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Dissertations / Theses on the topic 'Soap operas in fiction'

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Published: 4 June 2021
Last updated: 27 July 2025

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1

Chirico, Antonietta. "Un posto al sole. La produzione di una longeva soap opera italiana." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021. http://amslaurea.unibo.it/24504/.

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La presente tesi di laurea magistrale ha analizzato nel dettaglio gli aspetti produttivi sottostanti alla realizzazione della fiction più longeva della televisione italiana: Un Posto al Sole (1996-in corso). Il lavoro è stato diviso in tre capitoli, il primo dei quali ha riguardato le prime trasmissioni radiofoniche e televisive che hanno sviluppato il genere soap opera, descrivendone poi la storia e le caratteristiche. Il secondo capitolo è stato dedicato alle soap opera di produzione italiana, con la loro distribuzione e la loro evoluzione, per introdurre correttamente l’ultima parte, cioè
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2

Svendsen, Mark. "Tears of Glass A fin de siecle soap opera in three acts or a musical idea in process." Queensland University of Technology, 2003. http://eprints.qut.edu.au/15818/.

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This work takes as its central "conceit" a specific cultural site, namely a small town choir-- The Emu Park and District Amateur Choral Society Inc., which operates in Central Queensland, circa 1965. A discontinuous narrative of interconnected short stories of one chapter each, highlight significant and often highly traumatic aspects of the interconnected lives of selected choir members. The narrative lampoons the English choral tradition against the setting of a society which does not deal with the political and social negativities of Queensland in the sixties. It is a culture in denial. T
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3

Cotte, Suzanne. "Léone Vigneault, ou, La construction d'un personnage téléromanesque." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq25540.pdf.

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4

Souza, José Glaydson Pereira de. "Blogs de personagens de telenovelas: convergências entre o real e o ficcional." Universidade Federal da Paraíba, 2014. http://tede.biblioteca.ufpb.br:8080/handle/tede/7910.

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Submitted by Clebson Anjos (clebson.leandro54@gmail.com) on 2016-02-22T17:53:37Z No. of bitstreams: 1 arquivototal.pdf: 3790722 bytes, checksum: 4beb3e4081730b4c31761e01e440ff53 (MD5)<br>Made available in DSpace on 2016-02-22T17:53:37Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 3790722 bytes, checksum: 4beb3e4081730b4c31761e01e440ff53 (MD5) Previous issue date: 2014-08-27<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The convergence culture has led to significant changes in the forms of production and consumption of fictional narratives. In this context, the bl
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5

Barbosa, Luciene Cecilia. "As representações das relações raciais na telenovela brasileira - Brasil e Angola: caminhos que cruzam pelas narrativas da ficção." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27154/tde-19092011-102810/.

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Esta pesquisa tem como objetivo analisar a representação das representações das relações raciais na telenovela brasileira. As tramas selecionadas para a realização deste estudo são: \"Da Cor do Pecado\", \"A lua me disse\" e \"Páginas da Vida\", todas exibidas pela Rede Globo de Televisão. Por meio de alguns recursos dos estudos de recepção, analisamos os diálogos das personagens envolvidas nos conflitos raciais, e a leitura desses diálogos realizada pelos estudantes universitários entrevistados no Brasil e em Angola.<br>This research has the intention to analyze the reception of racial relati
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6

Marx, Hannelie. "Narrative and soap opera a study of selected South African soap operas /." Diss., Connect to this title online, 2007. http://upetd.up.ac.za/thesis/available/etd-05192008-162153/.

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7

Brown, L. R. "Woman and telenovelas (soap operas) in northeast Brazil." Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.597019.

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In this dissertation I look at the consumption of one of the most popular forms of entertainment in Latin America: the <i>telenovela. </i>My research is based in Brazil, which has the most successful and most profitable <i>telenovela</i> industry in Latin America. Current research into <i>telenovelas </i>has reached an impasse. It either posits the <i>telenovela </i>as an ideological tool to brainwash the masses, or as a symbolic site at which 'culturally competent' agents negotiate with the text and are involved in the construction of meaning and culture. I argue that this impasse is the resu
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8

Wilde, Alison. "Disability fictions : the production of gendered impairments and disability in soap opera discourses." Thesis, University of Leeds, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.410968.

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9

Humberstone, Nicola. "Older people, sexualities and soap operas : representations of lesbian, gay, bisexual sexualities and transgender identity in television soap operas, and older audiences' responses." Thesis, Middlesex University, 2010. http://eprints.mdx.ac.uk/6517/.

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The thesis investigates the responses of older audiences to representations of lesbian, gay, and bisexual sexualities and transgender identities in British prime time television soap operas between1986 and 2002. It combines cultural research, in relation to theories of soap opera and audience engagement and social research into the responses and views of older audiences to such representations and the life experiences of the participants which inform their views. The thesis recognises that the voices of older people are underrepresented in socio-cultural research, especially when investigating
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10

La, Pastina Antonio Carmino. "The telenovela way of knowledge : an ethnographic reception study among rural viewers in Brazil /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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11

De, Montigny Michelle C. (Michelle Chantal). "Pleasure, popularity and the soap opera." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56928.

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This thesis uses the concept of pleasure as it has been applied to cultural artefacts in order to give a description of various characteristics of the soap opera genre. The concept of pleasure is applied to soap opera narrative, characters, visual style and viewing attitudes. Three soap operas, The Young and the Restless, General Hospital, and Another World, are described in detail according to these various types of pleasures. The Young and the Restless is a soap that relies largely on visual pleasures and melodrama. General Hospital's strongest pleasures are related to its character developm
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12

Adams, Sarah Jane. "Hell Hath No Fury like a Scorned Soap Fan: A Case Study of Soap Opera Fan Activism." Thesis, North Dakota State University, 2012. https://hdl.handle.net/10365/26500.

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Soaps operas, or daytime serials, have long been a staple of American culture. In April 2011, ABC-Disney announced the cancellation of All My Children and One Life to Live. Cancellations propelled the fans of these programs to launch efforts to save not only the shows, but the genre. Through the use of social media, websites, and traditional off-line activities that included calling and letter-writing, fans strived to make their voices heard. The study examines the creation of an online community and discourse through a textual-analysis case study of blogs on two fan activist websites. Dahlber
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Páramo, Ricoy María Teresa. "Social identity, telenovelas and the reading process : ten case studies among Hispanic in Texas /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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14

Mark, Amanda. "Soap opera subculture : emotional realism and empathic identification." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56790.

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Popular feminine narratives, domestic, emotion-based texts through which communities of women have traditionally practiced feminine discourse, have been marginalised by dominant masculine cultures throughout their long history. This continues in the postmodern era, in which the culturally dominant postmodern aesthetic has declared the death of the social, narrative and affect, all intrinsic to the popular feminine narrative. Nevertheless, these narratives persevere in such forms as the daytime television soap opera. Using a reader-oriented model, American soap operas are discussed as a site fo
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15

Madouvalou, Katerina. "Textualising tradition : the fear of the modern in two Greek soap operas." Thesis, Glasgow Caledonian University, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.443438.

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16

Al-Sayed, Rami. "Sex and Sexuality : a content analysis of soap operas on British television." Thesis, University of Leicester, 2011. http://hdl.handle.net/2381/9405.

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Over the last decade soap operas shown on British television have been constantly facing severe criticism from the public, politicians and the press for allegedly containing ‘too much sex’; and in the context of rising teenage pregnancies and the spread of STDs and HIV in the UK, concerns over the role of television’s sexual content in general, and that of soap operas’ in particular, in potentially influencing young people’s perception, attitudes and behviours are most accentuated. The overall objective of this study is to comprehensively identify and analyse, using the method of content analy
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17

Qasmi, Hosai. "Representations of Gender Relations in Turkish Soap Operas and Afghan Audiences' Reception." Thesis, Université d'Ottawa / University of Ottawa, 2020. http://hdl.handle.net/10393/41594.

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Although efforts have been made by the Afghan government and its international partners to promote the tents of gender equality in Afghan society, biases against women and other marginalized groups persist in the society and media sector, particularly. The current study is a timely research because feminist media studies are an under-researched field in the context of Afghanistan. My research aims to be a contribution to this field and open a path for Afghan feminist media studies. The current study explores the representations of gender relations in transnational television soap operas broadc
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18

Couldry, Nicholas Ian. "Sites of power, journeys of discovery : place and politics within the hierarchy of the media frame." Thesis, Goldsmiths College (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287883.

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19

Brown, Mary Ellen. "The colonization of prime time: Soaps and the question of pleasure." Thesis, Brown, Mary Ellen (1990) The colonization of prime time: Soaps and the question of pleasure. PhD thesis, Murdoch University, 1990. https://researchrepository.murdoch.edu.au/id/eprint/461/.

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The Colonization of Prime Time: Soaps and the Question of Pleasure analyzes the conversations of adult and teenage fans of Australian, British and American soap operas in order to understand how fans may deal with ideological constructions with in their fanship networks, particularly with dominant notions of femininity and the family. Like women's domestic labor which is invisible in economic statistics, soap opera audiences have been similarly invisible or marginalized and stigmatized in dominant discourse by virtue of the fact that they watch soap operas. These fans, however, exist as part o
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20

Brown, Mary Ellen. "The colonization of prime time : soaps and the question of pleasure /." Access via Murdoch University Digital Theses Project, 1990. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20061122.154001.

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21

Moodley, Prevan. "An exploration of the psychological significance of soap opera viewing." Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002532.

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In traditional research approaches, soap opera viewing has been studied quantitatively. Such studies ignore the subjectivities, the sociocultural contexts, and life contexts of individual viewers. To account for such shortcomings and to offer a qualitative research approach, an investigation was conducted into the engagement that viewers have with a particular soap opera, The bold and the beautiful. The collective case study research method was used. Three subjects were interviewed using in-depth phenomenological interviewing and the data obtained was subjected to.a hermeneutic method of inves
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22

Swarts, Elsonia. "Disability representation and portrayal in selected South African soap operas: a content analysis." Master's thesis, Faculty of Health Sciences, 2020. http://hdl.handle.net/11427/34006.

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The absence of or stereotypical portrayal of persons with disabilities in the mainstream media has negative and far-reaching consequences not only for an identity of disability but for how non-disabled persons relate to persons with disabilities. Conversely, positive media portrayal and representation has the potential to challenge stereotypes and spread counter-narratives on a wide scale. This study was motivated by a perceived dearth of research into the representation of persons with disabilities in soap operas, which has been studied minimally in South Africa. The goal of the study is to c
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23

Schachter, Tammy. "As her world turns : women and soap opera." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21264.

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Mass produced narratives that have been designed and targeted for predominantly female audiences have been marginalized by dominant culture. Throughout the history of art and English literature, women have been both objectified and misrepresented. All that has been deemed domestic, emotional and of the personal sphere has been declared valueless by patriarchy. The soap opera genre reverses this negative valorization. It is one that perpetuates the feminine tradition of creating communities through words---talk, gossip, testimony. In this work, the American soap opera is discussed as a venue fo
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24

Hernández, Omar Danilo. "A case of global love telenovelas in transnational times /." Access restricted to users with UT Austin EID Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3037498.

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25

Ngehndab, Delphine. "When cultures meet : a study of Bamenda market women's consumption of foreign soap operas." Thesis, Brunel University, 2016. http://bura.brunel.ac.uk/handle/2438/13117.

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Since the liberalisation of the audiovisual sector and the upsurge of private commercial televisions in Cameroon, there has been a frequent broadcast of foreign soap operas, known locally as “series”. Qualitative methods were employed to investigate the meanings some market women in Bamenda obtain from their consumption of foreign soap operas and to understand the reason behind the broadcast of foreign soap operas in Cameroon. The participants of the study reveal reading their favourite transnational texts in various ways, both as individuals and as a collective whole. In some instances, marke
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26

Martinger, Henric. "Terms of endearment in American Soap Operas : A corpus study of honey, sweetheart and darling." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-24299.

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This thesis investigates three terms of endearment in soap operas, namely honey, sweetheart and darling. The purpose is to determine how these terms are used and in what context. 200 tokens were taken from the Corpus of American Soap Operas which contains 10 different soaps. The results indicate that more women utilize terms of endearment overall in soap operas, both to men and to other females. However, women are also mostly addressed with these terms. Honey is used mostly woman-to-woman, sweetheart most man-to-woman and darling is used mostly by women addressing men. Furthermore, honey occur
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27

SILVA, Joanise Levy da. "O professor como personagem na telenovela: identidade docente e interação com a imagem da TV." Universidade Federal de Goiás, 2006. http://repositorio.bc.ufg.br/tede/handle/tde/2064.

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Made available in DSpace on 2014-07-29T16:10:42Z (GMT). No. of bitstreams: 1 Dissertacao JOANISE.pdf: 823703 bytes, checksum: b58483b59959c8bd85279a668df46eb9 (MD5) Previous issue date: 2006-09-04<br>This study aims at investigating the connection between teachers real lives and the fictional version of these lives in soap operas. Its main concern is to check if teachers identify themselves with the characters representation of teachers. Soap operas in Brazil are famous television drama programs watched by a great number of people and, most of the time; they portray ordinary models of iden
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28

Bloom, Elliot Paul. "Women's perception of fashion comparing viewers and non-viewers of evening soap operas : the cultivation effect." Scholarly Commons, 1988. https://scholarlycommons.pacific.edu/uop_etds/2163.

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The cultivation effect is defined as the distorted view of reality which results from the heavy viewing exposure to a certain type of programming content. The assumption behind the cultivation hypothesis is that the more hours an individual exposes himself or herself to a particular type of program content. the more the individual's view of reality will be consistent with the "reality" shown in the program. It is no mystery that for the past half-century, millions of Americans have made the broadcast soap opera a daily habit. In response to the heavy interest exhibited by this strong audience,
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Mårtensson, Vahlqvist Sabine. "Sociolinguistics of Swearing : A corpus-based investigation of male and female use of damn, darn, hell and heck in soap operas compared to real life." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-24093.

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This essay will investigate male and female usage of four swear words: hell, heck, damn and darn. A minor part of the essay focuses on comparing real life speech (by using the Longman Corpus of Spoken American English) with scripted language in soap operas (the SOAP corpus). The main part of the essay focuses on a detailed investigation of the four swear words in the SOAP corpus to see how they are used considering gender. Preliminary hypotheses were both correct and incorrect. Even though it was true that women use the milder forms of swearing in the company of men, men however use the harshe
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30

Mushambatwa, Iñutu. "An investigation into the popularity of Latin soap operas among Zambian viewers: a reception study of Lusaka women." Thesis, Rhodes University, 2017. http://hdl.handle.net/10962/7702.

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This study explores the way Zambian women make sense of the representations and discourses in the Latin soaps that they watch daily. The study seeks to find out what pleasures and values Zambian women get from these soaps given that the Latin and Zambian cultures are very different. This is in the context of Zambia being a socially conservative patriarchal and Christian nation, where the legal and traditional practices focus on the authority of the man in relationships, particularly in marriages. The lens through which this study is conducted is provided by the media imperialism thesis and its
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31

Smith, Edward. "A discursive thematic analysis of audience response towards the portrayal of mental distress in United Kingdom soap operas." Thesis, University of East London, 2012. http://roar.uel.ac.uk/1859/.

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The potential for stigmatising public attitudes to have a negative impact on the wellbeing of individuals identified as experiencing mental distress has been widely documented. The contribution of the mass media towards public attitudes surrounding mental distress has attracted particular interest, particularly that of television portrayals. Research into the influence of the media towards public attitudes has focused on a ‘strong media’ model that assumes a direct influence of the content on viewer attitudes. Recent theory has suggested an ‘audience response’ model whereby audience attitudes
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McEachern, Charmaine. "Down on the farm : soap opera, rural politics and Thatcherism." Title page, table of contents and synopsis only, 1990. http://web4.library.adelaide.edu.au/theses/09PH/09phm141.pdf.

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33

Deiner, Catherine Anne. ""Soap operas as a platform for disseminating health information regarding ART and the use of 'reel' versus 'real' role models"." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017783.

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The media, through development communication and edutainment, plays a critical role in the transformation of societies. In line with this, this thesis discusses the extent to which commercially driven prosocial soap operas can provide a platform for public health messaging, in the context of the HIV/AIDS epidemic in South Africa, for antiretroviral treatment (ART) and for encouraging ART adherence to foster national development. Furthermore, this thesis examined the potential of celebrities as HIV/AIDS ambassadors and the potential of both fictional characters and ‘real-life’ celebrities to di
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Dentlinger, Lindsay. "The representation of "South Africanness" in the locally produced television production, Generations." Thesis, Rhodes University, 2000. http://hdl.handle.net/10962/d1002878.

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The aim of this study is to analyse selected episodes of the locally produced television programme Generations, in order to identify specific ways in which the programme seeks to forge a South African identity, and in so doing, 'flag' our nationhood as South Africans. These elements of 'South Africanness' are broadly defined as connections to a South African way of life, context, values and experiences. Generations is a programme produced under South African broadcasting local content provisions. These provisions arise out of the need, inter alia, to reflect the identity and multi-cultural nat
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Oliveira, Fernanda Areias de. "Um novo olhar para a teledramaturgia: A Pedra do Reino: um diálogo televisivo por Luiz Fernando de Carvalho (12/06/07 a 16/06/07)." Universidade Presbiteriana Mackenzie, 2010. http://tede.mackenzie.br/jspui/handle/tede/2055.

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Made available in DSpace on 2016-03-15T19:43:49Z (GMT). No. of bitstreams: 1 Fernanda Areias de Oliveira.pdf: 3556147 bytes, checksum: c5797ae75bdb4eceaf819c63bde5be6e (MD5) Previous issue date: 2010-02-11<br>Fundo Mackenzie de Pesquisa<br>The research casts a look on the academic question of soap operas language in the context of short series, specifically A Pedra do Reino (The Kingdom Stone), highlighting the state of the art of such a gender. For that purpose, researchers of the area of communication and media were our theoretical support dialoguing with think-ers associated with artistic
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DORNELES, ROGERIO DE ABREU. "THE DESIGN IN THE TELEVISION: ONE TO LOOK AT ON THE VIGNETTES OF OPENING OF THE SOAP OPERAS OF THE TV GLOBO." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2007. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=11172@1.

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Em sua origem, o termo vinheta designava representações visuais de caráter simbólico que ornamentavam as iluminuras. As vinhetas ganham identidade gráfica com o aparecimento da imprensa. A vinheta será uma das primeiras manifestações da programação visual - tendo sua origem nas iluminuras. No início do século XX, a linguagem cinematográfica incorporou as vinhetas, tanto como recurso para a abertura dos filmes quanto para os cartazes que passavam informações escritas entre as diferentes seqüências, no cinema mudo. Originárias das aberturas de filmes, as vinhetas de abertura da teledrama
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Pryor, EmmaLee Elizabeth Haight. "Making Friends to Last A Lifetime: An Ethnographic Study of Parasocial Relationships and Soap Opera Characters." BYU ScholarsArchive, 2002. https://scholarsarchive.byu.edu/etd/5055.

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The purpose of this study was to build theory about parasocial relationships and to examine what affect, if any, religion had on parasocial relationships. Using qualitative methods, the researcher watched the show three times with five women followed by an in-depth interview. The women chosen were LDS stay-at-home moms who had watched a soap opera for at least a year. From this data came several surprising findings about religion and soap opera viewing. The women said they did not feel guilty about the content of the shows, rather the time required to watch. This guilt was alleviated by struc
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Hampton, Kathryn Elizabeth. "El Uso de la Propaganda Pol¿¿tica en las Telenovelas de Una Venezuela en Crisis." Ohio University Honors Tutorial College / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1342408798.

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Moran, Kristin Clare Engstrand. "Mexican telenovelas and Latina teenagers' understanding of romantic relationships : a reception analysis /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/6200.

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Silva, Gabriela Nascimento. "“Sugerimos o corte”: as censuras das telenovelas Dancin’ Days e Água Viva em tempos de Estado Autoritário (1978-1980)." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21672.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-12-04T11:47:15Z No. of bitstreams: 1 Gabriela Nascimento Silva.pdf: 3013833 bytes, checksum: b86fe9743d4f131f5dfc9ba27344f8b1 (MD5)<br>Made available in DSpace on 2018-12-04T11:47:15Z (GMT). No. of bitstreams: 1 Gabriela Nascimento Silva.pdf: 3013833 bytes, checksum: b86fe9743d4f131f5dfc9ba27344f8b1 (MD5) Previous issue date: 2018-09-28<br>Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The aim of the present dissertation is t
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Livingstone, Sonia M. "Social knowledge and programme structure in representations of television characters." Thesis, University of Oxford, 1987. http://ora.ox.ac.uk/objects/uuid:2adf1878-f117-4c32-870c-9d0ec539bb11.

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It was argued that the social psychology of person perception, mass communications and cultural studies can be related to viewers' representations of television characters. Mass communications needs to incorporate viewers' interpretations and programme structure. Social cognition could satisfy the former need and cultural studies the latter. A literature review showed little research on viewers' interpretations of television programmes. There is a considerable body of research on person perception, gender stereotypes, the effects of viewing and programme structure. A study of viewers' accounts
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Murakami, Mariane Harumi. "Vidas opostas, vidas expostas: a violência na telenovela." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/27/27152/tde-21102010-095443/.

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A proposta geral deste trabalho é discutir e refletir acerca da dicotomia ficção/realidade cada vez mais presente nas telenovelas contemporâneas, realizando uma aproximação interdisciplinar das questões relacionadas ao estudo dos mecanismos referentes à organização discursiva e temática da telenovela Vidas Opostas, da Rede Record, com enfoque na problemática da violência social. Mais especificamente, temos como meta a exploração das possibilidades oferecidas pela Análise do Discurso para a operação de objetos visuais ou verbo-visuais e a aplicação de uma metodologia de análise para a telenovel
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43

Winter, Jenelle Gay. "Adolescents and Sex on the Soaps: A Content Analysis." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5211.

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This study updates prior examinations of sexual content on daytime soap operas by investigating verbal references, implied sexual acts and mentions of sexually transmitted diseases. In addition, it extends earlier work by analyzing the commitment level and age of those involved in the sexual content. Finally, this study will attempt to obtain a clear picture of what adolescents perceive while viewing these shows. This was investigated by conducting adolescent and adult focus groups to see how they talk about soap operas. Also, comparisons were made of adult and adolescent coding of the sexual
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44

Nostramaitė, Milana. "Moteriškumo reprezentacijos lietuviškuose serialuose." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100615_154129-31027.

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Televizija yra viena iš socializacijos priemonių, kurią žiūrima tam, kad sužinoti svarbią informaciją arba norint gerai praleisti laiką. Be to, televizija suteikia ir savotišką pasitenkinimo jausmą, kai kiekvienas žiūrintysis turi galimybę tapatintis su vaizduojamų personažų herojais, kuriuose gali identifikuoti save. Per paskutinius metus, Lietuvoje išleidžiama po kelis lietuviškus serialus, kurie susilaukia teigiamo žiūrovų įvertinimo (TNS Gallup duomenimis serialas „Moterys meluoja geriau patenka į populiariausių laidų penketuką). Nenuostabu, kad žiūrovas renkasi lietuvišką muilo operos var
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45

Ferreira, Raquel Marques Carriço. "A experiência da audiência das telenovelas em Portugal: um modelo a partir da teoria fundamentada em dados." Doctoral thesis, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2010. http://hdl.handle.net/10362/5105.

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This research is about the spectatorship of Brazilian and Portuguese soap operas in Portugal. The Grounded Theory approach was employed to derive a “SOAP OPERAS SPECTATORSHIP MODEL” firmly rooted in the perspectives of 49 soap operas viewers. The resulting model reveals three groups of motives for viewing soap operas: a) mood management, b) habit, and c) social integration/ learning. Within the model, each motivation group is associated with a particular strategy and level of exposure to soap operas, as well as predominant choices about the soap opera’s national or foreign origin. With
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Santos, Julian Bruno Gonçalves. "Valores Morais: comparando telenovelas (décadas de 1980 e 2010)." Universidade Federal da Paraí­ba, 2014. http://tede.biblioteca.ufpb.br:8080/handle/tede/6986.

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Made available in DSpace on 2015-05-14T13:16:31Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 920178 bytes, checksum: de82d476ea20cd9b2d0289fa0d8acde3 (MD5) Previous issue date: 2014-02-27<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The aim of this study was to analyze a soap opera of 2010s, using the Lawrence Kohlberg s typology of moral values, and compare these results with a similar analysis done in three consecutive soap operas of the 1980s. Two studies were conducted: the first consists of the analysis of moral values conveyed by the soap opera Avenida
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O'Shea, Catherine Mary. "Making meaning, making a home: students watching Generations." Thesis, Rhodes University, 2005. http://hdl.handle.net/10962/d1002934.

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This thesis is a reception analysis using qualitative interviews to investigate black students' watching of a South African soap opera, Generations, taking into account the context of a largely white South African university campus. The findings of this study are that students find pleasure in talking about Generations and hold seemingly contradictory views on whether it is 'realistic' or not. The analysis concludes that watching Generations does serve to affirm these students' black identity, since there is a particular need to do so on a campus where black students witness and experience rac
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Filho, Paulo Negri. "Vinhetas de Abertura de Telenovelas Brasileiras: uma cartografia do horário nobre." Universidade do Vale do Rio dos Sinos, 2017. http://www.repositorio.jesuita.org.br/handle/UNISINOS/6642.

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Submitted by JOSIANE SANTOS DE OLIVEIRA (josianeso) on 2017-09-27T12:27:34Z No. of bitstreams: 1 Paulo Negri Filho_.pdf: 4202371 bytes, checksum: ba321f74ee1a8d28a2036b10e3a03ce3 (MD5)<br>Made available in DSpace on 2017-09-27T12:27:34Z (GMT). No. of bitstreams: 1 Paulo Negri Filho_.pdf: 4202371 bytes, checksum: ba321f74ee1a8d28a2036b10e3a03ce3 (MD5) Previous issue date: 2017-06-20<br>Nenhuma<br>No Brasil, não se pode imaginar uma telenovela sem uma vinheta de abertura, objeto de pesquisa deste trabalho. Como objetivo geral se busca analisar se e de que forma as características próprias
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Bhebhe-Mpofu, Adilaid. "An investigation into the popularity of Zimbabwe's first health communication soap opera, Studio 263 : a qualitative reception study of Bulawayo students aged between 15 and 20 years." Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1013310.

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Within the context of debates concerning the reception and interpretation of media texts by television audiences, this qualitative reception study explores how a sample of Bulawayo students negotiate meanings from Zimbabwe's first health communication soap opera, Studio 263. The study thus examines the reasons behind the popularity of this programme with this target audience. The findings of the study reveal that meaning making is a complex process that is dependent on a variety of factors which include, among others, the socio-cultural context of media consumption, gender, economic dispositio
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Martins, Débora Souza Cruz. "A prostituição televisionada em "Gabriela" : tempo presente, história e política no audiovisual brasileiro de 1975." Pós-Graduação em História, 2014. https://ri.ufs.br/handle/riufs/5661.

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The present study describes and analyze how the |prostitution´s world| was presented to TV viewers through de first version of the soap opera |Gabriela|, displayed by RedeGlobo in the year of 1975. Beyond the audio-visual as the primary source, we used magazines and newspapers of that time ( magazine Amiga, magazine Contigo, magazine Veja and newspaper Folha de São Paulo) to comprehend a little of the repercussion of the teledramaturgy. We also aimed, through the speech and actions of the characters, understand and contextualize the time that |Gabriela| was produced and televised. To seize thi
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