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Journal articles on the topic 'Snow White'

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1

Sim, Jae-Suk. "Snow White." Korean Beauty Management Journal 8, no. 2 (2020): 120–21. http://dx.doi.org/10.35883/kbmj.2020.8.2.2.2.

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Lameijer, H., M. Kwant, and M. Doff-Holman. "Snow white." Netherlands Heart Journal 25, no. 12 (2017): 691–94. http://dx.doi.org/10.1007/s12471-017-1017-9.

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Lameijer, H., M. Kwant, and M. Doff-Holman. "Snow white." Netherlands Heart Journal 25, no. 12 (2017): 697–98. http://dx.doi.org/10.1007/s12471-017-1020-1.

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Prado, Adélia, and Ellen Doré Watson. "Snow White." Prairie Schooner 88, no. 4 (2014): 59–60. http://dx.doi.org/10.1353/psg.2014.0078.

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Sarll, D. "Snow-white teeth." British Dental Journal 200, no. 10 (2006): 542. http://dx.doi.org/10.1038/sj.bdj.4813665.

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Wake, Bronwyn. "Snow white coral." Nature Climate Change 6, no. 5 (2016): 439. http://dx.doi.org/10.1038/nclimate3009.

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7

Welliver. "Snow White, Rose Red." Fairy Tale Review 17 (2021): 99. http://dx.doi.org/10.13110/fairtalerevi.17.1.0099.

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8

Browning, Barbara. "When snow isn't white." Women & Performance: a journal of feminist theory 9, no. 1 (1996): 35–53. http://dx.doi.org/10.1080/07407709608571249.

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9

Waye, Jerome D., and Jeffrey J. Bilotta. "The “snow white” sign." Gastrointestinal Endoscopy 35, no. 6 (1989): 581–82. http://dx.doi.org/10.1016/s0016-5107(89)72925-4.

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10

Jelinek, E. "Princess Plays: Snow White." Theater 36, no. 2 (2006): 38–45. http://dx.doi.org/10.1215/01610775-36-2-38.

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11

Wenmackers, Sylvia. "The Snow White problem." Synthese 196, no. 10 (2017): 4137–53. http://dx.doi.org/10.1007/s11229-017-1647-x.

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12

Frost, Sabine. "White In. White Out. The Noticeability of Text. Conspicuous Text." Nordlit 12, no. 1 (2008): 89. http://dx.doi.org/10.7557/13.1180.

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The term ‘whiteout' is usually understood as a weather condition in polar or mountain regions affecting visibility through diffuse lighting. In this case, however, the idea of ‘whiteout' is not merely taken as a motif, but as a way to describe disruptive effects in literary texts. The term ‘whiteout' is used here to point out how ‘snow'-in the broadest sense-pervades the structure and language of narrative texts from the 19th to the 21st century. Thetexts in question deal with snowstorms and snow drifts; they send their protagonists on polar explorations and mountain expeditions; heros get lost in snow or suffer from extreme frost.
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Reddy, Nancy. "Snow White Takes South Beach." Iowa Review 46, no. 3 (2016): 129. http://dx.doi.org/10.17077/0021-065x.7791.

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Oreste Vittore, Brenna. "Snow white: an allergic girl?" Archives of Asthma, Allergy and Immunology 6, no. 1 (2022): 001–2. http://dx.doi.org/10.29328/journal.aaai.1001029.

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As I considered the exciting life of Little Snow-White, I started to think that the Grimm Brothers placed in that novel many hints that grouped the current knowledge of some features related to symptoms shown by allergic people.
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15

Spisak, April. "Snow White by Matt Phelan." Bulletin of the Center for Children's Books 69, no. 11 (2016): 590–91. http://dx.doi.org/10.1353/bcc.2016.0581.

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16

Hadley, Kathryn Gold, and Sandi Kawecka Nenga. "From Snow White to Digimon." Childhood 11, no. 4 (2004): 515–36. http://dx.doi.org/10.1177/0907568204047109.

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17

Youngs, Gillian. "The Ghost of Snow White." International Feminist Journal of Politics 1, no. 2 (1999): 311–14. http://dx.doi.org/10.1080/146167499359970.

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18

Allan, Robin. "Fifty Years Of Snow White." Journal of Popular Film and Television 15, no. 4 (1988): 156–63. http://dx.doi.org/10.1080/01956051.1988.9944097.

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19

Krøgholt, Ida. "The Picture of Snow White." Peripeti 14, S6 (2017): 37–39. http://dx.doi.org/10.7146/peri.v14is6.110661.

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 As reality theater The Picture of Snow White (1994) demonstrates how certain fragments of reality can function as the material of the performance, and at first glance The Picture of Snow White resembles the readymade’s approach to form.
 
 
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20

Palmer, Bob. "Snow White and the Zombies." European Eating Disorders Review 16, no. 3 (2008): 245. http://dx.doi.org/10.1002/erv.874.

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21

Hyun, Sook Kyong. "Reevaluation of Snow White and the Queen in the Postmodern Retellings of Grimms’ “Snow White”." Modern Studies in English Language & Literature 60, no. 4 (2016): 289–305. http://dx.doi.org/10.17754/mesk.60.4.289.

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22

Kameda, Takao, Yasuhiro Harada, and Shuhei Takahashi. "Characteristics of white spots in saturated wet snow." Journal of Glaciology 60, no. 224 (2014): 1075–83. http://dx.doi.org/10.3189/2014jog13j201.

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AbstractMany curious white spots of 1–10 cm diameter were found on wet snow (~10 mm thick) on the morning of 1 November 2009 in Kitami and Oketo in Hokkaido, Japan. At first glance, the white spots appeared to be made of spherically gathered snow; however, they had actually been formed by the scattering of sunlight over wet snow. Thin air bubbles enclosed in the wet snow caused a diffuse reflection of sunlight and formed the white spots. We refer to this phenomenon as white spotted wet snow. Although this type of snow has been briefly described previously, the formation process, meteorological conditions that lead to its formation, its vertical structure and the horizontal distribution of the white spots are unknown. Our study addresses these issues. In addition, three independent methods (a nearest-neighbour method, Voronoi diagram and two-dimensional correlation function) demonstrate that the white spots are not randomly distributed but tend to be surrounded by six other spots.
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23

Rahman, Mahbubur, Dali Ismail, Venkata P. Modekurthy, and Abusayeed Saifullah. "LPWAN in the TV White Spaces." ACM Transactions on Embedded Computing Systems 20, no. 4 (2021): 1–26. http://dx.doi.org/10.1145/3447877.

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Low-Power Wide-Area Network (LPWAN) is an enabling Internet-of-Things technology that supports long-range, low-power, and low-cost connectivity to numerous devices. To avoid the crowd in the limited ISM band (where most LPWANs operate) and cost of licensed band, the recently proposed Sensor Network over White Spaces (SNOW) is a promising LPWAN platform that operates over the TV white spaces. As it is a very recent technology and is still in its infancy, the current SNOW implementation uses the Universal Software Radio Peripheral devices as LPWAN nodes, which has high costs (≈$750 USD per device) and large form-factors, hindering its applicability in practical deployment. In this article, we implement SNOW using low-cost, low form-factor, low-power, and widely available commercial off-the-shelf (COTS) devices to enable its practical and large-scale deployment. Our choice of the COTS device (TI CC13x0: CC1310 or CC1350) consequently brings down the cost and form-factor of a SNOW node by 25× and 10×, respectively. Such implementation of SNOW on the CC13x0 devices, however, faces a number of challenges to enable link reliability and communication range. Our implementation addresses these challenges by handling peak-to-average power ratio problem, channel state information estimation, carrier frequency offset estimation, and near-far power problem. Our deployment in the city of Detroit, Michigan, demonstrates that CC13x0-based SNOW can achieve uplink and downlink throughputs of 11.2 and 4.8 kbps per node, respectively, over a distance of 1 km. Also, the overall throughput in the uplink increases linearly with the increase in the number of SNOW nodes.
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24

Woodbridge, Linda. "Black and White and Red All Over: The Sonnet Mistress Amongst the Ndembu*." Renaissance Quarterly 40, no. 2 (1987): 247–97. http://dx.doi.org/10.2307/2861708.

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Among terminally ill figures of speech, the cliché of rosy cheeks, ruby lips, and snow-white skin may be counted downright deceased. Even in medieval and Renaissance love poetry, roses in the cheeks, lips like cherries or rubies, skin like ivory, lilies, or snow were stiffly conventional: freshness of complexion prompted no freshness of metaphor. The mistress's red-and-white face was relentlessly emblazoned, “red and white” becoming a short-hand notation for feminine beauty: “With lilies white / And roses bright / Doth strive thy colour fair” (Wyatt 65); “Fair is my love … / A lily pale, with damask dye to grace her” (Passionate Pilgrim no. 7); “Thou art not fair for all thy red and white” (Campion 264). The mistress in Spenser's Amoretti has “ruddy cheekes” and “snowy browes” (no. 64); the bride in his Epithalamion is a vision in red and white—cheeks like sun-reddened apples, lips like cherries, forehead like ivory, “breast like to a bowle of creame uncrudded, / Her paps lyke lyllies budded, / Her snowie necke”; when she blushes, “the red roses flush up in her cheekes, / and the pure snow with goodly vermill [vermillion] stayne, / Like crimsin dyde” (Il. 172-7, 226-8).
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25

Platt, Jonathan Brooks. "Snow White and the Enchanted Palace." Representations 129, no. 1 (2015): 86–115. http://dx.doi.org/10.1525/rep.2015.129.1.86.

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This essay offers a chronotopic reading of V. I. Lenin’s architectural cult and its relation to Soviet sovereignty in the postrevolutionary period, as reflected in the discourse and plans surrounding the Lenin Mausoleum and the Palace of Soviets in Moscow. Central contexts include Andrei Platonov’s novella The Foundation Pit and Russian versions of the “Snow White” tale.
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26

Marvin, Cate. "The Whistling Song from Snow White." Antioch Review 55, no. 3 (1997): 330. http://dx.doi.org/10.2307/4613536.

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27

Herbert, Julián. "I do not own Snow White." Estudios: filosofía, historia, letras 8, no. 94 (2010): 184. http://dx.doi.org/10.5347/01856383.0094.000284173.

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28

Boillat, Alain. "Snow White : tout blanc tout noir." Décadrages, no. 7 (April 10, 2006): 110–12. http://dx.doi.org/10.4000/decadrages.470.

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29

Shelley Puhak. "Snow White and the Seven Satellites." Fairy Tale Review 9 (2013): 126. http://dx.doi.org/10.13110/fairtalerevi.9.2013.0126.

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30

Williams, Brenda. "Snow white and the seven dwarfs." Practical Pre-School 2010, no. 118 (2010): 26. http://dx.doi.org/10.12968/prps.2010.1.118.79386.

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31

Tobé, Tom JM, G. Branko Braam, Jan Meulenbelt, and Gert W. van Dijk. "Ethylene glycol poisoning mimicking Snow White." Lancet 359, no. 9304 (2002): 444–45. http://dx.doi.org/10.1016/s0140-6736(02)07577-3.

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32

Reilly, Ibby. "Snow, and: The White Castle (review)." Missouri Review 30, no. 1 (2007): 154–58. http://dx.doi.org/10.1353/mis.2007.0087.

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33

Barzilai, Shuli. "Reading "Snow White": The Mother's Story." Signs: Journal of Women in Culture and Society 15, no. 3 (1990): 515–34. http://dx.doi.org/10.1086/494608.

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34

Saraswati, Rina. "DISTORSI DALAM FILM ADAPTASI “SNOW WHITE” VERSI DISNEY DAN NONDISNEY TERHADAP KARYA GRIMM BERSAUDARA (The Distortion in Disney’s and Non-Disney’s Film Adaptation on the Grimm Brothers’ “Snow White” )." METASASTRA: Jurnal Penelitian Sastra 7, no. 1 (2016): 85. http://dx.doi.org/10.26610/metasastra.2014.v7i1.85-96.

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Dongeng karya Grimm bersaudara telah banyak diadaptasi ke dalam media film, salah satunya adalah “Snow White”. Penelitian ini membahas distorsi yang muncul dalam dua film adaptasi “Snow White”, yaitu “Snow White and the Seven Dwarfs” (1937) produksi Disney dan “Snow White and the Huntsman” (2012) produksi Universal Pictures. Dengan metode penelitian kualitatif berupa analisis deskriptif, ditemukan bahwa setiap adaptasi tersebut melakukan perombakan besar terhadap isi cerita yang menyebabkan perbedaan dengan sumber aslinya, yakni karya Grimm bersaudara. Film “Snow White” yang diproduksi oleh Disney mengalami proses adaptasi cerita, yakni dengan mengubah cerita yang pantas dan mudah diterima anak-anak. Adapun film produksi Universal Pictures menghasilkan suatu karya adaptasi yang berbeda, yaitu dengan adanya pengurangan atau penambahan dari cerita aslinya. Perubahan cerita tersebut ditujukan untuk menarik minat penonton. Hasil penelitian menunjukkan bahwa salah satu alasan perubahan yang dilakukan pada dua film adapatasi tersebut disebabkan oleh target penonton yang berbeda.Abstract:Grimm Brothers’ tales have been adapted into films. One of them is the story of Snow White. This study is to examine the distortion appearing in two Snow White film adaptations, namely: “Snow White and the Seven Dwarfs” (1937) by Disney as well as “Snow White and the Hunts- man” (2012) by Universal Pictures. By applying qualitative method, it is found that each film adaptation makes a lot of changes in its plot from its original version in the Grimm Brothers’. “Snow White” produced by Disney was changed into children story that was simpler and easier to understand. The one produced by Universal Picture, on the other hand, was made into different story by reducing or adding its original story. The change of the story is aimed at gaining more viewers. The result of the research reveals that one of changes in the two film adaptations is due to their different viewers target.
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35

Durre, Imke, and Michael F. Squires. "White Christmas? An Application of NOAA’s 1981–2010 Daily Normals." Bulletin of the American Meteorological Society 96, no. 11 (2015): 1853–58. http://dx.doi.org/10.1175/bams-d-15-00038.1.

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Abstract Are we going to have a white Christmas? That is a question that scientists at the National Oceanic and Atmospheric Administration (NOAA) receive each autumn from members of the media and general public. NOAA personnel typically respond by way of a press release and map depicting the climatological probability of observing snow on the ground on 25 December at stations across the contiguous United States. This map has become one of the most popular applications of NOAA’s 1981–2010 U.S. Climate Normals. The purpose of this paper is to expand upon the annual press release in two ways. First, the methodology for empirically calculating the probabilities of snow on the ground is documented. Second, additional maps describing the median snow depth on 25 December as well as the probability and amount of snowfall are presented. The results are consistent with a climatologist’s intuitive expectations. In the Sierras, Cascades, the leeward side of the Great Lakes, and northern New England, snow cover is a near certainty. In these regions, most precipitation falls as snow, and the probability of snowfall can exceed 25%. At higher elevations of the Rocky Mountains and at many locations between the northern Rockies and New England, snowfall is considerably less frequent on Christmas Day, yet the probability of snow on the ground exceeds 50%. For those who would like to escape the snow, the best places to be in late December are in Southern California, the lower elevations of the Southwest, and Florida.
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36

Aljadaani, Mashael H., and Laila M. Al-Sharqi. "The Subversion of Gender Stereotypes in Donald Barthelme’s Snow White." International Journal of Applied Linguistics and English Literature 8, no. 2 (2019): 155. http://dx.doi.org/10.7575/aiac.ijalel.v.8n.2p.155.

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Donald Barthelme’s Snow White redefines gender roles in the 20th century. Barthelme retells the original fairy tale, subverting its presentation of stereotypical gender roles to depict postmodern ideologies, particularly feminism. The male voice and its controlling power, embodied within the original narrative, becomes the lost, weak, and subordinate side of his story. The female voice, repressed by social and cultural principles, is reshaped to represent the free, powerful, and dominant figure in his narrative. This novel’s presentation of Snow White’s characters reflects feminist battles, such as the fight for gender equality and women’s freedom from patriarchal restrictions or sexual objectification. Adopting a feminist perspective, this study investigates Barthelme’s demythologizing approach in Snow White to present his new identification of gender roles. Specifically, this study examines the novel as a subversive reworking of Grimm’s Snow White [the original fairy tale] by analyzing Barthelme’s reframing of Snow White, the seven dwarfs, and Prince Paul. The findings of the study will show how Barthelme’s text offers a feminist critique of patriarchal dominance to the original Grimm’s fairy tale Snow White and the Seven Dwarfs. Through a close reading of the text, this study also seeks to highlight the novel’s subversive representation of socially constructed stereotypical male and female roles in the fairy tale to challenge the long-standing gender ideologies conceived by the patriarchal society.
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37

Nesbet, Anne. "Inanimations: "Snow White" and "Ivan the Terrible"." Film Quarterly 50, no. 4 (1997): 20–31. http://dx.doi.org/10.2307/1213442.

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38

Yang, Haixia, and Liqing Kang. "Multidimensional Reading of Snow White in China." Journal of Language Teaching and Research 10, no. 6 (2019): 1356. http://dx.doi.org/10.17507/jltr.1006.27.

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To introduce Chinese scholars' reading of the American novel, Snow White, to the outside world, three representative analyses, among others—to which the theoretical vehicles of deconstruction, intertextuality and cognitive narratology are applied—are individually presented in detail. In the progress of their analyses they take the novel's ancient counterpart, the fairy tale (Snow White and the Seven Dwarfs), as object for deconstruction, benchmark and background respectively. The old story thus remains an indispensable source to decipher the multiple layers of meaning of the postmodern novel.
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39

Bush, Elizabeth. "Blood Red Snow White by Marcus Sedgwick." Bulletin of the Center for Children's Books 70, no. 2 (2016): 94. http://dx.doi.org/10.1353/bcc.2016.0829.

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40

Michel, Claudine. "Re‐Reading Disney: not quite Snow White." Discourse: Studies in the Cultural Politics of Education 17, no. 1 (1996): 5–14. http://dx.doi.org/10.1080/0159630960170101.

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41

Vollmer, Michael, and Joseph A. Shaw. "Brilliant colours from a white snow cover." Physics Education 48, no. 3 (2013): 322–31. http://dx.doi.org/10.1088/0031-9120/48/3/322.

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42

Gottschalk, Keith. "Update: Snow White and her 7 Dwarves." English Academy Review 30, no. 1 (2013): 135–36. http://dx.doi.org/10.1080/10131752.2013.783400.

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43

Bilotta, Jeffrey J., and Jerome D. Waye. "Hydrogen peroxide enteritis: the “snow white” sign." Gastrointestinal Endoscopy 35, no. 5 (1989): 428–30. http://dx.doi.org/10.1016/s0016-5107(89)72849-2.

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44

CHRISTENSEN, GORDON J. "Are snow-white teeth really so desirable?" Journal of the American Dental Association 136, no. 7 (2005): 933–35. http://dx.doi.org/10.14219/jada.archive.2005.0295.

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45

Nesbet, Anne. "Inanimations: "Snow White" and "Ivan the Terrible"." Film Quarterly 50, no. 4 (1997): 20–31. http://dx.doi.org/10.1525/fq.1997.50.4.04a00040.

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46

Solis, Santiago. "Snow White and the Seven ?Dwarfs??Queercripped." Hypatia: A Journal of Feminist Philosophy 22, no. 1 (2007): 114–31. http://dx.doi.org/10.2979/hyp.2007.22.1.114.

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47

Solis, Santiago. "Snow White and the Seven “Dwarfs”—Queercripped." Hypatia 22, no. 1 (2007): 114–31. http://dx.doi.org/10.1111/j.1527-2001.2007.tb01152.x.

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In this essay, Solis contemplates how queercrip—both homosexual and disabled—readings of four editions of “Snow White and the Seven Dwarfs” might be used to destabilize “normative” sexual identities. His goal is to argue against secrecy and for disclosure; thus, a main question guides the analysis: How might we (for example, parents, teachers, counselors) use picture books to reevaluate human sexuality in all its varied manifestations to avoid condemning to the closet all those who do not approximate a prescribed “norm”?
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48

Taber, Nancy, Vera Woloshyn, and Laura Lane. "Strong Snow White Requires Stronger Marriageable Huntsman." Canadian Journal for the Study of Adult Education 29, no. 2 (2017): 21–36. http://dx.doi.org/10.56105/cjsae.v29i2.5371.

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In this article, we discuss a media discussion group for female students with disabilities, which we created and facilitated using fairy tales to discuss and critique gender norms. Disability was not the primary focus for our media sessions; however, participants occasionally extended dialogue to include intersections between disability and gender. In this article, we discuss literature related to gender, disability, popular culture, and fairy tales. We detail our case study methodology and explain our findings regarding participants’ views of gender representations in fairy tales, the character of Snow White as portrayed in the film Snow White and the Huntsman, and the concept of happily‑ever‑after endings. Finally, we discuss benefits experienced by the participants in the context of forming a community of learners and building relationships with each other.
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49

Komang Laksmi Mas Nararya Riris, Putu Bena Diana, and Ni K. Arie Suwastini. "Snow White’s Characterization in Snow White and the Seven Dwarfs by Vera Southgate and Regis Maine: A Comparison from Liberal Feminists’ Perspectives." International Journal of Language and Literature 7, no. 1 (2023): 23–32. http://dx.doi.org/10.23887/ijll.v7i1.60715.

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Women in society experienced unequal treatment due to their genders which aroused women's actions to fight for opportunities. The ideology of feminism concerns the life struggles of women to encounter the patriarchal culture and reach gender equality. This study is aimed to analyze and compare the characterizations of Snow White based on feminists' perspective. The subject of this research is Snow White as the main character in two different versions. The study employed textual analysis and revealed that Snow White with positive femininity, such as beautiful, diligent, and expressive, and negative femininity, such as dependent. The data analysis will be presented in three parts, including the similarities, the differences, and the comparison of Snow White's characterizations based on feminists' perspectives. The research will follow the qualitative analysis consisting of data collection, data reduction, data display, and conclusion drawing. However, in the story by Regis Maine, Snow White is described as more feminist than Vera Southgate's character. It can be concluded that Snow White in the story by Regis Maine is more feminist than Snow White in the story by Vera Southgate due to the masculine and feminine traits which could be used to encounter the patriarchal culture and reach gender equality.
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50

Fan, Yingying, Hardev Kaur, Diana Abu Ujum, and Hasyimah Mohd Amin. "From “The Snow Child” to “Snow White”: Angela Carter’s Inheritance from Classic Fairy Tales." Interdisciplinary Literary Studies 25, no. 2 (2023): 149–62. http://dx.doi.org/10.5325/intelitestud.25.2.0149.

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ABSTRACT This article is aimed at developing a Foucauldian power criticism to examine Angela Carter’s inheritance of classic fairy tales. Carter’s “The Snow Child,” inspired by the Grimms’ “Snow White,” has been considered a feminist rewriting in subverting a classic. By establishing a connection between the classic fairy tale “Snow White” and “The Snow Child,” this article examines the two as intertextual in terms of characters and plots, and echoes in the core of subversion as well. With the application of Michel Foucault’s concepts of discipline and punish, the article reveals patriarchy’s operating mechanism in the classic fairy tale—that is, how patriarchy manipulates and tames women. Through punishing the body and disciplining the mind, Carter’s “The Snow Child” explicitly presents the male’s manipulation of power on the female through body production, destiny control, and overt incest, while in the Grimms’ “Snow White,” a hidden clue exposes the operation of the patriarchal power mechanism over women, but in a more subtle way, revealing that patriarchal power disciplines women through brainwashing the mind and punishing the body. Research findings show that rather than being a tool to maintain patriarchal culture, classic fairy tales actually subvert patriarchy implicitly by exhibiting the patriarchy’s operating mechanism in producing “angels.”
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