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1

López, Manuel Villegas. El cine en la sociedad de masas. Ediciones JC, 1992.

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2

Jeffrey, Richards, Sheridan Dorothy, and Mass-Observation, eds. Mass-Observation at the movies. Routledge & Kegan Paul, 1987.

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3

1945-, Belton John, ed. Movies and mass culture. Athlone, 1996.

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4

Rajala, Anne. The Political Economy of Local Cinema: A Critical Introduction. Peter Lang International Academic Publishers, 2020.

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5

John, Belton, ed. Movies and mass culture. Rutgers University Press, 1996.

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6

Codeluppi, Vanni. L'era dello schermo: Convivere con l'invadenza mediatica. FrancoAngeli, 2013.

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7

Turkey) Uluslararasi Suç ve Ceza Film Festivali (6th 2016 Istanbul. 6. Uluslararası Suç ve Ceza Film Festivali "Yoksulluk": Tebliğler = 6th International Crime and Punishment Film Festival "Poverty" : academic papers. Edited by Sözüer Adem editor. Oniki Levha Yayıncılık, 2017.

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8

1956-, Lant Antonia, and Periz Ingrid, eds. Red velvet seat: Women's writings on the first fifty years of cinema. Verso, 2006.

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9

Rajadhyaksha, Ashish. Indian cinema in the time of celluloid: From Bollywood to the emergency. Indiana University Press, 2009.

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10

Elżbieta, Oleksy, Ostrowska Elżbieta 1961-, and Stevenson Michael, eds. Gender in film and the media: East-West dialogues. Peter Lang, 2000.

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11

Calamita, Umberto. La classe operaia non va in paradiso: Il cinema di lotta e di protesta. Falsopiano, 2010.

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12

Srinivas, S. V. Megastar: Chiranjeevi and Telugu cinema after N.T. Rama Rao. Oxford University Press, 2009.

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13

Ramonet, Ignacio. Propagandas silenciosas: Masas, televisión, cine. Instituto Cubano del Libro, 2001.

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14

Hamid, Naficy, and Gabriel Teshome H, eds. Otherness and the media: The ethnography of the imagined and the imaged. Harwood Academic Publishers, 1993.

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15

Protzel, Javier. Imaginarios sociales e imaginarios cinematográficos. Universidad de Lima, Fondo Editorial, 2009.

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16

Protzel, Javier. Imaginarios sociales e imaginarios cinematográficos. Universidad de Lima, Fondo Editorial, 2009.

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17

Heinz-B, Heller, ed. Leben aus zweiter Hand?: Soziale Phantasie und mediale Erfahrung. MAkS Publikationen Münster, 1992.

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18

Society for the Interdisciplinary Study of Social Imagery. Conference. The image of the city in literature, media and society ; selected papers [from the] 2003 conference [of the] Society for the Interdisciplinary Study of Social Imagery. The Society, Colorado State University-Pueblo, 2003.

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19

Conference, Society for the Interdisciplinary Study of Social Imagery. The image of technology in literature, the media, and society ; selected papers [from the] 1994 conference [of the] Society for the Interdisciplinary Study of Social Imagery. The Society, University of Southern Colorado, 1994.

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20

Jowett, Garth. Movies as mass communication. 2nd ed. Sage Publications, 1989.

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21

Wendy, Helsby, ed. Understanding representation. BFI, 2005.

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22

Society for the Interdisciplinary Study of Social Imagery. Conference. The image of America in literature, media and society ; selected papers [from the] 1999 conference [of the] Society for the Interdisciplinary Study of Social Imagery. The Society, University of Southern Colorado, 1999.

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23

Society for the Interdisciplinary Study of Social Imagery. Conference. The image of the hero in literature, media, and society: Selected papers [of the] Society for the Interdisciplinary Study of Social Imagery, March 2004, Colorado Springs, Colorado. The Society, Colorado State University-Pueblo, 2004.

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24

Mazzarella, William. Censorium: Cinema and the Open Edge of Mass Publicity. Duke University Press, 2013.

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25

Mazzarella, William. Censorium: Cinema and the Open Edge of Mass Publicity. Duke University Press, 2013.

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26

Sheridan, Dorothy, and Jeffrey Richards. Mass-Observation at the Movies. Taylor & Francis Group, 2013.

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27

Sheridan, Dorothy, and Jeffrey Richards. Mass-Observation at the Movies. Taylor & Francis Group, 2016.

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28

Critical Mass: Social Documentary in France from the Silent ERA to New Wave. University of Minnesota Press, 2018.

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29

Critical Mass: Social Documentary in France from the Silent Era to the New Wave. University of Minnesota Press, 2018.

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30

Critical Mass: Social Documentary in France from the Silent Era to the New Wave. University of Minnesota Press, 2018.

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31

Critical Mass: Social Documentary in France from the Silent Era to the New Wave. Univ Of Minnesota Press, 2018.

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32

Coates, Paul. Film at the Intersection of High and Mass Culture (Cambridge Studies in Film). Cambridge University Press, 2009.

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33

Santo, el enmascarado de plata: Mito y realidad de un héroe mexicano moderno. Editorial Universitaria, Universidad de Guadalajara, 2012.

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34

Santo, el enmascarado de plata: Mito y realidad de un héroe mexicano moderno. Colegio de Michoacán, 2004.

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35

Villarejo, Amy, and Matthew Tinkcom. Keyframes: Popular Cinema and Cultural Studies. Taylor & Francis Group, 2003.

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36

Villarejo, Amy, and Matthew Tinkcom. Keyframes: Popular Cinema and Cultural Studies. Taylor & Francis Group, 2003.

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37

Villarejo, Amy, and Matthew Tinkcom. Keyframes: Popular Cinema and Cultural Studies. Taylor & Francis Group, 2003.

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38

Stocchetti, Matteo, Anne Rajala, and Daniel Lindblom. Political Economy of Local Cinema: A Critical Introduction. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2020.

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39

Stocchetti, Matteo, Anne Rajala, and Daniel Lindblom. Political Economy of Local Cinema: A Critical Introduction. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2020.

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40

Stocchetti, Matteo, Anne Rajala, and Daniel Lindblom. Political Economy of Local Cinema: A Critical Introduction. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2020.

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41

Political Economy of Local Cinema: A Critical Introduction. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2020.

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42

Frühe Film- und Mediensoziologie: Emilie Altenlohs Studie "Zur Soziologie des Kino" von 1914. Universitätsverlag Siegen, 2007.

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43

African cinema: Politics & culture. Indiana University Press, 1992.

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44

Jacobs, Del. Interrogating the Image: Movies and the World of Film and Television. University Press of America, Incorporated, 2009.

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45

Nepostizhimai︠a︡ kinodramaturgii︠a︡. Vserossiĭskiĭ gos. institut kinematografii im. S.A. Gerasimova, 2004.

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46

Padva, Gilad. Straight Skin, Gay Masks and Pretending to Be Gay on Screen. Taylor & Francis Group, 2020.

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47

Padva, Gilad. Straight Skin, Gay Masks and Pretending to Be Gay on Screen. Taylor & Francis Group, 2020.

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48

Straight Skin, Gay Masks and Pretending to Be Gay on Screen. Taylor & Francis Group, 2020.

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49

Vaughn, Stephen. Ronald Reagan in Hollywood: Movies and Politics (Cambridge Studies in the History of Mass Communication). Cambridge University Press, 2004.

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50

"Der Kino ist eben in erster Linie für die modernen Menschen da": Die kulturwissenschaftliche Entdeckung des Filmpublikums im Industriezeitalter durch Emilie Altenlohs Mediensoziologie. Avinus, 2013.

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