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1

Finding the Civil War in your family album. [United States]: Picture Perfect Press, 2011.

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2

Starl, Timm. Knipser: Die Bildgeschichte der privaten Fotografie in Deutschland und Österreich von 1880 bis 1980. München: Koehler & Amelang, 1995.

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3

Langford, Martha. Suspended conversations: The afterlife of memory in photographic albums. Montreal: McGill-Queen's University Press, 2001.

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4

Galleries of friendship and fame: A history of nineteenth-century American photograph albums. New Haven [Conn.]: Yale University Press, 2010.

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5

Photography, Southeast Museum of. Voyages {per}Formed: Photography and travel in the Gilded Age. [Daytona Beach, Fl.]: Daytona Beach Community College, 2000.

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6

Vodoz, Jean Marie. Im milden Licht der Kirschblüten: Das Japan meines Vaters : Fotos 1924-1928. Zürich: Limmat, 2004.

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7

(autograph), Monk Lorraine, ed. Photographs that changed the world: The camera as witness, the photograph as evidence. Toronto: Macfarlane Walter & Ross, 1989.

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8

Chalfen, Richard. Turning leaves: The photograph collections of two Japanese American families. Albuquerque: University of New Mexico Press, 1991.

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9

Hardin, James N. Folklife annual 90: A publication of the American Folklife Center at the Library of Congress. Washington, D.C: The Library, 1991.

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10

Edward, Wakeling, and Carroll Lewis 1832-1898, eds. Lewis Carroll, photographer: The Princeton University Library albums. Princeton, N.J: Princeton University Press, 2002.

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11

Sundling, Doug. The Doors: Artistic vision : their vision of America and life portrayed in their six studio albums. Chessington: Castle Communications, 1996.

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12

Colorful world. New York: Thames & Hudson, 2006.

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13

Sundling, Doug. The Doors: Their artistic vision : a critical rendering of the Doors' six original albums as works of art portraying their vision of America and life. Bluffton, IN: GreenFire, 1990.

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14

1960-, Levine Barbara, Snyder Stephanie 1964-, and Douglas F. Cooley Memorial Art Gallery., eds. Snapshot chronicles: Inventing the American photo album. New York: Princeton Architectural Press, 2006.

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15

1950-, Tucker Susan, Ott Katherine, and Buckler Patricia, eds. The scrapbook in American life. Philadelphia, PA: Temple University Press, 2005.

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16

Carroll, Evan. Your digital afterlife: When Facebook, Flickr and Twitter are your estate, what's your legacy? Berkeley, CA: New Riders, 2011.

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17

Carroll, Evan. Your Digital Afterlife: When Facebook, Flickr and Twitter Are Your Estate, What's Your Legacy? Berkeley, USA: New Riders Press, 2011.

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18

Eugenia, Parry, Ambler Louise Todd, Banta Melissa 1953-, and Harvard University Library, eds. The invention of photography and its impact on learning: Photographs from Harvard University and Radcliffe College and from the collection of Harrison D. Horblit. Cambridge, Mass: Harvard University Library, 1989.

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19

Starl, Timm. Knipser: Die Bildgeschichte der privaten Fotografie in Deutschland und Osterreich von 1880 bis 1980. Koehler & Amelang, 1995.

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20

Langford, Martha, and John Langford. Suspended Conversations: The Afterlife of Memory in Photographic Albums. McGill-Queen's University Press, 2008.

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21

Langford, Martha. Suspended Conversations: The Afterlife of Memory in Photographic Albums. McGill-Queen's University Press, 2001.

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22

Langford, Martha. Suspended Conversations: The Afterlife of Memory in Photographic Albums, Second Edition. McGill-Queen's University Press, 2020.

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23

Kozo, Cole Carolyn, Kobayashi Kathy, and Los Angeles Public Library, eds. Shades of L.A.: Pictures from ethnic family albums. New York: New Press, 1996.

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24

(Editor), Kathy Kobayashi, Los Angeles Public Library (Corporate Author), and Carolyn Kozo Cole (Editor), eds. Shades of L.A: Pictures from Ethnic Family Albums. New Press, 1996.

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25

Berger, John. Understanding a photograph. Aperture, 2013.

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26

Brown, William H. The historical photograph: Artifact-testament-text. 1998.

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27

Uncertain Images: Museums and the Work of Photographs. Taylor & Francis Group, 2014.

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28

Edwards, Elizabeth, and Sigrid Lien. Uncertain Images: Museums and the Work of Photographs. Taylor & Francis Group, 2017.

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29

Edwards, Elizabeth, and Sigrid Lien. Uncertain Images: Museums and the Work of Photographs. Taylor & Francis Group, 2016.

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30

Edwards, Elizabeth, and Sigrid Lien. Uncertain Images: Museums and the Work of Photographs. Taylor & Francis Group, 2016.

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31

The Soiling of Old Glory: The Story of a Photograph That Shocked America. Bloomsbury Press, 2008.

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32

Toedtemeier, Terry, Stephanie Snyder, Matthew Stadler, and Barbara Levine. Snapshot Chronicles: Inventing the American Photo Album. Princeton Architectural Press and Reed College, 2007.

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33

Andrieux, J. P. White Fleet: A History of the Portuguese Handliners. Flanker Press Limited, 2013.

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34

Andrieux, J. P. White Fleet. Flanker Press Limited, 2013.

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35

Andrieux, J. P. White Fleet. Flanker Press Limited, 2013.

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36

Andrieux, J. P. White Fleet: A History of the Portuguese Handliners. Flanker Press Limited, 2013.

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37

Hanna, Erika. Snapshot Stories. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198823032.001.0001.

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During the twentieth century, men and women across Ireland picked up cameras, photographing days out at the beach, composing views of Ireland’s cities and countryside, and recording political events as they witnessed them. Indeed, while foreign photographers often focused on the image of Ireland as a bucolic rural landscape, Irish photographers—snapshotter and professional alike—were creating and curating photographs of Ireland which revealed more complex and diverse images of Ireland. Snapshot Stories explores these stories. It examines a diverse array of photographic sources, including family photograph albums, studio portraits, and the work of photography clubs and community photography initiatives, alongside the output of those who took their cameras into the streets to record violence and poverty. It shows how Irish men and women used photography in order to explore their sense of self and society, and examines how we can use these images to fill in the details of Ireland’s social history. Through exploring this rich array of sources, it asks what it means to see—to look, to gaze, to glance—in modern Ireland, and explores how conflicts regarding vision and visuality have repeatedly been at the centre of Irish life.
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38

Janis, Eugenia, Carney Gavin, James Ackerman, John Stoeckle, Guillerm Sanchez, John Stilgoe, Melissa Banta, and Beaumont Newhall. The Invention of Photography and its Impact on Learning: Photographs from Harvard University and Radcliffe College and from the Collection of Harrison D. Horblit. Harvard University Library, 1990.

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