Relevant bibliographies by topics / Snowmen in fiction

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Academic literature on the topic 'Snowmen in fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Snowmen in fiction"

1

Akhter, Tawhida. "COVID-19 Pandemic and Apocalyptic Literature: An Analysis of Margret Atwood’s Oryx and Crake at the time of Coronavirus." Arab World English Journal, no. 1 (April 15, 2021): 235–43. http://dx.doi.org/10.24093/awej/covid.18.

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Literature has been an imitator of life for generations on this earth, this literature has voiced the voiceless. Recent contemporary and postmodern literary theories have catered to burgeoning notions of logic that go beyond human survival on the planet. Science fiction is a genre of fiction that encompasses imaginative concepts like futuristic scientific-technological settings, faster than light, past and future spatial time travel, the existence of parallel universes and extraterrestrial life etc. An outbreak of Coronavirus Disease 2019 (COVID-19) caused by a novel acute respiratory syndrome
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2

Soumya. S. J & Dr. N.U. Lekshmi. "Ecological Discourses in Margaret Atwood’s Novel Oryx and Crake." Creative Saplings 1, no. 11 (2023): 44–53. http://dx.doi.org/10.56062/gtrs.2023.1.11.212.

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Cli-fi is an innovative genre of fiction that modernizes climate science into human stories. Writers of cli-fi discover, what it means to be human in a world that is influenced by warming temperature, powerful storms and rising seas. The cli-fi narratives arouse consciousness about the complex issues of climate change. The novel Oryx and Crake by Margaret Atwood, published in 2003, is about a post-apocalyptic world which will be a reality in the future. The novel carries two distinct genres- a pre apocalyptic world and a post-apocalyptic world. The pre apocalyptic world is an exaggerated repre
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3

Kelly, Nicholas. "Facing Surveillance: Personified Surveillance, Algorithmic Injustice, and the Myth of Big Brother in Post-Snowden Popular Culture." Surveillance & Society 20, no. 2 (2022): 172–85. http://dx.doi.org/10.24908/ss.v20i2.14492.

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This article examines an archive of recent films, fiction, and interactive media that use personified representations of surveillance to depict and critique real-world surveillance practices. It shows how these works, like George Orwell’s 1984 (1949), use personification to depict secretive, complex surveillance networks and convey the supposed meaning of those networks to surveilled subjects: someone is watching you. While such representations of surveillance fail to account for the automated, algorithmic nature of modern surveillance practices and technologies, they dominate the perception o
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4

Ćuk, Maja, and Artea Panajotović. "MaddAddam Trilogy as a historical chronicle of the silenced in a (dystopian) society." Зборник радова Филозофског факултета у Приштини 50, no. 3 (2020): 193–210. http://dx.doi.org/10.5937/zrffp50-28107.

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The MaddAddam Trilogy includes three novels written in the form of speculative fiction. The narrators and major protagonists in the first two works, Oryx and Crake and The Year of the Flood, are human survivors after the pandemic that has obliterated almost all population on the planet. In these symbolic cautionary tales that reflect current cultural and economic conditions, Margaret Atwood makes readers think about the questions what if mankind was completely eradicated and what if the construction of a new species could be masterminded successfully. In the third book of the trilogy, MaddAdda
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5

Brujić, Marija. "The Novel Snowman by David Albahari. A Socio-Anthropological Reading." Issues in Ethnology and Anthropology 15, no. 1 (2020). http://dx.doi.org/10.21301/eap.v15i1.5.

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In this paper ideas of literary anthropology that legitimize research of fiction work in socio-cultural anthropology are combined with the theories and methodologies of migration studies. Novels can be used as a source for understanding and interpreting certain phenomena from our socio-cultural reality and be an object of research. Therefore, this paper analyzes the novel Snowman (1996) by David Albahari from his so-called “Canadian Trilogy”. It is his first novel after his emigration to Canada from Serbia in 1994. This paper aims to draw attention to the possibilities and potentials of anthro
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6

SCOTT, IAN, and HENRY THOMPSON. "Patriots and Protesters, Mavericks and Manipulators: Assange, Snowden and the Politics of Surveillance Cinema." Journal of American Studies, September 2, 2019, 1–21. http://dx.doi.org/10.1017/s0021875819000896.

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In a world dizzyingly shifted on its axis since 9/11, nothing has aided understanding of the profound twenty-first-century geopolitical slippages more than the revelations from Julian Assange's WikiLeaks site and the actions of whistle-blower Edward Snowden. Much has been written about the pair but little has investigated their persona and pronouncements onscreen. This article sets out to compare and contrast Snowden's and Assange's real as well as fictional cinematic portrayals, therefore. We find that their screen image conforms to notions of star celebrity but at the same time also challeng
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7

Miletic, Sasa. "‘Everyone Has Secrets’: Revealing the Whistleblower in Hollwood Film in the Examples of Snowden and The Fifth Estate." M/C Journal 23, no. 4 (2020). http://dx.doi.org/10.5204/mcj.1668.

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In one of the earliest films about a whistleblower, On the Waterfront (1954), the dock worker Terry Malloy (Marlon Brando), who also works for the union boss and mobster Johnny Friendly (Lee J. Cobb), decides to testify in court against him and uncover corruption and murder. By doing so he will not only suffer retribution from Friendly but also be seen as a “stool pigeon” by his co-workers, friends, and neighbours who will shun him, and he will be “marked” forever by his deed. Nonetheless, he decides to do the right thing. Already it is clear that in most cases the whistleblowers are not simpl
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Books on the topic "Snowmen in fiction"

1

Buehner, Caralyn. Snowmen at Christmas. Scholastic, 2012.

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2

Buehner, Caralyn. Snowmen at night. Dial Books for Young Readers, 2004.

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Buehner, Caralyn. Snowmen at work. Dial Books for Young Readers, 2012.

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4

Karon, Jan. The Mitford snowmen. Viking, 2001.

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5

Karon, Jan. The Mitford snowmen. Viking, 2001.

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6

Hänel, Wolfram. Christmas for the snowmen. North-South Books, 2004.

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7

Albee, Jo. The missing snowman. McClanahan Book Co., 1992.

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8

Paterson, Bettina. Jolly snowman. Heinemann, 1993.

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9

Quattrocki, Carolyn. Frosty's snowy day. Publications International, 1992.

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10

Ghaffārzādagān, Dāvūd. Ādam barfī-yi gumshudah. Nashr-i Dānishāmūz, 1990.

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Book chapters on the topic "Snowmen in fiction"

1

Salmose, Niklas. "Splatter Horror Crime: Crossing Medial Borders in Jo Nesbø’s The Snowman." In Transnational Crime Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53413-4_13.

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Kelly, Nicholas M. "The Hacktivist Cultural Archive: From Science Fiction to Snowden, Worms to the Women’s March." In From Sit-ins to #revolutions. Bloomsbury Academic, 2019. http://dx.doi.org/10.5040/9781501336980.ch-009.

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Schaffer, Talia. "Global Migrant Care and Emotional Labor in Villette." In Communities of Care. Princeton University Press, 2021. http://dx.doi.org/10.23943/princeton/9780691199634.003.0004.

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This chapter draws on recent sociological studies to show that the psychological state of Villette's Lucy Snowe actually conforms to well-known conditions among this vulnerable population. Lucy invites both sociological and literary readings to the extent that she manages to be both a unique figure and a prototypical example, both a fictional figure and a generic case. It highlights the problem of Lucy not occupying both spaces at once: when someone gets locked exclusively into the carer or caregiver role, it unbalances the sense of self. The chapter describes Lucy's peculiar personality that is at odds with the enforced requirements of her generic job, wherein the conditions of her employment corrode her personhood. Forced to conform to a slot that denies her inner feelings, she engages in an internal war that is no less violent for being brutally private.
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