Relevant bibliographies by topics / Smithsonian Archives of American Art

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
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Academic literature on the topic 'Smithsonian Archives of American Art'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Smithsonian Archives of American Art"

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Zukowski, Scott T. "Online Archives and American Studies Pedagogy Abroad: A Case Study." Anglia 142, no. 4 (2024): 645–62. https://doi.org/10.1515/ang-2024-0059.

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Abstract This essay details specific approaches to using the Smithsonian Institution’s digital archives as tools for teaching with primary resources in American Studies and Native American and Indigenous Studies classrooms beyond the United States. The applications of these strategies are transferable across the humanities and social sciences. The article is based on my experience as a 2022–2023 “Teaching with Primary Resources” Fellow with the Smithsonian’s Archives of American Art, an experience of intensive collaboration on course and assignment design with Smithsonian archivists, archival
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Kendall, Sue Ann. "ARCHIVES OF AMERICAN ART/SMITHSONIAN INSTITUTION." Art Documentation: Journal of the Art Libraries Society of North America 5, no. 3 (1986): 106–8. http://dx.doi.org/10.1086/adx.5.3.27947611.

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Katic, Stefan. "Jacob Lawrence: The Library (1960)." Revy 44, no. 3 (2021): 24. http://dx.doi.org/10.22439/revy.v44i3.6379.

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Billedet "The Library" (1960) af den afroamerikanske maler Jacob Lawrence hænger på Smithsonian American Art Museum (SAAM) i USA. Billedet er bragt i REVY med tilladelse fra SAAM og Scala Archives, Firenze.
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Chiango, Rose. "Podcasts: The Archives of American Art Oral History Collection. Archives of American Art, Smithsonian Institution. https://www.aaa.si.edu/resources/podcasts." Oral History Review 46, no. 2 (2019): 421–22. http://dx.doi.org/10.1093/ohr/ohz023.

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Kirwin, Liza. "Fabulous at 50: the Smithsonian’s Archives of American Art celebrates a Golden Anniversary." Art Libraries Journal 31, no. 1 (2006): 28–32. http://dx.doi.org/10.1017/s0307472200014358.

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Founded in 1954, the Smithsonian’s Archives of American Art collects, preserves and makes available primary sources documenting the history of the visual arts in the United States. More than 16 million items strong, its collections comprise the world’s largest single source for letters, diaries, financial records, unpublished writings, sketchbooks, scrapbooks and photographs created by artists, critics, collectors, art dealers and art societies – the raw material for scholarship in American art.
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Bohn, Anna. "„Innerlich frischer und wachstumsfähiger Nachwuchs“." Bibliothek Forschung und Praxis 44, no. 2 (2020): 250–71. http://dx.doi.org/10.1515/bfp-2020-0026.

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ZusammenfassungEdgar Breitenbach war von 1953 bis 1955 als Vertreter der Library of Congress beratend für den Bau der Amerika-Gedenkbibliothek in Berlin tätig. Als einer der Volontäre des ersten Jahrgangs des neu begründeten bibliothekswissenschaftlichen Ausbildungswegs an der Friedrich-Wilhelms-Universität und der Preußischen Staatsbibliothek zu Berlin im Studienjahr 1928/1929 gelangte er auf einen Berufsweg, auf dem er zu einem Wegbereiter neuer Entwicklungen wurde. Der Beitrag untersucht, welche Rolle sein engagierter Förderer Aby Warburg sowie Netzwerke und Empfehlungsschreiben von Bibliot
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Sharov, Konstantin S. "The Problem of Transcribing and Hermeneutic Interpreting Isaac Newton’s Archival Manuscripts." Tekst. Kniga. Knigoizdanie, no. 24 (2020): 134–55. http://dx.doi.org/10.17223/23062061/24/7.

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In the article, the current situation and future prospects of transcribing, editing, interpreting, and preparing Isaac Newton’s manuscripts for publication are studied. The author investigates manuscripts from the following Newton’s archives: (1) Portsmouth’s archive (Cambridge University Library, Cambridge, UK); (2) Yahuda collection (National Library of Israel, Jerusalem, Israel); (3) Keynes collection (King’s College Library, Cambridge University, Cambridge, UK); (4) Trinity College archive (Trinity College Library, Cambridge University, Cambridge, UK); (5) Oxford archive (New’s College Lib
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Martinez, Katharine. "The Art Libraries and Research Resources of the Smithsonian Institution." Art Libraries Journal 13, no. 1 (1988): 9–13. http://dx.doi.org/10.1017/s0307472200005484.

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The Smithsonian Institution, a public organisation established in 1846 “for the increase and diffusion of knowledge”, includes ten museums and several research bureaux. Most but not all of the associated libraries are linked through the Smithsonian Institution Libraries; they include several art libraries which contribute significantly to the overall provision of art library service to the American people but do not of themselves constitute a “national art library”. Most of the Smithsonian’s libraries enter their records in a database (SIBIS) which is accessible online via OCLC. Co-ordinated c
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Shieh, Jackie. "Smithsonian Libraries & Archives: BIBFRAME linked data experiment with the Share Family technology." Art Libraries Journal 50, no. 1 (2025): 12–18. https://doi.org/10.1017/alj.2025.5.

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The semantic web promises interlinks of cultural heritage objects, both original and digital, of which the Smithsonian Institution (SI) holds plenty in artifacts, books, audio/video, etc. At the core, structured data in RDF is likely the one member of data infrastructure that carries the major lifting for interlinking. Parsing millions of bibliographic data mainly locked in MARC21 into the BIBFRAME/RDF syntax is not an insignificant endeavour for the library community. The Smithsonian Libraries & Archives, a network of specialized libraries (including art and design), is not an exception.
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Hughston, Milan R. "NATIONAL MUSEUM OF AMERICAN ART, SMITHSONIAN INSTITUTION. National Museum of American Art." Art Documentation: Journal of the Art Libraries Society of North America 16, no. 2 (1997): 53–54. http://dx.doi.org/10.1086/adx.16.2.27948904.

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Dissertations / Theses on the topic "Smithsonian Archives of American Art"

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Macaluso, Rose E. "The Smithsonian Institute Smithsonian American Art Museum registration internship." ScholarWorks@UNO, 2003. http://scholarworks.uno.edu/aa_rpts/88.

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This detailed report of a registration internship at the Smithsonian American Art Museum includes an organizational profile of the Smithsonian Institute, the Smithsonian Institute Affiliate Program, and the Smithsonian American Art Museum, a description of the activities performed during the internship, an analysis of a volunteer management challenge, a proposed resolution to the volunteer management challenge, and a discussion of the short and long term effects of the internship. The duties and expectations of volunteers, the staff preparation for volunteers, and the empowerment of volunteers
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Flach, Katherine E. ""Eliot Elisofon: Bringing African Art to LIFE"." Case Western Reserve University School of Graduate Studies / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=case1427999641.

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Hensley, Charlsa Anne. "IN BLACK AND WHITE: RICHMOND’S MONUMENT AVENUE RECONTEXTUALIZED THROUGH THE PHOTOGRAPHIC ARCHIVE." UKnowledge, 2019. https://uknowledge.uky.edu/art_etds/18.

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The release of the Monument Avenue Commission Report in July, 2018 was the culmination of over one year of research and collaboration with community members of Richmond, Virginia on how the city should approach the contentious history of Monument Avenue’s five Confederate centerpieces. What the monuments have symbolized within the predominately rich, white neighborhood and outside of its confines has been a matter of debate ever since they were unveiled, but the recent publicity accorded to Confederate monuments has led to considerations by historians, city leaders, and the public regarding re
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Görgen, Carolin. "Out here it is different - The California Camera Club and community imagination through collective photographic practices : toward a critical historiography, 1890-1915." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCC010/document.

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Le California Camera Club, un collectif de photographes amateurs et professionnels actif à San Francisco notamment entre 1890 et 1915, est une organisation constamment marginalisée dans l’histoire de la photographie et de l’Ouest américain. En adoptant une double approche d’histoire culturelle et matérielle, cette thèse éclaire une gamme d’activités et de productions de ce club largement inconnu, qui ont contribué à forger l’identité d’une communauté éloignée de l’Ouest. Par son approche inclusive, réunissant plus de 400 membres en 1900, le club doit être considéré comme une organisation local
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Noyes, Chandra. "Crafting a definition : a case study of the presentation of craft at the Renwick Gallery." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-12-4751.

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This report is a case study of the presentation of craft at the Renwick Gallery, the craft museum of the Smithsonian American Art Museum (SAAM). The Renwick, founded in 1976, is a curatorial department of SAAM, focusing in modern and contemporary American craft. Through an examination of the museum’s galleries and exhibitions, interviews with staff, and an analysis of educational programming, this thesis explores how the Renwick defines craft implicitly and explicitly. Giving a context for this study is a history of the Renwick Gallery, as well as history of craft and its definitions. With
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"Art in the archives: The origins of the art representing the core of the Aaron Douglas Collection from the Amistad Research Center." Tulane University, 1992.

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The Aaron Douglas Collection of works of art in the Amistad Research Center, now at Tulane University, includes works of art little known to scholars of American art. It is a collection of two hundred and seventy examples by black and minority artists, most dating from 1925 to 1954. Fifty-two of this number have been illustrated with several in color. There is no published catalog. Though individual works have been shown in specialized exhibitions, virtually none of this group has been included in standard survey books used in courses teaching American art history. The vitality of these works
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Books on the topic "Smithsonian Archives of American Art"

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Art, Archives of American. Smithsonian Archives of American Art: Celebrating 50 years, the Archives of American Art, 1954-2004. Archives of American Art, Smithsonian Institution, 1999.

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Martín, Florencia San. Los archivos de Jorge Tacla. Ediciones de Arrabal, 2021.

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F, Brown Robert, and Boston Public Library, eds. The Bauhaus era in Germany and America: Documents from the Archives of American Art-Smithsonian Institution : an exhibition, Boston Public Library, November 12-December 31, 1986. The Archives, 1986.

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Art, Archives of American, ed. More than words: Artists' illustrated letters from the Smithsonian's Archives of American Art. Smithsonian Institution, Archives of American Art, 2005.

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Twachtman, John Henry. Twachtman in Gloucester: His last years, 1900-1902 : essays by John Douglass Hale, Richard J. Boyle, and William H. Gerdts : a loan exhibition for the benefit of the Archives of American Art (Smithsonian Institution), 12 May-13 June 1987, Ira Spanierman Gallery. Universe/Ira Spanierman Gallery, 1987.

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Museum, Smithsonian American Art. America's art, Smithsonian American Art Museum. Smithsonian American Art Museum, 2005.

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J, Slowik Theresa, ed. America's art, Smithsonian American Art Museum. Abrams, 2006.

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Elizabeth, Prelinger, ed. American impressionism: Treasures from the Smithsonian American Art Museum. Watson-Guptill, 2000.

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Manson & Woods International Inc Christie's. Latin American sale. Christie's, 2001.

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Museum, Smithsonian American Art, ed. Graphic masters: Highlights from the Smithsonian American Art Museum. Smithsonian American Art Museum, 2003.

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Book chapters on the topic "Smithsonian Archives of American Art"

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Szekely, Pedro, Craig A. Knoblock, Fengyu Yang, et al. "Connecting the Smithsonian American Art Museum to the Linked Data Cloud." In The Semantic Web: Semantics and Big Data. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-38288-8_40.

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Scerbo, Rosita. "Afro-Colombian Women as Alternative Historical Archives." In The Afro-Descendant Woman in Latin American Diasporic Visual Art. Routledge, 2024. http://dx.doi.org/10.4324/9781003378594-10.

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Brody, Lisa, and Rubina Raja. "5. The Gerasa Archives at the Yale University Art Gallery: Exploring the Archives of the Anglo-American Excavations 1928–1930 and 1930–1934." In Archival Historiographies. Brepols Publishers, 2022. http://dx.doi.org/10.1484/m.arc-eb.5.130473.

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Page, Joanna. "5. Albums, Atlases, and their Afterlives." In Decolonial Ecologies. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0339.05.

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The first part of this chapter discusses art projects that intervene directly into the books and other materials created by travelling European naturalists of the later colonial period, whose conception of nature has so thoroughly shaped representations of Latin America’s landscapes. I explore projects by Rodrigo Arteaga (Chile), Antonio Bermúdez (Colombia), Claudia Coca (Peru), Tiago Sant’ana (Brazil), Oscar Santillán (Ecuador) and others that stage material interventions or performances in relation to the printed images, atlases, albums and catalogues that recorded the findings of scientific
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Lo, Patrick, Hermina G. B. Anghelescu, and Bradley Allard. "Yue Shu, Librarian, Freer Gallery of Art and Arthur M. Sackler Gallery Library, Smithsonian Libraries and Archives." In Inside Major East Asian Library Collections in North America, Volume 2. Emerald Publishing Limited, 2022. http://dx.doi.org/10.1108/978-1-80455-139-420221022.

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Lo, Patrick, Hermina G. B. Anghelescu, and Bradley Allard. "Reiko Yoshimura, Head Librarian Freer Gallery of Art and Arthur M. Sackler Gallery Library, National Museum of Asian Art, Smithsonian Libraries and Archives." In Inside Major East Asian Library Collections in North America, Volume 1. Emerald Publishing Limited, 2022. http://dx.doi.org/10.1108/978-1-80262-233-120221002.

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Kolodkin, Lauren, and Ryan Linthicum. "Museum Space Invaders: Video Gaming at the Smithsonian American Art Museum." In Video Games and Spatiality in American Studies. De Gruyter, 2022. http://dx.doi.org/10.1515/9783110675184-018.

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"Art and Museum Life." In Speechifying. Duke University Press, 2023. http://dx.doi.org/10.1215/9781478027188-009.

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The speeches in this chapter reflect on Johnnetta Betsch Cole's contributions to the world of art and museums after becoming director of the Smithsonian National Museum of African Art in 2009. In her 2012 commencement speech at the Duke Ellington School of the Arts, she highlights the importance of the arts for society. In her 2008 speech to the National Museum of African American History and Culture, she offers a feminist analysis of how gender is treated in opening exhibitions at museums. In her 2015 keynote address at the American Alliance of Museums Annual Meeting, she urges museum profess
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Jules-Rosette, Bennetta, and J. R. Osborn. "Reaching Out." In African Art Reframed. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043277.003.0004.

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This chapter examines strategies of museum outreach and museum education in the public sphere. It contrasts the mythos and chronos of museum narratives through a content, architectural, and design analysis of the Smithsonian National Museum of African American History and Culture. Case studies of youth interactions explore the ways that museums extend their educational mission. The control that museums seek to establish within their exhibtionary complexes often moves out of their control when diverse publics are involved, and expanded audiences stake their own claims on the representation of h
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Reynolds-Kaye, Jennifer. "Museum replicas." In The Oxford Handbook of Museum Archaeology. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780198847526.013.13.

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Abstract Despite their importance as stand-ins for authentic artworks in museums and World’s Fairs, plaster casts of non-Western objects have not received their due attention within scholarship. Instead, publications have historically focused on plaster casts of Classical and other European sculptures. With a recent shift towards studying plaster casts from world archaeology, museum professionals and scholars need to refine the guiding questions and methodology to consciously challenge the Western perspective. This chapter reads archival materials against the grain to recover the lost voices o
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Conference papers on the topic "Smithsonian Archives of American Art"

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Franco, Jorge. "Um humor descolonizado de criação de um espaço digital tridimensional baseado na integração do conhecimento transdisciplinar." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.66.g55.

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Esta arte experimental tentou produzir um clima descolonizado de pesquisa e criação de um espaço digital tridimensional (3D) de Realidade Virtual (RV), baseado na integração de conhecimento transdisciplinar. Aplicou o conceito de Transformação Digital (DX) (O’Brien e Reinitz, 2021), dentro de processos de prática computacional educativa (Tissenbaum et al. 2019) para capacitar pessoas (Freire, 2016), por meio da concepção e execução de um espaço 3DRV, utilizando técnicas de programação de computação gráfica 3D para o desenvolvimento de comunicação visual (Cunningham, 2007) com suporte do empreg
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Franco, Jorge. "Un modo descolonizado de crear un espacio digital tridimensional basado en la integración del conocimiento transdisciplinario." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.66.g54.

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Esta obra de arte experimental ha intentado producir un estado de ánimo descolonizado de investigación y creación de un espacio digital de Realidad Virtual (VR) tridimensional (3D), basado en la integración del conocimiento transdisciplinario. Ha aplicado el concepto de Transformación Digital (DX) (O’Brien y Reinitz, 2021) dentro de los procesos de práctica computacional educativa (Tissenbaum et al.2019) para el empoderamiento de las personas (Freire, 2016), mediante el diseño y la realización de un espacio 3DVR, utilizando técnicas de programación de gráficos por computadora en 3D para desarr
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Reports on the topic "Smithsonian Archives of American Art"

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Miller, Naomi J., and Scott M. Rosenfeld. Demonstration of LED Retrofit Lamps at the Smithsonian American Art Museum, Washington, DC. Office of Scientific and Technical Information (OSTI), 2012. http://dx.doi.org/10.2172/1044507.

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Yonemura, Ann. Art in Context: Aesthetics, Environment and Function in the Arts of Japan. Inter-American Development Bank, 1995. http://dx.doi.org/10.18235/0007915.

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