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Journal articles on the topic 'Soap operas in fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Kosińska-Krippner, Beata. "Between Fact and Fiction: Documentary Telenovela, or Docusoap Polish Style." Kwartalnik Filmowy, Special Issue (December 31, 2013): 169–88. http://dx.doi.org/10.36744/kf.1900.

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The article deals with documentary soap operas, or the Polish version of docusoaps. This is a television genre that is a hybrid of observational documentary and elements typical of soap operas. In the introduction the author presents up to date research on docusoaps: she defines, following Margaret Lünenborg, the conditions that had to be met, in order for the genre to come into the existence, and she shows the circumstances in which it first appeared. She refers to the work of Richard Kilborn in order to present characteristic features of docusoap, and she uses the staging strategies for real

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Alarcon-Llontop, Luis-Rolando, Evelyn Noelia Sotomayor Martínez, Sindy Pasapera-Ramírez, Karl Torres-Mirez, and Francisco Javier Barquero Cornelio. "Feminine Expectations from a Gender Perspective in Peruvian Television Fiction." Academic Journal of Interdisciplinary Studies 13, no. 5 (2024): 287. http://dx.doi.org/10.36941/ajis-2024-0165.

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The study addresses the view of women leaders of Peruvian civil society organizations (CSOs) on the representations of women in series/soap operas broadcast by national free-to-air television. From the naturalistic paradigm and a qualitative approach, following a phenomenological and grounded theory design, it covered three pre-categories: the concept of gender, gender relations, and gender system. Focus groups were used to talk to 39 women community leaders, educators, and cultural leaders in two Peruvian cities. It is concluded that they perceive in the series/ soap operas of national televi

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3

Boniface, Liz, and Guy Mac Ilroy. "Soap Opera: Fiction or Fantasy?" Critical Arts 8, no. 1-2 (1994): 66–76. http://dx.doi.org/10.1080/02560049485310071.

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4

Herieningsih, Sri Widowati, and Tandiyo Pradekso. "Soap-opera, Parental Mediation, Perceived Reality and Antisocial Behavior." E3S Web of Conferences 73 (2018): 14008. http://dx.doi.org/10.1051/e3sconf/20187314008.

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Many attentions have been spotted to the potential drive and effect of television on anti-social behavior. The main argument lies on the frequent repetition of intense violent showed by television soap opera. Previous studies showed that children with heavy viewing habit of violent soap-operas were tend to imitate anti-social behavior. Children were considered to have limited skill to differentiate facts and fictions from television content, and this is where parental mediation (restrictive, active, or viewing) should take place to moderate the impact of television violence. The research was i

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Jucker, Andreas H. "Features of orality in the language of fiction: A corpus-based investigation." Language and Literature: International Journal of Stylistics 30, no. 4 (2021): 341–60. http://dx.doi.org/10.1177/09639470211047751.

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This paper explores the pervasiveness of features of orality in the language of performed fiction. Features of orality are typical of spontaneous spoken conversations where they are the result of the ongoing planning process and the interaction between the interlocutors, but they also occur in the context of performed fiction (movies and plays) and in narrative fiction (e.g. novels). In these contexts, they are not the result of the spontaneous planning process but are generally produced to imitate such processes. In this paper, I explore a small range of such features (contractions, interject

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Rodríguez Ortiz, Raúl. "Las tres etapas del radioteatro en Chile: de la época dorada al nuevo auge de las series de ficción." INDEX COMUNICACION 9, no. 2 (2019): 55–73. http://dx.doi.org/10.33732/ixc/09/02lastre.

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Following the growth, since 2016, of new fiction and non-fiction sound series in a large part of Ibero America, thanks to podcast and radio on demand, the task of analyzing the history of radio theater as a genre in Chile, from its roots and sociocultural importance to the new ways of producing and thinking about the genre in the 21st century is conducted. On the basis of documentary information, consisting of press archives, audios of radio theater scripts and the few studies on radio and radio theater, three stages can be elucidated: the golden age (1940-1970); the rebirth of radio theater (

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Geraghty, Christine. "Women's Fiction Still? The Study of Soap Opera in Television Studies." Critical Studies in Television: The International Journal of Television Studies 1, no. 1 (2006): 129–34. http://dx.doi.org/10.7227/cst.1.1.17.

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Margineanu, Virgiliu. "The documentary film – means of education of the young generation." Studiul artelor şi culturologie: istorie, teorie, practică, no. 2(43) (April 2023): 106–14. http://dx.doi.org/10.55383/amtap.2022.2.19.

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Every time you watch a soap opera, a documentary dies,” says a character in the Italian comedy “Tuttelovogliono” (2015). The context in which this character makes the statement highlights the educational role of documentaries, compared to the first genre of film production. But first of all, what is a documentary? The special nature of this kind of film in general, as well as the use of photographic images and sound recordings in particular, have proven difficult to conceptualize by reference to the distinction fiction film/non-fiction film. There is also terminological confusion caused by dif

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Ferenc, Tomasz, and Bogusław Sułkowski. "Fotografia i telenowela — dwa przykłady konstruowania rzeczywistości." Kultura i Społeczeństwo 48, no. 4 (2004): 85–96. https://doi.org/10.35757/kis.2004.48.4.4.

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The article discusses the application of Gadamer’s concept of indistinctiveness to the photography and soap-opera. It may be quite astonishing that the same perceptual mechanism connects photography and soap-opera. We can say that this is the veristic attitude. Receivers of both media have serious problems distinguishing between performance or photographical image and the real live, between fiction and documentary. Nowadays, digital techniques of simulations allow us to create virtual reality and present it in the mass media. But it seems to be a very different case from indistinctiveness betw

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Sanchez, Louie Jon. "Koreanovelas, Teleseryes, and the “Diasporization” of the Filipino/the Philippines." Plaridel 11, no. 1 (2014): 66–85. http://dx.doi.org/10.52518/2014.11.1-04snchz.

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In a previous paper, the author had begun discoursing on the process of acculturating Korean/Hallyu soap opera aesthetics in television productions such as Only You (Quintos, 2009), Lovers in Paris (Reyes, 2009), and Kahit Isang Saglit (Perez & Sineneng, 2008). This paper attempts to expand the discussions of his “critico-personal” essay by situating the discussions in what he described as the “diasporization” of the Filipino, and the Philippines, as constructed in recent soap operas namely Princess and I (Lumibao, Pasion, 2012) A Beautiful Affair (Flores, Pobocan, 2012), and Kailangan Ko’

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Martínez-Otón, Laura, Cristina Rodríguez-Luque, and Mario Alcudia-Borreguero. "El reportaje de historias de vida como punto de partida de la radio dramatizada y el ´podcast´ de no ficción en el ecosistema digital. Estudio de caso. ´Sin mi identidad´ (Cadena COPE), ´Lo conocí en un Corpus´ (Podium Podcast) y ´Las tres muertes de mi padre´ (Cuonda)." INDEX COMUNICACION 9, no. 2 (2019): 135–62. http://dx.doi.org/10.33732/ixc/09/02elrepo.

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In current digital ecosystem, sound is gaining prominence through new formats such as podcasting, born in the era of mobility. Formats that can share elements, characteristics, dynamics of work and consumption with other traditional radio formats, such as reports, docudramas or the radio soap opera. This article aims to analyze whether the strength of human reach storytelling is a common starting point in analogic reports and in fictional and non-fiction podcasts, both on audio platforms and on conventional radio. For this, three podcast are proposed as case study: ‘Sin mi identidad’ (2018, CO

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Lusvarghi, Luiza. "Profugos: new formats and regionalization in Latin American television serial fiction." C-Legenda - Revista do Programa de Pós-graduação em Cinema e Audiovisual, no. 29 (December 29, 2013): 08. http://dx.doi.org/10.22409/c-legenda.v0i29.26287.

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The resumption of audiovisual productions in Latin America during the 1990s have not onlyaffected the cinematographic sphere, but TV production as well. The latest production aimed at exploringthis genre is a Chilean series co-produced with HBO Latin America named Profugos (Runaways), featuringfour popular local actors and directed by Pablo Larraín of the acclaimed film Tony Manero (2008,Brazil/Chile). Profugos shows that definitely soap opera is no longer the only Latin American fictionalformat, besides dialoguing with the action genre global tradition, also marking the consolidation of major

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Lusvarghi, Luiza. "Profugos: new formats and regionalization in Latin American television serial fiction." C-Legenda - Revista do Programa de Pós-graduação em Cinema e Audiovisual, no. 29 (August 5, 2014): 08. http://dx.doi.org/10.22409/c-legenda.v0i29.26295.

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The resumption of audiovisual productions in Latin America during the 1990s have not onlyaffected the cinematographic sphere, but TV production as well. The latest production aimed at exploringthis genre is a Chilean series co-produced with HBO Latin America named Profugos (Runaways), featuringfour popular local actors and directed by Pablo Larraín of the acclaimed film Tony Manero (2008,Brazil/Chile). Profugos shows that definitely soap opera is no longer the only Latin American fictionalformat, besides dialoguing with the action genre global tradition, also marking the consolidation of major

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Michael M. Kamau, Collins Auta Wagumba;. "Determining the Context of Television Serial Drama Viewership in Nairobi, Kenya." Editon Consortium Journal of Media and Communication Studies 2, no. 1 (2020): 115–37. http://dx.doi.org/10.51317/ecjmcs.v2i1.163.

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The study sought to determine the context of television serial drama fiction viewership in Nairobi, Kenya. Watching of television serial drama fiction/soap operas is popular among Nairobi audiences. The research is anchored on uses and gratification and cultural proximity theories. The study employed a mixed-method design approach and used simple random, purposive and systematic sampling techniques to determine the population sizes. The study is further organised at two levels. In the first phase, 422 interview guide questionnaires were administered to respondents in households in three random

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Halperin, Paula. "Então Ela é Escrava? Escrava Isaura, Popular History and National Identity." Significação: Revista de Cultura Audiovisual 47, no. 53 (2020): 162–83. http://dx.doi.org/10.11606/issn.2316-7114.sig.2020.155856.

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This paper analyzes the soap opera Escrava Isaura, aired in Brazil by the network Rede Globo from October 11, 1976 until February 5, 1977. Based on Bernardo Guimarães’ novel written in 1875, Escrava Isaura enjoyed attention from both the media and a vast national audience at a time when television had become a significant and influential medium. The narrative and aesthetics displayed showed a complex relationship between History and fiction, establishing a peculiar view of the past and slavery. Escrava Isaura launched a lively discussion in the press around slavery, patriarchy, and national id

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Gillis, John R. "“A Triumph of Hope over Experience”: Chance and Choice in the History of Marriage." International Review of Social History 44, no. 1 (1999): 47–54. http://dx.doi.org/10.1017/s002085909900036x.

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When Dr Johnson made his famous eighteenth-century remark about second marriages being a triumph of hope over experience, his wit could easily have been directed toward the unions that Steven King has illuminated. It is never entirely clear why people marry or choose to marry the people they do, a situation that is as frustrating to historians as to friends and family. Marriage remains one of life's great mysteries, perhaps the last great mystery left to us. It fascinates and absorbs us, providing an inexhaustible audience for daytime soap operas and evening situation comedies. Romance novels

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17

Machado, Juremir. "A política na TV de ficção." Comunicação Mídia e Consumo 2, no. 3 (2008): 11–23. http://dx.doi.org/10.18568/cmc.v2i3.22.

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A escola de Frankfurt, durante décadas, pautou o paradigma para o estudo dos meios de comunicação. Superefeitos sociais. Receptores alienados. Vítimas. Numa perspectiva crítica a esta, o texto que segue aponta, em tempos de pós-modernidade, para uma negocia ção complexa de sentido entre emissores e receptores. Telejornalismo e telenovela, mensagens emitidas e recebidas enquanto realidades nada estanques, ensejam matrizes de atribuição de sentido e valor com numerosos e sutis vasos comunicantes. Palavras-chave: Pós-modernidade; ficção; telejornal; eleição. ABSTRACT During deca

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Syahrul, Ninawati. "REKAYASA SASTRA SEBAGAI UPAYA MENINGKATKAN GERAKAN LITERASI DI KALANGAN GENERASI MUDA." Multilingual 18, no. 1 (2019): 48–66. http://dx.doi.org/10.26499/multilingual.v18i1.110.

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Characteristics of quality literary works must carry and convey moral messages. As a civilized citizen, the young generation — of course other citizens — must seize moral values in treading diverse lives. In this regard, literary engineering is an idea that should be taken into account as a form of literary approach in accordance with the mental development of the younger generation. How far is literary engineering capable as a new idea to introduce literature to the younger generation, that is the problem in this paper? This paper aims to describe and "sell" the role of literary literacy engi

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Álvarez Veinguer, Aurora, Rocío García Soto, and Dario Ranocchiari. "“Ya no estás sola”: tramas, personajes y guiones. Experimentaciones con la ficción radiofónica desde la etnografía colaborativa." Empiria. Revista de metodología de ciencias sociales, no. 57 (January 9, 2023): 123–44. http://dx.doi.org/10.5944/empiria.57.2023.36432.

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El propósito del presente artículo es reflexionar sobre una experiencia de escritura etnográfica de ficción que hicimos mientras hacíamos investigación colaborativa. Mediante un ejercicio de memoria, imaginación e investigación hemos creado un producto de ficción sonora junto a un colectivo social que lucha por el acceso a una vivienda digna: Stop Desahucios Granada 15M. Partiendo de la materialidad de uno de los guiones que forman parte de nuestro producto de ficción sonora, la radionovela, pretendemos en primer lugar mostrar de qué forma hemos elaborado los seis episodios de la serie, constr

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20

Fitzsimmons, Rebekah. "Review: <em>Beyond Nancy Drew: U.S. Girls’ Series Fiction in the Twentieth Century</em>." International Journal of Young Adult Literature 5, no. 1 (2024): 1–4. https://doi.org/10.24877/ijyal.184.

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In lieu of an abstract: When I was asked to review Beyond Nancy Drew: U.S. Girls’ Series Fiction in the Twentieth Century, I had to pause and really consider whether I could be objective or whether my nostalgic love for the Nancy Drew series might cloud my judgement. Growing up, my grandparents’ home featured shelves and shelves of books, including a full shelf of Nancy Drew and Bobbsey Twins books. The books were bound in matching blue tweed covers with decorative details on the spine, in what my scholarly-trained mind’s eye now recognizes as a publisher’s play for middlebrow respectability.

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González-Conde, María Julia, Miguel Ángel Ortiz-Sobrino, and Hugo Prieto-González. "El radioteatro en España: marco de referencia para una aproximación diacrónica." INDEX COMUNICACION 9, no. 2 (2019): 13–34. http://dx.doi.org/10.33732/ixc/09/02elradi.

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The main objective of this article is to give a contextualization of radio drama in Spain, over a period of three decades in the last century, between the 1940s and the 1970s. Through retrospective analysis on its history some of the keys related to narrative and drama genres implementation are assessed. The research methodology used can be classified as theoretical-conceptual, since it has been based on the search, compilation and analysis of documentation that have allowed radio theater to be contextualized in those three decades. As a result of the research, the relationship between radio p

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Levine, Elana. ""As the Cyber World Turns": Web Soaps and the History of TV Storytelling Online." JCMS: Journal of Cinema and Media Studies 62, no. 5 (2022): 215–37. http://dx.doi.org/10.1353/cj.2022.a907198.

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abstract: This article examines the history of the web soap, serialized, fictional programming distributed online and associated with the US daytime television soap opera. I locate its origins in the mid-1990s and document its development in three subsequent periods: the convergence of soaps and the internet between 2000 and 2007, the web soap's expansion between 2008 and 2013, and the marginalization of soaps post-2013. The web soap helped to shape the economic and narrative possibilities for streaming TV but has been supplanted by the higher-profile fare it helped make possible, repeating ge

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Beenish Zaheen, Aasima Safdar, and Muhammad Riaz. "Impact of Soap Operas on the Television Viewers: Experience from Pakistani Society." Journal of Business and Social Review in Emerging Economies 7, no. 1 (2021): 145–55. http://dx.doi.org/10.26710/jbsee.v7i1.1539.

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Soap operas are popular genre in media industry from all over the world. Generally, Soap operas focus on family dramas, domestic issues and women plight. There were number of studies conducted to explore public perception regarding soap operas. The present study aimed to explore the opinion from Pakistani society regarding their experience of watching Star plus soap operas. The research based on Cultivation theoretical framework which intended to explore the difference between heavy and light viewers of Star plus soap operas. It was found that there was no significant difference exist between

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Borcem, Rogerio Pereira. "Cornelia Herculana (Um perfil político) por Luís Guimarães Júnior: a outra face das Histórias para Gente Alegre (1870)." Magma, no. 20 (November 18, 2024): 116–27. https://doi.org/10.11606/issn.2448-1769.mag.2024.223848.

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Luís Guimarães Júnior was an important contributor to the national literary scene in the 19th century. The author had great versatility in his produced and published works, mainly inBrazilian newspapers, such as the Diário do Rio de Janeiro between 1869 and 1872. His literary production was recognized nationally and internationally, especially for his work in the field of poetry, however, it is worth highlighting that most of his literary creation is focused on fictional prose linked to entertainment, as we found from checking historical archives at the Hemeroteca Digital Brasileira. There are

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Liebes, Tamar, and Sonia Livingstone. "European Soap Operas." European Journal of Communication 13, no. 2 (1998): 147–80. http://dx.doi.org/10.1177/0267323198013002001.

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Sumiati, Wina. "Islamic Love Stories: How Indonesian Soap Opperas Presented Islamic Version of Romantic Love in the 2000s." Tsaqofah 21, no. 1 (2023): 41–52. http://dx.doi.org/10.32678/tsaqofah.v21i1.8378.

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During Ramadhan month in the 2000s, most Indonesian TV stations used to air Islamic-themed soap operas. However, the stories of those soap operas did not represent Islamic values. Rather than showing Islamic messages in their stories, most scenes of those soap operas were all about melodrama and mysticism. This research aims to analyze and compare two Islamic-labeled soap operas, Lorong Waktu 3 (2002) and Kiamat Sudah Dekat (2005), claimed as the real Islamic stories by Dedi Mizwar. While I intend to prove Mizwar's claim, I also will focus on examining the romantic scenes in both soap operas.

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Patil, Krishna. "Television Soap Operas and Social Change in India: Representations of Gender, Class, and Morality." Journal of Research in Social Science and Humanities 3, no. 2 (2024): 7–13. http://dx.doi.org/10.56397/jrssh.2024.02.02.

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Television soap operas hold a significant place in Indian society, serving as influential mediums that shape cultural norms, social discourse, and individual perceptions. This paper examines the profound impact of television soap operas on Indian society, exploring how these programs reflect, critique, and shape cultural values, social dynamics, and moral standards. Through compelling narratives and diverse characters, soap operas navigate complex themes such as gender roles, class dynamics, and moral dilemmas, offering audiences insights into the intricacies of Indian life. By fostering dialo

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Ridgard, Natalie. "Sex, ‘soaps’ and HIV." Communicare: Journal for Communication Studies in Africa 29, no. 1 (2022): 40–57. http://dx.doi.org/10.36615/jcsa.v29ised-1.1676.

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The phenomenon of multiple and concurrent partnerships (MCPs) is a key driver of the SouthAfrican HIV epidemic. Given that the epidemic is stabilising though not yet declining, reducingthe frequency of MCPs should constitute part of South Africa’s prevention strategy. Soap operas,with their strong emphasis on sexual intrigue and infidelity, offer an ideal platform for addressingthe risk of MCP.This article presents quantitative research that explores the extent to which seven locally broadcastsoap operas include sex and HIV in their storylines. It also explores whether a connection iscurrently

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Collins Wagumba and Dr Kamau Mwangi. "Re-Visiting TV Soap Opera Viewership in a Changing Broadcasting Dispensation in Nairobi." Kabarak Journal of Research & Innovation 11, no. 3 (2021): 221–28. http://dx.doi.org/10.58216/kjri.v11i3.73.

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This study rekindles the soap opera audience viewing debate in a digital broadcast environment within the Kenyan television programming context. In a mixed-method approach,415 participants were interviewed on their preferences of 21 regularly scheduled soap operas in 5 leading Free to air TV stations in Kenya, In addition, 57 participants were purposively identified for FGDs. The study employed the uses and gratification framework. The findings are that even with a new broadcast dispensation and a myriad of programming, the selection and viewing of soap operas are still paramount. The viewers

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Cantor, Muriel G., and Robert C. Allen. "Speaking of Soap Operas." Contemporary Sociology 15, no. 3 (1986): 386. http://dx.doi.org/10.2307/2070016.

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Fromm, Annette B. "Bathtubs and Soap Operas." Anthropology News 39, no. 4 (1998): 12. http://dx.doi.org/10.1111/an.1998.39.4.12.1.

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Goodman, Geoffrey. "Dynasties and soap operas." British Journalism Review 12, no. 3 (2001): 3–5. http://dx.doi.org/10.1177/095647480101200301.

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Riegel, Henriette. "Soap Operas and Gossip." Journal of Popular Culture 29, no. 4 (1996): 201–9. http://dx.doi.org/10.1111/j.0022-3840.1996.00201.x.

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Fitrianti, Rizki. "PENGARUH INTENSITAS MENONTON SINETRON REMAJA TERHADAP PERILAKU MORAL ANAK USIA 5-6 TAHUN (STUDI EX POST FACTO DI KELURAHAN KELAPA GADING TIMUR, JAKARTA UTARA)." Al Hanin 1, no. 1 (2022): 49–58. http://dx.doi.org/10.38153/alhanin.v1i1.80.

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AbstrackThis study aims to determine the effect of the intensity of watching teen soap operas on the moral behavior of children aged 5-6 years in the Kelapa Gading Timur Village, North Jakarta. The research method used is the Ex Post Facto method. The sampling technique used cluster random sampling and simple random sampling with a total sample of 30 children.The data analysis technique used for hypothesis testing is the t-test after first testing the requirements consisting of normality test and homogeneity test. The results of hypothesis testing with t-test obtained tcount of 10.392, while t

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Moreira, Paulo Roberto Staudt. "HÁ TANTOS LIBERTOS QUE VIVEM NA MISÉRIA. ADEMAIS, NÃO PODIA VIVER SEM MEU SENHOR: REPRESENTAÇÕES SOBRE ESCRAVIDÃO E LIBERDADE NA NOVELA O PATUÁ, DE CARLOS JANSEN (1878/1879)." Revista Prâksis 1 (January 11, 2021): 54. http://dx.doi.org/10.25112/rpr.v1i0.2324.

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Nos anos de 1878 e 1879 foi publicada em forma de folhetim, na Revista Brasileira (Rio de Janeiro), a novela O Patuá, descrita por Walter Spalding como “notável ensaio de ficção sobre usos e costumes gauchescos”. Essa revista foi fundada por Carlos Jansen, Sílvio Romero, Franklin Távora e Machado de Assis, sendo o primeiro deles o autor dessa novela-folhetim. O alemão Carlos Jansen integrou o grupo dos brummers, mercenários contratados pelo imperador brasileiro para lutarem contra Juan Manuel de Rosas e Manuel Oribe, no período de 1851 e 1852. Após os combates, Jansen permaneceu no Rio Grande

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Moreira, Paulo Roberto Staudt. "HÁ TANTOS LIBERTOS QUE VIVEM NA MISÉRIA. ADEMAIS, NÃO PODIA VIVER SEM MEU SENHOR: REPRESENTAÇÕES SOBRE ESCRAVIDÃO E LIBERDADE NA NOVELA O PATUÁ, DE CARLOS JANSEN (1878/1879)." Revista Prâksis 1 (January 11, 2021): 54. http://dx.doi.org/10.25112/rpr.v1i0.2324.

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Nos anos de 1878 e 1879 foi publicada em forma de folhetim, na Revista Brasileira (Rio de Janeiro), a novela O Patuá, descrita por Walter Spalding como “notável ensaio de ficção sobre usos e costumes gauchescos”. Essa revista foi fundada por Carlos Jansen, Sílvio Romero, Franklin Távora e Machado de Assis, sendo o primeiro deles o autor dessa novela-folhetim. O alemão Carlos Jansen integrou o grupo dos brummers, mercenários contratados pelo imperador brasileiro para lutarem contra Juan Manuel de Rosas e Manuel Oribe, no período de 1851 e 1852. Após os combates, Jansen permaneceu no Rio Grande

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Kim, Sangkyun, and Philip Long. "Touring TV Soap Operas: Genre in Film Tourism Research." Tourist Studies 12, no. 2 (2012): 173–85. http://dx.doi.org/10.1177/1468797612449249.

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There is a growing body of literature that addresses the relationships between film and television programmes and tourism. However, we argue in this paper that much of this research has not considered the critical issue of genre and how this may be a key factor in shaping tourist demand, expectation, experience and behaviour. In particular, we suggest that the distinctive characteristics of TV soap operas have been neglected, with much of the literature focused on English language, ‘blockbuster’ Hollywood produced film releases. In this paper, we address TV soap operas as genre in relation to

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Agoncillo-Quirante, Aleli, and Victorio Sugbo. "In the Minds of Philippine Audiences: Construction of the Malaysian Culture from Two TV Soap Operas." Plaridel 7, no. 2 (2010): 39–57. http://dx.doi.org/10.52518/2010.7.2-03agncllqrntsgb.

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Prolonged exposure to specific media programs has been observed to develop certain perceptions, attitudes and particular constructions of reality. As a powerful medium that captures the attention of a wide range of audiences, television (TV) soap operas shape and reshape the latter’s values and beliefs. This paper aims to determine what information co-productions of Philippine and Malaysian TV companies provide Filipino viewers in terms of knowledge constructions about Malaysia and its culture. Two TV soap operas, otherwise known as telenovela or teleserye, formed the bases of the investigatio

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Vu, Hong Tien, and Tien-Tsung Lee. "Soap Operas as a Matchmaker." Journalism & Mass Communication Quarterly 90, no. 2 (2013): 308–30. http://dx.doi.org/10.1177/1077699013482912.

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Charles, D. "Soap Operas to Save Energy." Science 325, no. 5942 (2009): 807. http://dx.doi.org/10.1126/science.325_807a.

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SHERRY, JOHN L. "Prosocial soap operas for development." Journal of International Communication 4, no. 2 (1997): 75–101. http://dx.doi.org/10.1080/13216597.1997.9751855.

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Ogden, David. "Therapeutic use of soap operas." Psychiatric Bulletin 31, no. 6 (2007): 234. http://dx.doi.org/10.1192/pb.31.5.234a.

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Maya Afriani, Suryati Suryati, and Lena Marianti. "Analisis Tayangan Sinetron Ikatan Cinta Terhadap Perilaku Sosial Masyarakat Palembang." Social Science and Contemporary Issues Journal 1, no. 1 (2023): 38–46. http://dx.doi.org/10.59388/sscij.v1i1.6.

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Soap operas are defined as dramas in a series of episodes that present stories from various characters simultaneously. The research is entitled Analysis of sinetron shows ikatan cinta in RCTI on the social behavior of the community palembang. Ikatan Cinta, an Indonesian soap opera created by MNC Pictures, had its television debut on RCTI on October 19, 2020 at 19.30 WIB. It's a soap opera directed by Doddy Djanas, has the genres of drama, romance, family and comedy. The screenwriters are Theresia Fransisca and Donna Rosamayna. The bond of love tells the story of two siblings, without them real

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Rosmiati, Ana. "PILIHAN DIKSI DALAM PRODUCT PLACEMENT DALAM SINETRON TUKANG OJEK PENGKOLAN." Acintya : Jurnal Penelitian Seni Budaya 13, no. 2 (2022): 129–43. http://dx.doi.org/10.33153/acy.v13i2.3998.

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This research on the accuracy of diction in the placement of product placement in the soap opera Tukang Ojek Pengkolan (TOP) at the RCTI Television Station is interesting considering that there are advertising products that are inserted when the soap opera is running. Product placement has become a trend to be shown in soap operas and films in Indonesia with the aim of introducing products effectively because at the same time as the broadcast time, TOP soap operas are one of the soap operas that air on RCTI with high viewership ratings. The story in this soap opera is relatively light about th

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Sahu, Sudhansubala. "Revisiting Television in India: Mapping the Portrayal of Women in Soap Operas." Sociological Bulletin 67, no. 2 (2018): 204–19. http://dx.doi.org/10.1177/0038022918775502.

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This article attempts to map the portrayal of women in popular soap operas on television in India. It begins with the discourses around portrayal of women on Doordarshan in the pre-liberalisation era and goes on to analyse a few soap operas in the past one decade. With substantive review of visual texts, it aims to disprove the claim that there is a paradigm shift especially with respect to the portrayal of women in the contemporary and so-called progressive soap operas. It concludes by comparing all the phases of development of television in India with respect to construction of women and sta

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Riffe, Daniel, Patricia C. Place, and Charles M. Mayo. "Game Time, Soap Time and Prime Time TV Ads: Treatment of Women in Sunday Football and Rest-of-Week Advertising." Journalism Quarterly 70, no. 2 (1993): 437–46. http://dx.doi.org/10.1177/107769909307000218.

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This content analysis of national television ads accompanying sporting events, soap operas and general prime time shows indicates that male characters are more common in ads accompanying sporting events and that males are more often given speaking roles. There was no support for a hypothesis that there would be more provocatively dressed women in sporting event ads than in advertising accompanying soap operas or prime time shows.

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Brown, William, Steven Kiruswa, Steven Kiruswa,, and Benson P. Fraser Benson P. Fraser. "Promoting HIV/AIDS Prevention through Soap Operas." Communicare: Journal for Communication Studies in Africa 22, no. 2 (2022): 90–111. http://dx.doi.org/10.36615/jcsa.v22i2.1810.

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In the past three decades television soap operas have been used as a means of healtheducation and persuasion. In recent years, the proliferation of entertainment televisionworldwide has made the soap opera a powerful source of educational and social messages.One of the most critical global health issues of today is the need to reduce HIV/AIDSinfection, particularly on the continent of Africa. In the 1990s, the country of Tanzaniabroadcast a highly effective radio soap opera to promote HIV/AIDS prevention. In 2000,Tanzania again employed the use of the soap opera to address HIV/AIDS as well as

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Bunyamin, Bunyamin Bunyamin. "Sinetron Indonesia Menuju Perkembangan Sebagai Sarana Media Massa." Al-Mada: Jurnal Agama, Sosial, dan Budaya 1, no. 2 (2019): 35–45. http://dx.doi.org/10.31538/almada.v1i2.198.

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Soap ope ras, better known as electronic cinema or teledrama, play a major role in society in understanding this real or real life and plugging in frames / images of thought in the future. In preparing for a global era and an increasingly advanced industrial society and intense competition in the global market, Indonesian soap operas must be able to play its role. Along with the increasing number of private TV sets, quantitatively Indonesian soap operas experienced a very proud development and also gave a variety of nuances, however the quality of Indonesian soap operas has only recently devel

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Okyayuz, Şirin. "Re-assessing the ‘weight’ of translations within the context of translated soap operas." Babel. Revue internationale de la traduction / International Journal of Translation 63, no. 5 (2017): 667–88. http://dx.doi.org/10.1075/babel.00003.oky.

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Abstract In translation studies, investigating translations beyond the implications, realities and difficulties of single texts and single language combinations, viewing the larger picture surrounding translations and following the translations through to the impacts they produce wherever they are received, is an integral part of the discipline. The study discussed in this article is an effort to present food for thought for audiovisual translators of soap operas. Turkish soap operas have been aired in 90 countries around the world, reaching over 400 million viewers, according to 2014 statisti

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Lockyear, Hester. "Multiculturalism in South African soap operas." Communicatio 30, no. 1 (2004): 26–43. http://dx.doi.org/10.1080/02500160408537985.

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