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Journal articles on the topic 'Soap operas'
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Rosmiati, Ana. "PILIHAN DIKSI DALAM PRODUCT PLACEMENT DALAM SINETRON TUKANG OJEK PENGKOLAN." Acintya : Jurnal Penelitian Seni Budaya 13, no. 2 (2022): 129–43. http://dx.doi.org/10.33153/acy.v13i2.3998.
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This research on the accuracy of diction in the placement of product placement in the soap opera Tukang Ojek Pengkolan (TOP) at the RCTI Television Station is interesting considering that there are advertising products that are inserted when the soap opera is running. Product placement has become a trend to be shown in soap operas and films in Indonesia with the aim of introducing products effectively because at the same time as the broadcast time, TOP soap operas are one of the soap operas that air on RCTI with high viewership ratings. The story in this soap opera is relatively light about the life of a motorcycle taxi driver. The problem in this research is how to choose an effective diction placement in the product placement of the soap opera Tukang Ojek Pengkolan and how to place the product placement in the soap opera Tukang Ojek Pangkalan when viewed from the nature of the advertisement. The purpose of this study was to find an effective choice of diction placement in the product placement of the soap opera Tukang Ojek Pengkolan and to describe the advertising nature of the product placement found in the soap opera Tukang Ojek Pengkolan. This type of research is a qualitative descriptive research. The data source in this study is the primary data source in the form of the soap opera Tukang Ojek Pengkolan (TOP).Keywords : Product placement, advertisement, soap opera TOP
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Sumiati, Wina. "Islamic Love Stories: How Indonesian Soap Opperas Presented Islamic Version of Romantic Love in the 2000s." Tsaqofah 21, no. 1 (2023): 41–52. http://dx.doi.org/10.32678/tsaqofah.v21i1.8378.
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During Ramadhan month in the 2000s, most Indonesian TV stations used to air Islamic-themed soap operas. However, the stories of those soap operas did not represent Islamic values. Rather than showing Islamic messages in their stories, most scenes of those soap operas were all about melodrama and mysticism. This research aims to analyze and compare two Islamic-labeled soap operas, Lorong Waktu 3 (2002) and Kiamat Sudah Dekat (2005), claimed as the real Islamic stories by Dedi Mizwar. While I intend to prove Mizwar's claim, I also will focus on examining the romantic scenes in both soap operas. I use qualitative methods to analyze the research objective by collecting primary sources digitally on YouTube and secondary sources in online-offline libraries. The videos of Mizwars' soap operas are available and open-accessed on YouTube, so obtaining the relevant primary sources is effortless. After researching, I found that melodrama and mysticism popularities of many Islamic labeled soap operas did not influence the romantic love stories of Mizwar's production. Both Lorong Waktu 3 and Kiamat Sudah Dekat beautifully convey how Islam confines a romantic relationship to Indonesian Muslim society. All in all, this research shows the filmmaker succeeded in criticizing and changing the image of most soap opera characters that previously did not represent Islamic lessons.
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Collins Wagumba and Dr Kamau Mwangi. "Re-Visiting TV Soap Opera Viewership in a Changing Broadcasting Dispensation in Nairobi." Kabarak Journal of Research & Innovation 11, no. 3 (2021): 221–28. http://dx.doi.org/10.58216/kjri.v11i3.73.
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This study rekindles the soap opera audience viewing debate in a digital broadcast environment within the Kenyan television programming context. In a mixed-method approach,415 participants were interviewed on their preferences of 21 regularly scheduled soap operas in 5 leading Free to air TV stations in Kenya, In addition, 57 participants were purposively identified for FGDs. The study employed the uses and gratification framework. The findings are that even with a new broadcast dispensation and a myriad of programming, the selection and viewing of soap operas are still paramount. The viewers select to watch soap operas with storylines and performance they perceive as believable and genuine. The domestic audience is attracted to watch foreign soap operas over the local productions because of their better storytelling skills and characterization. The study recommends scripting workshops for domestic producers and the development of screen acting centers of excellence. There is also a need to tweak the 60% local content quota policy to incorporate creative aspects. Regular promos of the domestic soap operas within the broadcast schedules would also boost their uptake.
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Maya Afriani, Suryati Suryati, and Lena Marianti. "Analisis Tayangan Sinetron Ikatan Cinta Terhadap Perilaku Sosial Masyarakat Palembang." Social Science and Contemporary Issues Journal 1, no. 1 (2023): 38–46. http://dx.doi.org/10.59388/sscij.v1i1.6.
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Soap operas are defined as dramas in a series of episodes that present stories from various characters simultaneously. The research is entitled Analysis of sinetron shows ikatan cinta in RCTI on the social behavior of the community palembang. Ikatan Cinta, an Indonesian soap opera created by MNC Pictures, had its television debut on RCTI on October 19, 2020 at 19.30 WIB. It's a soap opera directed by Doddy Djanas, has the genres of drama, romance, family and comedy. The screenwriters are Theresia Fransisca and Donna Rosamayna. The bond of love tells the story of two siblings, without them realizing it, they love the same man and in the end it causes family conflict. This study aims to determine the interest in watching soap operas Bonds of Love on RCTI and to find out how soap operas affect the social behavior of the people in Palembang. The research used in this study began with data collection, recording, interpretation, application of the properties and objects studied included in a descriptive qualitative approach using the uses and gratifications theory. The subjects in this study were the people Palembang. This method forms data in the form of text or speech from each person's behavior that is seen. After analyzing the data, it was proven that the public was interested in watching soap operas that had an interesting storyline and visualization of the cast, and it was also proven that the soap opera Ikatan Cinta did not change behavior, but some followed the fashion style and the names of the characters from the soap opera Ikatan Cinta
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Liebes, Tamar, and Sonia Livingstone. "European Soap Operas." European Journal of Communication 13, no. 2 (1998): 147–80. http://dx.doi.org/10.1177/0267323198013002001.
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Atay, Ahmet, and Kristyn Gorton. "Histories and new directions: Soap opera/serial narrative research." Journal of Popular Television 10, no. 2 (2022): 115–22. http://dx.doi.org/10.1386/jptv_00073_2.
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This is an introduction to the Special Issue, inspired by the Histories and New Directions: Soap Opera and Serial Narrative Research conference at the University of York in July 2017. The event was conceptualized and organized by the editors of this Special Issue to gather media and cultural studies scholars, and generate a scholarly dialogue on the historical issues, current status and future directions of serial narratives and soap opera as a genre. The introduction outlines the seven articles in this issue, all of which revisit and expand on previous soap opera scholarship and its enduring appeal to audiences and fans. In asking questions about the aesthetics, audiences and industries of soap operas, the articles in this Special Issue highlight some of the key issues in soap storytelling and fandom such as community, pleasure and gender. Some of the articles also consider the impact of COVID-19 on the production and reception of soap operas.
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Narang, Bernika Yustisiana. "ANALYZING THE PHENOMENON: EXPLORING THE POPULARITY AND REPRESENTATION OF WOMEN IN THE INDONESIAN SOAP OPERA "CINTA FITRI"." International Journal of Islamic Education, Research and Multiculturalism (IJIERM) 6, no. 1 (2024): 212–24. https://doi.org/10.47006/ijierm.v6i1.316.
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The soap opera "Cinta Fitri" is one of the most popular TV drama series (soap operas) not only in Indonesia but also in Singapore (MdEntertainment). This paper focuses on the phenomenon of soap operas and gender representation in Indonesian media. The research methods that will be used in this research include content analysis, case studies, surveys and statistical analysis, literature studies, and comparative analysis. The Indonesian soap opera "Cinta Fitri" captivates audiences with its portrayal of personal struggles and complex relationships. Lead characters Fitri and Farrel challenge traditional gender norms, resonating with viewers. The show's popularity is fueled by its relatable storyline, strong character dynamics, and dedicated fan base, making it a cultural phenomenon in Indonesia. "Cinta Fitri" is an Indonesian soap opera that was successful because it presented an evocative story, strong characters who challenged traditional gender norms, and received fanatical support from the audience. By focusing on personal conflicts and relationships between characters, this soap opera shows its appeal and becomes a cultural phenomenon that influences views on gender in Indonesia.
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Syed, Md Azalanshah Md, and Christine Runnel. "Malay women, non-Western soap operas and watching competencies." Journal of Consumer Culture 14, no. 3 (2013): 304–23. http://dx.doi.org/10.1177/1469540513488402.
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Soap opera is a potent cultural site for Malay women to imagine the meanings of modernity. Initially the Malaysian government promoted non-Western soap operas to circulate the state’s vision of alternative Asian-style modernities. Now the authorities have voiced a concern that some images and discourses of transnational modernity articulated even in non-Western soaps pose a threat to the cultural integrity of Malay women. This paper studies the significance of non-Western soaps to an understanding of gendered expectations and the progressive re-territorialization of the socio-political order in the context of an ethos of mediatized cultural globalization. Our referent is patriarchal Islamist state Malaysia. We conduct an empirical case study exploring Malay Muslim women’s negotiation and understanding of non-Western soap operas in Malaysia. Results from a series of guided in-depth interviews with 12 rural and urban Malay women enable us to understand how they negotiate their position as viewers of these non-Western soaps, given the criticism about the supposed immorality of these programs. We argue that Malay women act as strategic audiences who mobilize sophisticated viewing tactics that we call ‘watching competencies’ to negotiate the pleasures and potential conflicts of their access to non-Western soaps. This research indicates that Malay women are neither passive, vulnerable consumers of foreign soap, nor easily manipulated by those who claim authority; rather, they confidently assert their autonomy as consumer-citizens of a modern Islamic state.
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Kim, Sangkyun, and Philip Long. "Touring TV Soap Operas: Genre in Film Tourism Research." Tourist Studies 12, no. 2 (2012): 173–85. http://dx.doi.org/10.1177/1468797612449249.
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There is a growing body of literature that addresses the relationships between film and television programmes and tourism. However, we argue in this paper that much of this research has not considered the critical issue of genre and how this may be a key factor in shaping tourist demand, expectation, experience and behaviour. In particular, we suggest that the distinctive characteristics of TV soap operas have been neglected, with much of the literature focused on English language, ‘blockbuster’ Hollywood produced film releases. In this paper, we address TV soap operas as genre in relation to audience consumption and their possible links with tourism. We discuss the defining features of soap operas including their serialisation, the level of audience exposure and emotional engagement along with their connections with personal and domestic everyday life. We note their being a platform for interpersonal, intercultural and inter-textual discourse. We argue in the context of film tourism, that viewing soap operas may promote identification, empathy, emotional connection and parasocial interactions, and that these may motivate some audience members to visit soap opera locations, and also contextualise their anticipation concerning what they might expect to experience.
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Suyudi Alimun Hakim and Mulkan Habibi. "Pengaruh Program Tayangan Sinetron Anak Jalanan A New Beginning Terhadap Perilaku Remaja." Harmoni: Jurnal Ilmu Komunikasi dan Sosial 2, no. 2 (2024): 01–12. http://dx.doi.org/10.59581/harmoni-widyakarya.v2i2.2877.
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Since ancient times, soap operas have presented many continuous stories, the content of the stories is very diverse. Many soap operas have high ratings. One of them is the soap opera that will be discussed in this research, namely the soap opera Street Children A New Beginning which aired on GTV. This soap opera has also been criticized by the Indonesian Broadcasting Commission (KPI) because there are many scenes that should not be published. The KPI believes that this soap opera contains many violations committed by teenagers. The aim of this research is to measure the street children broadcast program A New Beginning on GTV, measure the behavior of teenagers in RW 011 North Meruya Village and measure the influence of the Street Children Program A New Beginning on GTV on the behavior of teenagers in RW 011 North Meruya Village. The theories used in this research are broadcasting, broadcast media, broadcast programs, types of programs, watching and soap operas as well as adolescent behavior theory. This research uses a quantitative approach and survey research mode. The data collection technique was carried out by distributing questionnaires to 75 predetermined respondents. Sampling used the Startified Random Sampling Technique. This research is shown by the average value of respondents' answers for variable (X) of 3.63, this value is classified as high (Agree) and the average value of respondents' answers for variable (Y) is also classified as high (Agree) at 4.03. The quite large influence of soap opera program broadcasts on adolescent behavior can also be assessed at the (R) correlation of 0.806 which is classified as very high and R square 0.649 or 64.9% influence while the remaining 35.1% is influenced by other factors.
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Beenish Zaheen, Aasima Safdar, and Muhammad Riaz. "Impact of Soap Operas on the Television Viewers: Experience from Pakistani Society." Journal of Business and Social Review in Emerging Economies 7, no. 1 (2021): 145–55. http://dx.doi.org/10.26710/jbsee.v7i1.1539.
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Soap operas are popular genre in media industry from all over the world. Generally, Soap operas focus on family dramas, domestic issues and women plight. There were number of studies conducted to explore public perception regarding soap operas. The present study aimed to explore the opinion from Pakistani society regarding their experience of watching Star plus soap operas. The research based on Cultivation theoretical framework which intended to explore the difference between heavy and light viewers of Star plus soap operas. It was found that there was no significant difference exist between heavy and light viewers perception. Both type of viewers supported females’ educational, political and legal rights in the society. The time spent in watching Star Plus soap operas did not have great impact on heavy viewers in changing their minds and thoughts.
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Brown, William, Steven Kiruswa, Steven Kiruswa,, and Benson P. Fraser Benson P. Fraser. "Promoting HIV/AIDS Prevention through Soap Operas." Communicare: Journal for Communication Studies in Africa 22, no. 2 (2022): 90–111. http://dx.doi.org/10.36615/jcsa.v22i2.1810.
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In the past three decades television soap operas have been used as a means of healtheducation and persuasion. In recent years, the proliferation of entertainment televisionworldwide has made the soap opera a powerful source of educational and social messages.One of the most critical global health issues of today is the need to reduce HIV/AIDSinfection, particularly on the continent of Africa. In the 1990s, the country of Tanzaniabroadcast a highly effective radio soap opera to promote HIV/AIDS prevention. In 2000,Tanzania again employed the use of the soap opera to address HIV/AIDS as well as othersocial issues, this time through television. Our research indicates that the Tanzaniantelevision soap opera employed in this effort, Maisha, effectively promoted HIV/AIDSprevention among television viewers. In particular, those who were more involved withMashaka, the star of Maisha, were more powerfully influenced by the health messagescommunicated through the programme. The implications of this research for usingentertainment for HIV/AIDS prevention are discussed
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Cantor, Muriel G., and Robert C. Allen. "Speaking of Soap Operas." Contemporary Sociology 15, no. 3 (1986): 386. http://dx.doi.org/10.2307/2070016.
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Fromm, Annette B. "Bathtubs and Soap Operas." Anthropology News 39, no. 4 (1998): 12. http://dx.doi.org/10.1111/an.1998.39.4.12.1.
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Goodman, Geoffrey. "Dynasties and soap operas." British Journalism Review 12, no. 3 (2001): 3–5. http://dx.doi.org/10.1177/095647480101200301.
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Riegel, Henriette. "Soap Operas and Gossip." Journal of Popular Culture 29, no. 4 (1996): 201–9. http://dx.doi.org/10.1111/j.0022-3840.1996.00201.x.
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Ibnu Satrio Wibowo and Fal Harmonis. "Pengaruh Sinetron Ikatan Cinta Terhadap Perilaku Remaja." Jurnal Kajian dan Penelitian Umum 2, no. 1 (2024): 293–303. http://dx.doi.org/10.47861/jkpu-nalanda.v2i1.904.
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Ikatan Cinta became one of the most influential soap operas with very high ratings. The soap opera Ikatan Cinta raises the story of romance, family, and social issues that occur in society. This soap opera has an influence that is considered quite large in society, especially in the teenage community. This study aims to determine the effect of the soap opera Ikatan Cinta on Teenage Behavior (Survey on Teenagers of RT 008 RW 012 Kedaung, Pamulang, South Tangerang). This research uses quantitative method by conducting a survey on 50 teenagers in RT 008 RW 012 Kedaung, Pamulang, South Tangerang. The data analysis used in this research is simple linear data analysis with two variables, namely Sinetron Ikatan Cinta as the independent variable and Teen Behavior as the dependent variable. The results of this study indicate a very strong and significant correlation between the influence of Love Bond soap operas on Teenage Behavior with a correlation coefficient of 0.824. The results of hypothesis testing show that the thiitung value is 10.0757893> 1.67722 ttabel, so Ho is rejected and Ha is accepted, meaning that there is a significant influence between the influence of the Love Bond soap opera on Teen Behavior.
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Nazaruddin, Muzayin. "Representing Islam: old myths in the new medium." Asian Journal of Media and Communication 2, no. 2 (2019): 19–27. http://dx.doi.org/10.20885/asjmc.vol2.iss2.art4.
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This study focuses on the adaptation of Islamic-mystic magazines into religious soap operas in Indonesia. This study concludes that for the producers, Islamic soap opera plays an economic function: to get more audiences and more economic profit. But, for the audience, religious soap opera plays a cultural function: to maintain and reconfirm their traditional beliefs. It leads us to the theoretical conclusion that this adaptation practice is a mechanism of self-translation of Javanese culture.
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Gorton, Kristyn. "‘Storytelling is storytelling’: Resilience, gender and screenwriting in Fair City." Journal of Popular Television 10, no. 2 (2022): 139–53. http://dx.doi.org/10.1386/jptv_00075_1.
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This article explores the resilience of soap screenwriters and the resilient characters they create in soap opera through interviews with screenwriters on the Dublin-based soap opera Fair City (1989‐present). The article also draws on an interview with Brigie de Courcy, executive producer of Fair City, to highlight the effects of the coronavirus pandemic on soap operas. The interview reveals inherent characteristics of the soap genre, including the habitual viewing of its audience and the ways in which the soap narrative relies on the physical proximity of its actors. The interview also reflects the genre’s resilience and the resilience of the people who work within it.
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Patil, Krishna. "Television Soap Operas and Social Change in India: Representations of Gender, Class, and Morality." Journal of Research in Social Science and Humanities 3, no. 2 (2024): 7–13. http://dx.doi.org/10.56397/jrssh.2024.02.02.
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Television soap operas hold a significant place in Indian society, serving as influential mediums that shape cultural norms, social discourse, and individual perceptions. This paper examines the profound impact of television soap operas on Indian society, exploring how these programs reflect, critique, and shape cultural values, social dynamics, and moral standards. Through compelling narratives and diverse characters, soap operas navigate complex themes such as gender roles, class dynamics, and moral dilemmas, offering audiences insights into the intricacies of Indian life. By fostering dialogue, raising awareness, and inspiring social change, television soap operas emerge as powerful agents of cultural transformation, influencing the aspirations, values, and behaviors of millions of viewers across India.
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Ridgard, Natalie. "Sex, ‘soaps’ and HIV." Communicare: Journal for Communication Studies in Africa 29, no. 1 (2022): 40–57. http://dx.doi.org/10.36615/jcsa.v29ised-1.1676.
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The phenomenon of multiple and concurrent partnerships (MCPs) is a key driver of the SouthAfrican HIV epidemic. Given that the epidemic is stabilising though not yet declining, reducingthe frequency of MCPs should constitute part of South Africa’s prevention strategy. Soap operas,with their strong emphasis on sexual intrigue and infidelity, offer an ideal platform for addressingthe risk of MCP.This article presents quantitative research that explores the extent to which seven locally broadcastsoap operas include sex and HIV in their storylines. It also explores whether a connection iscurrently being made between MCPs and the risk of HIV infection. The findings show that sexis a key component of these soap operas, but is only linked to HIV in two per cent of cases.In comparison with their real-world occurrence, MCPs, transactional sex and intergenerationalrelationships are overrepresented in soap operas. Only eight per cent of soap operas mentionHIV, whether linked to sex or not. This is mostly through storylines featuring ‘stock’ HIV-positivecharacters.These findings feed into a wider discussion around the role and responsibilities of soap operas ina society grappling with a widespread HIV epidemic.
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Saputra, Muhammad Rangga, Suryati Suryati, and Anang Walian. "Analisis Pesan Moral Pada Sinetron Cinta Setelah Cinta." JKOMDIS : Jurnal Ilmu Komunikasi Dan Media Sosial 3, no. 2 (2023): 444–57. http://dx.doi.org/10.47233/jkomdis.v3i2.704.
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This thesis is entitled "Analysis of Moral Messages in the Soap Opera Cinta After Cinta" in the current technological era, television is no stranger to society, television functions as a medium and means of information and entertainment and one of them is soap operas. In general, soap operas depict stories of everyday life for the community. There is a moral message contained in films/shows. Morals are good and bad teachings that apply to society. The purpose of this study is to find out what moral messages are contained in the soap opera Cinta After Cinta. This study uses Charles Sanders Peirce's semiotic analysis and uses qualitative research in the form of observation and documentation. The documentation method takes several scenes from the soap opera Cinta After Cinta which was broadcast on 16 May-20 May 2022. The results of this study contained a moral message that was conveyed in the broadcast on 16 May-20 May 2022. Among other things, wise parents are to always protect their children, promises marriage is not just a promise but must be kept, caring for a husband is the duty of a wife, a dutiful child is helping and praying for his parents and others.
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Rachmawati, Yul, and Tangguh Okta Wibowo. "KENIKMATAN IRONIS BAGI MANTAN PREMAN DI YOGYAKARTA SETELAH MENONTON SINETRON PREMAN PENSIUN." Jurnal Komunikasi 12, no. 2 (2018): 111–20. http://dx.doi.org/10.21107/ilkom.v12i2.4513.
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ABSTRACTThis study attempts to explore how the reception of the audiences after watching Preman Pensiun(PP) soap opera, a comedy soap opera by Aris Nugraha which has aired up to three series. Theproblematization of this study comes when PP soap opera raises a question, how do audiences’response in the city other than Bandung? This study tries to understand how receptive thugs whoare retired or ex-thugs after watched PP soap operas in their daily lives. For data collection,researchers conducted in-depth interviews after approaching three informants as former thugs in Yogyakarta. The result of this study is the communication of former thugs in daily life after they have constructed and reproduced values adopted from PP soap opera. Last, PP soap opera givespleasure for the ex-thugs in providing entertainment, but also it gives ironic pleasure and paradoxwhen they feel away with the pleasure.Keywords: daily lives of ex-thugs; ironic pleasure; Preman Pensiun soap opera; reception of thugs
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Vu, Hong Tien, and Tien-Tsung Lee. "Soap Operas as a Matchmaker." Journalism & Mass Communication Quarterly 90, no. 2 (2013): 308–30. http://dx.doi.org/10.1177/1077699013482912.
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Charles, D. "Soap Operas to Save Energy." Science 325, no. 5942 (2009): 807. http://dx.doi.org/10.1126/science.325_807a.
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SHERRY, JOHN L. "Prosocial soap operas for development." Journal of International Communication 4, no. 2 (1997): 75–101. http://dx.doi.org/10.1080/13216597.1997.9751855.
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Ogden, David. "Therapeutic use of soap operas." Psychiatric Bulletin 31, no. 6 (2007): 234. http://dx.doi.org/10.1192/pb.31.5.234a.
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Sergi, Michael, and Peter Dodds. "How Reality Bites: The Production of Australian Soap Operas." Media International Australia 106, no. 1 (2003): 71–83. http://dx.doi.org/10.1177/1329878x0310600109.
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Soap opera in Australia is driven artistically by the bottom line, according to Peter Dodds, the producer of the archetypal Australian soap Neighbours, and to Michael Sergi, a freelance director and academic. The meaning of any particular episode is best understood as being filtered by constraints governing production and direction. The specific production and direction processes illuminate much debate about soaps.
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Fitrianti, Rizki. "PENGARUH INTENSITAS MENONTON SINETRON REMAJA TERHADAP PERILAKU MORAL ANAK USIA 5-6 TAHUN (STUDI EX POST FACTO DI KELURAHAN KELAPA GADING TIMUR, JAKARTA UTARA)." Al Hanin 1, no. 1 (2022): 49–58. http://dx.doi.org/10.38153/alhanin.v1i1.80.
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AbstrackThis study aims to determine the effect of the intensity of watching teen soap operas on the moral behavior of children aged 5-6 years in the Kelapa Gading Timur Village, North Jakarta. The research method used is the Ex Post Facto method. The sampling technique used cluster random sampling and simple random sampling with a total sample of 30 children.The data analysis technique used for hypothesis testing is the t-test after first testing the requirements consisting of normality test and homogeneity test. The results of hypothesis testing with t-test obtained tcount of 10.392, while ttable of 2.25 so 10.392 2.25, and a significance level of 0.00 with an alpha error rate of 0.05 then 0.00 0.05 so that based on the statistical hypothesis H0 is rejected and Ha is accepted, meaning there are differences in moral behavior children in the high intensity group watching teen soap operas with the moral behavior of children in the low intensity group watching teen soap operas. The results showed that the moral behavior of children in the high intensity group watching teen soap operas would be lower than the moral behavior of children in the low intensity group watching teen soap operas. The implication of this research is the role and supervision of parents on teen soap operas that are watched by children. Parents must guide and give signs in watching television. Parental control in the selection of television shows will be a preventive measure so that children are not mistaken in choosing television shows to watch. Keywords: Teenage soap operas, moral behavior of children aged 5-6 years
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Ashifa, K. M. "Behavior Analysis Matrix for Women Soap Opera Viewers: A Structural Analysis." GATR Journal of Management and Marketing Review 3, no. 4 (2018): 206–12. http://dx.doi.org/10.35609/jmmr.2018.3.4(5).
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Objective - In modern times, soap operas are thought to be a good source of leisure and are considered a powerful medium for propagating specific attitudes, ideas and different cultures within society. They are also useful for educating, informing and entertaining audiences, particularly women and children. The present investigation examines behavioural changes in women who watch soap operas. The Behaviour Analysis Matrix is used to assess changes in socio-cultural, psychological, economic, physiological and functional traits. Methodology/Technique - The present paper develops a global model for behavioural analysis of women who view soap operas using structural equation modelling. Findings - The present SEM model on behavioural analysis of soap opera viewers can be adopted as a global model for intervention. Novelty - The present study is useful for medical personal, social workers, academics and researchers in understanding the positive and negative effects of television shows on women, specifically, whether these serials create attitude changes among modern day women and the extent of the effect of their inter-personal relationships with family members and society. It is believed that this study will assist satellite media personnel in the development of their future programmes with social consciousness. Type of Paper: Empirical Keywords: Structural Equation Modelling; Performance; Socio-cultural Traits; Economical Traits; Psychological Traits; Physiological Traits. JEL Classification: M30, M31, M39.
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Kurniasari, Nasywa Nurlatifa Riski, and Ramona Chania. "Efek Sinetron dan FTV dalam Mempengaruhi Pola Pikir Masyarakat." LITERAKOM: Jurnal Literasi dan Komunikasi 1, no. 1 (2023): 25–33. http://dx.doi.org/10.24036/lk.v1i1.6.
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Cultivation theory is one of the theories of the effects of mass communication which assumes that continuous exposure to the media in the long run will provide an image and influence on the thoughts and perceptions of the audience. The media here is television. The audience begins to think that what happens in television programs also happens in their lives and reinforces their beliefs about social reality as well as the content on television. One of the television programs that provides an overview and strengthens the audience's beliefs about social reality that is in accordance with television content is soap operas and FTV. This study aims to see the magnitude of the influence of soap operas and FTV on the perspective of people, who watch soap operas and FTV continuously in the long term. This research uses the literature study method. Data collection techniques by paying attention to the responses of soap opera and FTV viewers through social media such as Tiktok comments, comments on Youtube, or seeing responses from interviews on YouTube and previous research journals. The results showed that the audience is quite influentiated, gets other sources of information, ideas, and awareness, which will change perceptions and even behavior if supported by other factors such as individual background or education level.
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Tager, Michele. "Soap opera viewing in a communal context." Communicare: Journal for Communication Studies in Africa 23, no. 2 (2022): 1–20. http://dx.doi.org/10.36615/jcsa.v23i2.1757.
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This paper presents some of the findings of an ethnographic audience study of the soapopera viewing patterns and interpretations of Zulu-speaking students living in residencesat a South African university (Natal University’s Durban campus) who watch The Boldand the Beautiful (an American soap opera) and Generations (a South African soapopera). Although the research undertaken covered various aspects of the soap operaviewing experience and the consumption of an international vs a local soap opera, thispaper will focus specifically on the nature of the viewing process and the ways in whichthe respondents relate to both soap operas, and it touches briefly on how the viewingpatterns of the students and their motivations for watching compare with audiencestudies conducted elsewhere in the world.
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Graour, Kristina. "Serial communities: The dynamics between individual and collective identity in Orange Is the New Black." Journal of Popular Television 10, no. 2 (2022): 155–66. http://dx.doi.org/10.1386/jptv_00076_1.
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The influence of soap operas on other forms of television narrative has long been remarked upon by television scholars, especially with regards to the increasing tendency towards serialized plotlines that contemporary dramas have exhibited over the last three decades. Nonetheless, the full impact of the soap opera form on the structural principles of ongoing television narratives is yet to be explored. A crucial part of this lineage is the privileged role granted to communities in soaps, a narrative strategy that has been embraced by an array of other types of serialized programming, including ‘premium’ dramas. Drawing on Christine Geraghty’s writing on soap operas’ construction of community, this article will examine how this storytelling strategy is reworked by contemporary ‘premium’ programmes. Using Orange Is the New Black (2013‐19) as a case study, I will explore how the patterns of interplay between the individual and the group can shape both the form and diegesis of a programme. I will analyse how Orange Is the New Black gradually shifts from being structured around a single protagonist to being structured around the community as a whole, demonstrating that the tension between individual and collective identities can be a productive force that proliferates and expands the narrative of a programme.
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Onaran, Aslihan Tokgöz. "Counterpatriarchal Pleasures of Muslim Turkish Women: A Feminist Ethnography of Rural Women Watching Daytime Television." Hawwa 9, no. 1-2 (2011): 171–93. http://dx.doi.org/10.1163/156920811x578511.
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AbstractThis article examines the intersection of patriarchal hegemony, television viewing, domestic power relations and individual agency in the daily lives of rural Turkish women. More specifically, it analyzes the reception of daytime American soap operas by women in the Black Sea Region of Turkey. Employing an interdisciplinary methodology that combines ethnography, textual analysis and transnational feminist theory, this study investigates how women’s media experiences allow them to resist their traditional roles assigned by Islamic patriarchies.Among the major questions addressed are, “In what ways does soap viewership reflect the appropriation of anti-patriarchal modes of knowledge? How do soap operas allow women to question local gender norms? How, for example, does viewer identification with a female soap opera character committing adultery disrupt traditional gender norms, in which an act of adultery may lead to an honor killing?”Turkish women’s viewership habits as well as their pleasures from the anti-traditional plots contribute to the creation of a resistive female sphere. This study illustrates the multiple levels through which this female forum is socially constructed. I argue that women’s viewing pleasures and the actualization of a powerful female homosociality furnish the structural conditions under which alternative forms of meaning can gain a public momentum. Although respondents’ diverse uses of soap operas do not represent the formation of organized feminist protest, they, nevertheless, reflect these women’s dissatisfaction with the status quo. As such, soap viewership allows women to challenge traditional norms of gender and sexuality in the villages where this study was conducted.
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Dimitra, Laurence Larochelle. "Questioning Soft Power An Empirical Approach of the Reception of Turkish Soap-Operas by Greeks." Art Style, Art & Culture International Magazine 3, no. 3 (2019): 83–101. https://doi.org/10.5281/zenodo.4117906.
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Art Style | Art & Culture International Magazine Abstract Since the introduction of soft power theory by Joseph Nye, many political and media scientists as well as elite journalists have used this concept in order to analyze the impact of transnational media texts and their effects on local audiences. Despite its popularity, the soft power theory raises several questions that should be taken under consideration. First, it presupposes a direct link between a product’s attractiveness and the ability to influence other nations on a diplomatic level. Second, it underestimates the complexity of the reception process of media texts by the audiences and third, it does not take under consideration the complexity of the relationship between two countries which may be defined by historic and strategic elements and in which soft power may play only a limited role. Through this article we present the results of our empirical research concerning the reception of Turkish soap-operas by the audience in Greece. Undeniably, Turkish soap-operas attract Greek audiences for several reasons such as cultural proximity, identity negotiation, alternative storylines etc. and which may conduct activities in relation to these particular soap-operas (i.e. soap-opera induced tourism) or to Turkish civilization in general (i.e. learning Turkish language). However, this attraction should not be confounded with the desire to overcome long-enduring rivalries and negative feelings that are due to tangible as well as on emotional elements in order to follow Turkish government’s interests as soft power theory suggests. Therefore, the attraction of local audiences by transnational texts such as Turkish soap-operas, should not be considered as a de facto success of Turkey’s soft power. Consequently, soft power should rather be used as a communicational intentionality.
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Palma Fahey, María. "Understanding idioms and idiomatic expressions in context: a look at idioms found in an Irish soap opera." TEANGA, the Journal of the Irish Association for Applied Linguistics 22 (July 17, 2019): 84–104. http://dx.doi.org/10.35903/teanga.v22i0.154.
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This paper looks at idioms drawn from a corpus of soap opera and compares their communicative functions to those performed by idioms in corpora of naturally-occurring conversation. In this study soap opera data is validated as a suitable tool for demonstrating the role that idioms play in spoken interaction. Soap operas, as well as other media genres, try to convey a believable linguistic world, exploiting idioms and providing contexts in which the pragmatic functions of idioms can be understood and analysed. This paper suggests that the analysis of idioms found in soap opera can contribute to the increase of knowledge and understanding concerning the communicative functions that idioms have in conversation. The data used in this study is drawn from the corpora of naturally-occurring conversation --- the Limerick Corpus of Irish English (LCIE) and the Cambridge and Nottingham Corpus of Discourse in English (CANCODE) --- and a corpus of the Irish soap opera, Fair City.
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Qanitah Salma, Rini Sartika, and Putri Handayani. "Analisis Interaksi Dan Respon Penonton Di Media Sosial Terhadap Sinetron “Asmara Gen Z” Dengan Menggunakan Teori Uses And Gratification." Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya 2, no. 1 (2025): 205–12. https://doi.org/10.62383/filosofi.v2i1.513.
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This study aims to analyze the interaction and response of viewers on social media to the soap opera Asmara Gen Z using the Uses and Gratification theory. The research method used is a qualitative approach with interaction and response analysis, as well as in-depth interviews with active viewers. The results of the study indicate that the main motivation of viewers in watching the soap opera Asmara Gen Z is because of the presence of young actors and actresses who are relatable to their lives, an interesting and diverse storyline, and a hit soundtrack. This soap opera also succeeded in building hype through social media with active interaction from the players. These findings indicate that the soap opera Asmara Gen Z meets various audience needs, including cognitive, affective, personal identity, social integration and interaction, and escape needs. This study provides insight into how soap operas can create high engagement on social media and provides implications for entertainment content marketing strategies in the digital era.
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Wallack, Lawrence, Warren Breed, and James R. De Foe. "Alcohol and Soap Operas: Drinking in the Light of Day." Journal of Drug Education 15, no. 4 (1985): 365–79. http://dx.doi.org/10.2190/2l1t-5fq5-20v7-2yd6.
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Television programming serves as an important source of information about health in general and alcohol issues in particular. This article reports on a study of drinking portrayals on the day time soap opera, “All My Children.” Major drinking themes over the past four and one-half years are reviewed. In addition, a study of thirty consecutive episodes in summer 1984 is reported and findings are compared to other research on soap opera drinking. Overall, “All My Children” was found to be doing a good job of accurately portraying drinking problems. Several good role models for social drinking and abstinence were presented and negative reinforcement for heavier or high risk drinking was frequent. Several recommendations are presented regarding ways that soap operas can take greater advantage of a unique opportunity for health education.
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DAS, SHASWATI. "The Image of Bharatiya Nari as Projected by Indian Television Soap-Operas." Dev Sanskriti Interdisciplinary International Journal 7 (January 31, 2016): 72–79. http://dx.doi.org/10.36018/dsiij.v7i0.78.
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 Television soaps and serials in private television channels have swept the Indian market in the last few decades. These soap operas have been upholding the socio-cultural patterns of the country through their contents. In the construction of Indian cultural landscape Indian women and their roles in society are the most vulnerable sites. The linkage of national identity and tradition with Indian women’s roles in society places them in a problematic position, given the patriarchal nature of Indian society. Soap operas on Indian television mostly depict women as homely and tradition-bound. Though there are portrayals of educated, professional women but they are also shown to find solace in the family. This paper tries to trace the image of the Indian Woman that has been endorsed by the Indian soap operas since its beginning and in doing so it tries to explore the implications of certain myths and ideologies that drive the story writers and the producers to de-recognize the changes in the contemporary society and to fall back on projecting stereotypical images; thus giving preference to social identity while ignoring individual identity of a woman.
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Yazofa, Tartila. "Riset Hadis Berbasis Multimedia." SHAHIH (Jurnal Kewahyuan Islam) 6, no. 1 (2023): 115. http://dx.doi.org/10.51900/shh.v6i1.19373.
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<p>This research discusses multimedia-based hadith research in the reception study of living hadith studies in the form of film media. Muslim individuals in the current era are increasingly exploring religious teachings through social media, especially on YouTube. This phenomenon makes contemporary Muslim scholars convey religious teachings more in the form of video lectures and even package them more interestingly in the form of films that contain Islamic teaching values. Mapping multimedia-based hadith research, one of which focuses on the soap opera "Taqdir Divine Test from Allah" which attempts to portray a model of hadith mediatization packaged in the form of a religious soap opera. This article tries to explain the phenomenon of living hadith receptions presented from multimedia-based hadith research into film shows, including "Papi and Kacung, "The Santri", and "Kaya But Missqueen", the substance of which comes from the words of the Prophet Muhammad Saw. This research uses a qualitative method with direct observation in watching the soap opera film as a primary source and uses a literature study approach as a secondary source regarding topics related to this research. The results of the research show that this research was conducted to examine the trend model for multimedia-based hadith reception in soap operas in Indonesia. This research produces; First, the scenes played by soap opera actors illustrate the hadith in a concrete way so that the wider community can learn from it. Second, soap operas from films perceive hadith exegetically, aesthetically and functionally. Third, the hadith packaged in the form of a soap opera does not fully represent the reality of the hadith, but is sufficient as an alternative for the public to understand the hadith practically and can be used as a reference as a learning and moral education tool so that the positive values contained in the film can be understood by each individual with Good.</p>
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Lockyear, Hester. "Multiculturalism in South African soap operas." Communicatio 30, no. 1 (2004): 26–43. http://dx.doi.org/10.1080/02500160408537985.
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Babrow, Austin S. "Student motives for watching soap operas." Journal of Broadcasting & Electronic Media 31, no. 3 (1987): 309–21. http://dx.doi.org/10.1080/08838158709386666.
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Lopes, Alice Casimiro, and Elizabeth Macedo. "Education in Brazilian Television Soap Operas." Journal of Curriculum and Pedagogy 3, no. 2 (2006): 42–46. http://dx.doi.org/10.1080/15505170.2006.10411597.
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Deprez, Camille. "Mythes hindous, soap operas et telenovelas." MédiaMorphoses. Hors-série 3, no. 1 (2007): 70–73. http://dx.doi.org/10.3406/memor.2007.2697.
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Agoncillo-Quirante, Aleli, and Victorio Sugbo. "In the Minds of Philippine Audiences: Construction of the Malaysian Culture from Two TV Soap Operas." Plaridel 7, no. 2 (2010): 39–57. http://dx.doi.org/10.52518/2010.7.2-03agncllqrntsgb.
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Prolonged exposure to specific media programs has been observed to develop certain perceptions, attitudes and particular constructions of reality. As a powerful medium that captures the attention of a wide range of audiences, television (TV) soap operas shape and reshape the latter’s values and beliefs. This paper aims to determine what information co-productions of Philippine and Malaysian TV companies provide Filipino viewers in terms of knowledge constructions about Malaysia and its culture. Two TV soap operas, otherwise known as telenovela or teleserye, formed the bases of the investigation. Data were gathered from 80 discussants through Focus Group Discussions. Findings reveal that much of the mediated constructions of Malaysia and its culture have been limited to what the narrative yarns of the TV soap operas provide. Since the TV soap operas were so structured as to tell stories about cultural conflicts and human struggles, viewers’ constructions of Malaysia and its culture revolved mainly around interracial relations, arranged marriages, the practice of Islam, landmarks of Malaysia and the Chinese presence in that country.
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Gamage, Shashini. "Migration, identity, and television audiences: Sri Lankan women’s soap opera clubs and diasporic life in Melbourne." Media International Australia 176, no. 1 (2020): 93–106. http://dx.doi.org/10.1177/1329878x20916946.
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This article examines a soap opera club of Sri Lankan Sinhalese migrant women in Melbourne and their collective engagement with television soap operas from the home country. Teledramas, as Sri Lankan Sinhalese-language soap operas are known, have a predominantly female viewership in Sri Lanka and also constitute a significant presence in the media diets of Sinhalese migrant women in Melbourne, and elsewhere in the world. Furthermore, at a women’s teledrama club affiliated to a Sri Lankan diasporic association, Sinhalese migrant women come together to exchange and archive reproduced DVDs of teledramas broadcast in Sri Lanka, bought from Sri Lankan grocery shops in Melbourne. This article builds on ethnographic research conducted at the teledrama club to show how what may appear to be an informal gathering of female teledrama fans is complexly interwoven into the expression of identity and belonging in Australian society. The article positions trans-Asia media flows in Australia within the everyday lives of migrants by examining the Sri Lankan soap opera club as a gendered space as well as a cultural space of identity, belonging and expression. This article finds that the teledrama club provided the women a symbolic national identity as an audience and the Sri Lankan narratives offered audiovisual access to the value systems of their distant geography and past.
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Van der Merwe, Nadia. "Isidingo as entertainment-education." Communicare: Journal for Communication Studies in Africa 24, no. 2 (2022): 47–65. http://dx.doi.org/10.36615/jcsa.v24i2.1775.
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In developing countries, the popular media can be used effectively to address socialproblems (Vaughan, Rogers, Singhal & Swalehe, 2000:82). In recent decades, variousdevelopmental, educational and other socially useful messages have often been includedin the content of soap operas (Mody, 1991).The producers of South African soap opera Isidingo are acutely aware of their socialresponsibility and therefore attempt to make a contribution towards social change andnation building. As such, Isidingo employs positive role models to transmit pro-socialmessages to its viewers. This paper will report on a study that explored the applicationof the entertainment-education (E-E) strategy in the local soap opera Isidingo byinvestigating the perceptions of female viewers in respect of self-reported knowledgeacquisition, attitudes and behavioural changes due to watching this programme.
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Sahu, Sudhansubala. "Revisiting Television in India: Mapping the Portrayal of Women in Soap Operas." Sociological Bulletin 67, no. 2 (2018): 204–19. http://dx.doi.org/10.1177/0038022918775502.
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This article attempts to map the portrayal of women in popular soap operas on television in India. It begins with the discourses around portrayal of women on Doordarshan in the pre-liberalisation era and goes on to analyse a few soap operas in the past one decade. With substantive review of visual texts, it aims to disprove the claim that there is a paradigm shift especially with respect to the portrayal of women in the contemporary and so-called progressive soap operas. It concludes by comparing all the phases of development of television in India with respect to construction of women and stating how very little and inconsequential change has occurred in this regard in spite of all the efforts from the state and the intellectual community.
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Herieningsih, Sri Widowati, and Tandiyo Pradekso. "Soap-opera, Parental Mediation, Perceived Reality and Antisocial Behavior." E3S Web of Conferences 73 (2018): 14008. http://dx.doi.org/10.1051/e3sconf/20187314008.
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Many attentions have been spotted to the potential drive and effect of television on anti-social behavior. The main argument lies on the frequent repetition of intense violent showed by television soap opera. Previous studies showed that children with heavy viewing habit of violent soap-operas were tend to imitate anti-social behavior. Children were considered to have limited skill to differentiate facts and fictions from television content, and this is where parental mediation (restrictive, active, or viewing) should take place to moderate the impact of television violence. The research was intended to explain the effect of watching soap-opera, parental mediation, and perceived reality on anti-social behavior of children. Using survey method, the study non-randomly collect data from children of age 10-12 years old in Semarang. Research finding shows considerable effect of soap-opera viewing, and perceived reality on anti-social behavior of children. However, no effect of parental mediation appeared on anti-social behavior of children.
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Kosińska-Krippner, Beata. "Between Fact and Fiction: Documentary Telenovela, or Docusoap Polish Style." Kwartalnik Filmowy, Special Issue (December 31, 2013): 169–88. http://dx.doi.org/10.36744/kf.1900.
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The article deals with documentary soap operas, or the Polish version of docusoaps. This is a television genre that is a hybrid of observational documentary and elements typical of soap operas. In the introduction the author presents up to date research on docusoaps: she defines, following Margaret Lünenborg, the conditions that had to be met, in order for the genre to come into the existence, and she shows the circumstances in which it first appeared. She refers to the work of Richard Kilborn in order to present characteristic features of docusoap, and she uses the staging strategies for reality TV described by Elisabeth Klaus and Stephanie Lücke, in order to show staging strategies in docusoaps. In the main part of the article Kosińska-Krippner presents a short history of documentary soap operas, classification of its various types and the analysis of its components. She then defines this genre and describes its features. In the conclusion the author compares docusoaps and documentary soap operas, and shows the similarities and differences between the two genres, she also comments upon the value and usefulness of this genre. [originally published in Polish in Kwartalnik Filmowy 2011, no. 75-76, pp. 273-294]