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Journal articles on the topic 'Soap opera'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Rosmiati, Ana. "PILIHAN DIKSI DALAM PRODUCT PLACEMENT DALAM SINETRON TUKANG OJEK PENGKOLAN." Acintya : Jurnal Penelitian Seni Budaya 13, no. 2 (2022): 129–43. http://dx.doi.org/10.33153/acy.v13i2.3998.

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This research on the accuracy of diction in the placement of product placement in the soap opera Tukang Ojek Pengkolan (TOP) at the RCTI Television Station is interesting considering that there are advertising products that are inserted when the soap opera is running. Product placement has become a trend to be shown in soap operas and films in Indonesia with the aim of introducing products effectively because at the same time as the broadcast time, TOP soap operas are one of the soap operas that air on RCTI with high viewership ratings. The story in this soap opera is relatively light about th

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Ladigbolu, Tope Adejoju, and Bamidele Rasak Olajide. "Farmers’ proclivity to use soap opera for sourcing agricultural information in Southwest Nigeria." Agricultura Tropica et Subtropica 51, no. 4 (2018): 155–63. http://dx.doi.org/10.2478/ats-2018-0018.

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Abstract Given the soap opera’s potential to engender behaviour learning and meet the information needs of farmers, this paper sought to establish farmers’ propensity to use soap opera for sourcing agricultural information in Southwest Nigeria. A multi-stage sampling procedure was used to draw representative samples (150 farmers) in this study. Using interview schedule, data were elicited on farmers’ personal characteristics, awareness about the use of soap opera, perceived benefits of soap opera and proclivity to use it for sourcing agricultural information. Data were analysed using descripti

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3

Müller, Regine. "SOAP OPERA." Opernwelt 65, no. 8 (2024): 57. http://dx.doi.org/10.5771/0030-3690-2024-8-057.

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Rachmawati, Yul, and Tangguh Okta Wibowo. "KENIKMATAN IRONIS BAGI MANTAN PREMAN DI YOGYAKARTA SETELAH MENONTON SINETRON PREMAN PENSIUN." Jurnal Komunikasi 12, no. 2 (2018): 111–20. http://dx.doi.org/10.21107/ilkom.v12i2.4513.

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ABSTRACTThis study attempts to explore how the reception of the audiences after watching Preman Pensiun(PP) soap opera, a comedy soap opera by Aris Nugraha which has aired up to three series. Theproblematization of this study comes when PP soap opera raises a question, how do audiences’response in the city other than Bandung? This study tries to understand how receptive thugs whoare retired or ex-thugs after watched PP soap operas in their daily lives. For data collection,researchers conducted in-depth interviews after approaching three informants as former thugs in Yogyakarta. The result of t

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Narang, Bernika Yustisiana. "ANALYZING THE PHENOMENON: EXPLORING THE POPULARITY AND REPRESENTATION OF WOMEN IN THE INDONESIAN SOAP OPERA "CINTA FITRI"." International Journal of Islamic Education, Research and Multiculturalism (IJIERM) 6, no. 1 (2024): 212–24. https://doi.org/10.47006/ijierm.v6i1.316.

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The soap opera "Cinta Fitri" is one of the most popular TV drama series (soap operas) not only in Indonesia but also in Singapore (MdEntertainment). This paper focuses on the phenomenon of soap operas and gender representation in Indonesian media. The research methods that will be used in this research include content analysis, case studies, surveys and statistical analysis, literature studies, and comparative analysis. The Indonesian soap opera "Cinta Fitri" captivates audiences with its portrayal of personal struggles and complex relationships. Lead characters Fitri and Farrel challenge trad

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Maya Afriani, Suryati Suryati, and Lena Marianti. "Analisis Tayangan Sinetron Ikatan Cinta Terhadap Perilaku Sosial Masyarakat Palembang." Social Science and Contemporary Issues Journal 1, no. 1 (2023): 38–46. http://dx.doi.org/10.59388/sscij.v1i1.6.

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Soap operas are defined as dramas in a series of episodes that present stories from various characters simultaneously. The research is entitled Analysis of sinetron shows ikatan cinta in RCTI on the social behavior of the community palembang. Ikatan Cinta, an Indonesian soap opera created by MNC Pictures, had its television debut on RCTI on October 19, 2020 at 19.30 WIB. It's a soap opera directed by Doddy Djanas, has the genres of drama, romance, family and comedy. The screenwriters are Theresia Fransisca and Donna Rosamayna. The bond of love tells the story of two siblings, without them real

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Atay, Ahmet, and Kristyn Gorton. "Histories and new directions: Soap opera/serial narrative research." Journal of Popular Television 10, no. 2 (2022): 115–22. http://dx.doi.org/10.1386/jptv_00073_2.

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This is an introduction to the Special Issue, inspired by the Histories and New Directions: Soap Opera and Serial Narrative Research conference at the University of York in July 2017. The event was conceptualized and organized by the editors of this Special Issue to gather media and cultural studies scholars, and generate a scholarly dialogue on the historical issues, current status and future directions of serial narratives and soap opera as a genre. The introduction outlines the seven articles in this issue, all of which revisit and expand on previous soap opera scholarship and its enduring

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Olajide, Bamidele R., and Temitope A. Ladigbolu. "Scriptwriters’ perception of use of soap opera in agricultural information dissemination in South-western Nigeria." Journal of Agricultural Extension 24, no. 1 (2020): 54–63. http://dx.doi.org/10.4314/jae.v24i1.6.

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The study assessed scriptwriters’ perception of use of soap opera for agricultural information dissemination in South-western Nigeria. A total of 30 scriptwriters were interviewed using questionnaire Data were analysed using frequencies, percentages, means, Pearson Product Moment Correlation (PPMC) and linear regression at p=0.05. Findings reveal that lack of adequate fund (243.4) and lack of sponsors (226.6) were perceived constraints by scriptwriters to developing scripts for promoting agriculture using soap opera. The majority (93.3%) had favourable perception of the use of soap opera for p

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Suyudi Alimun Hakim and Mulkan Habibi. "Pengaruh Program Tayangan Sinetron Anak Jalanan A New Beginning Terhadap Perilaku Remaja." Harmoni: Jurnal Ilmu Komunikasi dan Sosial 2, no. 2 (2024): 01–12. http://dx.doi.org/10.59581/harmoni-widyakarya.v2i2.2877.

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Since ancient times, soap operas have presented many continuous stories, the content of the stories is very diverse. Many soap operas have high ratings. One of them is the soap opera that will be discussed in this research, namely the soap opera Street Children A New Beginning which aired on GTV. This soap opera has also been criticized by the Indonesian Broadcasting Commission (KPI) because there are many scenes that should not be published. The KPI believes that this soap opera contains many violations committed by teenagers. The aim of this research is to measure the street children broadca

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Ibnu Satrio Wibowo and Fal Harmonis. "Pengaruh Sinetron Ikatan Cinta Terhadap Perilaku Remaja." Jurnal Kajian dan Penelitian Umum 2, no. 1 (2024): 293–303. http://dx.doi.org/10.47861/jkpu-nalanda.v2i1.904.

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Ikatan Cinta became one of the most influential soap operas with very high ratings. The soap opera Ikatan Cinta raises the story of romance, family, and social issues that occur in society. This soap opera has an influence that is considered quite large in society, especially in the teenage community. This study aims to determine the effect of the soap opera Ikatan Cinta on Teenage Behavior (Survey on Teenagers of RT 008 RW 012 Kedaung, Pamulang, South Tangerang). This research uses quantitative method by conducting a survey on 50 teenagers in RT 008 RW 012 Kedaung, Pamulang, South Tangerang.

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Brown, William, Steven Kiruswa, Steven Kiruswa,, and Benson P. Fraser Benson P. Fraser. "Promoting HIV/AIDS Prevention through Soap Operas." Communicare: Journal for Communication Studies in Africa 22, no. 2 (2022): 90–111. http://dx.doi.org/10.36615/jcsa.v22i2.1810.

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In the past three decades television soap operas have been used as a means of healtheducation and persuasion. In recent years, the proliferation of entertainment televisionworldwide has made the soap opera a powerful source of educational and social messages.One of the most critical global health issues of today is the need to reduce HIV/AIDSinfection, particularly on the continent of Africa. In the 1990s, the country of Tanzaniabroadcast a highly effective radio soap opera to promote HIV/AIDS prevention. In 2000,Tanzania again employed the use of the soap opera to address HIV/AIDS as well as

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Kahin, Brian, Muriel G. Cantor, Suzanne Pingree, and Robert P. Snow. "The Soap Opera." Social Forces 64, no. 1 (1985): 224. http://dx.doi.org/10.2307/2578991.

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Palma Fahey, María. "Understanding idioms and idiomatic expressions in context: a look at idioms found in an Irish soap opera." TEANGA, the Journal of the Irish Association for Applied Linguistics 22 (July 17, 2019): 84–104. http://dx.doi.org/10.35903/teanga.v22i0.154.

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This paper looks at idioms drawn from a corpus of soap opera and compares their communicative functions to those performed by idioms in corpora of naturally-occurring conversation. In this study soap opera data is validated as a suitable tool for demonstrating the role that idioms play in spoken interaction. Soap operas, as well as other media genres, try to convey a believable linguistic world, exploiting idioms and providing contexts in which the pragmatic functions of idioms can be understood and analysed. This paper suggests that the analysis of idioms found in soap opera can contribute to

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Qanitah Salma, Rini Sartika, and Putri Handayani. "Analisis Interaksi Dan Respon Penonton Di Media Sosial Terhadap Sinetron “Asmara Gen Z” Dengan Menggunakan Teori Uses And Gratification." Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya 2, no. 1 (2025): 205–12. https://doi.org/10.62383/filosofi.v2i1.513.

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This study aims to analyze the interaction and response of viewers on social media to the soap opera Asmara Gen Z using the Uses and Gratification theory. The research method used is a qualitative approach with interaction and response analysis, as well as in-depth interviews with active viewers. The results of the study indicate that the main motivation of viewers in watching the soap opera Asmara Gen Z is because of the presence of young actors and actresses who are relatable to their lives, an interesting and diverse storyline, and a hit soundtrack. This soap opera also succeeded in buildin

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Gorton, Kristyn. "‘Storytelling is storytelling’: Resilience, gender and screenwriting in Fair City." Journal of Popular Television 10, no. 2 (2022): 139–53. http://dx.doi.org/10.1386/jptv_00075_1.

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This article explores the resilience of soap screenwriters and the resilient characters they create in soap opera through interviews with screenwriters on the Dublin-based soap opera Fair City (1989‐present). The article also draws on an interview with Brigie de Courcy, executive producer of Fair City, to highlight the effects of the coronavirus pandemic on soap operas. The interview reveals inherent characteristics of the soap genre, including the habitual viewing of its audience and the ways in which the soap narrative relies on the physical proximity of its actors. The interview also reflec

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Nazaruddin, Muzayin. "Representing Islam: old myths in the new medium." Asian Journal of Media and Communication 2, no. 2 (2019): 19–27. http://dx.doi.org/10.20885/asjmc.vol2.iss2.art4.

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This study focuses on the adaptation of Islamic-mystic magazines into religious soap operas in Indonesia. This study concludes that for the producers, Islamic soap opera plays an economic function: to get more audiences and more economic profit. But, for the audience, religious soap opera plays a cultural function: to maintain and reconfirm their traditional beliefs. It leads us to the theoretical conclusion that this adaptation practice is a mechanism of self-translation of Javanese culture.

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Tager, Michele. "Soap opera viewing in a communal context." Communicare: Journal for Communication Studies in Africa 23, no. 2 (2022): 1–20. http://dx.doi.org/10.36615/jcsa.v23i2.1757.

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This paper presents some of the findings of an ethnographic audience study of the soapopera viewing patterns and interpretations of Zulu-speaking students living in residencesat a South African university (Natal University’s Durban campus) who watch The Boldand the Beautiful (an American soap opera) and Generations (a South African soapopera). Although the research undertaken covered various aspects of the soap operaviewing experience and the consumption of an international vs a local soap opera, thispaper will focus specifically on the nature of the viewing process and the ways in whichthe re

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Qhamarullah, Ariefuddin, Asep Gunawan, and Noneng Siti Rosidah. "Analisis Pesan Dakwah Yang Terkandung Dalam Sinetron Pera Pencari Tuhan Jilid 14." KOLONI 2, no. 3 (2023): 180–93. https://doi.org/10.31004/koloni.v2i3.529.

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Sinetron (Indonesian Soap opera) are a medium that functions to convey messages in audio-visual form. As an information medium, sinetron (Indonesian soap operas) can be said to be the most effective medium in conveying messages containing da'wah to the public. One of the Sinetron (Indonesian Soap opera) that can convey messages containing da'wah is the sinetron (Indonesian soap opera) "Para Pencari God Volume 14" which not only provides education but also preaching messages to its viewers. The interesting thing about this sinetron (Indonesian Soap opera) is that it dares to raise issues that a

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Longhurst, Brian. "Realism, Naturalism and Television Soap Opera." Theory, Culture & Society 4, no. 4 (1987): 633–49. http://dx.doi.org/10.1177/026327687004004004.

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This paper argues that the concept of soap-opera realism, as developed in some of the recent critical writing on soap opera, is central to the understanding of this form of television drama. However, in its present form, this concept is insufficiently nuanced. In developing the concept, the work of Raymond Williams is drawn upon to delineate three sub-types of soap-opera realism: soap-opera realism in the subjunctive mode, soap-opera realism in the indicative mode, and soap-opera naturalism. The latter is then discussed in detail with particular attention being paid to Coronation Street. In th

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Saputra, Muhammad Rangga, Suryati Suryati, and Anang Walian. "Analisis Pesan Moral Pada Sinetron Cinta Setelah Cinta." JKOMDIS : Jurnal Ilmu Komunikasi Dan Media Sosial 3, no. 2 (2023): 444–57. http://dx.doi.org/10.47233/jkomdis.v3i2.704.

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This thesis is entitled "Analysis of Moral Messages in the Soap Opera Cinta After Cinta" in the current technological era, television is no stranger to society, television functions as a medium and means of information and entertainment and one of them is soap operas. In general, soap operas depict stories of everyday life for the community. There is a moral message contained in films/shows. Morals are good and bad teachings that apply to society. The purpose of this study is to find out what moral messages are contained in the soap opera Cinta After Cinta. This study uses Charles Sanders Peir

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MacDonald, R. "BMJ launches soap opera." BMJ 325, no. 7373 (2002): 1131a—1131. http://dx.doi.org/10.1136/bmj.325.7373.1131/a.

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Bosch, J. V. "Reality Versus Soap Opera." Gerontologist 53, no. 4 (2013): 701–2. http://dx.doi.org/10.1093/geront/gnt062.

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Blazey, David. "Riverscross: a soap opera." A Life in the Day 13, no. 3 (2009): 21–24. http://dx.doi.org/10.1108/13666282200900027.

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Palmer, Jerry. "Women and Soap Opera." Theory, Culture & Society 9, no. 3 (1992): 125–38. http://dx.doi.org/10.1177/026327692009003007.

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Rabinovitz, L. "Soap opera bridal fantasies." Screen 33, no. 3 (1992): 274–83. http://dx.doi.org/10.1093/screen/33.3.274.

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Levine, Elana. "Melodrama and Soap Opera." Feminist Media Histories 4, no. 2 (2018): 117–22. http://dx.doi.org/10.1525/fmh.2018.4.2.117.

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Rouse, Robert W. "The soap opera continues." Journal of Corporate Accounting & Finance 22, no. 6 (2011): 101–4. http://dx.doi.org/10.1002/jcaf.20730.

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Yazofa, Tartila. "Riset Hadis Berbasis Multimedia." SHAHIH (Jurnal Kewahyuan Islam) 6, no. 1 (2023): 115. http://dx.doi.org/10.51900/shh.v6i1.19373.

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<p>This research discusses multimedia-based hadith research in the reception study of living hadith studies in the form of film media. Muslim individuals in the current era are increasingly exploring religious teachings through social media, especially on YouTube. This phenomenon makes contemporary Muslim scholars convey religious teachings more in the form of video lectures and even package them more interestingly in the form of films that contain Islamic teaching values. Mapping multimedia-based hadith research, one of which focuses on the soap opera "Taqdir Divine Test from Allah" whi

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Herieningsih, Sri Widowati, and Tandiyo Pradekso. "Soap-opera, Parental Mediation, Perceived Reality and Antisocial Behavior." E3S Web of Conferences 73 (2018): 14008. http://dx.doi.org/10.1051/e3sconf/20187314008.

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Many attentions have been spotted to the potential drive and effect of television on anti-social behavior. The main argument lies on the frequent repetition of intense violent showed by television soap opera. Previous studies showed that children with heavy viewing habit of violent soap-operas were tend to imitate anti-social behavior. Children were considered to have limited skill to differentiate facts and fictions from television content, and this is where parental mediation (restrictive, active, or viewing) should take place to moderate the impact of television violence. The research was i

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Haqqi, Daffaul. "Pesan Akhlak dalam Sinetron para Pencari Tuhan Jilid 15 (Analisis Semiotika Roland Barthes)." Al-Balagh : Jurnal Komunikasi Islam 8, no. 1 (2024): 36. https://doi.org/10.37064/ab.jki.v8i1.21464.

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This research aims to analyze the moral message in the soap opera "Para Pencari God Volume 15" using Roland Barthes' semiotic approach. This research is content analysis research using a qualitative approach. The researcher used C=coding, in this case the subjects and objects in this research are called the population, therefore the researcher then looked for scenes or scenes that contained moral messages in the soap opera. The researcher's data collection technique used documentation and observation. The results of this research provide an in-depth understanding of how soap operas such as "Pa

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Hidayatullah, Panakajaya. "Madurese Soap Opera: An Industry and Madurese Culture Migration of Situbondo People." Harmonia: Journal of Arts Research and Education 19, no. 1 (2019): 84–97. http://dx.doi.org/10.15294/harmonia.v19i1.14951.

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The purpose of this study is to describe a variety of research problems, including the industrialization of Madurese soap opera and the Madurese cultural migration of the Situbondo community. The results showed that Madurese soap opera is a product of cultural industrialization that is produced based on the logic of mass cultures. Such as standardization, commodification, and massification. Standardization is seen from the use of local artists, Madurese dangdut music, as well as local narratives built through local phenomena in Situbondo. Cultural commodification can be seen from the changing

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Berthniastuti Matau, Jubaidah, and M. Abdul Ghofur. "Bentuk Kekerasan Pada Sinetron Anak Langit." Jurnal Komunikasi Nusantara 1, no. 1 (2019): 47–53. http://dx.doi.org/10.33366/jkn.v1i1.14.

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Anak Langit soap opera is a soap opera broadcast by sctv stations produced by sinemart. The program is very popular with the audience, especially among teenagers who are still sitting on the school bench. This soap opera shows many events that are not educational to the audience such as scenes of violent acts in the form of brawls, reckless wild races on the highway and scenes of love outside the boundaries as school children. The focus of the problem that will be examined is the meaning of icons, indexes and symbols, and also forms of violence in the soap opera shows. In this study using qual

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Danielsson, Jonas, and Marianne Liliequist. "Ungdomars bruk av såpopera och skräckfilm." Kulturella Perspektiv – Svensk etnologisk tidskrift 9, no. 2 (2000): 13–16. http://dx.doi.org/10.54807/kp.v9.31441.

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This project is about cultural images of femininity and masculinity in soap opera and horror movies. For many youths today these genres constitute an important part of the material used in their identity work. Despite the fact that soap opera is associated with femininity and horror movies with masculinity, there is an increasing number of young men watching soaps and many young women are horror cineastes. These youths have an ironic attitude towards traditional perspectives on gender.

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Collins Wagumba and Dr Kamau Mwangi. "Re-Visiting TV Soap Opera Viewership in a Changing Broadcasting Dispensation in Nairobi." Kabarak Journal of Research & Innovation 11, no. 3 (2021): 221–28. http://dx.doi.org/10.58216/kjri.v11i3.73.

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This study rekindles the soap opera audience viewing debate in a digital broadcast environment within the Kenyan television programming context. In a mixed-method approach,415 participants were interviewed on their preferences of 21 regularly scheduled soap operas in 5 leading Free to air TV stations in Kenya, In addition, 57 participants were purposively identified for FGDs. The study employed the uses and gratification framework. The findings are that even with a new broadcast dispensation and a myriad of programming, the selection and viewing of soap operas are still paramount. The viewers

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Septi Apriliani, Lazarus Linarto, Paul Diman, Alifiah Nurachmana, and Patrisia Cuesdeyeni. "Feminisme Peran Tokoh Perempuan dalam Sinetron Jangan Bercerai Bunda Disutradarai oleh Amin Ishaq dan Implikasinya pada Pembelajaran Cerpen di SMA." PROSIDING SEMINAR NASIONAL PENDIDIKAN, BAHASA, SASTRA, SENI, DAN BUDAYA 3, no. 1 (2024): 137–47. https://doi.org/10.55606/mateandrau.v3i1.1975.

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The purpose of this study was to obtain an overview of the role of women in the soap opera Don't Divorce Mother directed by Amin Ishaq. The specific objectives of this study are: (1) describe the role of women as wives who accompany their husbands in the soap opera Don't Divorce Mother, (2) describe the role of women as mothers educators and coaches for their children in the soap opera Don't Divorce Mother, (3) describe the role of women as members of society in the soap opera Don't Divorce Mother, and (4) the implications for learning short stories in high school. The approach used in this st

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Siti, Sholihati, Heddy Shri Ahimsa, and Heru Nugroho. "THE USES OF RELIGIOUSS SYMBOLS TO REPRESENT ISLAM (A Study on Religious Soap Opera "Bukan Islam KTP")." Analisa 1, no. 1 (2016): 91. http://dx.doi.org/10.18784/analisa.v1i1.242.

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<p>This study is entitled THE USES OF RELIGIOUS SYMBOL TO REPRESENT ISLAM (A Study on Religious Soap Opera Bukan Islam KTP).<strong> </strong>The background of the research is based on the facts of the arbitrary use of symbols to represent Islam shown on Indonesian televisions. The pattern of the use of religious symbols, either verbal or non-verbal symbols are generally explicit, but when examined using appropriate methods, they are actually contained some implicit meanings. The purpose of this study was to discover about how Islam is represented on television religious soap

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Ashifa, Dr K. M., and -. "Addictive Behaviour among Women Viewers of Indian Soap Opera." Webology 18, Special Issue 03 (2021): 127–36. http://dx.doi.org/10.14704/web/v18si03/web18030.

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Media is an integral part of society and it plays vital role for inculcating information. In the course of accomplishing its duties and functions, media, especially television influence on society relatively depending on the audience it reaches. Soaps have a predominant female audience. Some soaps do include men viewers but some social researchers pointed, women are considering most peculiar viewers. They are emotionally attached and value particular soaps in their personal and domestic life. Today people are leading a fast life. People should have some kind of recreation in their get relation

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Van der Merwe, Nadia. "Isidingo as entertainment-education." Communicare: Journal for Communication Studies in Africa 24, no. 2 (2022): 47–65. http://dx.doi.org/10.36615/jcsa.v24i2.1775.

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In developing countries, the popular media can be used effectively to address socialproblems (Vaughan, Rogers, Singhal & Swalehe, 2000:82). In recent decades, variousdevelopmental, educational and other socially useful messages have often been includedin the content of soap operas (Mody, 1991).The producers of South African soap opera Isidingo are acutely aware of their socialresponsibility and therefore attempt to make a contribution towards social change andnation building. As such, Isidingo employs positive role models to transmit pro-socialmessages to its viewers. This paper will repor

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Liliequist, Marianne. "Såpoperan och dess brukare." Kulturella Perspektiv – Svensk etnologisk tidskrift 3, no. 4 (1994): 19–32. http://dx.doi.org/10.54807/kp.v3.32164.

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To many women the soap-opera constitutes an important part of the material used in their identity work. The concentration of the soap-opera on the private sphere and relationships make it highly appreciated amongst the experts on the labour of relations, the women. The author has followed several women's soap-opera watching for a considerable time. In conversations with these women, certain topics have crystallized, themes which deal with women's living conditions and visions today. The author advocates a research perspective where an ideology-critical attitude toward the offering of TV series

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Azwar, Azwar, Hreeloita Dharma Shanti, and Kintan Arumdhani. "DAMPAK SINETRON INDONESIA TERHADAP PERILAKU MASYARAKAT." JOURNAL OF DIGITAL EDUCATION, COMMUNICATION, AND ARTS (DECA) 2, no. 02 (2019): 89–98. http://dx.doi.org/10.30871/deca.v2i02.1524.

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This study aims to reveal how people's behavior after watching the soap opera Anak Langit and what are the factors that cause people's behavior to change after watching the soap opera Anak Langit. In addition, this study will also look at how violations that occur in Anak Langit soap operas are based on broadcasting regulations in Indonesia. This research will explore the existing problems using Cultivation Theory where this theory assumes that television exposure impacts on the community. This theory is based on Gerbner's thought which conveys that the continued exposure of the media will giv

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Novia, Jessica, and Ahmad Junaidi. "KOMNAS PEREMPUAN’S CAMPAIGN AGAINST CHILD MARRIAGE (A CASE STUDY OF ZAHRA’S SOAP OPERA IN SUARA HATI ISTRI)." International Journal of Application on Social Science and Humanities 1, no. 1 (2023): 267–74. http://dx.doi.org/10.24912/ijassh.v1i1.25963.

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Child marriages that occur to minors are still rampant in Indonesia. According to Komnas Perempuan's CATAHU 2020, the 2020 child marriage dispensation figure has tripled compared to last year, from 23,126 to 64,211 is a worrying matter that needs serious attention. [1] In today's era, humans can be said to place entertainment media as a primary need. One of the entertainment media that attracts many viewers is Sinetron (Electronic Cinema). Recently, the Indosiar television channel received a warning from the Indonesian Broadcasting Commission (KPI) for one of the soap operas being broadcast, n

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Rozaq, Abd, Tri Adi Setiawan, Arif Rahman Hakim, and Ferry Yanto. "Peningkatan Pemahaman Siswa Pada Mapel Akidah Akhlak Melalui Tayangan Sinetron Islam KTP." Irsyaduna: Jurnal Studi Kemahasiswaaan 4, no. 3 (2024): 365–79. https://doi.org/10.54437/irsyaduna.v4i3.1827.

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The subject of Aqidah Akhlak plays an important role in shaping students' character and noble morals. However, the material of Aqidah Akhlak is often considered less engaging and difficult for students to understand. Therefore, innovation in teaching methods is needed to address these issues. The Islamic soap opera Islam KTP episode 01, with a storyline close to the daily lives of teenagers, is seen as an effective alternative media for learning. This research is relevant because the soap opera presents the values of Aqidah and Akhlak creatively and entertainingly. This study uses a qualitativ

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Chubin, Daryl E. "A Soap Opera for Science." BioScience 37, no. 4 (1987): 259–61. http://dx.doi.org/10.2307/1310588.

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Meijer, Irene Costera. "The colour of soap opera." European Journal of Cultural Studies 4, no. 2 (2001): 207–30. http://dx.doi.org/10.1177/136754940100400205.

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Richards, G. "More opera than soap [automobile]." Engineering & Technology 4, no. 11 (2009): 38–41. http://dx.doi.org/10.1049/et.2009.1107.

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Boniface, Liz, and Guy Mac Ilroy. "Soap Opera: Fiction or Fantasy?" Critical Arts 8, no. 1-2 (1994): 66–76. http://dx.doi.org/10.1080/02560049485310071.

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Clarke, Michael. "Soap opera in the sky." Space Policy 4, no. 4 (1988): 353–54. http://dx.doi.org/10.1016/0265-9646(88)90014-8.

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Harrington, C. Lee. "Soap Opera, Then and Now." Sociology Compass 10, no. 2 (2016): 109–18. http://dx.doi.org/10.1111/soc4.12349.

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Kosińska-Krippner, Beata. "Mydlany świat. Brytyjska soap opera." Kwartalnik Filmowy, no. 52 (December 31, 2005): 114–41. https://doi.org/10.36744/kf.3529.

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Szkic o historii brytyjskiej opery mydlanej, ukazujący dzieje pięciu najważniejszych brytyjskich seriali z tego gatunku: Coronation Street, EastEnders, Crossroads, Emmerdale i Brookside oraz wskazujący najważniejsze cechy charakterystyczne brytyjskiej opery mydlanej wyróżniające ją na tle seriali amerykańskich i australijskich, a także pokazujący kilka aspektów recepcji w Wielkiej Brytanii rodzimych oper mydlanych. Autorka przybliża stan brytyjskich badań w zakresie opery mydlanej, zwłaszcza najnowsze ustalenia Dorothy Hobson - jednej z głównych brytyjskich komentatorek opery mydlanej, która o

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Wallack, Lawrence, Warren Breed, and James R. De Foe. "Alcohol and Soap Operas: Drinking in the Light of Day." Journal of Drug Education 15, no. 4 (1985): 365–79. http://dx.doi.org/10.2190/2l1t-5fq5-20v7-2yd6.

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Television programming serves as an important source of information about health in general and alcohol issues in particular. This article reports on a study of drinking portrayals on the day time soap opera, “All My Children.” Major drinking themes over the past four and one-half years are reviewed. In addition, a study of thirty consecutive episodes in summer 1984 is reported and findings are compared to other research on soap opera drinking. Overall, “All My Children” was found to be doing a good job of accurately portraying drinking problems. Several good role models for social drinking an

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