Relevant bibliographies by topics / Social aspects of Masks in motion pictures

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Academic literature on the topic 'Social aspects of Masks in motion pictures'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Social aspects of Masks in motion pictures"

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Shindy, Regina Ayu Harna, and Romel Noverino. "ECRANISATION STUDY OF SOCIAL SETTING OF ME, AND EARL, AND THE DYING GIRL." Jurnal Bahasa, Sastra, dan Budaya 11, no. 2 (2021): 1–12. http://dx.doi.org/10.37905/jbsb.v11i2.10151.

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Ecranisation is transformation of written text in a novel into motion pictures in film. In so doing, the transformation undergoes three kinds of characteristics which become the main analysis in ecranization study, namely reduction, addition, and variation of change. This article discusses the results of a study on how the three processes in terms of social setting have contributed to the alteration of storyline. Objective data were collected through purposive sampling in this qualitative study from the novel and its film of Me and Earl and the Dying Girl. The results show that the storyline i
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Fanny, Nabilatul, Yunita Wisda Tumarta Arif, and Laila Nur Azizah. "Peningkatan Pengetahuan dan Keterampilan PHBS Sebagai Upaya Pencegahan Pandemi Covid-19 Dengan Media Video Interaktif di Yayasan Al-Kahfi Surakarta." Duta Abdimas 1, no. 1 (2022): 13–19. http://dx.doi.org/10.47701/abdimas.v1i1.1583.

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The Al-Kahfi Foundation is a social institution engaged in education and charity. The results of the preliminary survey conducted through observation and interviews with foundation administrators found that there were problems controlling children's behavior towards personal health, especially those who still lived with their families. The results of a survey of 10 orphanage children showed that as many as 40% of children had insufficient knowledge and did not understand the importance of having a clean and healthy lifestyle (PHBS), and 50% of children did not clearly understand what Covid-19
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Olivia Novera and Yenny Fitri.Z. "Analisis Pengaturan Hukum Pidana terhadap Penyalahgunaan Teknologi Manipulasi Gambar (Deepfake) dalam Penyebaran Konten Pornografi Melalui Akun Media Sosial." El-Faqih : Jurnal Pemikiran dan Hukum Islam 10, no. 2 (2024): 460–74. http://dx.doi.org/10.58401/faqih.v10i2.1539.

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Deepfake is an advanced technology that utilizes the latest artificial intelligence techniques to produce compelling images or motion pictures that appear to be genuine. This technique uses specialized algorithms to create fake content that is difficult to distinguish from the real thing. In Indonesia, cases of deepfake pornography have increased in recent years. With this new Artificial Intelligence technology which in addition to the many positive impacts it provides, it also has negative impacts that can support the occurrence of these cases. the spread of pornographic content with image ma
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Hawley, Erin. "Re-imagining Horror in Children's Animated Film." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1033.

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Introduction It is very common for children’s films to adapt, rework, or otherwise re-imagine existing cultural material. Such re-imaginings are potential candidates for fidelity criticism: a mode of analysis whereby an adaptation is judged according to its degree of faithfulness to the source text. Indeed, it is interesting that while fidelity criticism is now considered outdated and problematic by adaptation theorists (see Stam; Leitch; and Whelehan) the issue of fidelity has tended to linger in the discussions that form around material adapted for children. In particular, it is often assume
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"Language learning." Language Teaching 39, no. 2 (2006): 108–17. http://dx.doi.org/10.1017/s026144480622370x.

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06–235Akinjobi, Adenike (U Ibadan, Nigeria), Vowel reduction and suffixation in Nigeria. English Today (Cambridge University Press) 22.1 (2006), 10–17.06–236Bernat, Eva (Macquarie U, Australia; Eva.Bernat@nceltr.mq.edu.au) & Inna Gvozdenko, Beliefs about language learning: Current knowledge, pedagogical implications, and new research directions. TESL-EJ (www.tesl-ej.org) 9.1 (2005), 21 pp.06–237Cheater, Angela P. (Macau Polytechnic Institute, China), Beyond meatspace – or, geeking out in e-English. English Today (Cambridge University Press) 22.1 (2006), 18–28.06–238Chen, Liang (Lehigh U, P
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Cham, Karen, and Jeffrey Johnson. "Complexity Theory." M/C Journal 10, no. 3 (2007). http://dx.doi.org/10.5204/mcj.2672.

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 Complex systems are an invention of the universe. It is not at all clear that science has an a priori primacy claim to the study of complex systems. (Galanter 5) Introduction In popular dialogues, describing a system as “complex” is often the point of resignation, inferring that the system cannot be sufficiently described, predicted nor managed. Transport networks, management infrastructure and supply chain logistics are all often described in this way. In socio-cultural terms “complex” is used to describe those humanistic systems that are “intricate, involved, complicated
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Morris, Ieuan. "Interruption/Interaction/Collaboration: A Critical Appraisal of the Textual @traction Interactive Event." M/C Journal 9, no. 2 (2006). http://dx.doi.org/10.5204/mcj.2622.

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This article reflects upon the process of the making and screening of an interactive short film called Textual @traction, which I wrote and directed. The film is 12 minutes long, 35mm film, and shows how a series of messages sent to a lost mobile phone inadvertently allows two gay men to declare their love for each other. In the form of a puzzle, the film denies sight of the crucial messages sent between the characters, messages which motivate their actions. However, through the simple use of SMS (Short Message System) text technology, the audience can receive each of these messages on their o
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D'Aloia, Alessandro. "Paraliminal Conceptuality and the Abstract of Infinity, or Film Philosophy into LLMs Will Do Fine." M/C Journal 27, no. 5 (2024). http://dx.doi.org/10.5204/mcj.3098.

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This article questions whether there exists a difference between the actuality and the virtuality of land as a means of image or scapeness with regard to Ben Koder’s Looking Glass Quilt and John Power’s work on generative ambient screens in public spaces as encounters. It also challenges, but more along the lines of plays with, Jeff Malpas’s contestation of space as a concept that is central to the notion of geographical thinking in the absence of a geography, but with an emphasis on the relational view of space that has come to dominate geography and the social sciences as an elucidation of s
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Nolan, Huw, and Jo Coghlan. "Mutating a Better Man." M/C Journal 28, no. 2 (2025). https://doi.org/10.5204/mcj.3170.

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Introduction Michael Gracey's Better Man (2024) presents an innovative biographical representation of British pop star Robbie Williams through a radical visual strategy—depicting its subject as a CGI primate rather than through a human actor. Filmed in Australia and partially funded by the Australian Government, the film follows a relatively standard biopic narrative tracing Williams’s trajectory from his Stoke-on-Trent childhood through his tumultuous Take That tenure to solo stardom, mapping his struggles with addiction, familial relationships, and mental health crises. What distinguishes Be
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Hodge, Bob. "The Complexity Revolution." M/C Journal 10, no. 3 (2007). http://dx.doi.org/10.5204/mcj.2656.

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 ‘Complex(ity)’ is currently fashionable in the humanities. Fashions come and go, but in this article I argue that the interest in complexity connects with something deeper, an intellectual revolution that began before complexity became trendy, and will continue after the spotlight passes on. Yet to make this case, and understand and advance this revolution, we need a better take on ‘complexity’. ‘Complex’ is of course complex. In common use it refers to something ‘composed of many interrelated parts’, or problems ‘so complicated or intricate as to be hard to deal with’. I
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Dissertations / Theses on the topic "Social aspects of Masks in motion pictures"

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Mechar, Kyle William. "The cultural logic of dis-ease : difference andas displacement in popular discourses of the AIDS crisis." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23229.

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This thesis investigates the cultural and social production of AIDS in popular discourse, particularly film and mass media, and offers a critical consideration of the ways in which the proliferation and dispersion of these discourses function in our current episteme to rearticulate and reinscribe traditional value systems of sexuality, familialism, and nationalism. Taking the lead of the work of Michel Foucault on the body in various historical regimes, the author here will posit a theoretical analysis of the "discursive formation" of AIDS, how the body of AIDS is put into discourse, to provid
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Campbell, Robin Rhodes. "Images of ethnicity in pornography." CSUSB ScholarWorks, 1993. https://scholarworks.lib.csusb.edu/etd-project/695.

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Zhang, Bing. "Avatar in China : a cyber-audience discourse analysis perspective." Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2525516.

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Ray, Radharani. "The rhetoric of postcolonialism Indian middle cinema and the middle class in the 1990s /." Access restricted to users with UT Austin EID, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3035171.

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Ntsane, Ntsane Steve. "The dual world metaphor and the 'struggle' in selected South African and African films (1948 to 1996)." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53628.

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Thesis (MA)--Stellenbosch University, 2003.<br>ENGLISH ABSTRACT: The terminology used in segregationist discourse that South Africa is a combination of 'first world' and 'third world' elements has been appropriated from an international discourse about problems of world-wide socio-economic development. The terms are used to describe the sophisticated metropolitan areas inhabited by highly developed whites and simple, backward, isolated, rural regions occupied by undeveloped or underdeveloped blacks. However, in South Africa this dual world metaphor, which has socio-political implication
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Law, Yuk-wa, and 羅玉華. "On time and festivity: a study of Chinese newyear films." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B38301155.

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Gazetas, Aristides. "Imagining selves : the politics of representation, film narratives and adult education." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25053.pdf.

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Montgomery, Michael Vincent. "Bakhtin's chronotope and the rhetoric of Hollywood film." Diss., The University of Arizona, 1992. http://hdl.handle.net/10150/185758.

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This dissertation considers Hollywood film locales rhetorically, as the site of many different kinds of community activities and perspectives. In particular, my focus will be on locales and mise-en-scene elements that replicate certain "chronotopic" patterns of time and space organized by our culture in its literature. These special patterns, along with their signifying functions, were first outlined by Mikhail Bakhtin during the period 1937-1938. As a first step, I begin with a broad survey, outlining the salient features of Bakhtin's individual chronotopes ancient and modern, and considering
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Chan, Kim-mui Eileen, and 陳劍梅. "Postmodernity and recent Hong Kong cinema." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B3121390X.

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Croy, William Glen, and n/a. "The role of film in destination decision-making." University of Otago. Department of Tourism, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080404.155622.

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The purpose of this research is to create a method and measure the influence of fictional film media in potential tourists� destination decision-making, using a quasi-experimental method. Film tourism researchers have implied that film plays a direct role in generating tourism. In this research, however, it is proposed that film plays an indirect role through the construction of meaning of place, and therefore destination awareness, availability and evaluation. A two-part multiphase quasi-experimental method was created and implemented to identify change in a destination�s image due to watch
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Books on the topic "Social aspects of Masks in motion pictures"

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López, Manuel Villegas. El cine en la sociedad de masas. Ediciones JC, 1992.

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Jeffrey, Richards, Sheridan Dorothy, and Mass-Observation, eds. Mass-Observation at the movies. Routledge & Kegan Paul, 1987.

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1945-, Belton John, ed. Movies and mass culture. Athlone, 1996.

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Rajala, Anne. The Political Economy of Local Cinema: A Critical Introduction. Peter Lang International Academic Publishers, 2020.

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John, Belton, ed. Movies and mass culture. Rutgers University Press, 1996.

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Codeluppi, Vanni. L'era dello schermo: Convivere con l'invadenza mediatica. FrancoAngeli, 2013.

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Turkey) Uluslararasi Suç ve Ceza Film Festivali (6th 2016 Istanbul. 6. Uluslararası Suç ve Ceza Film Festivali "Yoksulluk": Tebliğler = 6th International Crime and Punishment Film Festival "Poverty" : academic papers. Edited by Sözüer Adem editor. Oniki Levha Yayıncılık, 2017.

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1956-, Lant Antonia, and Periz Ingrid, eds. Red velvet seat: Women's writings on the first fifty years of cinema. Verso, 2006.

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Rajadhyaksha, Ashish. Indian cinema in the time of celluloid: From Bollywood to the emergency. Indiana University Press, 2009.

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Elżbieta, Oleksy, Ostrowska Elżbieta 1961-, and Stevenson Michael, eds. Gender in film and the media: East-West dialogues. Peter Lang, 2000.

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