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Journal articles on the topic 'Smithsonian Institution'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 June 2025

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1

Bain, Alan L. "Smithsonian Institution—Museum and Institutional Archives Programs." Collections: A Journal for Museum and Archives Professionals 3, no. 2 (2007): 155–62. http://dx.doi.org/10.1177/155019060700300205.

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The Smithsonian Institution Archives is responsible for the Smithsonian's records of enduring value. Though the Institution was aware of the need to keep certain records permanently (dating back to 1852) and an archivist was first assigned the task of maintaining records and special collections in 1891, the first modern archives program did not begin until 1967. From its very beginning the Smithsonian collected personal papers and special collections and this trend has been continued by the Smithsonian Archives.

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2

Martinez, Katharine. "The Art Libraries and Research Resources of the Smithsonian Institution." Art Libraries Journal 13, no. 1 (1988): 9–13. http://dx.doi.org/10.1017/s0307472200005484.

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The Smithsonian Institution, a public organisation established in 1846 “for the increase and diffusion of knowledge”, includes ten museums and several research bureaux. Most but not all of the associated libraries are linked through the Smithsonian Institution Libraries; they include several art libraries which contribute significantly to the overall provision of art library service to the American people but do not of themselves constitute a “national art library”. Most of the Smithsonian’s libraries enter their records in a database (SIBIS) which is accessible online via OCLC. Co-ordinated collection development has been pursued since 1984. In two areas in particular, American and African art, Smithsonian libraries aim to provide a national service.

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3

LaHood, Marvin J., and Gore Vidal. "The Smithsonian Institution." World Literature Today 74, no. 1 (2000): 174. http://dx.doi.org/10.2307/40155430.

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4

Chin, Cecilia H., and lldiko P. DeAngelis. "Paying for services: experiences at the Smithonsonian Institute." Art Libraries Journal 22, no. 1 (1997): 20–23. http://dx.doi.org/10.1017/s0307472200010270.

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The Smithsonian Institution, a trust instrumentality of the United States, and the largest museum and research complex in the world, receives many outside permission requests to reproduce images in the Smithsonian Collections. Charging fees for photographic usage is a common practice in the United States, especially in art history and general museums. Beginning in 1992, the Smithonian established internal guidelines for changing such fees and for handling permission requests from outside sources. The procedures ensure that the Smithsonian recognises and respects the intellectual property rights associated with images in the collections and the terms of any pre-existing agreements. Great care is also taken to protect the Smithsonian’s name from use in any commercial context, to avoid the implication that the Institution endorses a product (or one product rather than another).

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5

Plotkin, Howard, and Roy Clarke. "The Controversial History of the Goose Lake, California, Meteorite." Earth Sciences History 31, no. 2 (2012): 229–46. http://dx.doi.org/10.17704/eshi.31.2.w1ltq51n15241003.

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The Goose Lake meteorite, a 2,573 lb (1,167 kg) iron, was found by three deer hunters on lava beds in the Modoc National Forest in northeast California in October, 1938. Although several California persons wanted possession of the meteorite for various California institutions, under the powers of the 1906 Antiquities Act meteorites found on US federal lands were typically transferred to the US National Museum at the Smithsonian Institution and accessioned into the National Collection of Meteorites. With authorization from the US Department of Agriculture, the Smithsonian began a correspondence with one of the meteorite's finders to arrange for its retrieval. But the situation became complicated and controversial when meteorite collector/dealer Harvey H. Nininger (1887-1986), who harboured hopes that the meteorite might be on a parcel of private land in the National Forest, falsely presented himself to the finder as a Smithsonian agent, and was taken to the site of the meteorite. A survey showed the meteorite was on federal land, however, and the Smithsonian reluctantly allowed Nininger to oversee its recovery. During the time that the meteorite was on loan from the Smithsonian and on exhibit at the San Francisco World's Fair, considerable pressure from various California individuals and institutions was put on the Smithsonian to keep the meteorite in California, but it was accessioned into the Smithsonian's National Collection of Meteorites and shipped to Washington, DC. The controversial history of the Goose Lake meteorite affirmed the applicability of the Antiquities Act with regard to the disposition of meteorites found on US federal lands, and set the stage for the later court rulings involving the Old Woman meteorite, a large (2,753 kg) iron found on government land in California in 1976. Problematic ownership issues like those involving the Goose Lake meteorite exist in other countries besides the United States, and in other branches of natural history, especially paleontology. The Goose Lake meteorite is famous for its numerous and enigmatic large holes and cavities, and is a popular attraction at the Smithsonian's National Museum of Natural History in Washington, DC.

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6

Lang, Michael A., and Anson H. Hines. "Smithsonian Institution Underwater Research." Marine Technology Society Journal 34, no. 4 (2000): 50–60. http://dx.doi.org/10.4031/mtsj.34.4.7.

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7

Boretzky, Felicia, Walter Forsberg, Siobhan Hagan, et al. "Increasing diffusion: Rediscovering the Smithsonian’s media collections through the Audiovisual Media Preservation Initiative." Journal of Digital Media Management 13, no. 2 (2025): 124. https://doi.org/10.69554/mhmh2220.

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The Smithsonian Institution has collected, produced and exhibited audiovisual media for well over a century. This paper discusses how, during the last decade, the institution’s concerted efforts at inventorying and cataloguing the hundreds of thousands of analogue media objects in its collections have led to the development of the centralised Audiovisual Media Preservation Initiative (AVMPI). As a pan-institutional service initiative, the AVMPI’s project team, media digitisation and conservation laboratories, and best practice workflows are advancing collections care and digital access activities across the Smithsonian’s 22 museums and research centres. Software such as Airtable and a new accessibility-friendly streaming video platform built by the Smithsonian are integral to these efforts.

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8

Billeck, Bill, Jacquetta Swift, John Beaver, Andrea Hunter, and TJ Ferguson. "Repatriation at the Smithsonian Institution." Anthropology News 51, no. 3 (2010): 25. http://dx.doi.org/10.1111/j.1556-3502.2010.51325.x.

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9

Clarke, Roy S., Howard Plotkin, and Timothy J. McCoy. "Meteorites and the Smithsonian Institution." Geological Society, London, Special Publications 256, no. 1 (2006): 237–65. http://dx.doi.org/10.1144/gsl.sp.2006.256.01.12.

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10

Lin, Meiying. "Book Review: Longhorned Woodboring Beetles (Coleoptera: Cerambycidae and Disteniidae): Primary Types of the Smithsonian Institution (edited by S. W. Lingafelter et al., Smithsonian Institution Scholarly Press, Washington D.C., USA. 2014, 390 pages)." Zoological Systematics 41, no. 2 (2016): 241. https://doi.org/10.11865/zs.201624.

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Lin, Meiying (2016): Book Review: Longhorned Woodboring Beetles (Coleoptera: Cerambycidae and Disteniidae): Primary Types of the Smithsonian Institution (edited by S. W. Lingafelter et al., Smithsonian Institution Scholarly Press, Washington D.C., USA. 2014, 390 pages). Zoological Systematics 41 (2): 241-241, DOI: 10.11865/zs.201624

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11

Günther-Diringer, Detlef. "From BIM to GIS at the Smithsonian Institution." Proceedings of the ICA 1 (May 16, 2018): 1–5. http://dx.doi.org/10.5194/ica-proc-1-52-2018.

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BIM-files (Building Information Models) are in modern architecture and building management a basic prerequisite for successful creation of construction engineering projects. At the facilities department of the Smithsonian Institution more than six hundred buildings were maintained. All facilities were digital available in an ESRI ArcGIS-environment with connection to the database information about single rooms with the usage and further maintenance information. These data are organization wide available by an intranet viewer, but only in a two-dimensional representation. Goal of the carried out project was the development of a workflow from available BIM-models to the given GIS-structure. The test-environment were the BIM-models of the buildings of the Smithsonian museums along the Washington Mall. Based on new software editions of Autodesk Revit, FME and ArcGIS Pro the workflow from BIM to the GIS-data structure of the Smithsonian was successfully developed and may be applied for the setup of the future 3D intranet viewer.

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12

BUCHANAN, R. "Smithsonian Institution Secretary, Charles Doolittle Walcott." PALAIOS 18, no. 2 (2003): 192–93. http://dx.doi.org/10.1669/0883-1351(2003)18<192:br>2.0.co;2.

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13

Kaeppler, Adrienne L. "Hawaiian Treasures at the Smithsonian Institution." AnthroNotes : National Museum of Natural History bulletin for teachers 25, no. 2 (2014): 9. http://dx.doi.org/10.5479/10088/22409.

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14

Hunt, David R. "Forensic Anthropology at the Smithsonian Institution." AnthroNotes : National Museum of Natural History bulletin for teachers 27, no. 1 (2014): 6. http://dx.doi.org/10.5479/10088/22416.

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15

Anonymous. "Historic Cap Presented to Smithsonian Institution." Journal of Psychosocial Nursing and Mental Health Services 33, no. 7 (1995): 46–47. http://dx.doi.org/10.3928/0279-3695-19950701-16.

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16

Wilson, J. Andrew. "Fire protection at the Smithsonian Institution." Fire Science and Technology 11, no. 1/2 (1991): 45–49. http://dx.doi.org/10.3210/fst.11.45.

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17

Kendall, Sue Ann. "ARCHIVES OF AMERICAN ART/SMITHSONIAN INSTITUTION." Art Documentation: Journal of the Art Libraries Society of North America 5, no. 3 (1986): 106–8. http://dx.doi.org/10.1086/adx.5.3.27947611.

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18

Heinrich, Helen. "The Smithsonian Institution Libraries – http://www.sil.si.edu." Technical Services Quarterly 28, no. 2 (2011): 252–54. http://dx.doi.org/10.1080/07317131.2011.546302.

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19

Fela, Jennifer. "Smithsonian Institution?s Global Volcanism Network." Bulletin of Volcanology 65, no. 8 (2003): 620–21. http://dx.doi.org/10.1007/s00445-003-0290-1.

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20

Fela, Jennifer. "Smithsonian Institution?s Global Volcanism Network." Bulletin of Volcanology 66, no. 1 (2004): 90–91. http://dx.doi.org/10.1007/s00445-003-0303-0.

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21

Fela, Jennifer. "Smithsonian Institution?s Global Volcanism Network." Bulletin of Volcanology 66, no. 3 (2004): 287–88. http://dx.doi.org/10.1007/s00445-003-0307-9.

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22

Fela, Jennifer. "Smithsonian Institution?s Global Volcanism Network." Bulletin of Volcanology 66, no. 3 (2004): 289–90. http://dx.doi.org/10.1007/s00445-003-0316-8.

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23

Wexler, Devra. "Smithsonian Institution?s global volcanism network." Bulletin of Volcanology 66, no. 4 (2004): 378–80. http://dx.doi.org/10.1007/s00445-003-0326-6.

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24

Venzke, Edward. "Smithsonian Institution?s Global Volcanism Network." Bulletin of Volcanology 66, no. 8 (2004): 760–61. http://dx.doi.org/10.1007/s00445-004-0351-0.

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25

Venzke, Edward. "Smithsonian Institution?s global volcanism activity." Bulletin of Volcanology 67, no. 2 (2004): 194–96. http://dx.doi.org/10.1007/s00445-004-0380-8.

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26

Venzke, Edward. "Smithsonian Institution?s Global Volcanism Network." Bulletin of Volcanology 67, no. 2 (2004): 197–99. http://dx.doi.org/10.1007/s00445-004-0384-4.

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27

Venzke, Edward. "Smithsonian Institution?s global volcanism network." Bulletin of Volcanology 67, no. 2 (2004): 200–201. http://dx.doi.org/10.1007/s00445-004-0389-z.

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28

Ferriter, Meghan, and Christine Rosenfeld. "Exploring the Smithsonian Institution Transcription Center." Collections 12, no. 2 (2016): 227–29. http://dx.doi.org/10.1177/155019061601200214.

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29

Pennisi, E. "SMITHSONIAN INSTITUTION: Turmoil Behind the Exhibits." Science 293, no. 5528 (2001): 194–98. http://dx.doi.org/10.1126/science.293.5528.194.

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30

Marshall, E. "Smithsonian Institution: bracing for bad news." Science 256, no. 5061 (1992): 1270. http://dx.doi.org/10.1126/science.1598563.

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31

Haigler, Daniella. "Osteo Preparation Lab: Preserving the Smithsonian Tradition of Collections Access and Collections-based Research." Biodiversity Information Science and Standards 2 (June 13, 2018): e26528. http://dx.doi.org/10.3897/biss.2.26528.

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The National Museum of Natural History is committed to long-term stewardship of collections and to supporting their use by scientists and the general public. Smithsonian’s Osteo Preparation Lab (OPL), in particular, maintains a long-standing tradition of collections access and collections-based research. This tradition of preparing and cataloging osteological specimens traces its origin to the beginning of the Smithsonian Institution itself. In the mid 1800's, James Smithson's legacy called for an Institution with a mission to pursue the “increase and diffusion of knowledge.” Under Spencer Baird, that mission later evolved into a system called collections-based research. This system involved preparing and curating animal specimens for scientific research, which was particularly important for the emerging field of comparative anatomy of vertebrate skeletons. Today, OPL staff work to catalogue and document vertebrate specimens, which contributes greatly to continuing the historic tradition of collections-based research done at Smithsonian Institution. The preparation and curation procedures of vertebrate specimens relies on the commitment of the OPL staff, as well as the use of dermestid colonies, composting, and other maceration techniques. The lab’s sizeable space and state of the art necropsy equipment for large animal dissections are used on a regular basis by visiting scientists studying vertebrate anatomy. Additionally, the OPL is integrally involved in tissue collection from animal remains, which are held by the museum for research purposes in both collections spaces at the museum and our unique biorepository at the museum support center (MSC). In terms of collections access, the osteology specimens in the museum’s research collections draw scientists from around the world. The research done on the specimens has resulted in many intriguing discoveries. In terms of public engagement and access, the Smithsonian Institution can boast maintaining a three hundred year old exhibition on vertebrate osteology, which began in 1881. The “Osteology: Hall of Bones” provides visitors with an opportunity to examine the skeletons of a vast array of vertebrate species, ranging from minute birds to giant mammals. The display, while mirroring the selection of species found in the original exhibit from the nineteenth century, enhances the user experience through the integration of modern technologies, like the app “Skin and Bones.” And so, despite the rather unpleasant smell and macabre nature of the work, the Osteo Prep Lab's activities are integral to both the public outreach and research activities of the Smithsonian Institution’s National Museum of Natural History.

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32

Haigler, Daniella. "Osteo Preparation Lab: Preserving the Smithsonian Tradition of Collections Access and Collections-based Research." Biodiversity Information Science and Standards 2 (June 13, 2018): e26528. https://doi.org/10.3897/biss.2.26528.

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The National Museum of Natural History is committed to long-term stewardship of collections and to supporting their use by scientists and the general public. Smithsonian's Osteo Preparation Lab (OPL), in particular, maintains a long-standing tradition of collections access and collections-based research. This tradition of preparing and cataloging osteological specimens traces its origin to the beginning of the Smithsonian Institution itself. In the mid 1800's, James Smithson's legacy called for an Institution with a mission to pursue the "increase and diffusion of knowledge." Under Spencer Baird, that mission later evolved into a system called collections-based research. This system involved preparing and curating animal specimens for scientific research, which was particularly important for the emerging field of comparative anatomy of vertebrate skeletons. Today, OPL staff work to catalogue and document vertebrate specimens, which contributes greatly to continuing the historic tradition of collections-based research done at Smithsonian Institution. The preparation and curation procedures of vertebrate specimens relies on the commitment of the OPL staff, as well as the use of dermestid colonies, composting, and other maceration techniques. The lab's sizeable space and state of the art necropsy equipment for large animal dissections are used on a regular basis by visiting scientists studying vertebrate anatomy. Additionally, the OPL is integrally involved in tissue collection from animal remains, which are held by the museum for research purposes in both collections spaces at the museum and our unique biorepository at the museum support center (MSC). In terms of collections access, the osteology specimens in the museum's research collections draw scientists from around the world. The research done on the specimens has resulted in many intriguing discoveries. In terms of public engagement and access, the Smithsonian Institution can boast maintaining a three hundred year old exhibition on vertebrate osteology, which began in 1881. The "Osteology: Hall of Bones" provides visitors with an opportunity to examine the skeletons of a vast array of vertebrate species, ranging from minute birds to giant mammals. The display, while mirroring the selection of species found in the original exhibit from the nineteenth century, enhances the user experience through the integration of modern technologies, like the app "Skin and Bones." And so, despite the rather unpleasant smell and macabre nature of the work, the Osteo Prep Lab's activities are integral to both the public outreach and research activities of the Smithsonian Institution's National Museum of Natural History.

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33

Doering, Zahava, and Andrew Pekarik. "Visitors to the Smithsonian institution: Some observations." Visitor Studies 9, no. 1 (1996): 40–50. http://dx.doi.org/10.1080/10645579609512687.

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34

Feather, Russell C. "The Hooker Emerald At the Smithsonian Institution." Rocks & Minerals 100, no. 1 (2024): 103–4. https://doi.org/10.1080/00357529.2024.2398403.

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35

Pennisi, E. "SMITHSONIAN INSTITUTION: New Panel Will Redirect Science." Science 293, no. 5529 (2001): 408b—409. http://dx.doi.org/10.1126/science.293.5529.408b.

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36

Nichols, Catherine A. "Exchanging Anthropological Duplicates at the Smithsonian Institution." Museum Anthropology 39, no. 2 (2016): 130–46. http://dx.doi.org/10.1111/muan.12120.

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37

Ashton, Peter. "Tree Demography Plots." Sibbaldia: the International Journal of Botanic Garden Horticulture, no. 16 (July 26, 2018): 9–21. http://dx.doi.org/10.24823/sibbaldia.2018.244.

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The pantropical network of large tree demography plots coordinated by the Smithsonian’s Center for Tropical Forest Science has now gone global, as part of the Smithsonian Institution Global Earth Observatories. Some four million tropical trees, representing about 10,000 species, are now tagged, provisionally identified and periodically recensused. Some 3,000 species are captured in the six plots within Malesia. These include species rarely collected and many that are now endangered. Easy location of trees for periodic examination for fertile material and detailed ecological data, together with seasoned in-country research teams, provide unique opportunities for research collaboration.

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38

Tompkins, Bill, Walt Ennaco, Amelia Kile, and Elizabeth Sullivan. "Collections Space: The Final Frontier (Smithsonian Institution, US)." Museum International 73, no. 1-2 (2021): 64–73. http://dx.doi.org/10.1080/13500775.2021.1956736.

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39

Gwinn, Nancy E. "The Smithsonian Institution Libraries: Afoot in Three Camps." College & Research Libraries 50, no. 2 (1989): 206–14. http://dx.doi.org/10.5860/crl_50_02_206.

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40

Dorr, Laurence J., and James R. Glenn. "Guide to the National Anthropological Archives, Smithsonian Institution." Taxon 47, no. 1 (1998): 209. http://dx.doi.org/10.2307/1224057.

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41

Pennisi, E. "SMITHSONIAN INSTITUTION: Director of Natural History Museum Quits." Science 292, no. 5523 (2001): 1817b—1817. http://dx.doi.org/10.1126/science.292.5523.1817b.

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42

Dikow, Rebecca, Corey DiPietro, Michael Trizna, et al. "Developing responsible AI practices at the Smithsonian Institution." Research Ideas and Outcomes 9 (October 25, 2023): e113334. https://doi.org/10.3897/rio.9.e113334.

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Applications of artificial intelligence (AI) and machine learning (ML) have become pervasive in our everyday lives. These applications range from the mundane (asking ChatGPT to write a thank you note) to high-end science (predicting future weather patterns in the face of climate change), but, because they rely on human-generated or mediated data, they also have the potential to perpetuate systemic oppression and racism. For museums and other cultural heritage institutions, there is great interest in automating the kinds of applications at which AI and ML can excel, for example, tasks in computer vision including image segmentation, object recognition (labelling or identifying objects in an image) and natural language processing (e.g. named-entity recognition, topic modelling, generation of word and sentence embeddings) in order to make digital collections and archives discoverable, searchable and appropriately tagged.A coalition of staff, Fellows and interns working in digital spaces at the Smithsonian Institution, who are either engaged with research using AI or ML tools or working closely with digital data in other ways, came together to discuss the promise and potential perils of applying AI and ML at scale and this work results from those conversations. Here, we present the process that has led to the development of an AI Values Statement and an implementation plan, including the release of datasets with accompanying documentation to enable these data to be used with improved context and reproducibility (dataset cards). We plan to continue releasing dataset cards and for AI and ML applications, model cards, in order to enable informed usage of Smithsonian data and research products.

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43

Zakakis, Nikos, Emmanouil Noikokyris, Philemon Bantimaroudis, and Theodore Panagiotidis. "Long-term evidence of cultural agenda setting." Fifty years of agenda-setting research 3, no. 1 (2019): 3–22. http://dx.doi.org/10.1075/asj.18005.zak.

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Abstract The current study draws evidence from the Smithsonian Institution while examining a classic agenda-setting hypothesis during a period of 30 years in relation to media attention of the Smithsonian and a behavioral index of public salience, – namely its long-term, monthly visits. Second, it explores a larger theoretical concern often expressed by scholars in terms of the agenda-setting function over two different eras, the analog and the digital media periods.

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44

Cleland, Timothy P., G. Asher Newsome, and R. Eric Hollinger. "Proteomic and direct analysis in real time mass spectrometry analysis of a Native American ceremonial hat." Analyst 144, no. 24 (2019): 7437–46. http://dx.doi.org/10.1039/c9an01557d.

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45

Elgvin, Dag T. "Herds of the tundra by Robert Paine." Rangifer 18, no. 6 (1998): 87. http://dx.doi.org/10.7557/2.18.2.1451.

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1994. Herds of the Tundra: A Portrait of Reindeer Pastoralism. Smithsonian Institution Press, Washington and London. 242 pp. Robert Paine's most important contribution to the study of reindeer husbandry (pastoralism).

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46

Pennisi, E. "SMITHSONIAN INSTITUTION: Plan to Close Zoo Lab Draws Fire." Science 292, no. 5515 (2001): 183–85. http://dx.doi.org/10.1126/science.292.5515.183.

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47

Weiner, Stephen B. "Designing a Collections Information System for the Smithsonian Institution." Curator: The Museum Journal 28, no. 4 (2010): 237–48. http://dx.doi.org/10.1111/j.2151-6952.1985.tb01752.x.

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48

Kinard, John R., and Esther Nighbert. "Le « musée de voisinage » d'Anacostia, Smithsonian Institution, Washington, D.C." Museum International (Edition Francaise) 24, no. 2 (2009): 103–9. http://dx.doi.org/10.1111/j.1755-5825.1972.tb01393.x.

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49

Wilcox, U. Vincent. "Le Centre de services techniques de la Smithsonian Institution." Museum International (Edition Francaise) 47, no. 4 (2009): 18–22. http://dx.doi.org/10.1111/j.1755-5825.1995.tb00698.x.

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50

Williamson, Bess. "Access + Ability, Cooper-Hewitt, National Design Museum, Smithsonian Institution." Design and Culture 10, no. 2 (2018): 223–26. http://dx.doi.org/10.1080/17547075.2018.1478600.

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