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Books on the topic 'Soap operas'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 June 2025

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1

Kerst, Sandra. Soap Operas im Englischunterricht. Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-658-02376-8.

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2

KellieAnn, Reynolds, and Reynolds Christopher, eds. Prime time soap operas. Praeger, 2009.

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3

Kulkarni, Saroj Gopal. Saris and soap operas. Red Engine Press, 2015.

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4

Snauffer, Douglas. Prime time soap operas. Praeger, 2009.

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5

Snauffer, Douglas. Prime time soap operas. Praeger, 2009.

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6

Marcy, Walker, and Carey Macdonald, eds. Soap opera history. Publications International, 1991.

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7

Aalborg, Denise Dietz. Soap bubbles. Five Star, 2010.

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8

Aalborg, Denise Dietz. Soap bubbles. Five Star, 2010.

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9

Ames, Holly. Soap opera's greatest love stories. Micro Mags, 1995.

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10

Dent, Karen. The soaps: Scene stealing scenes for actors. Meriwether Pub., 1989.

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11

Rössler, Patrick. Dallas und Schwarzwaldklinik: Eine Programmstudie über Seifenopern im deutschen Fernsehen. R. Fischer, 1988.

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12

Távola, Artur da. A telenovela brasileira: História, análise e conteúdo. Editora Globo, 1996.

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13

Groves, Seli. The ultimate soap opera guide. Visible Ink Press, 1995.

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14

Roberta Manuela Barros de Andrade. O fascínio de Scherazade: Os usos sociais da telenovela. Annablume, 2003.

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15

Mercado, Andrew. Super Aussie soaps: Behind the scenes of Australia's best loved TV shows. Pluto Press, 2004.

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16

Kingsley, Hilary. Soap box: The Papermac guide to soap opera. Papermac, 1988.

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17

Jesús, Martín B., and Muñoz Sonia, eds. Televisión y melodrama: Géneros y lecturas de la telenovela en Colombia. Tercer Mundo Editores, 1992.

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18

Borchers, Hans. Never-ending stories: American soap operas and the cultural production of meaning. WVT, Wissenschaftlicher Verlag Trier, 1994.

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19

Cristina, Peñamarín, and López Díez Pilar, eds. Los Melodramas televisivos y la cultura sentimental. Comunidad de Madrid, Dirección General de la Mujer, 1995.

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20

Gross, Joel. The youngman who wrote soap operas. Piatkus, 1986.

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21

Hayward, Anthony. The who's who of soap operas. Guinness, 1991.

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22

Vicencio, González-Azuaje, and Padrón Leonardo 1959-, eds. Y Latinoamérica inventó la telenovela. Alfadil Ediciones, 2002.

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23

Suzanne, Frentz, ed. Staying tuned: Contemporary soap opera criticism. Bowling Green State University Popular Press, 1992.

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24

Ferreira, Mauro. Nossa Senhora das Oito: Janete Clair e a evolução da telenovela no Brasil. MAUAD Editora, 2003.

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25

Rebeca Padilla de la Torre. Relatos de telenovelas: Vida, conflicto e identidades. Universidad de Guadalajara, 2004.

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26

Cox, Jim. Historical dictionary of American radio soap operas. Scarecrow Press, 2006.

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27

Aguilera, Francisco Javier Torres. Telenovelas, televisión y comunicación: El caso de México. Ediciones Coyoacán, 1994.

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28

Marita, Soto, and Aprea Gustavo, eds. Telenovela/telenovelas: Los relatos de una historia de amor. Atuel, 1996.

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29

Cecilia, Absatz. Mujeres peligrosas: La pasión según el teleteatro. Planeta, 1995.

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30

Kilborn, R. W. Television soaps. B.T. Batsford, 1992.

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31

Rosario, Arias de Aramburú, ed. Sobre la telenovela: Historia y condiciones de producción de la telenovela peruana : análysis textual de tres telenovelas. Universidad de Lima, Facultad de Ciencias de la Comunicación, Facultad de Ciencias Humanas, 1993.

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32

Vilela, Rosario Sánchez. Sueños cotidianos: Telenovela y oralidad. Universidad Católica, 2000.

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33

Pallottini, Renata. Dramaturgia de televisão. Editora Moderna, 1998.

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34

Williams, Carol T. It's time for my story: Soap opera sources, structure, and response. Praeger, 1992.

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35

Mazziotti, Nora. La Industria de la telenovela: La producción de ficción en América Latina. Paidós, 1996.

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36

Rodríguez, Clemencia. La telenovela en Colombia : much más que amor y lágrimas: Clemencia Rodríguez, María Patricia Téllez ; introducción, Amparo Cadavid. Centro de Investigación y Educación Popular, 1989.

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37

Lücke, Stephanie. Real Life Soaps: Ein neues Genre des Reality TV. Lit, 2002.

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38

Valentin, Oliver. Lindenstrasse: Modernes Märchen oder Wirklichkeit? Haag + Herchen, 1992.

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39

Medeiros, Ricardo. Dramas no rádio: A radionovela em Florianópolis nas décadas de 50 e 60. Editora Insular, 1998.

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40

A, González Jorge, ed. La cofradía de las emociones (in)terminables: Miradas sobre telenovelas en México. Universidad de Guadalajara, 1998.

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41

Cuéllar, Karla Yolanda Covarrubias. Córrele que ya empezó-- !: Lo que hace la familia Velázquez cuando se involucra con las telenovelas. H. Ayuntamiento de Colima, 1992.

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42

Krulik, Nancy E. Sizzling soap stars. Pocket Books, 1999.

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43

Simões, Borelli Silvia Helena, and Resende Vera da Rocha, eds. Vivendo com a telenovela: Mediações, recepção, teleficcionalidade. Summus Editorial, 2002.

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44

Snauffer, Douglas M. Prime Time Soap Operas. ABC-CLIO, LLC, 2009. http://dx.doi.org/10.5040/9798216001171.

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Prime time soaps are often revered long after their runs on television have ended, as Dallas, Twin Peaks, and Beverly Hills 90210 readily demonstrate. Due to their profound impact, it's easy to forget how recently the genre itself was born. Dallas premiered in 1978, and was originally intended to air solely as a five-part mini-series. Then, in 1981, producer Aaron Spelling stepped in and introduced his own ultra-glitzy entry Dynasty. Between these two mega-hits, the era of the nighttime soap was born. Soaps soon spun off into non-traditional avenues as well, in sitcoms like Filthy Rich and the supernatural drama Twin Peaks. Then, with the arrival of the more youth-oriented Fox Network, producers were able to hook an entirely new generation on programs such as Beverly Hills, 90210, Melrose Place, and Party of Five. Pay-cable channels have also stepped into the picture and now act as trendsetters with hits like Sex and the City, Six Feet Under, The Sopranos, and The L Word. Now, from the spiritually themed 7th Heaven to the naughty neighbors of ABC's Desperate Housewives, soaps dominate prime time. Prime Time Soaps covers all the major shows within the soap-opera genre, and also investigates all the ways that soaps have contributed to the development of more general television trends. Interviews with producers, actors, and other artistic collaborators also supplement this revealing and entertaining account. Even outside of their genre, these shows continue to influence current programming. Few series on TV today are purely episodic, instead containing on-going storylines involving the personal dilemmas of their characters. Another very recognizable contribution from soaps occurred on the evening of March 21, 1980, when Dallas finished out its third year with J.R. Ewing being shot by an unknown assailant, leaving fans to wait until the fall for the resolution. This was the beginning of the cliffhanger endings that are now implemented by just about every series on television. Prime Time Soaps covers all the major shows, and also investigates all the ways that soaps have contributed to the development of more general television trends. Interviews with producers, actors, and other artistic collaborators supplement this revealing and entertaining account.
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45

McCormack, Erin Lizabeth. Spanish Soap Operas. CreateSpace Independent Publishing Platform, 2011.

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46

Radioart. Bob & Ray: The Soap Operas (Bob & Ray: Soap Operas). Radio Art, 2000.

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47

Radioart. Bob & Ray: The Soap Operas (Bob & Ray: Soap Operas). Radio Art, 2000.

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48

Radioart. Bob & Ray: The Soap Operas (Bob & Ray: Soap Operas). Radio Art, 2000.

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49

Radioart. Bob & Ray: The Soap Operas (Bob & Ray: Soap Operas). Radio Art, 2000.

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50

Soap opera. Polity, 2003.

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