Relevant bibliographies by topics / Soap operas in fiction

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Academic literature on the topic 'Soap operas in fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Soap operas in fiction"

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Kosińska-Krippner, Beata. "Between Fact and Fiction: Documentary Telenovela, or Docusoap Polish Style." Kwartalnik Filmowy, Special Issue (December 31, 2013): 169–88. http://dx.doi.org/10.36744/kf.1900.

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The article deals with documentary soap operas, or the Polish version of docusoaps. This is a television genre that is a hybrid of observational documentary and elements typical of soap operas. In the introduction the author presents up to date research on docusoaps: she defines, following Margaret Lünenborg, the conditions that had to be met, in order for the genre to come into the existence, and she shows the circumstances in which it first appeared. She refers to the work of Richard Kilborn in order to present characteristic features of docusoap, and she uses the staging strategies for real
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Alarcon-Llontop, Luis-Rolando, Evelyn Noelia Sotomayor Martínez, Sindy Pasapera-Ramírez, Karl Torres-Mirez, and Francisco Javier Barquero Cornelio. "Feminine Expectations from a Gender Perspective in Peruvian Television Fiction." Academic Journal of Interdisciplinary Studies 13, no. 5 (2024): 287. http://dx.doi.org/10.36941/ajis-2024-0165.

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The study addresses the view of women leaders of Peruvian civil society organizations (CSOs) on the representations of women in series/soap operas broadcast by national free-to-air television. From the naturalistic paradigm and a qualitative approach, following a phenomenological and grounded theory design, it covered three pre-categories: the concept of gender, gender relations, and gender system. Focus groups were used to talk to 39 women community leaders, educators, and cultural leaders in two Peruvian cities. It is concluded that they perceive in the series/ soap operas of national televi
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Boniface, Liz, and Guy Mac Ilroy. "Soap Opera: Fiction or Fantasy?" Critical Arts 8, no. 1-2 (1994): 66–76. http://dx.doi.org/10.1080/02560049485310071.

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Herieningsih, Sri Widowati, and Tandiyo Pradekso. "Soap-opera, Parental Mediation, Perceived Reality and Antisocial Behavior." E3S Web of Conferences 73 (2018): 14008. http://dx.doi.org/10.1051/e3sconf/20187314008.

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Many attentions have been spotted to the potential drive and effect of television on anti-social behavior. The main argument lies on the frequent repetition of intense violent showed by television soap opera. Previous studies showed that children with heavy viewing habit of violent soap-operas were tend to imitate anti-social behavior. Children were considered to have limited skill to differentiate facts and fictions from television content, and this is where parental mediation (restrictive, active, or viewing) should take place to moderate the impact of television violence. The research was i
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Jucker, Andreas H. "Features of orality in the language of fiction: A corpus-based investigation." Language and Literature: International Journal of Stylistics 30, no. 4 (2021): 341–60. http://dx.doi.org/10.1177/09639470211047751.

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This paper explores the pervasiveness of features of orality in the language of performed fiction. Features of orality are typical of spontaneous spoken conversations where they are the result of the ongoing planning process and the interaction between the interlocutors, but they also occur in the context of performed fiction (movies and plays) and in narrative fiction (e.g. novels). In these contexts, they are not the result of the spontaneous planning process but are generally produced to imitate such processes. In this paper, I explore a small range of such features (contractions, interject
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Rodríguez Ortiz, Raúl. "Las tres etapas del radioteatro en Chile: de la época dorada al nuevo auge de las series de ficción." INDEX COMUNICACION 9, no. 2 (2019): 55–73. http://dx.doi.org/10.33732/ixc/09/02lastre.

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Following the growth, since 2016, of new fiction and non-fiction sound series in a large part of Ibero America, thanks to podcast and radio on demand, the task of analyzing the history of radio theater as a genre in Chile, from its roots and sociocultural importance to the new ways of producing and thinking about the genre in the 21st century is conducted. On the basis of documentary information, consisting of press archives, audios of radio theater scripts and the few studies on radio and radio theater, three stages can be elucidated: the golden age (1940-1970); the rebirth of radio theater (
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Geraghty, Christine. "Women's Fiction Still? The Study of Soap Opera in Television Studies." Critical Studies in Television: The International Journal of Television Studies 1, no. 1 (2006): 129–34. http://dx.doi.org/10.7227/cst.1.1.17.

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Margineanu, Virgiliu. "The documentary film – means of education of the young generation." Studiul artelor şi culturologie: istorie, teorie, practică, no. 2(43) (April 2023): 106–14. http://dx.doi.org/10.55383/amtap.2022.2.19.

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Every time you watch a soap opera, a documentary dies,” says a character in the Italian comedy “Tuttelovogliono” (2015). The context in which this character makes the statement highlights the educational role of documentaries, compared to the first genre of film production. But first of all, what is a documentary? The special nature of this kind of film in general, as well as the use of photographic images and sound recordings in particular, have proven difficult to conceptualize by reference to the distinction fiction film/non-fiction film. There is also terminological confusion caused by dif
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Ferenc, Tomasz, and Bogusław Sułkowski. "Fotografia i telenowela — dwa przykłady konstruowania rzeczywistości." Kultura i Społeczeństwo 48, no. 4 (2004): 85–96. https://doi.org/10.35757/kis.2004.48.4.4.

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The article discusses the application of Gadamer’s concept of indistinctiveness to the photography and soap-opera. It may be quite astonishing that the same perceptual mechanism connects photography and soap-opera. We can say that this is the veristic attitude. Receivers of both media have serious problems distinguishing between performance or photographical image and the real live, between fiction and documentary. Nowadays, digital techniques of simulations allow us to create virtual reality and present it in the mass media. But it seems to be a very different case from indistinctiveness betw
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Sanchez, Louie Jon. "Koreanovelas, Teleseryes, and the “Diasporization” of the Filipino/the Philippines." Plaridel 11, no. 1 (2014): 66–85. http://dx.doi.org/10.52518/2014.11.1-04snchz.

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In a previous paper, the author had begun discoursing on the process of acculturating Korean/Hallyu soap opera aesthetics in television productions such as Only You (Quintos, 2009), Lovers in Paris (Reyes, 2009), and Kahit Isang Saglit (Perez & Sineneng, 2008). This paper attempts to expand the discussions of his “critico-personal” essay by situating the discussions in what he described as the “diasporization” of the Filipino, and the Philippines, as constructed in recent soap operas namely Princess and I (Lumibao, Pasion, 2012) A Beautiful Affair (Flores, Pobocan, 2012), and Kailangan Ko’
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Dissertations / Theses on the topic "Soap operas in fiction"

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Chirico, Antonietta. "Un posto al sole. La produzione di una longeva soap opera italiana." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021. http://amslaurea.unibo.it/24504/.

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La presente tesi di laurea magistrale ha analizzato nel dettaglio gli aspetti produttivi sottostanti alla realizzazione della fiction più longeva della televisione italiana: Un Posto al Sole (1996-in corso). Il lavoro è stato diviso in tre capitoli, il primo dei quali ha riguardato le prime trasmissioni radiofoniche e televisive che hanno sviluppato il genere soap opera, descrivendone poi la storia e le caratteristiche. Il secondo capitolo è stato dedicato alle soap opera di produzione italiana, con la loro distribuzione e la loro evoluzione, per introdurre correttamente l’ultima parte, cioè
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Svendsen, Mark. "Tears of Glass A fin de siecle soap opera in three acts or a musical idea in process." Queensland University of Technology, 2003. http://eprints.qut.edu.au/15818/.

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This work takes as its central "conceit" a specific cultural site, namely a small town choir-- The Emu Park and District Amateur Choral Society Inc., which operates in Central Queensland, circa 1965. A discontinuous narrative of interconnected short stories of one chapter each, highlight significant and often highly traumatic aspects of the interconnected lives of selected choir members. The narrative lampoons the English choral tradition against the setting of a society which does not deal with the political and social negativities of Queensland in the sixties. It is a culture in denial. T
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Cotte, Suzanne. "Léone Vigneault, ou, La construction d'un personnage téléromanesque." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq25540.pdf.

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Souza, José Glaydson Pereira de. "Blogs de personagens de telenovelas: convergências entre o real e o ficcional." Universidade Federal da Paraíba, 2014. http://tede.biblioteca.ufpb.br:8080/handle/tede/7910.

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Submitted by Clebson Anjos (clebson.leandro54@gmail.com) on 2016-02-22T17:53:37Z No. of bitstreams: 1 arquivototal.pdf: 3790722 bytes, checksum: 4beb3e4081730b4c31761e01e440ff53 (MD5)<br>Made available in DSpace on 2016-02-22T17:53:37Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 3790722 bytes, checksum: 4beb3e4081730b4c31761e01e440ff53 (MD5) Previous issue date: 2014-08-27<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The convergence culture has led to significant changes in the forms of production and consumption of fictional narratives. In this context, the bl
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Barbosa, Luciene Cecilia. "As representações das relações raciais na telenovela brasileira - Brasil e Angola: caminhos que cruzam pelas narrativas da ficção." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27154/tde-19092011-102810/.

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Esta pesquisa tem como objetivo analisar a representação das representações das relações raciais na telenovela brasileira. As tramas selecionadas para a realização deste estudo são: \"Da Cor do Pecado\", \"A lua me disse\" e \"Páginas da Vida\", todas exibidas pela Rede Globo de Televisão. Por meio de alguns recursos dos estudos de recepção, analisamos os diálogos das personagens envolvidas nos conflitos raciais, e a leitura desses diálogos realizada pelos estudantes universitários entrevistados no Brasil e em Angola.<br>This research has the intention to analyze the reception of racial relati
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Marx, Hannelie. "Narrative and soap opera a study of selected South African soap operas /." Diss., Connect to this title online, 2007. http://upetd.up.ac.za/thesis/available/etd-05192008-162153/.

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Brown, L. R. "Woman and telenovelas (soap operas) in northeast Brazil." Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.597019.

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In this dissertation I look at the consumption of one of the most popular forms of entertainment in Latin America: the <i>telenovela. </i>My research is based in Brazil, which has the most successful and most profitable <i>telenovela</i> industry in Latin America. Current research into <i>telenovelas </i>has reached an impasse. It either posits the <i>telenovela </i>as an ideological tool to brainwash the masses, or as a symbolic site at which 'culturally competent' agents negotiate with the text and are involved in the construction of meaning and culture. I argue that this impasse is the resu
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Wilde, Alison. "Disability fictions : the production of gendered impairments and disability in soap opera discourses." Thesis, University of Leeds, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.410968.

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Humberstone, Nicola. "Older people, sexualities and soap operas : representations of lesbian, gay, bisexual sexualities and transgender identity in television soap operas, and older audiences' responses." Thesis, Middlesex University, 2010. http://eprints.mdx.ac.uk/6517/.

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The thesis investigates the responses of older audiences to representations of lesbian, gay, and bisexual sexualities and transgender identities in British prime time television soap operas between1986 and 2002. It combines cultural research, in relation to theories of soap opera and audience engagement and social research into the responses and views of older audiences to such representations and the life experiences of the participants which inform their views. The thesis recognises that the voices of older people are underrepresented in socio-cultural research, especially when investigating
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La, Pastina Antonio Carmino. "The telenovela way of knowledge : an ethnographic reception study among rural viewers in Brazil /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Books on the topic "Soap operas in fiction"

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Mattelart, Michèle. Le carnaval des images: La fiction brésilienne. Institut national de la communication audiovisuelle, 1987.

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Aalborg, Denise Dietz. Soap bubbles. Five Star, 2010.

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Aalborg, Denise Dietz. Soap bubbles. Five Star, 2010.

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Gross, Joel. The youngman who wrote soap operas. Piatkus, 1986.

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Kaye, Marvin. The soap opera slaughters. Wildside, 1999.

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Malin, Libby. My Own Personal Soap Opera. Sourcebooks, Inc., 2010.

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Malin, Libby. My own personal soap opera: Looking for reality in all the wrong places--. Sourcebooks Landmark, 2010.

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Stone, Sharon. All the bold days of my restless life. Alyson Books, 2005.

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Malin, Libby. My own personal soap opera: Looking for reality in all the wrong places--. Sourcebooks Landmark, 2010.

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Rowell, Victoria. Secrets of a soap opera diva: A novel. Atria Books, 2010.

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Book chapters on the topic "Soap operas in fiction"

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Modleski, Tania. "The search for tomorrow in today's soap operas." In Popular Fiction. Routledge, 2023. http://dx.doi.org/10.4324/9781003391258-18.

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Rowe, John Carlos. "From Melodrama to Soap Opera." In Our Henry James in Fiction, Film, and Popular Culture. Routledge, 2022. http://dx.doi.org/10.4324/9781003297987-5.

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Robison, William B. "Henry VIII in The Tudors: Romantic Renaissance Warrior or Soap Opera Playboy?" In History, Fiction, and The Tudors. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-43883-6_2.

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Matelski, Marilyn J. "Soap Operas." In Daytime Television Programming. Routledge, 2023. http://dx.doi.org/10.4324/9781032621890-4.

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Stevenson, David. "Stellar Soap Operas." In The Complex Lives of Star Clusters. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-14234-0_6.

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Hobson, Dorothy. "Soap operas at work." In Remote Control. Routledge, 2013. http://dx.doi.org/10.4324/9780203768976-9.

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Kerst, Sandra. "Einleitung." In Soap Operas im Englischunterricht. Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-658-02376-8_1.

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Kerst, Sandra. "Englischunterricht modern gestalten." In Soap Operas im Englischunterricht. Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-658-02376-8_2.

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Kerst, Sandra. "Die Soap Opera als Genre und Methode im Englischunterricht." In Soap Operas im Englischunterricht. Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-658-02376-8_3.

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Kerst, Sandra. "Die Soap Opera im Englischunterricht – Praxisbeispiele." In Soap Operas im Englischunterricht. Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-658-02376-8_4.

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Conference papers on the topic "Soap operas in fiction"

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Helmsing, Mark. "Learning the Cultural Curriculum of Soap Operas as Lessons in Intimate Citizenship." In 2022 AERA Annual Meeting. AERA, 2022. http://dx.doi.org/10.3102/1894176.

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Duarte, Madileide de Oliveira. "The third bank of the river and interfaces between short stories, theater and soap operas." In VI Seven International Multidisciplinary Congress. Seven Congress, 2024. http://dx.doi.org/10.56238/sevenvimulti2024-017.

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The aim of this research was to present possible interfaces between the short story A Terceira Margem do Rio by João Guimarães Rosa; the play Terceira Margem , directed and performed by Carlos Lagoeiro; and the soap opera Pantanal , a 1990 version, written by Benedito Ruy Barbosa, directed by Jayme Monjardim, Carlos Magalhães, Marcelo de Barreto and Roberto Naar. The methodology was based on the comparison of existing literature, both bibliographic and digital, combined with my qualitative interpretation, through interfaces, in the intersemiotic field. Main results: 1) narrative adaptation, be
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Ileš, Tatjana, and Tomislav Marijanović. "THE POWER OF TELEVISION SPECTACLE: FEMINISM AND POPULAR TELEVISION." In European realities - Power : 5th International Scientific Conference. Academy of Arts and Culture in Osijek, J. J. Strossmayer University of Osijek, 2023. http://dx.doi.org/10.59014/xuza6596.

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Popular television is perhaps the most important tool for the production and promotion of popular culture content. It is a strong place of resistance and a space for various cultural struggles, including the feminist struggle that we observe through a number of genres and characters that resist established definitions of femininity and typical female characters. Products of popular culture, such as television soap operas, and lately a number of other genres, especially those that put female characters in the role of heroines, have enabled the development of a diverse spectre of female characte
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Reports on the topic "Soap operas in fiction"

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Gulesci, Selim, María Lombardi, and Alejandra Ramos. Telenovelas and Attitudes toward the LGBTIQ Community in Latin America. Inter-American Development Bank, 2023. http://dx.doi.org/10.18235/0004719.

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How does exposure to soap operas with LGBTIQ characters affect attitudes toward the LGBTIQ community? To answer this question, we construct a novel database of 175 telenovelas (soap operas) with LGBTIQ characters airing in 14 countries in Latin America and the Caribbean between 2002 and 2019. Exploiting variation in the introduction of new soap operas with LGBTIQ characters within country and survey-waves, we find that individuals exposed to more soap operas with LGBTIQ characters are less tolerant toward the LGBTIQ community. This short-term backlash is driven by exposure to telenovelas with
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Chong, Alberto E., Eliana La Ferrara, and Suzanne Duryea. Soap Operas and Fertility: Evidence from Brazil. Inter-American Development Bank, 2008. http://dx.doi.org/10.18235/0010891.

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This paper focuses on fertility choices in Brazil, a country where soap operas (novelas) portray families that are much smaller than in reality, to study the effects of television on individual behavior. Using Census data for the period 1970-1991, the paper finds that women living in areas covered by the Globo signal have significantly lower fertility. The effect is strongest for women of lower socioeconomic status and for women in the central and late phases of their fertility cycle. Finally, the paper provides evidence that novelas, rather than television in general, affected individual choi
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Nakasone, Eduardo. Soap Operas for Female Micro Entrepreneur Training. Inter-American Development Bank, 2014. http://dx.doi.org/10.18235/0011672.

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This paper analyzes the impact of the Strengthening Women Entrepreneurship in Peru (SWEP) program. SWEP trained female micro entrepreneurs in business management practices (such as accounting and marketing). The training, which was provided in 4- to 5-hour sessions, used soap operas and practical exercises specifically designed for the program. A field experiment was conducted among a group of micro entrepreneurs based in two Peruvian cities (Lima and Piura) to investigate whether SWEP had a positive impact on its beneficiaries. The results show that the program positively affected the adoptio
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