, no. 3 (2024): 74–78. http://dx.doi.org/10.54097/j1ry4d81.

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This paper compared the performance among three famous convolutional neural networks in classifying music genres. Being carried out on a prominent dataset named Free Music Archive, the experiments show that ResNet-18 performs much better than AlexNet and GoogLeNet in classifying the music genres in a relatively small dataset. Meanwhile, the classification accuracy of each model for each music genre was also recorded. It indicates that different models could be expert in identifying distinct genres. Several genres, including blues, hip-hop and international, were not closely related to the chan

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Lagutina, Ksenia Vladimirovna. "Classification of Russian Texts by Genres Based on Modern Embeddings and Rhythm." Modeling and Analysis of Information Systems 29, no. 4 (2022): 334–47. http://dx.doi.org/10.18255/1818-1015-2022-4-334-347.

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The article investigates modern vector text models for solving the problem of genre classification of Russian-language texts. Models include ELMo embeddings, BERT language model with pre-training and a complex of numerical rhythm features based on lexico-grammatical features. The experiments were carried out on a corpus of 10,000 texts in five genres: novels, scientific articles, reviews, posts from the social network Vkontakte, news from OpenCorpora. Visualization and analysis of statistics for rhythm features made it possible to identify both the most diverse genres in terms of rhythm: novel

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Emily Morgan, Vinh To, and Angela Thomas. "Using Genre-based Pedagogy to Teach Structural Staging of Short Persuasive Essays in a Japanese University Context." English as a Foreign Language International Journal 2, no. 6 (2022): 49–79. http://dx.doi.org/10.56498/422262022.

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University students studying English as a Foreign Language (EFL) are required to read and write specialised academic genres. Genre-based pedagogy, developed from Systemic Functional Linguistics (SFL), teaches lexicogrammar and structure of these genres in context. The present study taught the structural staging of exposition and discussion genres to 17 students over a ten-week program, using the Gradual Release of Responsibility (GRR) framework. Pre- and post-instruction essays were collected. Results show that, post-intervention, students preferred the structurally complex discussion genre wh

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Kaka Kamaludin, Woro Isti Rahayu, and Muhammad Yusril Helmi Setywan. "TRANSFER LEARNING TO PREDICT GENRE BASED ON ANIME POSTERS." Jurnal Teknik Informatika (Jutif) 4, no. 5 (2023): 1041–52. http://dx.doi.org/10.52436/1.jutif.2023.4.5.860.

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Anime is an animated film with a distinctive graphic design originating from Japan, which is widely favored by various groups. anime itself has a genre like a movie in general, but there is a slight difference from ordinary films, anime has additional genres that are not in ordinary films, such as the Ecchi, Mahou Shoujou, Seinen, Shounen, and Josei genres. Since those genres only exist in anime, this research is devoted to predicting those anime genres. The prediction will use posters from the anime itself, with the help of image processing, namely the Convolutional Neural Network method and

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Qayumov, Olim. "FOLKLORNING INFORMATIV EPIK JANRLARIGA DOIR." TAMADDUN NURI JURNALI 11, no. 62 (2024): 103–6. https://doi.org/10.69691/ynwtpa05.

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This article examines the small epic genres of Uzbek folklore, which serve to convey information to the listener.The author puts forward new scientific and theoretical conclusions about “rumors", a modern informative genre ignored by folklore science.

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Stanojević, Dobrivoje, and Lidija Mirkov. "Genological media alternative: Column as an antigenre." CM: Communication and Media 17, no. 52 (2022): 263–72. http://dx.doi.org/10.5937/cm17-41522.

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In the age of digital content, information does not reach people only through standard and established linguistic and genre forms. In addition to hybrids, it is possible to experience many other genres in public, in accordance with the context of current reality. The first journalistic genre singled out from the world of literature -the column -today is not just small-scale literature. There are currents in it that we can observe from the angle of literary and journalistic studies because it retains the standardized genre properties, giving new dimensions of meaning. There is little genealogic

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Hamdamov, Ulug'bek Hasan o'g'li. "XIV ASRGA QADAR TURKIY ADABIYOTDA KICHIK NASRIY JANRLAR." ACADEMIC RESEARCH IN MODERN SCIENCE 1, no. 19 (2022): 213–18. https://doi.org/10.5281/zenodo.7440517.

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This article reflects the views of the author on the emergence, development, status and importance of small prose genres that existed in Turkish literature until the 14th century, as well as on the genre category in Turkish literature of this period.

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Малинкина, Елена Владимировна. "AUTHORSHIP IN THE GENRE OF SMALL PROSE." Вестник Тверского государственного университета. Серия: Филология, no. 1(68) (April 9, 2021): 284–91. http://dx.doi.org/10.26456/vtfilol/2021.1.284.

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Автор рассматривает эстетическую и социальную роль личности писателя и образа автора в формировании малого жанра, раскрывает философский и лирический потенциал малой прозы, считает философское и лирическое начала жанрообразующими факторами малой прозы. Опираясь на антропологические концепции русских философов, автор усматривает их влияние на литературу через лиризацию прозы, в возрождении интереса к личности не только как субъекта познания, обладающего интуицией, но и как духовной субстанции, субъекта творчества. Особое внимание уделяется явлению циклизации и эпизации в современной «малой» про

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Seiradakis, Emmanouela, and Ιoannis Spantidakis. "Socially-shared Metacognitive Regulation Episodes Between Undergraduate Engineering Students During a Collaborative Genre Analysis Task in an English for Academic Purposes Course." English Language Teaching 12, no. 6 (2019): 217. http://dx.doi.org/10.5539/elt.v12n6p217.

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Recent findings suggest that genre-based tasks such as move analysis when underpinned by the theory of metacognition can familiarize undergraduate students with newly encountered academic genres such as the research article. However, there still is a limited understanding about how and when novices engage in socially shared metacognitive regulation processes (SSMR) during online collaborative genre analysis tasks. The purpose of this study was to identify when and how a small group of undergraduate engineering students engaged in SSMR processes during a collaborative online move analysis wiki

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16

Keinonen, Heidi. "From television genre to film genre: Finnish Schlager music on small and big screens." Journal of Scandinavian Cinema 13, no. 1 (2023): 51–57. http://dx.doi.org/10.1386/jsca_00081_1.

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Schlager shows were one of the main attractions on early Finnish television. Featuring a popular music genre, the shows were soon followed by a wave of Schlager films. In this article, I discuss Schlager film as an intermedial genre that sheds light on the early forms of cooperation between television, film and record industries. Focusing on the Schlager film Hit parade (1959), I suggest that while television was often seen merely as a competitor of the film industry, contributing to the crisis of Finnish film production, the relation between the two was more ambiguous than that: the case of H

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Susino, Marco, and Emery Schubert. "Cultural stereotyping of emotional responses to music genre." Psychology of Music 47, no. 3 (2018): 342–57. http://dx.doi.org/10.1177/0305735618755886.

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This study investigated whether emotional responses to a music genre could be predicted by stereotypes of the culture with which the music genre is associated. A two-part study was conducted. Participants listened to music samples from eight distinct genres: Fado, Koto, Heavy Metal, Hip Hop, Pop, Samba, Bolero, and Western Classical. They also described their spontaneous associations with the music and their spontaneous associations with the music’s related cultures: Portuguese, Japanese, Heavy Metal, Hip Hop, Pop, Brazilian, Cuban, and Western culture, respectively. Results indicated that a s

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Wilkins, Kim. "‘A crowd at your back’: fantasy fandom and small press." Media International Australia 170, no. 1 (2017): 115–25. http://dx.doi.org/10.1177/1329878x17743524.

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This article presents a study of a model of textual production that situates genre fiction, specifically fantasy fiction, within its community and industry contexts. I argue that Australian fantasy ‘fandom’ operates in some ways like a research and development space for the literature it consumes, through allowing, enabling and enthusiastically supporting – both ethically and materially – a thriving small press culture. Fandom is known for its passionate investments in texts, and those investments are rarely passive. The fantasy genre community is already oriented towards prosumption, and smal

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Кузь, Валентина. "GENRE-STYLE FEATURES OF OLHA MAK’S SMALL PROSE." Problems of Contemporary Literary Studies, no. 29 (October 11, 2019): 145–56. http://dx.doi.org/10.18524/2312-6809.2019.29.180599.

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Loktionova, Nadezhda M., Svetlana A. Kruglova, Olesya A. Drozdova, Irina A. Zhyvotkova, and Olga Y. Potanina. "Category Features of Toast as Small Speech Genre." SHS Web of Conferences 50 (2018): 01019. http://dx.doi.org/10.1051/shsconf/20185001019.

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Toasts logically fit into modern cultural space, including folklore. Folklore as a field of artistic creativity is widely spread in a variety of forms and types in modern reality. This phenomenon is dynamic, evolving, and quickly transformable; within humanitarian knowledge it interacts with such concise concepts as post-folklore, subculture; it reflects quality changes of public and everyday life of our era. Conceptually, the subject field of urban folklore is fairly well understood and even developed despite its specifics and complexity.

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KENJAEVA, POSHSHHAJON, and SHAKHNOZA KARIMOVA. "GREAT OPPORTUNITIES OF A SMALL GENRE (EXAMPLE OF FARID EDGU'S STORIES)." Sharqshunoslik. Востоковедение. Oriental Studies 02, no. 02 (2022): 1–9. http://dx.doi.org/10.37547/ot/vol-01issue-02-01.

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This article provides information about the work of contemporary Turkish writer Farid Edgu and analyses selected short stories. The stories analysed are taken from the short stories collections "Av" ("Hunting", 1967), "İşe Deniz, Maria" ("Here is the sea, Maria", 1999). The author also briefly mentions major Western and Turkish literary figures who have influenced the writer's work, and gives an idea of the general characteristics of their style. In particular, despite the fact that some of Farid Edgu's stories are very short, there is a deep philosophical meaning in their essence. In Turkish

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Susidko, Irina P. "Small-Scale Opera Genres in Vienna before and after Christoph Willibald Gluck’s Orfeo ed Euridice: Adaptation and Polemics." Contemporary Musicology 8, no. 1 (2024): 50–71. http://dx.doi.org/10.56620/2587-9731-2024-1-050-071.

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The article is devoted to works pertaining to small opera genres (festa teatrale, azione teatrale, componimento drammatico) created in Vienna during the 1750s and the 1760s. As a rule, they were produced in honor of some significant event in the lives of the imperial family. Most of them were endowed with a festive character corresponding to the spirit of court festivity, an uncomplicated mythological or allegorical plot, relatively short duration and only three or four characters. The article examines genre-related indications of short operas, their varieties (the chamber and the scenically r

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Wolbers, Kimberly, Hannah Dostal, Steve Graham, Lee Branum-Martin, and Leala Holcomb. "Specialized Writing Instruction for Deaf Students: A Randomized Controlled Trial." Exceptional Children 88, no. 2 (2021): 185–204. http://dx.doi.org/10.1177/00144029211050849.

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Strategic and Interactive Writing Instruction (SIWI) involves teaching cognitive writing strategies and apprenticing novices within collaborative writing communities. It is responsive to deaf students' diverse language experiences through embedded metalinguistic/linguistic components. A randomized controlled trial of SIWI was conducted with 15 teachers and 79 students in grades 3-5. Recount, information report, and persuasive genres were taught across three 9-week periods. Writing samples analyzed for writing traits, language clarity, and language complexity were collected prior to instruction

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MIRZEYEVA, Gulnar. "AZERBAYCAN BESTECİLERİNİN ESERLERİNDE ETÜD TÜRÜ THE GENRE OF ETUDE IN THE WORKS OF AZERBAIJANI COMPOSERS." IEDSR Association 6, no. 12 (2021): 77–86. http://dx.doi.org/10.46872/pj.270.

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The etude genre is one of the examples characterized by the emergence of different types of music that develop at certain stages of musical art. Although the introduction of studies as an independent genre in musical literature dates back to the XVII-XVIII centuries, its main function in the development of piano art was already present in other musical genres. The next stage in the development of the study genre is related to the work of the Romantic Movement representatives F.Chopin, R.Schumann, F.List. The acquisition of new features of the genre is due to the work of Russian composers. Thus

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CHERKUNOVA, M. V., and E. V. PONOMARENKO. "Genre differentiation of small-format texts in modern English." Issues of Applied Linguistics, no. 53 (2024): 129–55. http://dx.doi.org/10.25076/vpl.53.06.

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A number of objective conditions that have formed in the modern society are reflected in language as the tendency to reduce the volume of communicative units – texts – that are used in the process of communication. Currently, short textual formations are characteristic of all types of discourse, including those of interpersonal and institutional communication in the media, scientific, official and business environments, as well as in the context of creative writing. The relevance of studying small texts is explained by the need to identify specific ways by which the pragmatic potential of a li

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Bahari, Nurun Najwa, Paul Expert, and Fatimah Abdul Razak. "An Analysis of Actors in Malay Films: Small Worlds, Centralities and Genre Diversity." Mathematics 11, no. 5 (2023): 1252. http://dx.doi.org/10.3390/math11051252.

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This article utilizes social network analysis in addition to a measure of genre diversity to quantify the quality and capacity of actors in the Malay language film industry. We built a dataset by collecting data from various websites pertaining to Malay films. The data consists of 180 Malay films released from 2015 until 2020. The actor network is then built by connecting actors co-starring in a movie together and is compared to small world networks. We quantified the quality of actors in the network using five measures: number of films (TFA), degree centrality (DC), strength centrality (SC),

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Golod, N. S. "TRANSFORMATION POTENTIAL OF SMALL PROSE IN THE HISTORIC AND LITERARY PROCESS (BASED ON THE MATERIAL OF ARTISTIC WORK BY VASYL STEFANYK)." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 3(55) (April 12, 2019): 425–37. http://dx.doi.org/10.31471/2304-7402-2019-3(55)-425-437.

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The article is dedicated to the historic and theoretic literary analysis of the works of Ukrainian and foreign researchers, that studied the problem of transformation potential of the small prose genres in the synchronic and diachronic aspects. A review is made of the main approaches towards studying the problem of the kinship of a short story with epic and dramatic kin of literature. It has been found out: the majority of the researchers think that the typology of genres according to their kin has been sustained only in classicism with its demand for purity and canonicity of the literary form

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Mantsaeva, A. N., T. I. Usmanov, and T. D. Magomadova. "The Riddle as a Representative of a Small Folklore Genre in Russian and English Languages." SHS Web of Conferences 172 (2023): 03021. http://dx.doi.org/10.1051/shsconf/202317203021.

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The research is dedicated to the texts of riddles in diverse languages, in particular Russian and English, as representatives of the small folklore genre. The authors note that the main task of the riddle genre is to familiarize the bearer of folk culture with the folklore system. One of the features of modeling reality in the genre under study is the image of objects from their pragmatic features, as well as external characteristics. One of the specific features of the riddle genre is a special choice of objects of reality belonging to the realities of the material world, and having external

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Uzdenova, F. T. "SMALL GENRE OF MODERN KARACHAYEVO-BALKARIAN POETRY: NATIONAL SPECIFICATION." BULLETIN of the Kabardian-Balkarian Institute for the Humanities Research 2, no. 37 (2018): 116–21. http://dx.doi.org/10.31007/2306-5826-2018-2-37-116-121.

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Khaninova, Rimma M. "Жанр харал в калмыцкой поэзии ХХ в." Монголоведение (Монгол судлал) 14, № 2 (2022): 418–40. http://dx.doi.org/10.22162/2500-1523-2022-2-418-440.

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Introduction. In Kalmyk folklore, the genres of yöräl (well-wishing) and kharal (curse) cluster with magic poetry characterized by ritual and communicative functions. The latter genre remains understudied since informants had avoided uttering such narratives fearing their negative impacts, therefore the available records of kharals are much fewer than those containing yöräls. This affected essentials of kharals authored by 20th-century Kalmyk poets, including the former’s peripheral position in the genre system of Kalmyk lyrics and a small number of such poetic examples. The article discusses

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A. Samad, S., and A. B. Huddin. "Genre Classification of Traditional Malay Music Using Spectrogram Correlation." International Journal of Engineering & Technology 7, no. 4.11 (2018): 29. http://dx.doi.org/10.14419/ijet.v7i4.11.20683.

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A method to classify the genre of traditional Malay music using spectrogram correlation is described. The method can be divided into three distinct parts consisting of spectrogram construction that retains the most salient feature of the music, template construction that takes into account the variations in music within a genre as well as the music progresses, and template matching based on spectrogram image cross-correlation with unconstrained minimum average correlation energy filters. Experiments conducted with seven genres of traditional Malay music show that the recognition accuracy is de

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Morrison, Rebecca. "Teaching Toward the Telos of Critical Thinking: Genre in Business Communication." Business and Professional Communication Quarterly 80, no. 4 (2017): 460–72. http://dx.doi.org/10.1177/2329490617691967.

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The implementation of genre theory in the business communication classroom could lead to the cultivation of critical thinking skills in students. The lack of a common definition of critical thinking skills across academia and the workplace creates a difficult end goal to pursue; therefore, teachers should consider explicitly teaching to the outcome, or telos, of critical thinking through genre. This article examines a small corner of genre theory, identifies a genre theory framework for business communication, and discusses the implications of such a framework.

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Borbuchalova, Baktygul. "THE MAIN ELEMENTS OF FOLK SATIRE IN ORAL CREATIVITY." Alatoo Academic Studies 23, no. 3 (2023): 236–48. http://dx.doi.org/10.17015/aas.2023.233.25.

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Having a separate place in the public consciousness (according to the critical point of view), satirical or humorous artistic thinking, which manages to approach literary creativity from a different angle, acquires a specific form as a work of art, and the personal creativity of a poet or writer is of great importance. Of course, when a creative person expresses his attitude to funny events, he does not intend to write in only one genre, but at the same time he is engaged in a wide genre range in order to make the thought satirical or humorous, and tries to place his own content from it. Typin

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Nazymchuk, Dariia. "European opera classics in the mirror of Spanish zarsuela." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 140 (November 28, 2024): 127–40. https://doi.org/10.31318/2522-4190.2024.140.318653.

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The relevance of the study: Italian opera, which dominated at the musical theater of Europe in the 18th and 19th centuries, influenced the development of a number of national genres, such as the German singspiel (Singspiel) and romantic opera (romantische Oper), French comic and grand opera (opera comique and grand opéra), English ballad opera. In studies that consider the dynamics of the development of the opera genre in Germany, Austria, France and other countries, such influences are analyzed. The influence of Italian opera is also present in the Spanish zarzuela, a genre that is much less

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Pokrywka, Rafał. "Einführung und Modifikation von Genrebegriffen als Wertungsstrategien im literarischen Feld." Journal of Literary Theory 15, no. 1-2 (2021): 30–52. http://dx.doi.org/10.1515/jlt-2021-2009.

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Abstract In the first part of the paper, the interconnection of evaluation and classification in the literary field is discussed. Genre constitutes one of the central notions in Pierre Bourdieu’s sociology of literature. Werner Michler’s suggestion to regard genres not as theoretical models or collections of features, but as classifications by agents of the literary field, is expanded by the aspect of genre evaluation. Both processes of classification and evaluation seem intertwined and could be understood as evaluation strategies by agents and communities of the literary field. Introduction o

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Wanzo, Rebecca. "How Long, Not Long." Film Quarterly 74, no. 4 (2021): 51–55. http://dx.doi.org/10.1525/fq.2021.74.4.51.

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A major theme of Steve McQueen’s Small Axe series is West Indian joy. West Indian immigrants’ struggles against state resistance to everyday black life. In a rather profound contrast to McQueen’s other work—in which long takes of suffering bodies draw the viewer into the inescapability of the pain experienced by his subjects—joy disrupted provides the counterpoint to bodies in pain. Striking this balance between suffering and joyous bodies is one of the reasons that McQueen’s series may be his best effort yet to move between art cinema and popular genres. The various films in Small Axe fit in

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Mironchuk, Tetiana A., and Nataliia A. Odarchuk. "CALL FOR DIDACTIC WEBINAR: BRITISH SCIETIFIC COMMUNICATION GENRE." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ Fìlologìčna 1, no. 22(90) (2024): 17–20. https://doi.org/10.25264/2519-2558-2024-22(90)-17-20.

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The paper discusses some features of the structure and content of the “call for didactic webinar” genre that functions in the British scientific communication. “Call for didactic webinar” is established to belong to the up-to-date small-format written genres of the scientific communication. The authors reveal the reasons for its popularity with the user of educational servicers demand for formal and structural compactness, informativeness, and attractiveness of the product being dominant. Epistemics of the genre is identified to contain advertising valorative attributes. To study the content a

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Sofronova, Irina Vladimirovna. "Artistic features of couplets in the works of Chuvash poets." Philology. Theory & Practice 17, no. 8 (2024): 2908–13. http://dx.doi.org/10.30853/phil20240414.

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The aim of the research is to identify the features of the couplet genre in Chuvash poetry, influenced by Eastern classics and the use of folklore traditions. The spread of this genre became possible due to the existence of traditions of small genres in folklore, the influence of translations of relevant examples, and interest in the traditions of Eastern literatures. The scientific novelty of the research lies in the fact that it is the first to consider couplets by Chuvash poets as a separate, independent genre. The article analyzes couplets by V. Turat (1913-1978), B. Borlen (1934-2013), V.

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Tkachenko, Tetyana. "THE PROSE GENRE PALETTE OF IVAN NECHUJ-LEVYCZKYJ." Literary Studies, no. 57 (2019): 173–86. http://dx.doi.org/10.17721/2520-6346.3(57).173-186.

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The article studies the specifics of the small prose of Ivan Nechuj-Levyczkyj (1838–1918). The focus is on the study of the genealogy of writing, including the variety of small epic forms presented by the writer’s legacy. The paper analyses the author’s reception, interpretation and reinterpretation of genres and genre varieties are covered, genre diffusion (travel essay, notes, sketching, anecdote, prose fable, satire, story, humorous, legend, fairy tale, phantasmagoria, tragic comedy, tragedy, fantasy). It explores the issues and topics of proscription (glorifying the beauty of nature of Ukr

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Starostina, Yu S. "Linguo-Axiological Speech-Genre Model and Its Actualization in English Drama Discourse." Nauchnyi dialog 11, no. 4 (2022): 131–52. http://dx.doi.org/10.24224/2227-1295-2022-11-4-131-152.

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The linguo-axiological specificity of the English-language dramatic discourse is revealed through the prism of the speechgenre organization of the dialogue. The relevance of the work is due to the appeal to the problems of discursive-communicative linguoaxiology as a scientific direction, which is at the stage of formation of an independent research platform. The reasons for the linguo-axiological loading of the dramatic discourse are revealed, and the author's development of a linguo-axiological model of speech genres implemented within the limits of the British and American dramaturgical dia

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Melnyk, Svitlana. "А. Vivaldi’s Serenade «Gloria e Imeneo»: genre‑performing analysis". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 65, № 65 (2022): 82–98. http://dx.doi.org/10.34064/khnum1-65.05.

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Formulation of the problem. The article is devoted to the serenade genre, popular in the 17th–18th centuries, which is an example, on the one hand, of a composition that was written «on demand», for the occasion, and, on the other hand, it is an intermediate genre between a cantata and a small opera. In terms of genre and specifics of performance, an analysis of one of the examples of the genre of baroque serenade is offered – that is of Antonio Vivaldi’s «Gloria e Imeneo» RV687. Analysis of recent research and publications. The article includes studies of the solo cantata genre (G. Omelchenko

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Larikova, Liudmyla. "Women’s Bandura Ensembles. Aspects of Working with Small Vocal Ensembles." Artistic Culture Topical Issues, no. 18(1) (May 31, 2022): 37–42. http://dx.doi.org/10.31500/1992-5514.18(1).2022.260413.

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The paper describes the specific features in the functioning of women’s bandura ensembles. In particular, it gives a historiographical picture of vocal-instrumental bandura performance, describes the stages of academisation of women’ssinging in bandura ensembles, and overviews the main methodological approaches of work with women’s vocal-instrumental bandura ensembles. Women’s bandura ensembles as an academic genre trend of Ukrainian musical culture have three fields of study: vocal and instrumental (performers), genre and stylistic (composers), and social and educational (cultural). Also, it

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Baeshova, B. Sh. "The Specifics of the Study of Small Stanzas in Kazakh Poetry." Iasaýı ýnıversıtetіnіń habarshysy 131, no. 1 (2024): 20–29. http://dx.doi.org/10.47526/2024-1/2664-0686.02.

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The article is devoted to the study of the genesis and features of the development of “kara olen” (poem), an ancient genre of Kazakh literature. We are talking about the environment of chanting, the area of distribution of “kara olen”, which conveys the way of life, culture and literature of the Kazakh people. The opinions of scientists on the nature and definition of the genre are considered. It is known that "Kara olen" was studied by Sh. Ualikhanov, M. Auyezov, K. Zhumaliev, E. Ismailov, B. Kenzhebaev, B. Uakatov, Z. Akhmetov, G. Doskenov and other famous scientists. Examples from the state

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Turysbek, R., and E. Matibayeva. "The art world of a Small genre (Accodingto D.Doszhan loork)." Bulletin of L.N. Gumilyov Eurasian National University. Philology Series 125, no. 4 (2018): 121–28. http://dx.doi.org/10.32523/2616-678x-2018-125-4-121-128.

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Havryliuk, Inna. "Sketch in the contemporary social-communication space: development trends." Obraz 44, no. 1 (2024): 100–109. http://dx.doi.org/10.21272/obraz.2024.1(44)-100-109.

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Introduction. The contemporary stage of mass media development is marked by a change in the genre system. One of the genres that has almost disappeared from traditional media, but actively reacted to the emergence of the network space and became part of it, is undergoing transformational processes, is the sketch. Relevance and goal. Understanding the trends in the development of sketches at the current stage is relevant, as it provides an opportunity to look at the place and role of this genre in the social and communication space in a new way. The purpose of the study is to outline the trends

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Kiel, Hanna. "A Study on the Expression Techniques of Three Composers on the Time of Genre Transference in the Play 《Romeo and Juliet》." Korean Society of Culture and Convergence 44, no. 8 (2022): 255–74. http://dx.doi.org/10.33645/cnc.2022.8.44.8.255.

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This paper is a study on the composition technique of Romeo and Juliet , which was created as the largest number of music works among Shakespeare’s plays. As a research method, genre transference, one of the dramatic elements in Romeo and Juliet , was considered, and the expression techniques of the three composers who used it in their works were analyzed. Accordingly, music genres that match the specificity of plays, namely, ballet plays, operas, and musicals, which are mixed forms of music and drama, were selected and analyzed for works by Prokofiev, Gounod, and Bernstein, recognized in the

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Kulpina, Larisa J., and Sergei J. Shcherbina. "TRANSLATING LICHTENBERG'S APHORISMS." HUMANITIES AND SOCIAL STUDIES IN THE FAR EAST 20, no. 1 (2023): 73–79. http://dx.doi.org/10.31079/1992-2868-2023-20-1-73-79.

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There are, but few, publications discussing the translation of small format texts. This article aims to fill this niche. The translation of aphorisms has its own specifics, which is to a great extent explained by their format – they are very short texts. The translator has no chance to comment on his/her choice in order not to break the laws of the genre. The actualization of the pragmatic effect is also handicapped by differences in language systems. Lichtenberg’s „Sudelbücher“ contains small format texts of various genres, some of which are aphorisms. Thus the translator must independently c

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Venditti, Michela. "THE GENRE OF INSCRIPTION IN G. R. DERZHAVIN’S POETRY (VERSE ON THE DEATH OF A DOG)." Russkaya literatura 2 (2021): 31–39. http://dx.doi.org/10.31860/0131-6095-2021-2-31-39.

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The article draws attention to the insuffi ciently studied genre of inscription of the 18th century. Important studies have been devoted to the small poetic forms of the epigram and the epitaph of the period, but the inscription, because of the vagueness of the exact genre defi nition, has not yet received due attention. The article offers a general preliminary outline of the data concerning this genre in the 18th century, and the analysis of certain inscriptions in the works by Derzhavin.

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Wojtyna, Miłosz. "Boredom, Bovver, Subjectivity: Pathostream as Genre." Tekstualia 3, no. 58 (2019): 55–70. http://dx.doi.org/10.5604/01.3001.0013.6423.

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With the rise of live broadcasts, the generic complexity of Internet communication has reached a new crescendo. „Pathostreams”, or pathological streaming channels, are Polish-language, culture- and medium-specifc Youtube profi les run by individuals who broadcast radically violent, odd, transgressive content to a relatively small audience in order to solicit fi nancial support. The article describes the generic features of this new emergent form, discusses its aesthetics, and demonstrates that the emergence of the „pathostream” as a new transmedial, performative genre is an attempt to develop

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Sørensen, Anne Scott. "Facebook – selvfremstilling, small talk og social regulering." MedieKultur: Journal of media and communication research 28, no. 52 (2012): 21. http://dx.doi.org/10.7146/mediekultur.v28i52.5640.

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<p>In this paper, I will document the use of Facebook in a Danish context, taking a mediatisation perspective focused on the network sociality in question (Jensen, 2009; Tække, 2010a/b) and the communication (Miller, 2008) of social media. This discussion is based on a qualitative study from 2010, consisting of participants recruited from a survey study. The study explores three dilemmas resulting from network media’s communicative paradox, involving the premises of self-representation, use of status updates, and social regulation. These dilemmas are contextualised by recent theories of

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