Relevant bibliographies by topics / Smart, Elizabeth

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Smart, Elizabeth'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Smart, Elizabeth"

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Bullock, Cathy Ferrand, Margaret Spratt, and Sue Lockett John. "Newspapers Provide Context in Elizabeth Smart Abduction." Newspaper Research Journal 34, no. 4 (September 2013): 24–39. http://dx.doi.org/10.1177/073953291303400403.

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Robert McGill. "“A Necessary Collaboration”: Biographical Desire and Elizabeth Smart." ESC: English Studies in Canada 33, no. 3 (2009): 67–88. http://dx.doi.org/10.1353/esc.0.0077.

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Chambers, Douglas. "Elizabeth's garden: Elizabeth smart on the art of gardening and in a Canadian garden." Journal of Garden History 10, no. 4 (October 1990): 252. http://dx.doi.org/10.1080/01445170.1990.10414386.

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Crook, H. "The New Family Elizabeth B. Silva and Carol Smart." International Journal of Law, Policy and the Family 15, no. 2 (August 1, 2001): 290–96. http://dx.doi.org/10.1093/lawfam/15.2.290.

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Quéma, Anne. "Elizabeth Smart: A Fugue Essay on Women and Creativity (review)." University of Toronto Quarterly 76, no. 1 (2007): 579–80. http://dx.doi.org/10.1353/utq.2007.0223.

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Walton, H. "Extreme Faith in the Work of Elizabeth Smart and Luce Irigaray." Literature and Theology 16, no. 1 (March 1, 2002): 40–50. http://dx.doi.org/10.1093/litthe/16.1.40.

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Hillsburg, Heather. "Antipolygamy Narratives after 9/11: Writing and Rewriting the Abduction of Elizabeth Smart." Feminist Formations 29, no. 2 (2017): 200–221. http://dx.doi.org/10.1353/ff.2017.0022.

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Podnieks, Elizabeth. "“Keep out/Keep out/Your snooting snout…”: The Irresistible Journals of Elizabeth Smart." a/b: Auto/Biography Studies 11, no. 1 (January 1996): 56–81. http://dx.doi.org/10.1080/08989575.1996.10815082.

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Garbero, Maria Del Sapio, and Elizabeth Podnieks. "Daily Modernism: The Literary Diaries of Virginia Woolf, Antonia White, Elizabeth Smart, and Anais Nin." Yearbook of English Studies 34 (2004): 323. http://dx.doi.org/10.2307/3509552.

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Glowczewski, Barbara. "The Waking Desert: When Non-Places Become Events." Deleuze and Guattari Studies 15, no. 1 (February 2021): 1–14. http://dx.doi.org/10.3366/dlgs.2021.0426.

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Philosopher and anthropologist Elizabeth Povinelli is the author of several books criticising multicultural late liberalism in Australia and the United States. Over the past few years she has created the Karrabing Film Collective with Indigenous people from Northern Australia to produce short experimental narrations filmed using smart phones, partly improvised and inspired by what she calls the animist strategy. This article discusses how, in Geontologies: A Requiem to Late Liberalism, Povinelli articulates her figure of Animism, with two others, the Desert and the Virus, so as to portray the projections of the life and death of humanity within our current geological era that some call or denounce as the Anthropocene.
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Dissertations / Theses on the topic "Smart, Elizabeth"

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Lane, Lewis Calvin III. "Finding Elizabeth: history, polemic, and the Laudian redefinition of conformity in seventeenth century England." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/2924.

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The "beauty of holiness," the ceremonialist agenda of the Laudians during the Personal Rule of King Charles I (r.1625-1649), was in many ways a serious shift from and challenge to the devotional and theological ethos that had dominated the Church of England since the 1570s. So stark was this shift that scholars today regularly cite the rigid enforcement of the "beauty of holiness" as one of the precipitating causes of the English Civil Wars that broke out in 1642. The rise of Laudianism, then, and its claim on the character of the nation's established church, the church's devotional life, and England's confessional identity, was no small matter. Perhaps the most understudied aspect of the Laudian movement was the way this circle of clergy argued that their program for the church was neither a challenge nor, for that matter, innovative. Recent historians have described how the Laudians used various rhetorical strategies to present their vision as perfectly orthodox, a mere restatement of old-fashioned principles and practices long enjoyed since the happy reign of Queen Elizabeth (r.1558-1603). Developing arguments from scripture, from the practice of the early church, or simply the more obvious need to worship God with reverence, the Laudians shifted their apologetic strategies depending on the moment. This project considers in detail a particular Laudian strategy - the appeal to precedents from the Elizabethan church. In addition to reflecting on the malleable nature of history in the early modern period and on the character of what one might call the rhetoric of conservatism, this project reveals the power of the image of Elizabeth Tudor in seventeenth century religious polemics. This dissertation is concerned not so much with Puritans, but rather with two groups who both claimed to be conformists and who both based that claim on adherence to Elizabethan principles. Both Laudians and, as one scholar describes them, "old style" conformists both claimed ownership of a legitimating Elizabethan past and thus ownership of a normative identity. At a broad level, my research seeks to understand a moment of religious and social change and how that change was persistently negotiated by recourse to history. My goal is to consider the way the Laudians appropriated the image of Elizabeth for their own designs. This examination does not end with the reign of Charles, however. The Laudian claim of true conformity and denial of innovation did not end when civil war erupted in 1642 or even when the king was executed in 1649. One finds this historical claim in the mouth of Archbishop William Laud at his trial for treason. Likewise, one finds during the Cromwellian Protectorate in the 1650s the rise of full historical enterprises, not simply the invocation of history in polemic. When the monarchy was restored in 1660, works by the Laudian historian Peter Heylyn were ready for Royalist consumption and, as one might suspect, they offer an interpretation of the past that legitimates the Laudian program and brands its opponents as foreign and dangerous. This type of literature was polemic under the form of history. Yet we cannot casually dismiss such arguments as simple propaganda. We must understand them instead as alternative readings of the past, stories that contemporaries told themselves and which worked to confirm a particular vision of the world. My project, in sum, will offer an assessment of the way historical claims functioned within the discourse of religious and political legitimacy at a time of intense religious and political strife. My concluding argument is that the tradition known as Anglicanism, while it had a long gestation, was born not in the reign of Elizabeth or even in the early Stuart period, but rather at the Restoration in 1660 when Charles II came to the throne and a particular vision of what it meant to be a loyal conformist achieved canonical status.
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Pike, Gregory Maxwell. "Friedrich Nietzsche's influence on Elizabeth Smart's By Grand Central Station I sat down and wept." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=31131.

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This study argues for the influence of Friedrich Nietzsche's philosophy on Elizabeth Smart's novel, By Grand Central Station I Sat Down and Wept. Following Goran Hermeren's guidelines for an influence argument, I argue the case for Smart's contact with Nietzsche's work, similarities between his work and Smart's novel, and the effect of his work on Smart's novel. Nietzsche's conception of tragedy applies to and describes the novel surprisingly well, explaining certain similarities between the authors' works while identifying another of the text's many genres. The argument is largely based on circumstantial evidence, but its cumulative force is highly suggestive of a hitherto unrecognized philosophical complexity in Smart's novel.
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Hershkowitz, Robin Hershkowitz. "Popular Memoirs of Women Held Captive." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1530381667241048.

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Lent, Vanessa. ""I am not I": Late Modernism and Metafiction in Canadian Fiction." 2012. http://hdl.handle.net/10222/15367.

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This dissertation argues that a number of works of Canadian fiction usually designated as modernist fit more properly into the category of “late modernism”: a category that has only recently begun to emerge as a bridge between post-war modernism and emergent postmodernism. These works are aligned by their use of abstract, absurdist, or surrealist narrative structures and consequently by their refusal to adhere to conventional strictures of social realism. Because of this refusal, literary critics have identified the late-modernist emphasis on narrative form as necessarily ahistorical or apolitical. Conversely, I argue, these works are socially and politically engaged with the historical contexts and material conditions of their inception, composition, and consequent reception. I argue herein that the works of Sheila Watson, Elizabeth Smart, Malcolm Lowry, and John Glassco tend towards non-representational narrative forms, and in doing so, they engage in modes of cultural critique. These critiques are focused by a negotiation of what has been multiply identified as a “contradiction” in modernist art: while on the one hand the texts break with traditional forms of social-realist narrative out of a need to find new forms of expression in an effort to rebel against conservative, bourgeois sensibilities, on the other hand they are always produced from within the self-same socio-political economy that they critique. Whether this position is identified as a “modernist double bind” (following Willmott) or a “central paradox” of modernism (following Eysteinsson), I have argued that each author negotiates these internal contradictions through the integration of autobiographical material into their writing. In reading these works as part of a unified late-modernist narrative tradition, this dissertation aims to destabilize critical and popular understandings of mid-century Canadian prose and argue for an alternate reading of artistic interpretation of the twentieth-century Canadian condition. Such a reading challenges current canon formation because it destabilizes traditional critical accounts of these texts as instances of eccentric expression or singular moments of genius. Instead, we are asked to consider seriously the tendency for play with subjectivity and autobiographical material as an interpretive strategy to express the mid-century, post-war condition.
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Books on the topic "Smart, Elizabeth"

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Sullivan, Rosemary. Elizabeth Smart. Barcelona: Circe, 1996.

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By heart: Elizabeth Smart, a life. Toronto: Penguin, 1992.

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Sullivan, Rosemary. By heart: Elizabeth Smart a life. Toronto, Ont., Canada: Viking, 1991.

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4

Alice, VanWart, ed. Juvenilia: Early writings of Elizabeth Smart. Toronto: Coach Press, 1987.

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Sullivan, Rosemary. By heart: Elizabeth Smart a life. Toronto: Penguin Books Canada, 1991.

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The collected poems of Elizabeth Smart. London: Paladin, 1992.

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Sullivan, Rosemary. By heart: Elizabeth Smart : a life. London: Lime Tree, 1991.

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8

Smart, Elizabeth. Necessary secrets: The journals of Elizabeth Smart, 1933-1941. Toronto: Deneau Publ, 1986.

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Smart, Elizabeth. Necessary secrets: The journals of Elizabeth Smart. Toronto: Deneau, 1988.

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Alice, VanWart, ed. Necessary secrets: The journals of Elizabeth Smart. Toronto, Ont: Deneau, 1986.

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Book chapters on the topic "Smart, Elizabeth"

1

Axelrod-Sokolov, Mark. "Elizabeth Smart: By Grand Central Station I Sat Down and Wept (1945)." In Untheories of Fiction, 117–33. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-59346-9_8.

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Hudson-Smith, Andrew, Duncan Wilson, Steven Gray, and Oliver Dawkins. "Urban IoT: Advances, Challenges, and Opportunities for Mass Data Collection, Analysis, and Visualization." In Urban Informatics, 701–19. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-8983-6_38.

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AbstractUrban Internet of Things (IoT) is in an early speculative phase. Often linked to the smart city movement, it provides a way of sensing and collecting data—environmental, societal, and transitional—both automatically, remotely, and with increasing levels of spatial and temporal detail. From city-wide data collection down to the scale of individual buildings and rooms, this chapter details the technology behind the rise of IoT in urban areas and explores the challenges (societal and technical) behind city-wide deployments. Drawing from a series of deployments at the Queen Elizabeth Olympic Park, London, it details the challenges and opportunities for mass data collection. Widening out the view, it looks at what is becoming known as “the humble lamp post” in Urban IoT fields to detail the potential of Urban IoT with the objects that already form part of the urban fabric. Finally, it examines the potential of Urban IoT for input into urban modeling and how we are on the edge of a shift in the collection, analysis, and communication of urban data.
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Plock, Vike Martina. "‘A Journal of the Period’: Modernism and Conservative Modernity in Eve: The Lady’s Pictorial (1919–29)." In Women's Periodicals and Print Culture in Britain, 1918-1939. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474412537.003.0004.

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This chapter examines and puts into context the ‘modernist turn’ of Eve: The Lady’s Pictorial, a popular fashion magazine marketed to middle-class female readers in the interwar period (1919-1929). While many of its society columns and features unquestionably endorsed traditional, patriarchal values, the fact that editors also reviewed and commissioned work by modernist women writers such as Elizabeth Bowen, Radclyffe Hall, Storm Jameson, Rosamond Lehmann, Jean Rhys, Sylvia Townsend Warner and Virginia Woolf, shows that the magazine was fashioned as a dialogic space that aimed to address the various, at times contradictory, experiences and interests of women in the interwar period. By analysing the particulars of this productive dialogue between conservatism and progressiveness in Eve, the chapter advances research on interwar periodical culture, suggesting that some existing critical designations such as ‘little,’ ‘smart,’ or ‘service’ inadequately describe the heterogeneity of the printed materials found in this particular 1920s magazine.
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