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Relevant bibliographies by topics / Social aspects of Photograph albums

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Journal articles

Academic literature on the topic 'Social aspects of Photograph albums'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 January 2023

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Journal articles on the topic "Social aspects of Photograph albums"

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Macagno, Lorenzo. "Modern Intimacies and Modernist Landscapes: Chinese Photographs in Late-Colonial Mozambique." Lusotopie 19, no. 2 (2021): 181–212. http://dx.doi.org/10.1163/17683084-12341763.

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Abstract This paper addresses a specific aspect of the social and cultural life of the Luso-Chinese in Mozambique, whose first contingents came from the Chinese province of Guangdong in the second half of the 19th century. Most settled in the city of Beira. By the 1950s, the Chinese community was already well integrated into modern life in colonial Beira. The city was going through an unprecedented urban and architectural boom. At that time, the Luso-Chinese, who were essentially merchants, also began to stand out in the field of photography. Based on a multi-sited ethnography among the Portug

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Assymova, D. B. "VISUAL HISTORY OF FAMILY PHOTOS OF KAZAKHSTAN IN THE SECOND HALF OF THE XX CENTURY." History of the Homeland 99, no. 3 (2022): 19–27. http://dx.doi.org/10.51943/1814-6961_2022_3_19.

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This article analyzes the influence of historical aspects on the concept of family, social and emotional relations of the institution of the family, based on the consideration of family photo albums of Kazakhstan in the second half of the XXth century. The article deals with the main issues of family history, focusing on identifying their main goals and interests in family photography. Photography focuses on three areas in which most historical research is carried out today: the structure of the family and household, the group of relatives, the course of life, and the relationship between the

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Diane Waggoner. "Seeing Photographs in Comfort: The Social Uses of Lewis Carroll's Photograph Albums." Princeton University Library Chronicle 62, no. 3 (2001): 403. http://dx.doi.org/10.25290/prinunivlibrchro.62.3.0403.

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Carville, Justin. "‘This postcard album will tell my name, when I am quite forgotten’: Cultural Memory and First World War Soldier Photograph Albums." Modernist Cultures 13, no. 3 (2018): 417–44. http://dx.doi.org/10.3366/mod.2018.0220.

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Since the Crimean and American Civil Wars in the nineteenth century, photography has allowed societies to experience war through the collective understanding of photographic representation as an inscription or mnemonic cue for recollections of past events. However, the First World War ushered in new vernacular cultural practices of photography which radically altered how both war was represented and experienced through photography. This shift, in turn, engendered new private and domestic forms of post-war remembrance through the photographic image. Kodak's marketing of the Vest Pocket Autograp

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Bate, Jason. "Bonds of Kinship and Care: RAMC Photographic Albums and the Making of ‘Other’ Domestic Lives." Social History of Medicine 33, no. 3 (2018): 772–97. http://dx.doi.org/10.1093/shm/hky120.

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Abstract This article critically interrogates the nature of facial wounds themselves, their visceral, dehumanising quality, visibility, and social meaning. Little attention has been paid to the cultural ramifications and difficult questions concerning the futures of facially injured soldiers that Britain had to address in the post-war era. Focusing on photograph albums as socially salient objects, this article challenges medical photographic archives. Building on unexplored family archives, it revises understandings of the difficulties of veterans' homecoming, and how they achieved a level of

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Fox, Paul. "An unprecedented wartime practice: Kodaking the Egyptian Sudan." Media, War & Conflict 11, no. 3 (2017): 309–35. http://dx.doi.org/10.1177/1750635217710676.

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This article examines Kodak photographs made by participant soldiers and photographer–correspondents working in the field for the illustrated press during the concluding phase of the 1883–1898 campaign to defeat an Islamist insurgency in the Egyptian Sudan, whose leaders sought to create a regional caliphate. It explores how the presence of early generation portable cameras impacted on image making practices on British operations, and how aspects of campaign experience were subsequently represented in Kodak-derived photograph albums. With reference to graphic art and commercial photographic pr

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Oliinyk, Ivanna. "Batyar Songs in Viktor Morozov’s Creativity." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 130 (March 18, 2021): 119–30. http://dx.doi.org/10.31318/2522-4190.2021.130.231211.

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Relevance of the study. The batyar subculture has already become the subject of many scientific works of Polish and Ukrainian researchers as a social phenomenon with its own jargon and cultural traditions. In particular, this issue has become central in the works of U. Jakubowska, A. Kozytsky, O. Kharchyshyn, Y. Vynnychuk, N. Kosmolinska, W. Szolginia and others. Batyar songs as a layer of Lviv city music got a new life thanks to the creativity of V. Morozov, realized in the publication of three albums with neobatyar songs. This group of songs and its genre and intonation parameters have not y

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Modenesi, Thiago Vasconcellos, and Amaro Xavier Braga Junior. "Between Territories and Borders." 9ª Arte (São Paulo) 8, no. 1 (2019): 29–38. http://dx.doi.org/10.11606/issn.2316-9877.v8i1p29-38.

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The work is built around an essay on the use of comics in the debate of historical notions about the conflicts between the US and Mexico, the installation of the republic in Mexico, and geographic: with the perception of notions of limit, territory and frontier . It emphasizes how the geographical notions are built around a debate between nature and social behavior, historically constructed. Based on two albums of the character Lieutenant Blueberry of the French comics. Methodologically applies content analysis and hermeneutical critique to associate images and concepts. He concludes by sugges

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de-Andrés-del-Campo, Susana, Eloisa Nos-Aldas, and Agustín García-Matilla. "The transformative image. The power of a photograph for social change: The death of Aylan." Comunicar 24, no. 47 (2016): 29–37. http://dx.doi.org/10.3916/c47-2016-03.

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This paper focuses on the role of the image as an agent for social transformation. The methodology adopted is a case study: the impact of the photograph of Aylan Kurdi, the three-year-old child drowned off Bodrum in an attempt to escape on a raft full of Syrian migrants. This is one of the most widely seen social photojournalism documents in recent times, and it had a huge impact on social media. The study applies an iconographic, iconological and ethical analysis to reveal the constituent parts of an image with the power for social change. In its main conclusions, this paper describes the pot

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Hessels, Roy S., Jeroen S. Benjamins, Andrea J. van Doorn, Jan J. Koenderink, and Ignace T. C. Hooge. "Perception of the Potential for Interaction in Social Scenes." i-Perception 12, no. 5 (2021): 204166952110402. http://dx.doi.org/10.1177/20416695211040237.

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In urban environments, humans often encounter other people that may engage one in interaction. How do humans perceive such invitations to interact at a glance? We briefly presented participants with pictures of actors carrying out one of 11 behaviors (e.g., waving or looking at a phone) at four camera-actor distances. Participants were asked to describe what they might do in such a situation, how they decided, and what stood out most in the photograph. In addition, participants rated how likely they deemed interaction to take place. Participants formulated clear responses about how they might

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