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Books on the topic 'Smile arc'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Scotti, R. A. Vanished Smile. New York: Knopf Doubleday Publishing Group, 2009.

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2

ill, Kelley Gary, ed. The stolen smile. Mankato, Minn: Creative Editions, 2004.

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3

Vaizey, Marina. The British Museum: Smile. London: British Museum, 2002.

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4

Butler, Rex. An uncertain smile: Australian art in the '90s. Woolloomooloo, N.S.W: Artspace Visual Arts Centre Ltd., 1996.

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5

Vanished smile: The mysterious theft of Mona Lisa. New York: Random House Large Print, 2009.

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6

A brief history of the smile. New York: Basic Books, 2004.

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7

Vanished smile: The mysterious theft of Mona Lisa. New York: Knopf Books, 2009.

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8

James A. Michener Art Museum., ed. The smile at the heart of things: Essays and life stories. Bucks County, Pa: James A. Michener Art Museum, 2009.

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9

Thailand. Samnakngān Sinlapa Watthanatham Rūam Samai, ed. Behind Thai smiles: Selected writings, 1991-2007. Bangkok: Office of Contemporary Art and Culture, Ministry of Culture, 2007.

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10

Bartillat, Christian de. Le livre du sourire: Sourire des dieux, sourire des hommes. [Monaco]: Editions du Rocher, 1995.

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11

David, Stuart, ed. A smile in the mind: Witty thinking in graphic design. London: Phaidon Press, 1996.

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12

David, Stuart, ed. A smile in the mind: Witty thinking in graphic design. London: Phaidon Press, 1998.

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13

Why Mona Lisa smiles and other tales by Vasari. University Park, Pa: Pennsylvania State University Press, 1991.

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14

Smile of the Buddha: Eastern philosophy and Western art from Monet to today. Berkeley, CA: University of California Press, 2004.

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15

Mona Lisa does not smile anymore: The story of fake humanism of 'renaissance' Europe in relation to arts of India. New Delhi: Gallery Studio Vasant, 2011.

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16

Ochs, Allison. Would I Have Sexted Back in the 80s? NL Amsterdam: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789463721912.

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Since smartphones have made their debut, a clear sense of frustration can be felt by parents around the globe. Be it social media, bullying, porn, gaming, tv-series or sexting; parents are overwhelmed or insecure as they struggle to keep up with the yet newest app. Drawing on stories from her past, Allison Ochs reminds us of what it was like to be a teen. She makes you smile while making fun of her teen self. Her answers to today's problems are realistic ways to approach your teens who are dealing with the same emotions we had, however, now with their ever-present digital devices in hand. The simplicity of what she suggests will enlighten you as she gently nudges you to think about how you're dealing with the your teens online world.
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17

Schotten, Martin. Dear Angry Reader,. Your Place: fragment scenario, 2018.

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18

Parker, Alice C. The exploration of the secret smile: The language of art and of homosexuality in Frank O'Hara's poetry. New York: P. Lang, 1989.

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19

Vesco, Silvia. Spontanea maestria. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-426-4.

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The appearance of Dr Vesco’s translation and study of Hokusai’s Ryakuga haya oshie, together with a full reproduction of the original book, is a matter of great excitement in the field of Japanese Studies. Hokusai has been known in Europe and North America for some 150 years. In his own country, he came to public attention about 1800, with youthful work produced under the name of Shunrô. He lived to the advanced age of 88, and when he died in 1849, he was one of the best-known artists in Japan. He was soon to be the best-known Japanese artist in the West, a status that he probably still holds. ‘Under the Great Wave off Kanagawa’ – often referred to simply as ‘Hokusai’s Great Wave’ (from the Thirty-six View of Mt Fuji) – is said to be the most immediately-recognisable piece of graphic design worldwide. Hokusai was a townsman living in a socially stratified society. He was not a member of the elite, though other famous artists were. He did neither depict elite topics, nor work for elite clients. Rather, Hokusai associated with the ‘Floating World’ (ukiyo) that is Edo’s leisure-time distractions. He also made views of his city, its surroundings, and the wider Japanese countryside, but he was not a great traveller, other than in his mind. Rather unrecognised is what Dr Vesco now brings to our attention. Hokusai saw his role as promoting the practice of art. Of course, he had his students, but as we see here, Hokusai also published out-reach volumes, aimed at introducing the joys of picture-making to amateurs who were not being formally instructed. The lessons were easy to follow, and also fun, as he reduced people animals and plants to basic shapes and formulae. Starting with the auspicious subject of Tang lions (kara shishi), Hokusai leads us through a range of topics, down to the demotic, such as clothes washing. Readers today will certainly find a smile crossing their face as they look through the pictures. Thanks to Dr Vesco’s careful translations, we can also understand the advice and commentaries supplied in Hokusai’s accompanying texts. An additional feature of Dr Vesco’s work will be of assistance to more specialist readers, as she has transcribed the original Japanese. This was no simple task, as it is written in abbreviated calligraphy (kuzushiji). At all levels, readers, art enthusiasts and those who love to create pictures will now have access to Hokusai’s most important study aid. We can delve into it, copy from, and chuckle at, just as people did when the volumes first appeared. Western readers might ponder something else: Ryakuga haya oshie appeared in 1812, as European countries were tearing themselves apart.
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20

Del Socorro Castañeda-Liles, María. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190280390.003.0001.

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LOOKING AT ME with a smile, Ester slowly reaches into her blouse. The room is full to capacity, but she does not seem to care. The space overflows with youthful smiles and laughter. Most of the women are wearing colorful outfits with earrings, necklaces, and bracelets to match their outfits, not to mention the ankle bracelets that seem to be popular among some of them. It appears to me that some have dressed to impress. Ester, on the other hand, sits shyly at her table, waiting. As she reached deeper into her blouse, I have to confess I was puzzled. What was she going to do?...
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21

Painted Smile. Little, Brown Book Group Limited, 2015.

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22

Painted Smile. Little, Brown Book Group Limited, 2016.

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23

Fyfield, Frances. Painted Smile. Little, Brown Book Group Limited, 2015.

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24

Painted Smile. Magna Large Print Books, 2017.

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25

Stolen Smile. Creative Company, The, 2015.

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26

Geller, Rita. Victoria's smile. Scholastic, 1995.

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27

Geller, Rita. Victoria's Smile. Rebound by Sagebrush, 2002.

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28

Geller, Rita. Victoria's Smile. Turtleback Books Distributed by Demco Media, 2002.

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29

Geller, Rita. Victoria's Smile. Scholastic Paperbacks, 2001.

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30

Fyfield, Frances. A Painted Smile. Sphere, 2015.

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31

Newbury, Elizabeth. Art to Make You Smile. Frances Lincoln, 2008.

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32

Zie Tzaro: Making You Smile. Black Dog Publishing Limited, 2017.

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33

Geisha: Beyond the Painted Smile. George Braziller, 2004.

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34

Provine, Robert R. Beyond the Smile. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190613501.003.0011.

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With the expectation that innovation, insight, and discovery will come from researching neglected topics, this chapter explores human instincts, including yawning, laughing, vocal crying, emotional tearing, coughing, nausea and vomiting, itching and scratching, and changes in scleral color. The critical change approach is exploited to analyze recently evolved, uniquely human traits (e.g., human-type laughter and speech, emotional tearing, scleral color cues) and compare them with thir primate antecendents, seeking the specific neurological, glandular, and muscular processes responsible for their genesis. Particular attention is paid to contagious behaviors, with the anticipation that they may reveal the roots of sociality and empathy. Few of these curious behaviors are traditionally considered in the context of facial expression or emotion, but they deserve recognition for what they can contribute to behavioral neuroscience and social biology.
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35

Fernández-Dols, José-Miguel. Natural Facial Expression. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190613501.003.0024.

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The notion that there are universal facial expressions of basic emotion remains a dominant idea in the study of emotion. Inspired by pragmatics, and based on behavioral ecology and psychological constructionism, this chapter provides an alternative to the concept of facial expression of basic emotion: the concept of natural facial expression. Actual, observable natural facial expressions do not mean self-contained, discrete basic emotions; they are instead related to different components of diverse emotional episodes. Their communicative function is not semantic (e.g., a smile does not means happiness) but pragmatic (e.g., a smile prompts, on the receiver’s side, important inferences about the context and course of the interaction between sender and receiver).
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36

LEARNING, CRISP. Arch Exam Smple Prob (Ballast's Guide to the A.R.E. Series). 3rd ed. Crisp Publications Inc, 1991.

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37

The Centaur's Smile: The Human Animal in Early Greek Art. Princeton University Art Museum, 2003.

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38

William A. P. Childs (Contributor) and Despoina Tsiafakis (Contributor), eds. The Centaur's Smile: The Human Animal in Early Greek Art. Other Distribution, 2003.

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39

van, Alphen Jan, and Palais des beaux-arts (Brussels, Belgium), eds. The smile of Buddha: 1600 years of Buddhist art in Korea. Brussels: Bozarbooks, 2008.

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40

Mason, Peggy. Voluntary Motor Control. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780190237493.003.0020.

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The motor hierarchy uses muscle twitches as building blocks for complex and consciously driven actions requiring neocortical involvement. Cortical regions operate in concert with the cerebellum and basal ganglia to generate well-timed and organized muscle contractions that produce movements, ranging from simple to complex. Once imbued with meaning, these movements are considered actions. Adjustments in motor commands are made to accommodate changes in muscle load, maintain an upright posture, and anticipate and avoid errors. Brainstem motor control centers employ circuits in lower parts of the motor hierarchy to produce fairly complex movements, such as ingestion or locomotion. Since the brain adds meaning to movements, two different actions can share the same component movements and serve different end goals. Brain lesions may independently impair movements made under different contexts. For example, patients may be unable to smile volitionally while retaining the ability to smile in response to a joke.
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41

A Year of Cats...in Hats: Crafts to Make You Smile. Martingale and Company, 2004.

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42

Why Mona Lisa Smiles and other Tales by Vasari. Pennsylvania State University Press, 1987.

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43

Gandhi's Tiger and Sita's Smile: Essays on Gender, Sexuality and Culture. Yoda Press, 2006.

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44

Rachel Maclean - Wot U [Image of a Smiley Face] About? HOME Manchester, 2016.

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45

editor, Wachs Benjamin, ed. The book of the un: Friends of Smiley : dissertations from dystopia. 2016.

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46

Alexandra, Lytton Regalado, ed. El sol aún sonrie: Imagenes Salvadoreñas de los terremotos del 2001 = The sun still smiles : Salvadoran images of the 2001 earthquakes. San Salvador, El Salvador, Centro América: Museo de Arte Moderno de El Salvador, 2001.

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47

Nolte, David D. From Butterflies to Hurricanes. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198805847.003.0009.

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Half a century after Poincaré first glimpsed chaos in the three-body problem, the great Russian mathematician Andrey Kolmogorov presented a sketch of a theorem that could prove that orbits are stable. In the hands of Vladimir Arnold and Jürgen Moser, this became the Kolmo–Arnol–Mos (KAM) theory of Hamiltonian chaos. This chapter shows how KAM theory fed into topology in the hands of Stephen Smale and helped launch the new field of chaos theory. Edward Lorenz discovered chaos in numerical models of atmospheric weather and discovered the eponymous strange attractor. Mathematical aspects of chaos were further developed by Mitchell Feigenbaum studying bifurcations in the logistic map that describes population dynamics.
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48

Kindergarten Writing Kindergarten Writing Paper. Kindergarten Writing Paper: ABC Kids, Notebook with Dotted Lined Sheets for K-3 Students, Notebook Emoji, Smiley Face,120 Pages, 5 X 8 in. Independently Published, 2020.

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49

LoBue, Vanessa. 9 Months In, 9 Months Out. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190863388.001.0001.

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9 Months In, 9 Months Out is a month-to-month real-time account of pregnancy and first-time parenthood that integrates the science of infant and child development with the personal journey involved in becoming a parent. Expertise can explain the science of what’s happening to a fetus or a baby throughout development, but all the science in the world can’t tell you what it feels like to have a baby: the pang of morning sickness, the pain of labor, the excitement of birth, and the joy that comes from seeing your baby’s first smile. This book is about pregnancy and first-time parenthood and what we experience in the 9 months of pregnancy and the 9 months that follow. As a professor of infant and child development, the author had certain expectations about how pregnancy and motherhood would go. Experiencing it was a totally different story. As she learned, the first few months of parenthood are much harder than anyone tells you. As she describes her personal journey through first-time parenthood, the author also takes a researcher’s lens to issues that are top of mind for new parents: breastfeeding, the sleep training controversy, gender development, the science (or lack thereof) behind the link between vaccinations and autism, the debate over screen time, and many more.
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50

Manne, Kate. Down Girl. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190604981.001.0001.

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What is misogyny? And (why) is it still occurring? This book explores the logic of misogyny, conceived in terms of the hostilities women face because they are living in a man’s world, or one that has been until recently. It shows how misogyny may persist in cultures in which its existence is routinely denied—including the United States, Australia, and the United Kingdom, which are often alleged to be post-patriarchal. Not so, Down Girl argues. Misogyny has rather taken particular forms following the advent of legal equality, obligating women to be moral “givers,” and validating a sense of entitlement among her privileged male counterparts. Many of rape culture’s manifestations are canvassed—from the ubiquitous entreaty “Smile, sweetheart!” to Donald Trump’s boasts of grabbing women by the “pussy,” which came to light during his successful 2016 presidential campaign; from the Isla Vista killings in California to the police officer in Oklahoma who preyed on African American women with criminal records, sexually assaulting them in the knowledge they would have little legal recourse; from the conservative anti-abortion movement to online mobbings of women in public life, deterring the participation therein of all but the most privileged and well-protected. It is argued on this basis that misogyny often takes the form of taking from her what she is (falsely) held to owe him, and preventing her from competing for positions of masculine-coded power and authority. And he, in turn, may be held to owe her little.
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